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Doris Argo or doris fawn. Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw.
Doris Argo or doris fawn. Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw.

FLO4680343: Doris Argo or doris fawn. Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw. / Bridgeman Images

ID: FLO4680343

Doris Argo or doris fawn. Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1793 by George Shaw.

Sea potato (Boltenia ovifera). Signed illustration N (Frederick nodder). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801).
Sea potato (Boltenia ovifera). Signed illustration N (Frederick nodder). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801).

FLO4680391: Sea potato (Boltenia ovifera). Signed illustration N (Frederick nodder). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801). / Bridgeman Images

ID: FLO4680391

Sea potato (Boltenia ovifera). Signed illustration N (Frederick nodder). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801).

Sleep head or Maurice dronte. Engraving by George Shaw and Frederick Nodder (1751-1801), for the naturalist collection, 1793.
Sleep head or Maurice dronte. Engraving by George Shaw and Frederick Nodder (1751-1801), for the naturalist collection, 1793.

FLO4680440: Sleep head or Maurice dronte. Engraving by George Shaw and Frederick Nodder (1751-1801), for the naturalist collection, 1793. / Bridgeman Images

ID: FLO4680440

Sleep head or Maurice dronte. Engraving by George Shaw and Frederick Nodder (1751-1801), for the naturalist collection, 1793.

Venus shell (praire) (Hysteroconcha dione). Unsigned illustration (George Shaw and Frederick Nodder). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801).
Venus shell (praire) (Hysteroconcha dione). Unsigned illustration (George Shaw and Frederick Nodder). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801).

FLO4680464: Venus shell (praire) (Hysteroconcha dione). Unsigned illustration (George Shaw and Frederick Nodder). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801). / Bridgeman Images

ID: FLO4680464

Venus shell (praire) (Hysteroconcha dione). Unsigned illustration (George Shaw and Frederick Nodder). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801).

Insect Arctorthezia cataphracta, seen from above and below, with an egg. Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1794 by Frederick Nodder (1751-1801) and George Shaw. Alpine ensign scale, Arctorthezia cataphracta. Unsigned illustration (George Shaw and Frederick Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794.
Insect Arctorthezia cataphracta, seen from above and below, with an egg. Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1794 by Frederick Nodder (1751-1801) and George Shaw. Alpine ensign scale, Arctorthezia cataphracta. Unsigned illustration (George Shaw and Frederick Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794.

FLO4680569: Insect Arctorthezia cataphracta, seen from above and below, with an egg. Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1794 by Frederick Nodder (1751-1801) and George Shaw. Alpine ensign scale, Arctorthezia cataphracta. Unsigned illustration (George Shaw and Frederick Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794. / Bridgeman Images

ID: FLO4680569

Insect Arctorthezia cataphracta, seen from above and below, with an egg. Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1794 by Frederick Nodder (1751-1801) and George Shaw. Alpine ensign scale, Arctorthezia cataphracta. Unsigned illustration (George Shaw and Frederick Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794.

Salp, with an agregated shape in double longitudinal chain (macroplankton). Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw.
Salp, with an agregated shape in double longitudinal chain (macroplankton). Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw.

FLO4680605: Salp, with an agregated shape in double longitudinal chain (macroplankton). Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. / Bridgeman Images

ID: FLO4680605

Salp, with an agregated shape in double longitudinal chain (macroplankton). Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw.

Coral (Phenilia sanguinolenta). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Phenilia coral species, Phenilia sanguinolenta. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.
Coral (Phenilia sanguinolenta). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Phenilia coral species, Phenilia sanguinolenta. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

FLO4680749: Coral (Phenilia sanguinolenta). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Phenilia coral species, Phenilia sanguinolenta. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796. / Bridgeman Images

ID: FLO4680749

Coral (Phenilia sanguinolenta). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Phenilia coral species, Phenilia sanguinolenta. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

The titan coleoptere (Titanus giganteus). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Titan beetle, Titanus giganteus. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.
The titan coleoptere (Titanus giganteus). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Titan beetle, Titanus giganteus. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

FLO4680830: The titan coleoptere (Titanus giganteus). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Titan beetle, Titanus giganteus. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796. / Bridgeman Images

ID: FLO4680830

The titan coleoptere (Titanus giganteus). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Titan beetle, Titanus giganteus. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

Hocco alector. Signed illustration N (Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw.
Hocco alector. Signed illustration N (Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw.

