Tiepolo, Giovanni Battista (Giambattista) (1696-1770) Assets (603 in total)

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The group of Pulcinella (Italian Polichinelle). Drawing in pen and wash on pencil mark by Giovanni Battista (Giambattista) Tiepolo (1696-1770).
The group of Pulcinella (Italian Polichinelle). Drawing in pen and wash on pencil mark by Giovanni Battista (Giambattista) Tiepolo (1696-1770).

GIA4764909: The group of Pulcinella (Italian Polichinelle). Drawing in pen and wash on pencil mark by Giovanni Battista (Giambattista) Tiepolo (1696-1770)., Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Allegory of Force and Knowledge Painting by Giambattista Tiepolo (1696-1770) 1743 Sun. 479x251 cm Udine, Museo Civico
Allegory of Force and Knowledge Painting by Giambattista Tiepolo (1696-1770) 1743 Sun. 479x251 cm Udine, Museo Civico

LRI4638221: Allegory of Force and Knowledge Painting by Giambattista Tiepolo (1696-1770) 1743 Sun. 479x251 cm Udine, Museo Civico, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Darius III Codoman's family, detail from Glories of Scipio Africanus and Alexander the Great, 1743 (fresco)
The Darius III Codoman's family, detail from Glories of Scipio Africanus and Alexander the Great, 1743 (fresco)

IBE5382792: The Darius III Codoman's family, detail from Glories of Scipio Africanus and Alexander the Great, 1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Triumph of Glory announced by Fame standing among the Cardinal Virtues, 1743 (fresco)
Triumph of Glory announced by Fame standing among the Cardinal Virtues, 1743 (fresco)

GRL5949091: Triumph of Glory announced by Fame standing among the Cardinal Virtues, 1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Triumph of Glory announced by Fame standing among the Cardinal Virtues, 1743 (fresco)
Triumph of Glory announced by Fame standing among the Cardinal Virtues, 1743 (fresco)

GRL5949092: Triumph of Glory announced by Fame standing among the Cardinal Virtues, 1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Time discovers Truth, 1734 (fresco)
Time discovers Truth, 1734 (fresco)

GRL5949100: Time discovers Truth, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Innocence sending away Deceit, 1734 (fresco)
Innocence sending away Deceit, 1734 (fresco)

GRL5949104: Innocence sending away Deceit, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Vigilance triumphs upon Slumber, 1734 (fresco)
Vigilance triumphs upon Slumber, 1734 (fresco)

GRL5949106: Vigilance triumphs upon Slumber, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:
Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:

GRL5962676: Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Cupid with arrows flying over a Venetian landscape", detail regarding the landscape, 1756-57 (detail), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from
Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from

GRL5962682: Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from "Orlando Furioso": "Angelica and Medoro in the shepherds' house", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the third room or room of the Aeneid:
Palazzina (Small Building), the third room or room of the Aeneid:

GRL5962690: Palazzina (Small Building), the third room or room of the Aeneid: "Venus, as a huntress, appears to her son Aeneas and his companion Achates on the beach of Libya, ordering them to go to Dido", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Vulcan, god of fire, who supervises the work of the blacksmiths who are forging weapons for Aeneas in the presence of Venus in his forge, 1756-57 (fresco)
Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Vulcan, god of fire, who supervises the work of the blacksmiths who are forging weapons for Aeneas in the presence of Venus in his forge, 1756-57 (fresco)

GRL5962697: Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Vulcan, god of fire, who supervises the work of the blacksmiths who are forging weapons for Aeneas in the presence of Venus in his forge, 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of
Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of

GRL5962708: Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of "Jerusalem Delivered": "Rinaldo, escorted by Ubaldo and Carlo, abandons Armida", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): view of the entrance hall. On the wall,
Palazzina (Small Building): view of the entrance hall. On the wall,

GRL5962720: Palazzina (Small Building): view of the entrance hall. On the wall, "The Sacrifice of Iphigenia", and on the ceiling "Diana and Aeolus", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, Room of the Rural Scenes:
Guest Lodgings, Room of the Rural Scenes:

GRL5962724: Guest Lodgings, Room of the Rural Scenes: "The Peasant's Rest", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Old Peasant Woman with a Basket of Eggs, from the 'Foresteria' (Guesthouse), 1757 (fresco)
Old Peasant Woman with a Basket of Eggs, from the 'Foresteria' (Guesthouse), 1757 (fresco)

GRL5962726: Old Peasant Woman with a Basket of Eggs, from the 'Foresteria' (Guesthouse), 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, Room of the Rural Scenes:
Guest Lodgings, Room of the Rural Scenes:

GRL5962728: Guest Lodgings, Room of the Rural Scenes: "Landscape with peasants", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Olympus:
Guest Lodgings, the Room of the Olympus:

GRL5962748: Guest Lodgings, the Room of the Olympus: "Jupiter", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Carnival Scenes:
Guest Lodgings, the Room of the Carnival Scenes:

GRL5962754: Guest Lodgings, the Room of the Carnival Scenes: "New World", a scene with masks imitating an oil paiting, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Carnival Scenes:
Guest Lodgings, the Room of the Carnival Scenes:

