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The grand organ in 1992, restoration by Jean-Loup Boisseau, Bertrand Cattiaux, Philippe Emeriau, Michel Giroud and the company Synaptel. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
The grand organ in 1992, restoration by Jean-Loup Boisseau, Bertrand Cattiaux, Philippe Emeriau, Michel Giroud and the company Synaptel. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4554040: The grand organ in 1992, restoration by Jean-Loup Boisseau, Bertrand Cattiaux, Philippe Emeriau, Michel Giroud and the company Synaptel. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

The 19th century glazing in the high windows of the choir pays tribute to the eveques initiators of the Gothic Cathedrale. Eudes de Sully keeps the model of the facade from which he saw the beginning of the 12th century., (text from the book “La grace d'une cathedrale” by Mgr Joseph Dore, Mgr Andre Twenty-Trois et Collectif) Cathedrale Notre Dame de Paris - Paris 4 - XIIIème, XIIIème, XIXeme, rehabilitation by Viollet-le-Duc -
The 19th century glazing in the high windows of the choir pays tribute to the eveques initiators of the Gothic Cathedrale. Eudes de Sully keeps the model of the facade from which he saw the beginning of the 12th century., (text from the book “La grace d'une cathedrale” by Mgr Joseph Dore, Mgr Andre Twenty-Trois et Collectif) Cathedrale Notre Dame de Paris - Paris 4 - XIIIème, XIIIème, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4554100: The 19th century glazing in the high windows of the choir pays tribute to the eveques initiators of the Gothic Cathedrale. Eudes de Sully keeps the model of the facade from which he saw the beginning of the 12th century., (text from the book “La grace d'une cathedrale” by Mgr Joseph Dore, Mgr Andre Twenty-Trois et Collectif) Cathedrale Notre Dame de Paris - Paris 4 - XIIIème, XIIIème, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

Saint Bernadette Church in Nevers (Nievre, France). Architects Claude Parent and Paul Virilio, 1965.
Saint Bernadette Church in Nevers (Nievre, France). Architects Claude Parent and Paul Virilio, 1965.

TEC4554103: Saint Bernadette Church in Nevers (Nievre, France). Architects Claude Parent and Paul Virilio, 1965. / Bridgeman Images

La Collegiale Notre-Dame-la-Grande (Notre Dame la Grande), in Poitiers (Vienne, Poitou Charente region).
La Collegiale Notre-Dame-la-Grande (Notre Dame la Grande), in Poitiers (Vienne, Poitou Charente region).

MDA4554144: La Collegiale Notre-Dame-la-Grande (Notre Dame la Grande), in Poitiers (Vienne, Poitou Charente region)., Denance, Michel / Bridgeman Images

Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.
Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.

TEC4554692: Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996. / Bridgeman Images

Store Jean-Paul Gaultier (Jean Paul Gaultier), 6 rue Vivienne, Paris 2. Architecture by P Marty and Le Huerou, 1986. Photography 1986.
Store Jean-Paul Gaultier (Jean Paul Gaultier), 6 rue Vivienne, Paris 2. Architecture by P Marty and Le Huerou, 1986. Photography 1986.

TEC4556576: Store Jean-Paul Gaultier (Jean Paul Gaultier), 6 rue Vivienne, Paris 2. Architecture by P Marty and Le Huerou, 1986. Photography 1986. / Bridgeman Images

15 March 2013: the new bells of the Cathedrale Notre Dame (Notre-Dame) in Paris for its 850 years: installation of the last of the 8 new bells “Gabriel” in the belfry of the Tower North
15 March 2013: the new bells of the Cathedrale Notre Dame (Notre-Dame) in Paris for its 850 years: installation of the last of the 8 new bells “Gabriel” in the belfry of the Tower North

ITR4556851: 15 March 2013: the new bells of the Cathedrale Notre Dame (Notre-Dame) in Paris for its 850 years: installation of the last of the 8 new bells “Gabriel” in the belfry of the Tower North / Bridgeman Images

Sculpture “Paper Arch” by Shigeru Ban at the MOMA in New York, MOMA, 2000.
Sculpture “Paper Arch” by Shigeru Ban at the MOMA in New York, MOMA, 2000.

