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Variety of colorful shells. Variety of colorful shells including Cardium, Etheria, Tridacna and Chama shells. Giant bucarde: Cardium magnum, Etherie plumbee: Etheria plumbea, Tridacne faitiere: Tridacna squammosa, Came Suede horn: Chama damaecornis. Handcolored engraving from Charles d'Orbigny's “” Dictionnaire Universale d'Histoire Naturelle” (Universal Dictionary of Natural History) 1849.
Variety of colorful shells. Variety of colorful shells including Cardium, Etheria, Tridacna and Chama shells. Giant bucarde: Cardium magnum, Etherie plumbee: Etheria plumbea, Tridacne faitiere: Tridacna squammosa, Came Suede horn: Chama damaecornis. Handcolored engraving from Charles d'Orbigny's “” Dictionnaire Universale d'Histoire Naturelle” (Universal Dictionary of Natural History) 1849.

FLO4685454: Variety of colorful shells. Variety of colorful shells including Cardium, Etheria, Tridacna and Chama shells. Giant bucarde: Cardium magnum, Etherie plumbee: Etheria plumbea, Tridacne faitiere: Tridacna squammosa, Came Suede horn: Chama damaecornis. Handcolored engraving from Charles d'Orbigny's “” Dictionnaire Universale d'Histoire Naturelle” (Universal Dictionary of Natural History) 1849. / Bridgeman Images

Red-cheeked cord-blue, Uraeginthus bengalus, and Java rice sparrow, Lonchura oryzivora (vulnerable). Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universale d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849.
Red-cheeked cord-blue, Uraeginthus bengalus, and Java rice sparrow, Lonchura oryzivora (vulnerable). Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universale d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849.

FLO4685098: Red-cheeked cord-blue, Uraeginthus bengalus, and Java rice sparrow, Lonchura oryzivora (vulnerable). Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universale d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849. / Bridgeman Images

Austrian golden doubloon (doublon) of emperor Joseph II (1740-1790) 1783 Naples, museo archeologico
Austrian golden doubloon (doublon) of emperor Joseph II (1740-1790) 1783 Naples, museo archeologico

LRI4685101: Austrian golden doubloon (doublon) of emperor Joseph II (1740-1790) 1783 Naples, museo archeologico, Austrian School, (18th century) / Bridgeman Images

Rubby-topaz hummingbird, Chrysolampis mosquitus, and tufted coquette, Lophornis ornatus. Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universelle d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849.
Rubby-topaz hummingbird, Chrysolampis mosquitus, and tufted coquette, Lophornis ornatus. Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universelle d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849.

FLO4685114: Rubby-topaz hummingbird, Chrysolampis mosquitus, and tufted coquette, Lophornis ornatus. Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universelle d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849. / Bridgeman Images

Silver coin (8 reales) from Spain: reign of Ferdinand VII (Ferdinando) (1808-1833). 1808 Diam. 3.9 cm Naples, museo archeologico
Silver coin (8 reales) from Spain: reign of Ferdinand VII (Ferdinando) (1808-1833). 1808 Diam. 3.9 cm Naples, museo archeologico

LRI4685169: Silver coin (8 reales) from Spain: reign of Ferdinand VII (Ferdinando) (1808-1833). 1808 Diam. 3.9 cm Naples, museo archeologico, Spanish School, (19th century) / Bridgeman Images

Austrian silver thaler (taler or talir) of Francis I, Roman Emperor (Francois I of the Holy Empire) (1708-1765) 1760 Naples, Museo Archeologico
Austrian silver thaler (taler or talir) of Francis I, Roman Emperor (Francois I of the Holy Empire) (1708-1765) 1760 Naples, Museo Archeologico

LRI4685100: Austrian silver thaler (taler or talir) of Francis I, Roman Emperor (Francois I of the Holy Empire) (1708-1765) 1760 Naples, Museo Archeologico, Austrian School, (18th century) / Bridgeman Images

Silver coin (piastra) from Naples: Joachim Murat (1767-1815) king of Naples. 1810 Diam. 3.7 cm Naples, museo archeologico
Silver coin (piastra) from Naples: Joachim Murat (1767-1815) king of Naples. 1810 Diam. 3.7 cm Naples, museo archeologico

LRI4685277: Silver coin (piastra) from Naples: Joachim Murat (1767-1815) king of Naples. 1810 Diam. 3.7 cm Naples, museo archeologico, Italian School, (19th century) / Bridgeman Images

Western crowned pigeon, Goura cristata (vulnerable). Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universale d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849.
Western crowned pigeon, Goura cristata (vulnerable). Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universale d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849.

