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Victorian family at the watchmakers. Children playing in a grandfather clock, while a clerk fixes a watch. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899.
Victorian family at the watchmakers. Children playing in a grandfather clock, while a clerk fixes a watch. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899.

FLO4568427: Victorian family at the watchmakers. Children playing in a grandfather clock, while a clerk fixes a watch. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899., Bedford, Francis Donkin (1864-1954) / Bridgeman Images

ID: FLO4568427

Victorian family at the watchmakers. Children playing in a grandfather clock, while a clerk fixes a watch. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899.

Bedford, Francis Donkin (1864-1954)

The liberal arts: Music (engraving, 1508)
The liberal arts: Music (engraving, 1508)

LRI4567938: The liberal arts: Music (engraving, 1508), Unknown Artist, (16th century) / Bridgeman Images

ID: LRI4567938

The liberal arts: Music (engraving, 1508)

Unknown Artist, (16th century)

Wales poppy or yellow poppy. Coloured copper engraving from a drawing by G. Havell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Welsh poppy, Meconopsis cambrica. Handcoloured copperplate engraving from a drawing by G. Havell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Wales poppy or yellow poppy. Coloured copper engraving from a drawing by G. Havell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Welsh poppy, Meconopsis cambrica. Handcoloured copperplate engraving from a drawing by G. Havell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4567961: Wales poppy or yellow poppy. Coloured copper engraving from a drawing by G. Havell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Welsh poppy, Meconopsis cambrica. Handcoloured copperplate engraving from a drawing by G. Havell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4567961

Wales poppy or yellow poppy. Coloured copper engraving from a drawing by G. Havell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Welsh poppy, Meconopsis cambrica. Handcoloured copperplate engraving from a drawing by G. Havell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Common heather. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common heather or ling, Calluna vulgaris. Handcoloured copperplate engraving from a drawing by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Common heather. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common heather or ling, Calluna vulgaris. Handcoloured copperplate engraving from a drawing by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4568093: Common heather. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common heather or ling, Calluna vulgaris. Handcoloured copperplate engraving from a drawing by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4568093

Common heather. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common heather or ling, Calluna vulgaris. Handcoloured copperplate engraving from a drawing by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

St. John's wort. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common St. John's Wort, Hypericum perforatum. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
St. John's wort. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common St. John's Wort, Hypericum perforatum. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4568128: St. John's wort. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common St. John's Wort, Hypericum perforatum. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4568128

St. John's wort. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common St. John's Wort, Hypericum perforatum. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Victorian customers buying ham, books and postal orders at the village store. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899.
Victorian customers buying ham, books and postal orders at the village store. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899.

FLO4568391: Victorian customers buying ham, books and postal orders at the village store. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899., Bedford, Francis Donkin (1864-1954) / Bridgeman Images

ID: FLO4568391

Victorian customers buying ham, books and postal orders at the village store. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899.

Bedford, Francis Donkin (1864-1954)

Portrait of actor Samuel Reddish (1735-1785) in the role of Edgar in William Shakespeare's play King Lear (1564-1616). Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1775, London, England.
Portrait of actor Samuel Reddish (1735-1785) in the role of Edgar in William Shakespeare's play King Lear (1564-1616). Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1775, London, England.

FLO4568446: Portrait of actor Samuel Reddish (1735-1785) in the role of Edgar in William Shakespeare's play King Lear (1564-1616). Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1775, London, England. / Bridgeman Images

ID: FLO4568446

Portrait of actor Samuel Reddish (1735-1785) in the role of Edgar in William Shakespeare's play King Lear (1564-1616). Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1775, London, England.

Victorian travelling basketball-makers with their wares on the roof of their caravan. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899.
Victorian travelling basketball-makers with their wares on the roof of their caravan. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899.

FLO4568457: Victorian travelling basketball-makers with their wares on the roof of their caravan. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899., Bedford, Francis Donkin (1864-1954) / Bridgeman Images

ID: FLO4568457

Victorian travelling basketball-makers with their wares on the roof of their caravan. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899.