TEC4556945: Sculpture “Paper Arch” by Shigeru Ban at the MOMA in New York, MOMA, 2000. / Bridgeman Images

Window, Paris 13. Photography 04/06/01
Window, Paris 13. Photography 04/06/01

TEC4557079: Window, Paris 13. Photography 04/06/01 / Bridgeman Images

Staircase of the Maison de Cassandre in Versailles, realized by Perret in 1926
Staircase of the Maison de Cassandre in Versailles, realized by Perret in 1926

TEC4557178: Staircase of the Maison de Cassandre in Versailles, realized by Perret in 1926, Perret, Auguste (1874-1954) / Bridgeman Images

Staircase of the Centre de radiologie, Pau, Pyrenees-Atlantiques (Pyrenees Altantiques), Aquitaine. Architecture by Jean Jacques Cachau, 1991
Staircase of the Centre de radiologie, Pau, Pyrenees-Atlantiques (Pyrenees Altantiques), Aquitaine. Architecture by Jean Jacques Cachau, 1991

TEC4557221: Staircase of the Centre de radiologie, Pau, Pyrenees-Atlantiques (Pyrenees Altantiques), Aquitaine. Architecture by Jean Jacques Cachau, 1991 / Bridgeman Images

Apartment de rue Saint-Bernard, Paris 11.
Apartment de rue Saint-Bernard, Paris 11.

TEC4557226: Apartment de rue Saint-Bernard, Paris 11. / Bridgeman Images

Urban display in Paris, Bache overlooking the peripheric boulevard at the height of the Porte de la Chapelle, Paris 75018. Photography 01/03/01
Urban display in Paris, Bache overlooking the peripheric boulevard at the height of the Porte de la Chapelle, Paris 75018. Photography 01/03/01

TEC4557351: Urban display in Paris, Bache overlooking the peripheric boulevard at the height of the Porte de la Chapelle, Paris 75018. Photography 01/03/01 / Bridgeman Images

Pecorino cheese, Calabria, Italy
Pecorino cheese, Calabria, Italy

CUB4528039: Pecorino cheese, Calabria, Italy / Bridgeman Images

Dividing and cutting engines with diagonal motion. Copperplate engraving by Duncan after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.
Dividing and cutting engines with diagonal motion. Copperplate engraving by Duncan after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

FLO4591122: Dividing and cutting engines with diagonal motion. Copperplate engraving by Duncan after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812. / Bridgeman Images

Marquis of Worcester Timothy Marshal's secret escutcheon for a lock, and self-acting candle extinguishers including John Isaac Hawkins'. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.
Marquis of Worcester Timothy Marshal's secret escutcheon for a lock, and self-acting candle extinguishers including John Isaac Hawkins'. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.

FLO4591144: Marquis of Worcester Timothy Marshal's secret escutcheon for a lock, and self-acting candle extinguishers including John Isaac Hawkins'. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810. / Bridgeman Images

Entre du general Napoleon Bonaparte à Nice, 1796 (w/c)
Entre du general Napoleon Bonaparte à Nice, 1796 (w/c)

JLJ4591205: Entre du general Napoleon Bonaparte à Nice, 1796 (w/c), Bagetti, Giuseppe Pietro (1764-1831) / Bridgeman Images

Anatomy of human musculature from the front showing inner muscles, 1820 (copperplate engraving)
Anatomy of human musculature from the front showing inner muscles, 1820 (copperplate engraving)

FLO4591280: Anatomy of human musculature from the front showing inner muscles, 1820 (copperplate engraving) / Bridgeman Images

Anatomy of the human ear within the brain. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Anatomy of the human ear within the brain. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591518: Anatomy of the human ear within the brain. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Dipping needle compassed made by Edward Nairne for the Board of Longitude based on plans for the Reverend John Mitchell, Rector of Thornhill, 1772. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.
Dipping needle compassed made by Edward Nairne for the Board of Longitude based on plans for the Reverend John Mitchell, Rector of Thornhill, 1772. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.