FLO4685186: Western crowned pigeon, Goura cristata (vulnerable). Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universale d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849. / Bridgeman Images

Eurasian sparrowhawk, Accipiter nisus. Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universale d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849.
Eurasian sparrowhawk, Accipiter nisus. Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universale d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849.

FLO4685265: Eurasian sparrowhawk, Accipiter nisus. Handcoloured engraving by Fournier after an illustration by Edouard Travies from Charles d'Orbigny's Dictionnaire Universale d'Histoire Naturelle (Dictionary of Natural History), Paris, 1849. / Bridgeman Images

Silver ecu from Milan. 16/06/1800. Diam. 3.9 cm Naples, museo archeologico
Silver ecu from Milan. 16/06/1800. Diam. 3.9 cm Naples, museo archeologico

LRI4685295: Silver ecu from Milan. 16/06/1800. Diam. 3.9 cm Naples, museo archeologico, Italian School, (19th century) / Bridgeman Images

Tropical shells. Tropical shells including Colombella, Buccinum, Voluta, Terebra, Conus imperialis and Harpa.Columbelle grande: Colombella major, Casquin: Buccinum arcularia, Volute wavy: Voluta undulata,
Tropical shells. Tropical shells including Colombella, Buccinum, Voluta, Terebra, Conus imperialis and Harpa.Columbelle grande: Colombella major, Casquin: Buccinum arcularia, Volute wavy: Voluta undulata,

FLO4685470: Tropical shells. Tropical shells including Colombella, Buccinum, Voluta, Terebra, Conus imperialis and Harpa.Columbelle grande: Colombella major, Casquin: Buccinum arcularia, Volute wavy: Voluta undulata, / Bridgeman Images

Large black blue crayfish and scarlet. Large shiny blue black and crimson crawfish or crayfish (Palemon ornatum). Palemon adorns.
Large black blue crayfish and scarlet. Large shiny blue black and crimson crawfish or crayfish (Palemon ornatum). Palemon adorns.

FLO4685516: Large black blue crayfish and scarlet. Large shiny blue black and crimson crawfish or crayfish (Palemon ornatum). Palemon adorns. / Bridgeman Images

Plans and views of lock gates in operation on canals, 18th century, England. Copperplate engraving by Mutlow from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.
Plans and views of lock gates in operation on canals, 18th century, England. Copperplate engraving by Mutlow from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.

FLO4685683: Plans and views of lock gates in operation on canals, 18th century, England. Copperplate engraving by Mutlow from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813. / Bridgeman Images

Blowing engine at the Carron Iron Works designed by John Smeaton (1724-1792). Copperplate engraving by Mutlow after an illustration by J. Farey Jr. from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.
Blowing engine at the Carron Iron Works designed by John Smeaton (1724-1792). Copperplate engraving by Mutlow after an illustration by J. Farey Jr. from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813.

FLO4685695: Blowing engine at the Carron Iron Works designed by John Smeaton (1724-1792). Copperplate engraving by Mutlow after an illustration by J. Farey Jr. from John Mason Good's Pantologia, a New Encyclopedia, G. Kearsley, London, 1813. / Bridgeman Images

