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Polycarp has four leaves. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Four leaved all seed, Polycarpon tetraphyllum. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Polycarp has four leaves. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Four leaved all seed, Polycarpon tetraphyllum. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566258: Polycarp has four leaves. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Four leaved all seed, Polycarpon tetraphyllum. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4566258

Polycarp has four leaves. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Four leaved all seed, Polycarpon tetraphyllum. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Doronic kills panthere. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Great leopard's bane, Doronicum pardalianches. Handcoloured copperplate engraving by I. Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Doronic kills panthere. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Great leopard's bane, Doronicum pardalianches. Handcoloured copperplate engraving by I. Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566270: Doronic kills panthere. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Great leopard's bane, Doronicum pardalianches. Handcoloured copperplate engraving by I. Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4566270

Doronic kills panthere. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Great leopard's bane, Doronicum pardalianches. Handcoloured copperplate engraving by I. Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Hemp agrimony, Eupatorium cannabinum - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1836
Hemp agrimony, Eupatorium cannabinum - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1836

FLO4566447: Hemp agrimony, Eupatorium cannabinum - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1836 / Bridgeman Images

ID: FLO4566447

Hemp agrimony, Eupatorium cannabinum - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1836

Common feathergrass, Stipa pennata - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836
Common feathergrass, Stipa pennata - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836

FLO4566636: Common feathergrass, Stipa pennata - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836 / Bridgeman Images

ID: FLO4566636

Common feathergrass, Stipa pennata - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836

Sainfoin grows. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common sainfoin, Onobrychis sativa. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Sainfoin grows. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common sainfoin, Onobrychis sativa. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566122: Sainfoin grows. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common sainfoin, Onobrychis sativa. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4566122

Sainfoin grows. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common sainfoin, Onobrychis sativa. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Petasite officinal or vulgar phybrid or devil's hat. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common butterbur, Petasites vulgaris. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Petasite officinal or vulgar phybrid or devil's hat. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common butterbur, Petasites vulgaris. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566157: Petasite officinal or vulgar phybrid or devil's hat. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common butterbur, Petasites vulgaris. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4566157

Petasite officinal or vulgar phybrid or devil's hat. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common butterbur, Petasites vulgaris. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Blue moor grass, Sesleria caerulea - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836
Blue moor grass, Sesleria caerulea - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836

FLO4566567: Blue moor grass, Sesleria caerulea - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836 / Bridgeman Images

ID: FLO4566567

Blue moor grass, Sesleria caerulea - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836

Sheet music page for the first violin in Symphony n. 7, by Mozart
Sheet music page for the first violin in Symphony n. 7, by Mozart

LRI4566629: Sheet music page for the first violin in Symphony n. 7, by Mozart, Unknown artist, (18th century) / Bridgeman Images

ID: LRI4566629

Sheet music page for the first violin in Symphony n. 7, by Mozart

Unknown artist, (18th century)

Chob-dar or mace bearer, in livery decorated with gold lace, holding a mace of gold or silver. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.
Chob-dar or mace bearer, in livery decorated with gold lace, holding a mace of gold or silver. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.

FLO4565555: Chob-dar or mace bearer, in livery decorated with gold lace, holding a mace of gold or silver. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828. / Bridgeman Images

ID: FLO4565555

Chob-dar or mace bearer, in livery decorated with gold lace, holding a mace of gold or silver. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.

Roman antiquite: bust of Roman lady from Pompei, 1st century AD
Roman antiquite: bust of Roman lady from Pompei, 1st century AD

JLJ4565590: Roman antiquite: bust of Roman lady from Pompei, 1st century AD, Roman, (1st century AD) / Bridgeman Images

ID: JLJ4565590

Roman antiquite: bust of Roman lady from Pompei, 1st century AD

Roman, (1st century AD)

Portrait of Giuseppe Verdi (b/w photo)
Portrait of Giuseppe Verdi (b/w photo)

