Tiepolo, Giovanni Battista (Giambattista) (1696-1770) Assets (603 in total)
Results
GRL5949100: Time discovers Truth, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5949104: Innocence sending away Deceit, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5949106: Vigilance triumphs upon Slumber, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
IBE5382792: The Darius III Codoman's family, detail from Glories of Scipio Africanus and Alexander the Great, 1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962676: Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Cupid with arrows flying over a Venetian landscape", detail regarding the landscape, 1756-57 (detail), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962682: Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from "Orlando Furioso": "Angelica and Medoro in the shepherds' house", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962690: Palazzina (Small Building), the third room or room of the Aeneid: "Venus, as a huntress, appears to her son Aeneas and his companion Achates on the beach of Libya, ordering them to go to Dido", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962697: Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Vulcan, god of fire, who supervises the work of the blacksmiths who are forging weapons for Aeneas in the presence of Venus in his forge, 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962708: Palazzina (Small Building): view of the fourth room or of Torquato Tasso, with freescoes representing episodes of "Jerusalem Delivered": "Rinaldo, escorted by Ubaldo and Carlo, abandons Armida", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962720: Palazzina (Small Building): view of the entrance hall. On the wall, "The Sacrifice of Iphigenia", and on the ceiling "Diana and Aeolus", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962724: Guest Lodgings, Room of the Rural Scenes: "The Peasant's Rest", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962726: Old Peasant Woman with a Basket of Eggs, from the 'Foresteria' (Guesthouse), 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962728: Guest Lodgings, Room of the Rural Scenes: "Landscape with peasants", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962748: Guest Lodgings, the Room of the Olympus: "Jupiter", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962754: Guest Lodgings, the Room of the Carnival Scenes: "New World", a scene with masks imitating an oil paiting, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962756: Guest Lodgings, the Room of the Carnival Scenes: "Moor Servant on a False Staircase", detail, 1757 (fresco) Detail., Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962765: Guest Lodgings, the Room of the Putti, medallion with putti: "The Disguise", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962666: Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Athena prevents Achilles from drawing his sword against Agamemnon", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962668: Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Athena prevents Achilles from drawing his sword against Agamemnon", detail, 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
MRZ3704225: The Baptism of Christ (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
MRZ3619192: Hunter with Deer, 1718 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
LRI4638221: Allegory of Force and Knowledge Painting by Giambattista Tiepolo (1696-1770) 1743 Sun. 479x251 cm Udine, Museo Civico, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GIA4764909: The group of Pulcinella (Italian Polichinelle). Drawing in pen and wash on pencil mark by Giovanni Battista (Giambattista) Tiepolo (1696-1770)., Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
LSA363840: Detail of Aeneas, from Aeneid Presents Cupid, Disguised as Ascanius, to Dido, from the Room of the Aeneid in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
LSA363848: Venus's Farewell to Aeneas, from the Room of the Aeneid in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
LSA363851: Detail of Rinaldo, from Rinaldo Abandoning Armida, from the Room of Jerusalem Delivered in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
COU65852: Glorification of the Porto Family, c.1755-60 (pen, brown ink and wash, black chalk), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
LSA363801: Jove the Thunderer with Eagle, from the Room of Olympian Deities in the Foresteria (Guesthouse) 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
LSA363812: Dog, Detail of The Greek Fleet in Aulis, from the Entrance Hall in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
XOS3700570: Punchinello as Tailor's Assistant, c.1800 (pen & ink on paper), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
XOS3618017: Grammar, 1760 (fresco transferred to canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
XIR245739: Humility, Indulgence and Truth, from the 'Sala Capitolare' (Hall of Surrender) c.1749 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
XIR168392: Asia, one of the Four Continents from the ceiling of the 'Treppenhaus', 1750-53 (fresco) (see also (112348 and 30573), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
XIR218788: Rinaldo Abandoning Armida, detail of Armida, from 'Gerusalemme Liberata' by Torquato Tasso (1544-95), 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
XJL211829: Figures preaching, c.1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
