Tiepolo, Giovanni Battista (Giambattista) (1696-1770) Assets (606 in total)

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Saint Joseph and the Christ Child, 1767/69 (oil on canvas)
Saint Joseph and the Christ Child, 1767/69 (oil on canvas)

DTR1128828: Saint Joseph and the Christ Child, 1767/69 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Figures preaching, c.1743 (fresco)
Figures preaching, c.1743 (fresco)

XJL211829: Figures preaching, c.1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Two Thieves, detail from The Road to Calvary, 1749 (oil on canvas) (see also 60737 and 172831)
The Two Thieves, detail from The Road to Calvary, 1749 (oil on canvas) (see also 60737 and 172831)

CPH172832: The Two Thieves, detail from The Road to Calvary, 1749 (oil on canvas) (see also 60737 and 172831), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Glorification of the Porto Family, c.1755-60 (pen, brown ink and wash, black chalk)
Glorification of the Porto Family, c.1755-60 (pen, brown ink and wash, black chalk)

COU65852: Glorification of the Porto Family, c.1755-60 (pen, brown ink and wash, black chalk), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Moses and Aaron (fresco)
Moses and Aaron (fresco)

CPH60806: Moses and Aaron (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Rinaldo observed by Carlo and Ubaldo
Rinaldo observed by Carlo and Ubaldo

AII85611: Rinaldo observed by Carlo and Ubaldo, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Greyhound (oil on canvas)
Greyhound (oil on canvas)

CPH481194: Greyhound (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

San Martino (oil on canvas)
San Martino (oil on canvas)

CPH481190: San Martino (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

View of the Great Staircase and ceiling representing the Allegory of the Five Continents. 1753 (photography)
View of the Great Staircase and ceiling representing the Allegory of the Five Continents. 1753 (photography)

LRI4653553: View of the Great Staircase and ceiling representing the Allegory of the Five Continents. 1753 (photography), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Adoration of the Magi, c.1753 (etching)
The Adoration of the Magi, c.1753 (etching)

XJF486485: The Adoration of the Magi, c.1753 (etching), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Two putti playing with a parrot (fresco)
Two putti playing with a parrot (fresco)

XIR468166: Two putti playing with a parrot (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Angelica and Medoro Taking Leave of the Peasants, from the Room of Orlando Furioso in the Palazzina, 1757 (fresco)
Angelica and Medoro Taking Leave of the Peasants, from the Room of Orlando Furioso in the Palazzina, 1757 (fresco)

LSA363831: Angelica and Medoro Taking Leave of the Peasants, from the Room of Orlando Furioso in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Detail from The Sacrifice of Iphigenia, from the Entrance Hall in the Palazzina, 1757 (fresco)
Detail from The Sacrifice of Iphigenia, from the Entrance Hall in the Palazzina, 1757 (fresco)

LSA363806: Detail from The Sacrifice of Iphigenia, from the Entrance Hall in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Detail of The Greek Fleet in Aulis, from the Entrance Hall in the Palazzina, 1757 (fresco)
Detail of The Greek Fleet in Aulis, from the Entrance Hall in the Palazzina, 1757 (fresco)

LSA363813: Detail of The Greek Fleet in Aulis, from the Entrance Hall in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Detail of The Greek Fleet in Aulis, from the Entrance Hall in the Palazzina, 1757 (freso)
Detail of The Greek Fleet in Aulis, from the Entrance Hall in the Palazzina, 1757 (freso)

LSA363811: Detail of The Greek Fleet in Aulis, from the Entrance Hall in the Palazzina, 1757 (freso), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Ceiling of the Entrance Hall in the Palazzina, 1757 (fresco)
Ceiling of the Entrance Hall in the Palazzina, 1757 (fresco)

LSA363815: Ceiling of the Entrance Hall in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Detail of Armida, from Armida Abducting the Sleeping Rinaldo, from the Room of Jerusalem Delivered in the Palazzina, 1757 (fresco)
Detail of Armida, from Armida Abducting the Sleeping Rinaldo, from the Room of Jerusalem Delivered in the Palazzina, 1757 (fresco)

LSA363853: Detail of Armida, from Armida Abducting the Sleeping Rinaldo, from the Room of Jerusalem Delivered in the Palazzina, 1757 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Study of a youth holding up a cloak (pen & brown ink and wash on paper)
Study of a youth holding up a cloak (pen & brown ink and wash on paper)