Bedford, Francis Donkin (1864-1954)

Title page of overture of the opera Jessonda by Louis Spohr
Title page of overture of the opera Jessonda by Louis Spohr

LRI4568571: Title page of overture of the opera Jessonda by Louis Spohr / Bridgeman Images

ID: LRI4568571

Title page of overture of the opera Jessonda by Louis Spohr

Portrait of actress Elizabeth Hopkins in the role of Volumnia in the play Coriolan, by William Shakespeare (1564-1616). She was married to a Drury Lane theatre and led a career in theatre for 34 years. Drawing by James Roberts, engraving by Grignon published in “” Bell's Shakespeare””, John Bell, 1776-1785, London, England.
Portrait of actress Elizabeth Hopkins in the role of Volumnia in the play Coriolan, by William Shakespeare (1564-1616). She was married to a Drury Lane theatre and led a career in theatre for 34 years. Drawing by James Roberts, engraving by Grignon published in “” Bell's Shakespeare””, John Bell, 1776-1785, London, England.

FLO4568576: Portrait of actress Elizabeth Hopkins in the role of Volumnia in the play Coriolan, by William Shakespeare (1564-1616). She was married to a Drury Lane theatre and led a career in theatre for 34 years. Drawing by James Roberts, engraving by Grignon published in “” Bell's Shakespeare””, John Bell, 1776-1785, London, England. / Bridgeman Images

ID: FLO4568576

Portrait of actress Elizabeth Hopkins in the role of Volumnia in the play Coriolan, by William Shakespeare (1564-1616). She was married to a Drury Lane theatre and led a career in theatre for 34 years. Drawing by James Roberts, engraving by Grignon published in “” Bell's Shakespeare””, John Bell, 1776-1785, London, England.

Portrait of Robert Baddely (1733-1794) in the role of Trinculo in the play La Tempete by William Shakespeare (1564-1616). Baddeley began his career at Haymarket, London in 1760, and married actress Sophia Snow on a joyful and tumultuous wedding, for whom he fought in a duel with George Garrick. Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.
Portrait of Robert Baddely (1733-1794) in the role of Trinculo in the play La Tempete by William Shakespeare (1564-1616). Baddeley began his career at Haymarket, London in 1760, and married actress Sophia Snow on a joyful and tumultuous wedding, for whom he fought in a duel with George Garrick. Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.

FLO4568596: Portrait of Robert Baddely (1733-1794) in the role of Trinculo in the play La Tempete by William Shakespeare (1564-1616). Baddeley began his career at Haymarket, London in 1760, and married actress Sophia Snow on a joyful and tumultuous wedding, for whom he fought in a duel with George Garrick. Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England. / Bridgeman Images

ID: FLO4568596

Portrait of Robert Baddely (1733-1794) in the role of Trinculo in the play La Tempete by William Shakespeare (1564-1616). Baddeley began his career at Haymarket, London in 1760, and married actress Sophia Snow on a joyful and tumultuous wedding, for whom he fought in a duel with George Garrick. Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.

Portrait of actress Sophia Baddeley in the role of Joan the Maid, in the play Henrry VI by William Shakespeare (1564-1616). Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.
Portrait of actress Sophia Baddeley in the role of Joan the Maid, in the play Henrry VI by William Shakespeare (1564-1616). Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.

FLO4568633: Portrait of actress Sophia Baddeley in the role of Joan the Maid, in the play Henrry VI by William Shakespeare (1564-1616). Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England. / Bridgeman Images

ID: FLO4568633

Portrait of actress Sophia Baddeley in the role of Joan the Maid, in the play Henrry VI by William Shakespeare (1564-1616). Drawing by Parkinson, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.