LRI4565624: Portrait of Giuseppe Verdi (b/w photo), Unknown photographer, (19th century) / Bridgeman Images

ID: LRI4565624

Portrait of Giuseppe Verdi (b/w photo)

Unknown photographer, (19th century)

Portrait of Joseph Weigl (engraving, 19th century)
Portrait of Joseph Weigl (engraving, 19th century)

LRI4565693: Portrait of Joseph Weigl (engraving, 19th century), Unknown Artist, (19th century) / Bridgeman Images

ID: LRI4565693

Portrait of Joseph Weigl (engraving, 19th century)

Unknown Artist, (19th century)

Galaxies Superamas - Artist View - Supercluster of galaxies. Artwor
Galaxies Superamas - Artist View - Supercluster of galaxies. Artwor

PIX4565762: Galaxies Superamas - Artist View - Supercluster of galaxies. Artwor / Bridgeman Images

ID: PIX4565762

Galaxies Superamas - Artist View - Supercluster of galaxies. Artwor

Stages in the formation of the foetal skull. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Sue from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.
Stages in the formation of the foetal skull. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Sue from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.

FLO4565769: Stages in the formation of the foetal skull. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Sue from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824. / Bridgeman Images

ID: FLO4565769

Stages in the formation of the foetal skull. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Sue from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.

A young woman, dressed in a chiffon dress, apprehended to take a curative bath, a maid held a towel and another woman watched them (Bath, England) - Eau forte by Francis Eginton (1737-1805), from The New Bath Guide or Memories of the Blunderhead Family, published in 1807 - (Young fashionable woman dressing in muslin robe to take a healing spa in Regency Bath, an attendant holds a towel while another woman looks on - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstey's “” The New Bath Guide,”” John Browne, 1807)
A young woman, dressed in a chiffon dress, apprehended to take a curative bath, a maid held a towel and another woman watched them (Bath, England) - Eau forte by Francis Eginton (1737-1805), from The New Bath Guide or Memories of the Blunderhead Family, published in 1807 - (Young fashionable woman dressing in muslin robe to take a healing spa in Regency Bath, an attendant holds a towel while another woman looks on - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstey's “” The New Bath Guide,”” John Browne, 1807)

FLO4565842: A young woman, dressed in a chiffon dress, apprehended to take a curative bath, a maid held a towel and another woman watched them (Bath, England) - Eau forte by Francis Eginton (1737-1805), from The New Bath Guide or Memories of the Blunderhead Family, published in 1807 - (Young fashionable woman dressing in muslin robe to take a healing spa in Regency Bath, an attendant holds a towel while another woman looks on - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstey's “” The New Bath Guide,”” John Browne, 1807) / Bridgeman Images

ID: FLO4565842

A young woman, dressed in a chiffon dress, apprehended to take a curative bath, a maid held a towel and another woman watched them (Bath, England) - Eau forte by Francis Eginton (1737-1805), from The New Bath Guide or Memories of the Blunderhead Family, published in 1807 - (Young fashionable woman dressing in muslin robe to take a healing spa in Regency Bath, an attendant holds a towel while another woman looks on - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstey's “” The New Bath Guide,”” John Browne, 1807)

Lavatere tree or royal purple. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Tree mallow, Lavatera arborea. Handcoloured copperplate engraving by WE Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Lavatere tree or royal purple. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Tree mallow, Lavatera arborea. Handcoloured copperplate engraving by WE Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4565926: Lavatere tree or royal purple. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Tree mallow, Lavatera arborea. Handcoloured copperplate engraving by WE Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4565926

Lavatere tree or royal purple. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Tree mallow, Lavatera arborea. Handcoloured copperplate engraving by WE Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

European charcoal. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common spindle tree, Euonymus europaeus. Handcoloured copperplate engraving by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
European charcoal. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common spindle tree, Euonymus europaeus. Handcoloured copperplate engraving by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566050: European charcoal. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common spindle tree, Euonymus europaeus. Handcoloured copperplate engraving by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4566050

European charcoal. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common spindle tree, Euonymus europaeus. Handcoloured copperplate engraving by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Lobelia has crimson red flowers, Lobelia cardinalis. Illustration by Clarissa Badger (nee Munger, 1806-1889), lithography published in “Wildflowers, dessinees et mises en couleur par la nature”, New York (USA), 1859.
Lobelia has crimson red flowers, Lobelia cardinalis. Illustration by Clarissa Badger (nee Munger, 1806-1889), lithography published in “Wildflowers, dessinees et mises en couleur par la nature”, New York (USA), 1859.