GRL5962756: Guest Lodgings, the Room of the Carnival Scenes: "Moor Servant on a False Staircase", detail, 1757 (fresco) Detail., Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Guest Lodgings, the Room of the Putti, medallion with putti:
Guest Lodgings, the Room of the Putti, medallion with putti:

GRL5962765: Guest Lodgings, the Room of the Putti, medallion with putti: "The Disguise", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:
Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:

GRL5962666: Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Athena prevents Achilles from drawing his sword against Agamemnon", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:
Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:

GRL5962668: Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Athena prevents Achilles from drawing his sword against Agamemnon", detail, 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Jove the Thunderer with Eagle, from the Room of Olympian Deities in the Foresteria (Guesthouse) 1757 (fresco)
Jove the Thunderer with Eagle, from the Room of Olympian Deities in the Foresteria (Guesthouse) 1757 (fresco)

LSA363801: Jove the Thunderer with Eagle, from the Room of Olympian Deities in the Foresteria (Guesthouse) 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Dog, Detail of The Greek Fleet in Aulis, from the Entrance Hall in the Palazzina, 1757 (fresco)
Dog, Detail of The Greek Fleet in Aulis, from the Entrance Hall in the Palazzina, 1757 (fresco)

LSA363812: Dog, Detail of The Greek Fleet in Aulis, from the Entrance Hall in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Detail of Aeneas, from Aeneid Presents Cupid, Disguised as Ascanius, to Dido, from the Room of the Aeneid in the Palazzina, 1757 (fresco)
Detail of Aeneas, from Aeneid Presents Cupid, Disguised as Ascanius, to Dido, from the Room of the Aeneid in the Palazzina, 1757 (fresco)

LSA363840: Detail of Aeneas, from Aeneid Presents Cupid, Disguised as Ascanius, to Dido, from the Room of the Aeneid in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Venus's Farewell to Aeneas, from the Room of the Aeneid in the Palazzina, 1757 (fresco)
Venus's Farewell to Aeneas, from the Room of the Aeneid in the Palazzina, 1757 (fresco)

LSA363848: Venus's Farewell to Aeneas, from the Room of the Aeneid in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Detail of Rinaldo, from Rinaldo Abandoning Armida, from the Room of Jerusalem Delivered in the Palazzina, 1757 (fresco)
Detail of Rinaldo, from Rinaldo Abandoning Armida, from the Room of Jerusalem Delivered in the Palazzina, 1757 (fresco)

LSA363851: Detail of Rinaldo, from Rinaldo Abandoning Armida, from the Room of Jerusalem Delivered in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Glorification of the Porto Family, c.1755-60 (pen, brown ink and wash, black chalk)
Glorification of the Porto Family, c.1755-60 (pen, brown ink and wash, black chalk)

COU65852: Glorification of the Porto Family, c.1755-60 (pen, brown ink and wash, black chalk), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Gathering of the Manna, by Giambattista Tiepolo, 1740-1742, 18th Century, oil on canvas, 10 x 5,25 m
Gathering of the Manna, by Giambattista Tiepolo, 1740-1742, 18th Century, oil on canvas, 10 x 5,25 m

MEP849227: Gathering of the Manna, by Giambattista Tiepolo, 1740-1742, 18th Century, oil on canvas, 10 x 5,25 m, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Abraham and the Angels (Abramo e gli angeli), 1727-28 (fresco)
Abraham and the Angels (Abramo e gli angeli), 1727-28 (fresco)

MEP852683: Abraham and the Angels (Abramo e gli angeli), 1727-28 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Judgement of Salomon (Giudizio di Salomone), by Giambattista Tiepolo, 1729 - 1730, 18th Century, fresco, c. 350 x 650 cm
The Judgement of Salomon (Giudizio di Salomone), by Giambattista Tiepolo, 1729 - 1730, 18th Century, fresco, c. 350 x 650 cm

MEP852685: The Judgement of Salomon (Giudizio di Salomone), by Giambattista Tiepolo, 1729 - 1730, 18th Century, fresco, c. 350 x 650 cm, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Ride of the Sun Chariot driven by Apollo (Corsa del carro del Sole guidato da Apollo), by Giambattista Tiepolo, 1740, 18th Century, fresco.
Ride of the Sun Chariot driven by Apollo (Corsa del carro del Sole guidato da Apollo), by Giambattista Tiepolo, 1740, 18th Century, fresco.

MEP852690: Ride of the Sun Chariot driven by Apollo (Corsa del carro del Sole guidato da Apollo), by Giambattista Tiepolo, 1740, 18th Century, fresco., Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Saint Joseph and the Christ Child, 1767/69 (oil on canvas)
Saint Joseph and the Christ Child, 1767/69 (oil on canvas)

DTR1128828: Saint Joseph and the Christ Child, 1767/69 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Rinaldo observed by Carlo and Ubaldo
Rinaldo observed by Carlo and Ubaldo

AII85611: Rinaldo observed by Carlo and Ubaldo, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Last Supper, 1745-1750 (oil on canvas)
The Last Supper, 1745-1750 (oil on canvas)

JLJ4660345: The Last Supper, 1745-1750 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images


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