Page of collection of musical scores by Alessandro Stradella, 17th centurymusicale
Page of collection of musical scores by Alessandro Stradella, 17th centurymusicale

LRI4568645: Page of collection of musical scores by Alessandro Stradella, 17th centurymusicale, Stradella, Antonio (1639-1682) / Bridgeman Images

ID: LRI4568645

Page of collection of musical scores by Alessandro Stradella, 17th centurymusicale

Stradella, Antonio (1639-1682)

Portrait of actor Spranger Barry in the role of Timon, for the play Timon by Athenes by William Shakespeare (1564-1616). Barry first performed this role with his wife Ann Barry at Drury Lane (London, England) in 1771. He was a good actor and his wife was one of the most famous actresses of the 18th century. Engraving, drawn by James Roberts, in “” Bell's Shakespeare”” by John Bell, London, England, 1776.
Portrait of actor Spranger Barry in the role of Timon, for the play Timon by Athenes by William Shakespeare (1564-1616). Barry first performed this role with his wife Ann Barry at Drury Lane (London, England) in 1771. He was a good actor and his wife was one of the most famous actresses of the 18th century. Engraving, drawn by James Roberts, in “” Bell's Shakespeare”” by John Bell, London, England, 1776.

FLO4568694: Portrait of actor Spranger Barry in the role of Timon, for the play Timon by Athenes by William Shakespeare (1564-1616). Barry first performed this role with his wife Ann Barry at Drury Lane (London, England) in 1771. He was a good actor and his wife was one of the most famous actresses of the 18th century. Engraving, drawn by James Roberts, in “” Bell's Shakespeare”” by John Bell, London, England, 1776. / Bridgeman Images

ID: FLO4568694

Portrait of actor Spranger Barry in the role of Timon, for the play Timon by Athenes by William Shakespeare (1564-1616). Barry first performed this role with his wife Ann Barry at Drury Lane (London, England) in 1771. He was a good actor and his wife was one of the most famous actresses of the 18th century. Engraving, drawn by James Roberts, in “” Bell's Shakespeare”” by John Bell, London, England, 1776.

Portrait of actor Joseph Vernon, in the role of Thurio, in the play Les Deux Gentilshommes de Verone by William Shakespeare (1564-1616). The character is dressed in stockings, wearing a cape with a large lace collar, playing lute. Vernon began in 1750 and continued his career until 1781, but was considered a second-rank actor. Drawing by James Roberts, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.
Portrait of actor Joseph Vernon, in the role of Thurio, in the play Les Deux Gentilshommes de Verone by William Shakespeare (1564-1616). The character is dressed in stockings, wearing a cape with a large lace collar, playing lute. Vernon began in 1750 and continued his career until 1781, but was considered a second-rank actor. Drawing by James Roberts, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.

FLO4568731: Portrait of actor Joseph Vernon, in the role of Thurio, in the play Les Deux Gentilshommes de Verone by William Shakespeare (1564-1616). The character is dressed in stockings, wearing a cape with a large lace collar, playing lute. Vernon began in 1750 and continued his career until 1781, but was considered a second-rank actor. Drawing by James Roberts, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England. / Bridgeman Images

ID: FLO4568731

Portrait of actor Joseph Vernon, in the role of Thurio, in the play Les Deux Gentilshommes de Verone by William Shakespeare (1564-1616). The character is dressed in stockings, wearing a cape with a large lace collar, playing lute. Vernon began in 1750 and continued his career until 1781, but was considered a second-rank actor. Drawing by James Roberts, engraving published in “” Bell's Shakespeare””, John Bell, 1776, London, England.

Portrait of actress Charlotte Ann Twistleton (nee Wattell) in 1798, at the height of her glory. She met her husband Thomas, Lord de Say and Sele, in a private theatre and began her career on the professional stage in 1793. Against the family's will, she worked at Covent Garden where she had a relationship with Mr. Stein, who led her to divorce in 1798. She continued her career in theatre, then her trace was lost in America in the 1800s. Engraving by Ridley, based on a painting by W.Naish, in The Monthly Mirror, published in Covent Garden, London, 1796.
Portrait of actress Charlotte Ann Twistleton (nee Wattell) in 1798, at the height of her glory. She met her husband Thomas, Lord de Say and Sele, in a private theatre and began her career on the professional stage in 1793. Against the family's will, she worked at Covent Garden where she had a relationship with Mr. Stein, who led her to divorce in 1798. She continued her career in theatre, then her trace was lost in America in the 1800s. Engraving by Ridley, based on a painting by W.Naish, in The Monthly Mirror, published in Covent Garden, London, 1796.