Broker, reign of Henri III, 1580. Handcoloured steel engraving by Hippolyte Pauquet after a contemporary painting from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Broker, reign of Henri III, 1580. Handcoloured steel engraving by Hippolyte Pauquet after a contemporary painting from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685941: Broker, reign of Henri III, 1580. Handcoloured steel engraving by Hippolyte Pauquet after a contemporary painting from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Porter, reign of Henri III, 1586. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Porter, reign of Henri III, 1586. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685955: Porter, reign of Henri III, 1586. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Gabrielle d'Estree, mistress to Henri IV, 1595. Handcoloured steel engraving by Hippolyte Pauquet after Thomas de Leu from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Gabrielle d'Estree, mistress to Henri IV, 1595. Handcoloured steel engraving by Hippolyte Pauquet after Thomas de Leu from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4686006: Gabrielle d'Estree, mistress to Henri IV, 1595. Handcoloured steel engraving by Hippolyte Pauquet after Thomas de Leu from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Nobility of Lorraine, reign of Louis XIII, 1625. Handcoloured steel engraving by Polidor Pauquet after Jacques Callot from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Nobility of Lorraine, reign of Louis XIII, 1625. Handcoloured steel engraving by Polidor Pauquet after Jacques Callot from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4686009: Nobility of Lorraine, reign of Louis XIII, 1625. Handcoloured steel engraving by Polidor Pauquet after Jacques Callot from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history., Callot, Jacques (1592-1635) / Bridgeman Images

Town costumes, woman and child, reign of Louis XIII, 1633. Handcoloured steel engraving by Polidor Pauquet after Abraham Bosse (1604-1676) from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Town costumes, woman and child, reign of Louis XIII, 1633. Handcoloured steel engraving by Polidor Pauquet after Abraham Bosse (1604-1676) from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4686021: Town costumes, woman and child, reign of Louis XIII, 1633. Handcoloured steel engraving by Polidor Pauquet after Abraham Bosse (1604-1676) from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Bishop of Worcester praying before a crucifix, and mythical beasts above the Vicar's door. Paintings from the south side of the Chancel. Handcoloured etching drawn and etched by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity, Stratford upon Avon, 1808.
Bishop of Worcester praying before a crucifix, and mythical beasts above the Vicar's door. Paintings from the south side of the Chancel. Handcoloured etching drawn and etched by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity, Stratford upon Avon, 1808.

FLO4685587: Bishop of Worcester praying before a crucifix, and mythical beasts above the Vicar's door. Paintings from the south side of the Chancel. Handcoloured etching drawn and etched by Thomas Fisher from his Paintings on the Walls of the Chapel of the Trinity, Stratford upon Avon, 1808. / Bridgeman Images

Broker, reign of Charles IX, 1579. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Broker, reign of Charles IX, 1579. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685943: Broker, reign of Charles IX, 1579. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Courtesan, reign of Charles VIII, 1491. Handcoloured steel engraving by Hippolyte Pauquet after a contemporary work from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Courtesan, reign of Charles VIII, 1491. Handcoloured steel engraving by Hippolyte Pauquet after a contemporary work from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685843: Courtesan, reign of Charles VIII, 1491. Handcoloured steel engraving by Hippolyte Pauquet after a contemporary work from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Women's costume in the reign of Charles the Bald, after a contemporary manuscript, 9th century. Handcoloured steel engraving by Polidor Pauquet from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Women's costume in the reign of Charles the Bald, after a contemporary manuscript, 9th century. Handcoloured steel engraving by Polidor Pauquet from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685883: Women's costume in the reign of Charles the Bald, after a contemporary manuscript, 9th century. Handcoloured steel engraving by Polidor Pauquet from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Margaret of Valois (1553-1615), first wife of Henri IV, 1572. Handcoloured steel engraving by Polidor Pauquet after Thomas de Leu from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Margaret of Valois (1553-1615), first wife of Henri IV, 1572. Handcoloured steel engraving by Polidor Pauquet after Thomas de Leu from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685942: Margaret of Valois (1553-1615), first wife of Henri IV, 1572. Handcoloured steel engraving by Polidor Pauquet after Thomas de Leu from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Costumes of French royalty, 10th century. Handcoloured steel engraving by Hippolyte Pauquet from a drawing by Wilmin from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Costumes of French royalty, 10th century. Handcoloured steel engraving by Hippolyte Pauquet from a drawing by Wilmin from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685959: Costumes of French royalty, 10th century. Handcoloured steel engraving by Hippolyte Pauquet from a drawing by Wilmin from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Lady, reign of Henry III, 1586. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Lady, reign of Henry III, 1586. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685979: Lady, reign of Henry III, 1586. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