FLO4591577: Dipping needle compassed made by Edward Nairne for the Board of Longitude based on plans for the Reverend John Mitchell, Rector of Thornhill, 1772. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810. / Bridgeman Images

Statuette in the shape of a woman with crossed arms. 3200-2000 BC. (marble sculpture)
Statuette in the shape of a woman with crossed arms. 3200-2000 BC. (marble sculpture)

LRI4591621: Statuette in the shape of a woman with crossed arms. 3200-2000 BC. (marble sculpture), Cycladic / Bridgeman Images

Schematic figurine sitting, white marble with ochre encrustations, 3200-2000 BC
Schematic figurine sitting, white marble with ochre encrustations, 3200-2000 BC

LRI4591724: Schematic figurine sitting, white marble with ochre encrustations, 3200-2000 BC, Cycladic / Bridgeman Images

Cannon-boring machinery, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.
Cannon-boring machinery, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.

FLO4591794: Cannon-boring machinery, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808. / Bridgeman Images

Plan, elevation and section of the Kelvin Aqueduct, built by Robert Whitworth, over the Forth River, Scotland, 1790. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.
Plan, elevation and section of the Kelvin Aqueduct, built by Robert Whitworth, over the Forth River, Scotland, 1790. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.

FLO4591870: Plan, elevation and section of the Kelvin Aqueduct, built by Robert Whitworth, over the Forth River, Scotland, 1790. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819. / Bridgeman Images

Horizontal plan of the Double Speeder roving frame used in cotton manufacture, 18th century. Cans contain slivers of yarn brought from the drawing frame. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.
Horizontal plan of the Double Speeder roving frame used in cotton manufacture, 18th century. Cans contain slivers of yarn brought from the drawing frame. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.

FLO4591983: Horizontal plan of the Double Speeder roving frame used in cotton manufacture, 18th century. Cans contain slivers of yarn brought from the drawing frame. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811. / Bridgeman Images

View of the Rialto Bridge in Venice Gondoles on the Grand Canal, 18th century (oil on canvas)
View of the Rialto Bridge in Venice Gondoles on the Grand Canal, 18th century (oil on canvas)

JLJ4592018: View of the Rialto Bridge in Venice Gondoles on the Grand Canal, 18th century (oil on canvas), Canaletto, (Giovanni Antonio Canal) (1697-1768) / Bridgeman Images

Accommodation in Paris 13, 1984 (photo)
Accommodation in Paris 13, 1984 (photo)

TEC4557392: Accommodation in Paris 13, 1984 (photo) / Bridgeman Images

Urban dichotomy in Levallois Perret (Hauts de Seine).
Urban dichotomy in Levallois Perret (Hauts de Seine).

MDA4557444: Urban dichotomy in Levallois Perret (Hauts de Seine)., Denance, Michel / Bridgeman Images

Parisian roofs, Paris 4.
Parisian roofs, Paris 4.

MDA4557462: Parisian roofs, Paris 4., Denance, Michel / Bridgeman Images

Parisian roofs, Paris 4.
Parisian roofs, Paris 4.

MDA4557514: Parisian roofs, Paris 4., Denance, Michel / Bridgeman Images

Wall painted in Paris
Wall painted in Paris

TEC4557560: Wall painted in Paris / Bridgeman Images

Chantiers de France Televisions and the Georges Pompidou Hospital in Paris
Chantiers de France Televisions and the Georges Pompidou Hospital in Paris

TEC4557722: Chantiers de France Televisions and the Georges Pompidou Hospital in Paris / Bridgeman Images

ZAC Andre Citroen under construction in Paris
ZAC Andre Citroen under construction in Paris

TEC4557762: ZAC Andre Citroen under construction in Paris / Bridgeman Images

Construction of detached wooden house in San Diego, USA, USA. Photography 15/11/02
Construction of detached wooden house in San Diego, USA, USA. Photography 15/11/02

TEC4557783: Construction of detached wooden house in San Diego, USA, USA. Photography 15/11/02 / Bridgeman Images

Construction of detached wooden house in San Diego, USA, USA. Photography 15/11/02
Construction of detached wooden house in San Diego, USA, USA. Photography 15/11/02

TEC4557794: Construction of detached wooden house in San Diego, USA, USA. Photography 15/11/02 / Bridgeman Images

Construction site.
Construction site.

MDA4558062: Construction site., Denance, Michel / Bridgeman Images


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