FLO4568785: Portrait of actress Charlotte Ann Twistleton (nee Wattell) in 1798, at the height of her glory. She met her husband Thomas, Lord de Say and Sele, in a private theatre and began her career on the professional stage in 1793. Against the family's will, she worked at Covent Garden where she had a relationship with Mr. Stein, who led her to divorce in 1798. She continued her career in theatre, then her trace was lost in America in the 1800s. Engraving by Ridley, based on a painting by W.Naish, in The Monthly Mirror, published in Covent Garden, London, 1796. / Bridgeman Images

ID: FLO4568785

Portrait of actress Charlotte Ann Twistleton (nee Wattell) in 1798, at the height of her glory. She met her husband Thomas, Lord de Say and Sele, in a private theatre and began her career on the professional stage in 1793. Against the family's will, she worked at Covent Garden where she had a relationship with Mr. Stein, who led her to divorce in 1798. She continued her career in theatre, then her trace was lost in America in the 1800s. Engraving by Ridley, based on a painting by W.Naish, in The Monthly Mirror, published in Covent Garden, London, 1796.

Portrait of soprano singer Fredericka Weichsel (nee Weirman, died 1786), at Vauxhall Garden, London's most fashionable and most famous scene of the 18th century. Engraving in The Voval Magazine, published by J. Bew in 1778.
Portrait of soprano singer Fredericka Weichsel (nee Weirman, died 1786), at Vauxhall Garden, London's most fashionable and most famous scene of the 18th century. Engraving in The Voval Magazine, published by J. Bew in 1778.

FLO4568847: Portrait of soprano singer Fredericka Weichsel (nee Weirman, died 1786), at Vauxhall Garden, London's most fashionable and most famous scene of the 18th century. Engraving in The Voval Magazine, published by J. Bew in 1778. / Bridgeman Images

ID: FLO4568847

Portrait of soprano singer Fredericka Weichsel (nee Weirman, died 1786), at Vauxhall Garden, London's most fashionable and most famous scene of the 18th century. Engraving in The Voval Magazine, published by J. Bew in 1778.

Apollo and the Muses. Page from Recanetum de musica aurea, 1533
Apollo and the Muses. Page from Recanetum de musica aurea, 1533

LRI4568905: Apollo and the Muses. Page from Recanetum de musica aurea, 1533, Unknown Artist, (16th century) / Bridgeman Images

ID: LRI4568905

Apollo and the Muses. Page from Recanetum de musica aurea, 1533

Unknown Artist, (16th century)

Puente Nuevo bridge over the Guadalevin river at Ronda, Spain. Built by architect Jose Martin de Aldehuela. Handcoloured copperplate engraving by Hessen from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.
Puente Nuevo bridge over the Guadalevin river at Ronda, Spain. Built by architect Jose Martin de Aldehuela. Handcoloured copperplate engraving by Hessen from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.

FLO4568924: Puente Nuevo bridge over the Guadalevin river at Ronda, Spain. Built by architect Jose Martin de Aldehuela. Handcoloured copperplate engraving by Hessen from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823. / Bridgeman Images

ID: FLO4568924

Puente Nuevo bridge over the Guadalevin river at Ronda, Spain. Built by architect Jose Martin de Aldehuela. Handcoloured copperplate engraving by Hessen from Friedrich Johann Bertuch's Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1823.

Victorian family choosing a turkey for Christmas at the poulterers. Butcher in smock with a hook removing a bird. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899.
Victorian family choosing a turkey for Christmas at the poulterers. Butcher in smock with a hook removing a bird. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899.