English aristocrat, reign of Louis XVI, 1775, taking a pinch of snuff from a snuff box. Handcoloured steel engraving by Polidor Pauquet after Moreau from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
English aristocrat, reign of Louis XVI, 1775, taking a pinch of snuff from a snuff box. Handcoloured steel engraving by Polidor Pauquet after Moreau from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4686093: English aristocrat, reign of Louis XVI, 1775, taking a pinch of snuff from a snuff box. Handcoloured steel engraving by Polidor Pauquet after Moreau from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Paris women's fashion, reign of Louis XV, 1740. Handcoloured steel engraving by Polidor Pauquet after Nicolas Lancret from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Paris women's fashion, reign of Louis XV, 1740. Handcoloured steel engraving by Polidor Pauquet after Nicolas Lancret from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4686097: Paris women's fashion, reign of Louis XV, 1740. Handcoloured steel engraving by Polidor Pauquet after Nicolas Lancret from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Apricot (apricot tree). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Royal apricot, Prunus armeniaca, raised in the Royal Garden of the Luxembourg. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828.
Apricot (apricot tree). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Royal apricot, Prunus armeniaca, raised in the Royal Garden of the Luxembourg. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828.

FLO4687839: Apricot (apricot tree). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Royal apricot, Prunus armeniaca, raised in the Royal Garden of the Luxembourg. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828. / Bridgeman Images

Pear butter Diel (common pear tree). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Butter Diel pear, Pyrus communis, raised by Van Mons at Leuven. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.
Pear butter Diel (common pear tree). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Butter Diel pear, Pyrus communis, raised by Van Mons at Leuven. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.

FLO4687854: Pear butter Diel (common pear tree). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Butter Diel pear, Pyrus communis, raised by Van Mons at Leuven. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images

Madame Virginie. Portrait of a corpulent woman, sitting, her cat on her knees. 1905 (Painting)
Madame Virginie. Portrait of a corpulent woman, sitting, her cat on her knees. 1905 (Painting)

LRI4687861: Madame Virginie. Portrait of a corpulent woman, sitting, her cat on her knees. 1905 (Painting), Boccioni, Umberto (1882-1916) / Bridgeman Images

Apple Blenheim pippin (domestic apple variety). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Blenheim pippin apple, Malus domestica, raised in Woodstock. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.
Apple Blenheim pippin (domestic apple variety). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Blenheim pippin apple, Malus domestica, raised in Woodstock. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.

FLO4687915: Apple Blenheim pippin (domestic apple variety). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Blenheim pippin apple, Malus domestica, raised in Woodstock. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images

Contrast Shape. 1913 (Oil on Cardboard)
Contrast Shape. 1913 (Oil on Cardboard)

LRI4687893: Contrast Shape. 1913 (Oil on Cardboard), Leger, Fernand (1881-1955) / Bridgeman Images

Apple Harvey doree (apple variety). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Golden Harvey apple, Malus domestica. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.
Apple Harvey doree (apple variety). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Golden Harvey apple, Malus domestica. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.

FLO4687953: Apple Harvey doree (apple variety). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Golden Harvey apple, Malus domestica. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images

Tartarian black cherries (cherry or bird cherry). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Black Tartarian cherry, Prunus avium, introduced from Circassia in Russia in 1794. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.
Tartarian black cherries (cherry or bird cherry). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Black Tartarian cherry, Prunus avium, introduced from Circassia in Russia in 1794. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.

FLO4687996: Tartarian black cherries (cherry or bird cherry). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Black Tartarian cherry, Prunus avium, introduced from Circassia in Russia in 1794. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images

House of Marcus Lucretius, Reg IX, Ins 3, 5, 24, Pompeii. View of the courtyard with impluvium, tablinum with mosaic floor, and garden with statues of satyrs and cupids. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Autoriello & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.
House of Marcus Lucretius, Reg IX, Ins 3, 5, 24, Pompeii. View of the courtyard with impluvium, tablinum with mosaic floor, and garden with statues of satyrs and cupids. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Autoriello & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.

FLO4688078: House of Marcus Lucretius, Reg IX, Ins 3, 5, 24, Pompeii. View of the courtyard with impluvium, tablinum with mosaic floor, and garden with statues of satyrs and cupids. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Autoriello & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images


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