FLO4565628: Lobelia has crimson red flowers, Lobelia cardinalis. Illustration by Clarissa Badger (nee Munger, 1806-1889), lithography published in “Wildflowers, dessinees et mises en couleur par la nature”, New York (USA), 1859. / Bridgeman Images

ID: FLO4565628

Lobelia has crimson red flowers, Lobelia cardinalis. Illustration by Clarissa Badger (nee Munger, 1806-1889), lithography published in “Wildflowers, dessinees et mises en couleur par la nature”, New York (USA), 1859.

Front view of the human trunk skeleton including spine, ribs and pelvis. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Suefrom John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.
Front view of the human trunk skeleton including spine, ribs and pelvis. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Suefrom John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.

FLO4565690: Front view of the human trunk skeleton including spine, ribs and pelvis. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Suefrom John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824. / Bridgeman Images

ID: FLO4565690

Front view of the human trunk skeleton including spine, ribs and pelvis. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Suefrom John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.

Ribs and sternum in the human ribcage. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Sue from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.
Ribs and sternum in the human ribcage. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Sue from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.

FLO4565699: Ribs and sternum in the human ribcage. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Sue from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824. / Bridgeman Images

ID: FLO4565699

Ribs and sternum in the human ribcage. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Sue from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.

Portrait of Caroline Ungher (Unger) (engraving, 19th century)
Portrait of Caroline Ungher (Unger) (engraving, 19th century)

LRI4565611: Portrait of Caroline Ungher (Unger) (engraving, 19th century), Unknown Artist, (19th century) / Bridgeman Images

ID: LRI4565611

Portrait of Caroline Ungher (Unger) (engraving, 19th century)

Unknown Artist, (19th century)

Side view of human skeleton and horse skeleton. Copperplate engraving by Edward Mitchell after anatomical illustrations by Bernhard Siegfried Albinus and George Stubbs from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.
Side view of human skeleton and horse skeleton. Copperplate engraving by Edward Mitchell after anatomical illustrations by Bernhard Siegfried Albinus and George Stubbs from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.

FLO4565764: Side view of human skeleton and horse skeleton. Copperplate engraving by Edward Mitchell after anatomical illustrations by Bernhard Siegfried Albinus and George Stubbs from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824. / Bridgeman Images

ID: FLO4565764

Side view of human skeleton and horse skeleton. Copperplate engraving by Edward Mitchell after anatomical illustrations by Bernhard Siegfried Albinus and George Stubbs from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.

Fritillary guinea fowl or checkerboard. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Snake's head fritillary, Fritillaria meleagris. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Fritillary guinea fowl or checkerboard. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Snake's head fritillary, Fritillaria meleagris. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4565874: Fritillary guinea fowl or checkerboard. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Snake's head fritillary, Fritillaria meleagris. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4565874

Fritillary guinea fowl or checkerboard. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Snake's head fritillary, Fritillaria meleagris. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

A gentleman and two elegant women, wearing feather heats, gloves and eventails at a ball, in the fashion of the English Regence (1811-1820) (Bath, England) - Eau forte by Francis Eginton (1737-1805), from Le nouveau guide de Bath or Memoires de la famille Blunderhead, published in 1807 - (Regency gentleman and two elegant ladies with feather headdresses, fans and gloves at a ball - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstein's “” The New Bath Guide,”” John Browne, 1807)
A gentleman and two elegant women, wearing feather heats, gloves and eventails at a ball, in the fashion of the English Regence (1811-1820) (Bath, England) - Eau forte by Francis Eginton (1737-1805), from Le nouveau guide de Bath or Memoires de la famille Blunderhead, published in 1807 - (Regency gentleman and two elegant ladies with feather headdresses, fans and gloves at a ball - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstein's “” The New Bath Guide,”” John Browne, 1807)