FLO4568445: Victorian family choosing a turkey for Christmas at the poulterers. Butcher in smock with a hook removing a bird. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899., Bedford, Francis Donkin (1864-1954) / Bridgeman Images

ID: FLO4568445

Victorian family choosing a turkey for Christmas at the poulterers. Butcher in smock with a hook removing a bird. Chromolithograph after an illustration by Francis Donkin Bedford from Edward Verrall Lucas' The Book of Shops, 1899.

Bedford, Francis Donkin (1864-1954)

Portrait of Isabella Lattocks as Princess Catherine in 'Henry V' by William Shakespeare, 1775 (engraving)
Portrait of Isabella Lattocks as Princess Catherine in 'Henry V' by William Shakespeare, 1775 (engraving)

FLO4568621: Portrait of Isabella Lattocks as Princess Catherine in 'Henry V' by William Shakespeare, 1775 (engraving), Roberts, James (fl.1858-78) / Bridgeman Images

ID: FLO4568621

Portrait of Isabella Lattocks as Princess Catherine in 'Henry V' by William Shakespeare, 1775 (engraving)

Roberts, James (fl.1858-78)

Portrait of actress Elizabeth Hartley (1750-1824), in the role of Hermione, in William Shakespeare's play Tale d'hiver (1564-1616). E.Hartley performed this role in Covent Garden, London (England) in 1774, and was critically acclaimed. Engraving published by Fielding and Walker, London, England, 1780.
Portrait of actress Elizabeth Hartley (1750-1824), in the role of Hermione, in William Shakespeare's play Tale d'hiver (1564-1616). E.Hartley performed this role in Covent Garden, London (England) in 1774, and was critically acclaimed. Engraving published by Fielding and Walker, London, England, 1780.

FLO4568743: Portrait of actress Elizabeth Hartley (1750-1824), in the role of Hermione, in William Shakespeare's play Tale d'hiver (1564-1616). E.Hartley performed this role in Covent Garden, London (England) in 1774, and was critically acclaimed. Engraving published by Fielding and Walker, London, England, 1780. / Bridgeman Images

ID: FLO4568743

Portrait of actress Elizabeth Hartley (1750-1824), in the role of Hermione, in William Shakespeare's play Tale d'hiver (1564-1616). E.Hartley performed this role in Covent Garden, London (England) in 1774, and was critically acclaimed. Engraving published by Fielding and Walker, London, England, 1780.

Portrait of actor Robert Bensley in the role of Lago, for the play Othello by William Shakespeare (1564-1616). Bensley played the role for the first time in 1771 at Covent Garden, London (England) and played more than fifty roles during his 31 years of career, but he was not considered a great actor. Engraving, drawn by James Roberts, in “” Bell's Shakespeare”” by John Bell, London, England, 1775.
Portrait of actor Robert Bensley in the role of Lago, for the play Othello by William Shakespeare (1564-1616). Bensley played the role for the first time in 1771 at Covent Garden, London (England) and played more than fifty roles during his 31 years of career, but he was not considered a great actor. Engraving, drawn by James Roberts, in “” Bell's Shakespeare”” by John Bell, London, England, 1775.

FLO4568646: Portrait of actor Robert Bensley in the role of Lago, for the play Othello by William Shakespeare (1564-1616). Bensley played the role for the first time in 1771 at Covent Garden, London (England) and played more than fifty roles during his 31 years of career, but he was not considered a great actor. Engraving, drawn by James Roberts, in “” Bell's Shakespeare”” by John Bell, London, England, 1775. / Bridgeman Images

ID: FLO4568646

Portrait of actor Robert Bensley in the role of Lago, for the play Othello by William Shakespeare (1564-1616). Bensley played the role for the first time in 1771 at Covent Garden, London (England) and played more than fifty roles during his 31 years of career, but he was not considered a great actor. Engraving, drawn by James Roberts, in “” Bell's Shakespeare”” by John Bell, London, England, 1775.

