XOS3615939:
The Investiture of Bishop Harold as Duke of Franconia, c.1751-52 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
XCS3742554:
Saint Anthony and the Christ Child supported by Angels (pen and ink), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
MEP849130:
The Miracle of the Foot Healed, Giambattista Tiepolo, 1754, 18th Century, oil on canvas, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
MEP849400:
Assunta with a Glory of Angels, by Giambattista Tiepolo, 1759, 18th Century, fresco, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
COU5892314:
Saint Paschal Baylon's Vision of the Eucharist, 1767 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
MEP849399:
Assunta with a Glory of Angels, by Giambattista Tiepolo, 1759, 18th Century, fresco, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
LRI4653566:
The wedding of Beatrice of Burgundy and Frederick I Holy Roman Emperor, called Barbarossa. 1752 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
MRZ5033661:
The Fall of the Demons, Stories of Scipio, detail, 1731 (fresco) (detail of 3498337), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
SRR6370572:
Study of the head of an old man (black & white chalk on blue paper), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
XCC5860522:
Fantasy on the Death of Seneca, 1735/40 (pen & brown ink with brush and brown wash, over black chalk, on ivory laid paper), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962764:
Guest Lodgings, the Room of the Putti, medallion with putti: "The Disguise", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962671:
Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Achilles in tears while his mother Thetis emerges from the sea to console him", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962674:
Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Cupid with arrows flying over a Venetian landscape", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962689:
Palazzina (Small Building), the third room or room of the Aeneid: "Aeneas introduces Eros to Didone in the likeness of Ascanius", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962732:
Guest Lodgings, Room of the Rural Scenes: monochrome fresco representing a satyr and a maenad, 1757, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962735:
Guest Lodgings, Room of the False Gothic Architectures: "The Love Declaration", 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images
GRL5962679:
Palazzina (Small Building): second room or room of Ariosto with frescoes representing episodes from "Orlando Furioso": "Ruggiero rescuing Angelica from the sea monster", 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images