Tiepolo, Giovanni Battista (Giambattista) (1696-1770) Assets (609 in total)
Results
GRL5962754: Guest Lodgings, the Room of the Carnival Scenes: "New World", a scene with masks imitating an oil paiting, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962748: Guest Lodgings, the Room of the Olympus: "Jupiter", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962756: Guest Lodgings, the Room of the Carnival Scenes: "Moor Servant on a False Staircase", detail, 1757 (fresco) Detail., Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962765: Guest Lodgings, the Room of the Putti, medallion with putti: "The Disguise", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962668: Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Athena prevents Achilles from drawing his sword against Agamemnon", detail, 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962697: Palazzina (Small Building), the third room or room of the Aeneid: monochrome fresco representing Vulcan, god of fire, who supervises the work of the blacksmiths who are forging weapons for Aeneas in the presence of Venus in his forge, 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962690: Palazzina (Small Building), the third room or room of the Aeneid: "Venus, as a huntress, appears to her son Aeneas and his companion Achates on the beach of Libya, ordering them to go to Dido", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962720: Palazzina (Small Building): view of the entrance hall. On the wall, "The Sacrifice of Iphigenia", and on the ceiling "Diana and Aeolus", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962724: Guest Lodgings, Room of the Rural Scenes: "The Peasant's Rest", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5949091: Triumph of Glory announced by Fame standing among the Cardinal Virtues, 1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5949106: Vigilance triumphs upon Slumber, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5949100: Time discovers Truth, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5949092: Triumph of Glory announced by Fame standing among the Cardinal Virtues, 1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5949104: Innocence sending away Deceit, 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
IBE5382792: The Darius III Codoman's family, detail from Glories of Scipio Africanus and Alexander the Great, 1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GIA4764909: The group of Pulcinella (Italian Polichinelle). Drawing in pen and wash on pencil mark by Giovanni Battista (Giambattista) Tiepolo (1696-1770)., Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
JLJ4660345: The Last Supper, 1745-1750 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
XIR168392: Asia, one of the Four Continents from the ceiling of the 'Treppenhaus', 1750-53 (fresco) (see also (112348 and 30573), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
XOS3700570: Punchinello as Tailor's Assistant, c.1800 (pen & ink on paper), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
XOS3618017: Grammar, 1760 (fresco transferred to canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
CPH60806: Moses and Aaron (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
AII85611: Rinaldo observed by Carlo and Ubaldo, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
CPH172832: The Two Thieves, detail from The Road to Calvary, 1749 (oil on canvas) (see also 60737 and 172831), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
CPH481190: San Martino (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
CPH481194: Greyhound (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
XJL211829: Figures preaching, c.1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
DTR1128828: Saint Joseph and the Christ Child, 1767/69 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
COU65852: Glorification of the Porto Family, c.1755-60 (pen, brown ink and wash, black chalk), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
DPG440851: Diana, Apollo and Nymphs, c.1750 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
ELC858061: Apollo and Diana, 1757 - 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
ELC858075: The Institution of the Rosary, 1737 - 1739 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
ELC858048: Liberality Dispensing Gifts, 1734 - 1734 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
ELC858062: Armida Abducting the Sleeping Rinaldo, 1757 - 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
ELC858076: Abraham Praying before the Three Angels, 1731 - 1732 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
ELC858050: The Sacrifice of Iphigenia, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