Title page of Sonatas for violin, cello and harpsichord (litho)
Title page of Sonatas for violin, cello and harpsichord (litho)

LRI4568784: Title page of Sonatas for violin, cello and harpsichord (litho) / Bridgeman Images

ID: LRI4568784

Title page of Sonatas for violin, cello and harpsichord (litho)

Sheet music page for Sonata for violin and bass continue by Giuseppe Tartini (litho)
Sheet music page for Sonata for violin and bass continue by Giuseppe Tartini (litho)

LRI4568817: Sheet music page for Sonata for violin and bass continue by Giuseppe Tartini (litho), Italian School, (18th century) / Bridgeman Images

ID: LRI4568817

Sheet music page for Sonata for violin and bass continue by Giuseppe Tartini (litho)

Italian School, (18th century)

Portrait of the dancer Auguste Vestris Junior (1760-1842), wearing a feather hat, a wrapped jacket, panties and stockings and holding a wreath of flowers, for the ballet Les Amants Surprise, in 1781. The illegitimate son of the dancer Gaetan Vestris and Marie Allard, he made his debuts in London in 1772, in this ballet beside Giovanna Baccelli, and amazed the audience with his agilite. Engraved by Thornwaite, after a cartoon and J.Roberts, published in Bell's British Theatre”, 1781.
Portrait of the dancer Auguste Vestris Junior (1760-1842), wearing a feather hat, a wrapped jacket, panties and stockings and holding a wreath of flowers, for the ballet Les Amants Surprise, in 1781. The illegitimate son of the dancer Gaetan Vestris and Marie Allard, he made his debuts in London in 1772, in this ballet beside Giovanna Baccelli, and amazed the audience with his agilite. Engraved by Thornwaite, after a cartoon and J.Roberts, published in Bell's British Theatre”, 1781.

FLO4568752: Portrait of the dancer Auguste Vestris Junior (1760-1842), wearing a feather hat, a wrapped jacket, panties and stockings and holding a wreath of flowers, for the ballet Les Amants Surprise, in 1781. The illegitimate son of the dancer Gaetan Vestris and Marie Allard, he made his debuts in London in 1772, in this ballet beside Giovanna Baccelli, and amazed the audience with his agilite. Engraved by Thornwaite, after a cartoon and J.Roberts, published in Bell's British Theatre”, 1781. / Bridgeman Images

ID: FLO4568752

Portrait of the dancer Auguste Vestris Junior (1760-1842), wearing a feather hat, a wrapped jacket, panties and stockings and holding a wreath of flowers, for the ballet Les Amants Surprise, in 1781. The illegitimate son of the dancer Gaetan Vestris and Marie Allard, he made his debuts in London in 1772, in this ballet beside Giovanna Baccelli, and amazed the audience with his agilite. Engraved by Thornwaite, after a cartoon and J.Roberts, published in Bell's British Theatre”, 1781.

Musician playing the saringee (Indian violin) wearing muslin or cotton robes, turban and sash. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.
Musician playing the saringee (Indian violin) wearing muslin or cotton robes, turban and sash. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.

FLO4565735: Musician playing the saringee (Indian violin) wearing muslin or cotton robes, turban and sash. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828. / Bridgeman Images

ID: FLO4565735

Musician playing the saringee (Indian violin) wearing muslin or cotton robes, turban and sash. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.

Portrait of Eugene Ysaye (b/w photo)
Portrait of Eugene Ysaye (b/w photo)

LRI4565785: Portrait of Eugene Ysaye (b/w photo), Unknown photographer, (20th century) / Bridgeman Images

ID: LRI4565785

Portrait of Eugene Ysaye (b/w photo)

Unknown photographer, (20th century)

Waterfall. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Water pimpernel, Samolus valerandi. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Waterfall. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Water pimpernel, Samolus valerandi. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4565942: Waterfall. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Water pimpernel, Samolus valerandi. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4565942

Waterfall. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Water pimpernel, Samolus valerandi. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