FLO4565848: A gentleman and two elegant women, wearing feather heats, gloves and eventails at a ball, in the fashion of the English Regence (1811-1820) (Bath, England) - Eau forte by Francis Eginton (1737-1805), from Le nouveau guide de Bath or Memoires de la famille Blunderhead, published in 1807 - (Regency gentleman and two elegant ladies with feather headdresses, fans and gloves at a ball - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstein's “” The New Bath Guide,”” John Browne, 1807) / Bridgeman Images

ID: FLO4565848

A gentleman and two elegant women, wearing feather heats, gloves and eventails at a ball, in the fashion of the English Regence (1811-1820) (Bath, England) - Eau forte by Francis Eginton (1737-1805), from Le nouveau guide de Bath or Memoires de la famille Blunderhead, published in 1807 - (Regency gentleman and two elegant ladies with feather headdresses, fans and gloves at a ball - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstein's “” The New Bath Guide,”” John Browne, 1807)

Dandelion - Common dandelion, Taraxacum officinale, Leontodon taraxacum - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834
Dandelion - Common dandelion, Taraxacum officinale, Leontodon taraxacum - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834

FLO4566321: Dandelion - Common dandelion, Taraxacum officinale, Leontodon taraxacum - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834 / Bridgeman Images

ID: FLO4566321

Dandelion - Common dandelion, Taraxacum officinale, Leontodon taraxacum - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834

Wolf's muflier - Great snapdragon, Antirrhinum majus - Handcoloured copperplate engraved by J. Whessell from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835
Wolf's muflier - Great snapdragon, Antirrhinum majus - Handcoloured copperplate engraved by J. Whessell from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835

FLO4566368: Wolf's muflier - Great snapdragon, Antirrhinum majus - Handcoloured copperplate engraved by J. Whessell from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835 / Bridgeman Images

ID: FLO4566368

Wolf's muflier - Great snapdragon, Antirrhinum majus - Handcoloured copperplate engraved by J. Whessell from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835

Marsh narthecy - Lancashire bog asphodel, Narthecium ossifragum - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836
Marsh narthecy - Lancashire bog asphodel, Narthecium ossifragum - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836

FLO4566510: Marsh narthecy - Lancashire bog asphodel, Narthecium ossifragum - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836 / Bridgeman Images

ID: FLO4566510

Marsh narthecy - Lancashire bog asphodel, Narthecium ossifragum - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836

Sagine couchee - Procumbent or birdeye pearlwort, Sagina procumbens - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836
Sagine couchee - Procumbent or birdeye pearlwort, Sagina procumbens - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836

FLO4566619: Sagine couchee - Procumbent or birdeye pearlwort, Sagina procumbens - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836 / Bridgeman Images

ID: FLO4566619

Sagine couchee - Procumbent or birdeye pearlwort, Sagina procumbens - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836

Fancy dress costume of a hummingbird, with winged dress, bodice decorated with flowers. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.
Fancy dress costume of a hummingbird, with winged dress, bodice decorated with flowers. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.

FLO4565008: Fancy dress costume of a hummingbird, with winged dress, bodice decorated with flowers. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher. / Bridgeman Images

ID: FLO4565008

Fancy dress costume of a hummingbird, with winged dress, bodice decorated with flowers. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.

Allegorical costume as the element fire, with skirt and shawl decorated with flame pattern, bellows, flip-flops and brush on her belt. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.
Allegorical costume as the element fire, with skirt and shawl decorated with flame pattern, bellows, flip-flops and brush on her belt. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.

