2501809 Search Results
FLO4687915: Apple Blenheim pippin (domestic apple variety). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Blenheim pippin apple, Malus domestica, raised in Woodstock. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images
LRI4687893: Contrast Shape. 1913 (Oil on Cardboard), Leger, Fernand (1881-1955) / Bridgeman Images
FLO4687953: Apple Harvey doree (apple variety). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Golden Harvey apple, Malus domestica. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images
FLO4687996: Tartarian black cherries (cherry or bird cherry). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Black Tartarian cherry, Prunus avium, introduced from Circassia in Russia in 1794. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images
FLO4688078: House of Marcus Lucretius, Reg IX, Ins 3, 5, 24, Pompeii. View of the courtyard with impluvium, tablinum with mosaic floor, and garden with statues of satyrs and cupids. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Autoriello & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images
FLO4688201: Interior the Ampitheatre, Pompeii. Chromolithograph after an illustration by S. De Stefani from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Fausto Niccolini, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images
FLO4688167: House of Ariadne or the House of the Coloured Capitals, VII.4.31/51, Pompeii. Chromolithograph after an illustration by S. De Stefano from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Fausto Niccolini, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images
FLO4688287: Apodyterium or changing room for the Tepidarium or warm bath in the Forum Thermae, Pompeii. Serving with oil vase and towel standing next to a table. The walls have figures of Thelamon and niches for personal effects. Chromolithograph by D. Capri after an illustration by G. Discanno from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images
LRI4688306: Protiro of the cathedral , end 13th-beginning 14th century, Italian School, (13th century) / Bridgeman Images
LBY4688326: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images
FLO4688435: Woman of the Mariana Islands in top, skirt, necklace with cross. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images
FLO4687899: Fishing bellegarde or galade (variety of common fishing). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Bellegarde or galande peach, Prunus persica. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images
FLO4687917: Apple (domestic apple tree). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Sugar-loaf pippin apple, Malus domestica, cultivated in Russia under the name Dolgoi Squoznoi. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images
FLO4688040: Strawberries (strawberry ostara). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Grove-End scarlet strawberry, Fragaria x anananassa, raised at Grove End, London, in 1820. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images
FLO4688286: House in Regio VIII, insula 2, Pompeii. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images
LBY4688359: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images
FLO4686383: Young girl of Cologne, Prussia, after Abraham de Bruyn, 1581 - Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Foreign Fashions and Costumes Ancient and Modern”, Paris, 1865 / Bridgeman Images
LRI4686615: Ring with scarab (Heracles leaning on a club), end 4th century BC (silver, chalcedony), Greek school, (4th century BC) / Bridgeman Images
FLO4686329: Elisabeth I Queen of England and Ireland (1533-1603) - Queen Elizabeth I of England, after Hans Holbein - Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Foreign Fashions and Costumes Ancient and Modern””, Paris, 1865 / Bridgeman Images
FLO4686542: Native of North America, after Cartias, National Library, 1780. Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images
LRI4686250: Mirror decorated with the representation of Acteon devoured by his dogs. From the necropolis Pantanello (bronze), Greek school, (5th century BC) / Bridgeman Images
FLO4686549: Woman of Cadiz, Spain, 18th century, after Rodriguez. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images
FLO4686379: Polish princess, 15th and 16th centuries - Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Foreign Fashions and Costumes Ancient and Modern”, Paris, 1865 / Bridgeman Images
FLO4686666: Noble girl of Holland, after Lucas de Leiden, 1509 - Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Foreign Fashions and Costumes Ancient and Modern”, Paris, 1865 / Bridgeman Images
FLO4686695: Woman of Vialka, Russia, 1860. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images
FLO4686446: Boyar girl, Grand Duchy of Moscow, 17th century, Polish Library - Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Foreign Fashions and Costumes Ancient and Modern”, Paris, 1865 / Bridgeman Images
LRI4686537: Sconces used for decoration of burial boxes. 2nd half of the 4th century BC (gilded clay), Greek school, (4th century BC) / Bridgeman Images
FLO4686578: Woman gardener from Holland, after Koning, 1804. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images
FLO4686599: Dimitri Mauromichalis (1809-1879), Greek military officer and patriot - Demetrius Mavromichalis, Greek Prince, 1819, after L. Dupre. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images
FLO4688136: View of the Street of Tombs outside the Herculaneum Gate, Pompeii. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images
FLO4688357: A woman of the Tuda race of the Nilagiri hills in India, wearing sari, veil, necklace and earrings. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images
LBY4688344: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images
ETI4396614: Sculptures by the fountain of Villa Adriana (Hadrian) in Tivoli, Italy. / Bridgeman Images
ETI4396905: View of the Canopo (Canopo), basin of Villa Adriana (Hadrian). It is a long pond surrounded by colonnades that was used for banquets outside. Tivoli. Rome. / Bridgeman Images
YAC4395399: Portrait of Gilles Rozier - 10/06/2016 -, Coupannec, Yannick / Bridgeman Images
YAC4395446: Portrait of Davide Enia 14/06/2016, Coupannec, Yannick / Bridgeman Images
