LLM5995062:
In the Woolcombers' Club (b/w photo), Piffard, Harold Hume (1867-1938) / Bridgeman Images
ID: LLM5995062
In the Woolcombers' Club (b/w photo)
Piffard, Harold Hume (1867-1938)
LLM5995123:
"He traced a line" (engraving), English School, (19th century) / Bridgeman Images
ID: LLM5995123
"He traced a line" (engraving)
English School, (19th century)
LLM5995068:
"When one of these endless band-knives does break, you never know where it's going to fly to" (b/w photo), Piffard, Harold Hume (1867-1938) / Bridgeman Images
ID: LLM5995068
"When one of these endless band-knives does break, you never know where it's going to fly to" (b/w photo)
Piffard, Harold Hume (1867-1938)
LLM5995143:
The fire on the lighthouse (engraving), English School, (19th century) / Bridgeman Images
ID: LLM5995143
The fire on the lighthouse (engraving)
English School, (19th century)
LLM5995160:
Napoleon III, 1840 (engraving), English School, (19th century) / Bridgeman Images
ID: LLM5995160
Napoleon III, 1840 (engraving)
English School, (19th century)
LLM5995171:
"'I know you not!' he screamed" (engraving), English School, (19th century) / Bridgeman Images
ID: LLM5995171
"'I know you not!' he screamed" (engraving)
English School, (19th century)
LLM5995107:
Le Caprice, Madame De Lery (engraving), Bida, Alexandre (1823-95) (after) / Bridgeman Images
ID: LLM5995107
Le Caprice, Madame De Lery (engraving)
Bida, Alexandre (1823-95) (after)
LLM5995228:
St Mark's Place, The Doge about to start for the ceremony of the Nuptials of the Sea (engraving), European School, (19th century) / Bridgeman Images
ID: LLM5995228
St Mark's Place, The Doge about to start for the ceremony of the Nuptials of the Sea (engraving)
European School, (19th century)
LLM5995126:
The recognition (engraving), English School, (19th century) / Bridgeman Images
ID: LLM5995126
The recognition (engraving)
English School, (19th century)
LLM5995163:
"'I seized his fore-legs'" (engraving), English School, (19th century) / Bridgeman Images
ID: LLM5995163
"'I seized his fore-legs'" (engraving)
English School, (19th century)
LLM5995176:
Illustration for Vanity Fair by William Makepeace Thackeray (litho), Piffard, Harold Hume (1867-1938) / Bridgeman Images
ID: LLM5995176
Illustration for Vanity Fair by William Makepeace Thackeray (litho)
Piffard, Harold Hume (1867-1938)
LLM5995220:
Vittor Pisani carried in triumph from prison (engraving), European School, (19th century) / Bridgeman Images
ID: LLM5995220
Vittor Pisani carried in triumph from prison (engraving)
European School, (19th century)
LLM5993927:
The Tomb of David (b/w photo), European Photographer, (19th century) / Bridgeman Images
ID: LLM5993927
The Tomb of David (b/w photo)
European Photographer, (19th century)
LLM5993934:
Mount Ebal (b/w photo), European Photographer, (19th century) / Bridgeman Images
ID: LLM5993934
Mount Ebal (b/w photo)
European Photographer, (19th century)
LLM5993951:
An Old Archway at Chorazin (b/w photo), European Photographer, (19th century) / Bridgeman Images
ID: LLM5993951
An Old Archway at Chorazin (b/w photo)
European Photographer, (19th century)
LLM5993973:
View of the Walls of the Castle of Subeibeh (b/w photo), European Photographer, (19th century) / Bridgeman Images
ID: LLM5993973
View of the Walls of the Castle of Subeibeh (b/w photo)
European Photographer, (19th century)
LLM5993975:
Ruins of the Citidel at Caesarea Philippi (b/w photo), European Photographer, (19th century) / Bridgeman Images
ID: LLM5993975
Ruins of the Citidel at Caesarea Philippi (b/w photo)
European Photographer, (19th century)
LLM5993981:
The East Gate, Damascus (b/w photo), European Photographer, (19th century) / Bridgeman Images
ID: LLM5993981
The East Gate, Damascus (b/w photo)
European Photographer, (19th century)
LLM5994021:
Interior of the Church of the Flagellation (b/w photo), European Photographer, (19th century) / Bridgeman Images
ID: LLM5994021
Interior of the Church of the Flagellation (b/w photo)
European Photographer, (19th century)
LLM5995038:
The Angel's Stone, Holy Sepulchre (b/w photo), European Photographer, (19th century) / Bridgeman Images
ID: LLM5995038
The Angel's Stone, Holy Sepulchre (b/w photo)
European Photographer, (19th century)
LLM5995044:
Apprenticed to the art and trade of chainmaking (b/w photo), Piffard, Harold Hume (1867-1938) / Bridgeman Images
ID: LLM5995044
Apprenticed to the art and trade of chainmaking (b/w photo)
Piffard, Harold Hume (1867-1938)
LLM5995071:
"He had worked at the trade for seventy-seven years" (b/w photo), Piffard, Harold Hume (1867-1938) / Bridgeman Images
ID: LLM5995071
"He had worked at the trade for seventy-seven years" (b/w photo)
Piffard, Harold Hume (1867-1938)
LLM5995093:
Illustration for The Woman in White by Wilkie Collins (litho), English School, (20th century) / Bridgeman Images
ID: LLM5995093
Illustration for The Woman in White by Wilkie Collins (litho)
English School, (20th century)
LLM5995112:
On Ne Badine Pas Avec L'Amour, Camille, a genoux (engraving), Bida, Alexandre (1823-95) (after) / Bridgeman Images
ID: LLM5995112
On Ne Badine Pas Avec L'Amour, Camille, a genoux (engraving)
Bida, Alexandre (1823-95) (after)
LLM5995113:
Les Caprices De Marianne, Octave (engraving), Bida, Alexandre (1823-95) (after) / Bridgeman Images
ID: LLM5995113
Les Caprices De Marianne, Octave (engraving)
Bida, Alexandre (1823-95) (after)
LLM5995128:
"A band of soldiers compelled them to loose their hands" (engraving), English School, (19th century) / Bridgeman Images
ID: LLM5995128
"A band of soldiers compelled them to loose their hands" (engraving)
LLM5995185:
Illustration for Vanity Fair by William Makepeace Thackeray (litho), Piffard, Harold Hume (1867-1938) / Bridgeman Images
ID: LLM5995185
Illustration for Vanity Fair by William Makepeace Thackeray (litho)
Piffard, Harold Hume (1867-1938)
LLM5995196:
"Away we all went" (engraving), English School, (19th century) / Bridgeman Images
ID: LLM5995196
"Away we all went" (engraving)
English School, (19th century)
LLM5995232:
Casket made to contain the Corno, Sixteenth century (engraving), European School, (19th century) / Bridgeman Images
ID: LLM5995232
Casket made to contain the Corno, Sixteenth century (engraving)
European School, (19th century)
XOS5974423:
George Washington Birthday Ceremony, Washington Memorial, Washington DC, USA, February 22, 1922 (b/w photo), Harris & Ewing (1905-45) / Bridgeman Images
ID: XOS5974423
George Washington Birthday Ceremony, Washington Memorial, Washington DC, USA, February 22, 1922 (b/w photo)
Harris & Ewing (1905-45)
XOS5974441:
Cornelia Vanderbilt and John Cecil, Wedding Day, Asheville, North Carolina, USA, April 29, 1924 (b/w photo), Harris & Ewing (1905-45) / Bridgeman Images
ID: XOS5974441
Cornelia Vanderbilt and John Cecil, Wedding Day, Asheville, North Carolina, USA, April 29, 1924 (b/w photo)
Harris & Ewing (1905-45)
GRL5974148:
A Corinthian capital with a sculpted face in the abacus protome, by Campionese Masters, XII - XIII century, detail, north wall, Torresani Hall, Ghirlandina Tower, Modena, Italy (photo) / Bridgeman Images
ID: GRL5974148
A Corinthian capital with a sculpted face in the abacus protome, by Campionese Masters, XII - XIII century, detail, north wall, Torresani Hall, Ghirlandina Tower, Modena, Italy (photo)
GRL5974159:
A Corinthian capital with a sculpted face in the abacus protome, by Campionese Masters, XII - XIII century, detail, east wall, Torresani Hall, Ghirlandina Tower, Modena, Italy (photo) / Bridgeman Images
ID: GRL5974159
A Corinthian capital with a sculpted face in the abacus protome, by Campionese Masters, XII - XIII century, detail, east wall, Torresani Hall, Ghirlandina Tower, Modena, Italy (photo)
GRL5974176:
A Corinthian capital with a sculpted face in the abacus protome, by Campionese Masters, XII - XIII century, east wall, Torresani Hall, Ghirlandina Tower, Modena, Italy (photo) / Bridgeman Images
ID: GRL5974176
A Corinthian capital with a sculpted face in the abacus protome, by Campionese Masters, XII - XIII century, east wall, Torresani Hall, Ghirlandina Tower, Modena, Italy (photo)
GRL5974197:
Detail of the floor with decorative motif representing arches (or vaio) with works by Campionese Masters, XII - XIII century, Torresani Hall, Ghirlandina Tower, Modena, Italy (photo) / Bridgeman Images
ID: GRL5974197
Detail of the floor with decorative motif representing arches (or vaio) with works by Campionese Masters, XII - XIII century, Torresani Hall, Ghirlandina Tower, Modena, Italy (photo)