A gentleman, vetu in the fashion of the English Regence (1811-1820), sits in front of his writings to write a poem in the pen (Bath, England) - Eau forte by Francis Eginton (1737-1805), extracted from Le nouveau guide de Bath or Memoires de la famille Blunderhead, published in 1807 - (Regency gentleman seated at an ecritoire with a feather pen writing a poem - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstein's “” The New Bath Guide,””” John Browne, 1807)
A gentleman, vetu in the fashion of the English Regence (1811-1820), sits in front of his writings to write a poem in the pen (Bath, England) - Eau forte by Francis Eginton (1737-1805), extracted from Le nouveau guide de Bath or Memoires de la famille Blunderhead, published in 1807 - (Regency gentleman seated at an ecritoire with a feather pen writing a poem - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstein's “” The New Bath Guide,””” John Browne, 1807)

FLO4565902: A gentleman, vetu in the fashion of the English Regence (1811-1820), sits in front of his writings to write a poem in the pen (Bath, England) - Eau forte by Francis Eginton (1737-1805), extracted from Le nouveau guide de Bath or Memoires de la famille Blunderhead, published in 1807 - (Regency gentleman seated at an ecritoire with a feather pen writing a poem - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstein's “” The New Bath Guide,””” John Browne, 1807) / Bridgeman Images

ID: FLO4565902

A gentleman, vetu in the fashion of the English Regence (1811-1820), sits in front of his writings to write a poem in the pen (Bath, England) - Eau forte by Francis Eginton (1737-1805), extracted from Le nouveau guide de Bath or Memoires de la famille Blunderhead, published in 1807 - (Regency gentleman seated at an ecritoire with a feather pen writing a poem - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstein's “” The New Bath Guide,””” John Browne, 1807)

Crawling quenches. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Creeping wheat grass, TritiCum repens. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Crawling quenches. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Creeping wheat grass, TritiCum repens. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4565983: Crawling quenches. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Creeping wheat grass, TritiCum repens. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4565983

Crawling quenches. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Creeping wheat grass, TritiCum repens. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

If armeria or silene has bouquet. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Lobel's catchfly, Silene armeria. Handcoloured copperplate engraving of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
If armeria or silene has bouquet. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Lobel's catchfly, Silene armeria. Handcoloured copperplate engraving of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566028: If armeria or silene has bouquet. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Lobel's catchfly, Silene armeria. Handcoloured copperplate engraving of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4566028

If armeria or silene has bouquet. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Lobel's catchfly, Silene armeria. Handcoloured copperplate engraving of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Clematite of hedges. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common traveller's joy, Clematis vitalba. Handcoloured copperplate engraving by I. Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Clematite of hedges. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common traveller's joy, Clematis vitalba. Handcoloured copperplate engraving by I. Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566091: Clematite of hedges. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common traveller's joy, Clematis vitalba. Handcoloured copperplate engraving by I. Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4566091

Clematite of hedges. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common traveller's joy, Clematis vitalba. Handcoloured copperplate engraving by I. Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Musical score of I briganti opera by Mercadante (1836)
Musical score of I briganti opera by Mercadante (1836)

LRI4566128: Musical score of I briganti opera by Mercadante (1836), Mercadante, Saverio (1795-1870) / Bridgeman Images

ID: LRI4566128

Musical score of I briganti opera by Mercadante (1836)

Mercadante, Saverio (1795-1870)

Autumn crocus or saffron with bare flowers. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Naked flowering crocus, Crocus nudiflorus. Handcoloured copperplate engraving by I. Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Autumn crocus or saffron with bare flowers. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Naked flowering crocus, Crocus nudiflorus. Handcoloured copperplate engraving by I. Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566144: Autumn crocus or saffron with bare flowers. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Naked flowering crocus, Crocus nudiflorus. Handcoloured copperplate engraving by I. Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4566144

Autumn crocus or saffron with bare flowers. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Naked flowering crocus, Crocus nudiflorus. Handcoloured copperplate engraving by I. Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Seneque grass or fragrant oats. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Northern holy grass, Hierochloe borealis. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Seneque grass or fragrant oats. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Northern holy grass, Hierochloe borealis. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566223: Seneque grass or fragrant oats. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Northern holy grass, Hierochloe borealis. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4566223

Seneque grass or fragrant oats. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Northern holy grass, Hierochloe borealis. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.


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