FLO4565016: Allegorical costume as the element fire, with skirt and shawl decorated with flame pattern, bellows, flip-flops and brush on her belt. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher. / Bridgeman Images

ID: FLO4565016

Allegorical costume as the element fire, with skirt and shawl decorated with flame pattern, bellows, flip-flops and brush on her belt. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.

Portrait of Alessandro Rolla (engraving, 19th century)
Portrait of Alessandro Rolla (engraving, 19th century)

LRI4565044: Portrait of Alessandro Rolla (engraving, 19th century) / Bridgeman Images

ID: LRI4565044

Portrait of Alessandro Rolla (engraving, 19th century)

Fancy dress costume of a shepherdess in the Watteau style. Straw hat, silk dress embroidered with flowers, petticoats and ribbons. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.
Fancy dress costume of a shepherdess in the Watteau style. Straw hat, silk dress embroidered with flowers, petticoats and ribbons. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.

FLO4565137: Fancy dress costume of a shepherdess in the Watteau style. Straw hat, silk dress embroidered with flowers, petticoats and ribbons. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher. / Bridgeman Images

ID: FLO4565137

Fancy dress costume of a shepherdess in the Watteau style. Straw hat, silk dress embroidered with flowers, petticoats and ribbons. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.

Fancy dress costume of a Greek woman, in bachslik (sequined veil), riding coat, apron, gold brocade dress, and diagonal bodice. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.
Fancy dress costume of a Greek woman, in bachslik (sequined veil), riding coat, apron, gold brocade dress, and diagonal bodice. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.

FLO4565152: Fancy dress costume of a Greek woman, in bachslik (sequined veil), riding coat, apron, gold brocade dress, and diagonal bodice. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher. / Bridgeman Images

ID: FLO4565152

Fancy dress costume of a Greek woman, in bachslik (sequined veil), riding coat, apron, gold brocade dress, and diagonal bodice. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.

Anne de Batarnay (1560-1587), Duke of Joyeuse, intimate friend of King Henry III of France, 16th century. He wears the Order of the Holy Spirit from a blue ribbon. Handcoloured lithograph by A.E. after a design by Leon Sault from “” L'Art du Travestissement”” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.
Anne de Batarnay (1560-1587), Duke of Joyeuse, intimate friend of King Henry III of France, 16th century. He wears the Order of the Holy Spirit from a blue ribbon. Handcoloured lithograph by A.E. after a design by Leon Sault from “” L'Art du Travestissement”” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.

FLO4565182: Anne de Batarnay (1560-1587), Duke of Joyeuse, intimate friend of King Henry III of France, 16th century. He wears the Order of the Holy Spirit from a blue ribbon. Handcoloured lithograph by A.E. after a design by Leon Sault from “” L'Art du Travestissement”” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher. / Bridgeman Images

ID: FLO4565182

Anne de Batarnay (1560-1587), Duke of Joyeuse, intimate friend of King Henry III of France, 16th century. He wears the Order of the Holy Spirit from a blue ribbon. Handcoloured lithograph by A.E. after a design by Leon Sault from “” L'Art du Travestissement”” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.

Indian musician with pair of tabla drums in his waist sash. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.
Indian musician with pair of tabla drums in his waist sash. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.

FLO4565408: Indian musician with pair of tabla drums in his waist sash. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828. / Bridgeman Images

ID: FLO4565408

Indian musician with pair of tabla drums in his waist sash. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.

Fancy dress costume for Winter, with dress of flowers, zodiac symbols and fringe icicles, swan feather fan. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.
Fancy dress costume for Winter, with dress of flowers, zodiac symbols and fringe icicles, swan feather fan. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.

FLO4565126: Fancy dress costume for Winter, with dress of flowers, zodiac symbols and fringe icicles, swan feather fan. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher. / Bridgeman Images

ID: FLO4565126

Fancy dress costume for Winter, with dress of flowers, zodiac symbols and fringe icicles, swan feather fan. Handcoloured lithograph after a design by Leon Sault from “” L'Art du Travestissement” (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.


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