AGN342972: Study of a youth holding up a cloak (pen & brown ink and wash on paper), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Chariot of Aurora, c.1734 (oil on canvas)
The Chariot of Aurora, c.1734 (oil on canvas)

XCK339870: The Chariot of Aurora, c.1734 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Adoration of the Magi, 1740s (etching)
Adoration of the Magi, 1740s (etching)

CIN402972: Adoration of the Magi, 1740s (etching), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Miracle of St. Anthony of Padua, c.1760 (pen and ink, wash over black chalk)
The Miracle of St. Anthony of Padua, c.1760 (pen and ink, wash over black chalk)

BOO73736: The Miracle of St. Anthony of Padua, c.1760 (pen and ink, wash over black chalk), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Industry Triumphing over Laziness
Industry Triumphing over Laziness

FTB59851: Industry Triumphing over Laziness, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Two Saints
Two Saints

BAL35652: Two Saints, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Allegory of Fortitude and Wisdom
Allegory of Fortitude and Wisdom

CH5218: Allegory of Fortitude and Wisdom, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Triumph of Marius, 1729 (oil on canvas)
The Triumph of Marius, 1729 (oil on canvas)

XOS3471211: The Triumph of Marius, 1729 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Saint Anthony and the Christ Child supported by Angels (pen and ink)
Saint Anthony and the Christ Child supported by Angels (pen and ink)

XCS3742554: Saint Anthony and the Christ Child supported by Angels (pen and ink), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Hannibal (247 BC to 183 BC) ordered the release of a prisoner. Fresco by Giambattista Tiepolo (1696 - 1770). Palazzo Dugnani in Milan.
Hannibal (247 BC to 183 BC) ordered the release of a prisoner. Fresco by Giambattista Tiepolo (1696 - 1770). Palazzo Dugnani in Milan.

GIA4753584: Hannibal (247 BC to 183 BC) ordered the release of a prisoner. Fresco by Giambattista Tiepolo (1696 - 1770). Palazzo Dugnani in Milan., Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Tiepolo work of art, Accademia de Concordi, Rovigo, Veneto, Italy
Tiepolo work of art, Accademia de Concordi, Rovigo, Veneto, Italy

CUB4507596: Tiepolo work of art, Accademia de Concordi, Rovigo, Veneto, Italy, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Immaculee Design, 18th century (oil on canvas)
The Immaculee Design, 18th century (oil on canvas)

JLJ4684904: The Immaculee Design, 18th century (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Investiture of Bishop Harold as Duke of Franconia, c.1751-52 (oil on canvas)
The Investiture of Bishop Harold as Duke of Franconia, c.1751-52 (oil on canvas)

XOS3615939: The Investiture of Bishop Harold as Duke of Franconia, c.1751-52 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Metaphysics, 1760 (fresco transferred to canvas)
Metaphysics, 1760 (fresco transferred to canvas)

XOS3618014: Metaphysics, 1760 (fresco transferred to canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Portrait Of An Old Man, 1750-1770 (oil on canvas)
Portrait Of An Old Man, 1750-1770 (oil on canvas)

FIA5326673: Portrait Of An Old Man, 1750-1770 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

The Miracle of the Holy House of Loreto, 1743 (oil on canvas)
The Miracle of the Holy House of Loreto, 1743 (oil on canvas)

XOS3077091: The Miracle of the Holy House of Loreto, 1743 (oil on canvas), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Cleopatra's Banquet, 1747-50 (fresco) (see also 176188 and 176768)
Cleopatra's Banquet, 1747-50 (fresco) (see also 176188 and 176768)

XAL176189: Cleopatra's Banquet, 1747-50 (fresco) (see also 176188 and 176768), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Magnanimity of Scipio, detail from Glories of Scipio Africanus and Alexander the Great, 1743 (fresco)
Magnanimity of Scipio, detail from Glories of Scipio Africanus and Alexander the Great, 1743 (fresco)

IBE5382703: Magnanimity of Scipio, detail from Glories of Scipio Africanus and Alexander the Great, 1743 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:
Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad:

GRL5962672: Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Achilles in tears while his mother Thetis emerges from the sea to console him", detail, 1756-57 (fresco), Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images


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