FLO4680225: Hocco alector. Signed illustration N (Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw. / Bridgeman Images

ID: FLO4680225

Hocco alector. Signed illustration N (Frederick Nodder). Copper engraving by Frederick Polydor Nodder (1751-1801), for the naturalist collection, published in 1792 by George Shaw.

Great glider (Idea), butterfly from the Philippines. Signed illustration S (George Shaw). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801).
Great glider (Idea), butterfly from the Philippines. Signed illustration S (George Shaw). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801).

FLO4680353: Great glider (Idea), butterfly from the Philippines. Signed illustration S (George Shaw). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801). / Bridgeman Images

ID: FLO4680353

Great glider (Idea), butterfly from the Philippines. Signed illustration S (George Shaw). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801).

Wonderful manakin (Chiroxiphia linearis). Unsigned illustration (George Shaw and Frederick nodder). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801).
Wonderful manakin (Chiroxiphia linearis). Unsigned illustration (George Shaw and Frederick nodder). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801).

FLO4680367: Wonderful manakin (Chiroxiphia linearis). Unsigned illustration (George Shaw and Frederick nodder). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801). / Bridgeman Images

ID: FLO4680367

Wonderful manakin (Chiroxiphia linearis). Unsigned illustration (George Shaw and Frederick nodder). Lithography in The Naturalist's Miscellany, 1793, by George Shaw and Frederick Polydore Noder (1751-1801).

Small Owl, juvenile (Aegolius acadicus) Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1794 by Frederick Nodder (1751-1801) and George Shaw. Northern saw-whet owl (young), Aegolius acadicus. Unsigned illustration (George Shaw and Frederick Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794.
Small Owl, juvenile (Aegolius acadicus) Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1794 by Frederick Nodder (1751-1801) and George Shaw. Northern saw-whet owl (young), Aegolius acadicus. Unsigned illustration (George Shaw and Frederick Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794.

FLO4680488: Small Owl, juvenile (Aegolius acadicus) Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1794 by Frederick Nodder (1751-1801) and George Shaw. Northern saw-whet owl (young), Aegolius acadicus. Unsigned illustration (George Shaw and Frederick Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794. / Bridgeman Images

ID: FLO4680488

Small Owl, juvenile (Aegolius acadicus) Unsigned illustration (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1794 by Frederick Nodder (1751-1801) and George Shaw. Northern saw-whet owl (young), Aegolius acadicus. Unsigned illustration (George Shaw and Frederick Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1794.

Lepidoptere Rothschildia erycina. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1795 by George Shaw and Frederick Nodder.
Lepidoptere Rothschildia erycina. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1795 by George Shaw and Frederick Nodder.

FLO4680592: Lepidoptere Rothschildia erycina. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1795 by George Shaw and Frederick Nodder. / Bridgeman Images

ID: FLO4680592

Lepidoptere Rothschildia erycina. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1795 by George Shaw and Frederick Nodder.

Bothriocephale or taenia of fish (parasitic worm that lives in human intestines or ichthyophageal mammals). Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw.
Bothriocephale or taenia of fish (parasitic worm that lives in human intestines or ichthyophageal mammals). Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw.

FLO4680649: Bothriocephale or taenia of fish (parasitic worm that lives in human intestines or ichthyophageal mammals). Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. / Bridgeman Images

ID: FLO4680649

Bothriocephale or taenia of fish (parasitic worm that lives in human intestines or ichthyophageal mammals). Signed illustration SN (George Shaw and Frederick Nodder). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw.

Tangara has red stripes. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Red-shouldered tanager, Tachyphonus phoenicius. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.
Tangara has red stripes. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Red-shouldered tanager, Tachyphonus phoenicius. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

FLO4680694: Tangara has red stripes. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Red-shouldered tanager, Tachyphonus phoenicius. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796. / Bridgeman Images

ID: FLO4680694

Tangara has red stripes. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Red-shouldered tanager, Tachyphonus phoenicius. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

Shellfish (Chiton squamosus). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Scaly chiton, Chiton squamosus. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.
Shellfish (Chiton squamosus). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Scaly chiton, Chiton squamosus. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

FLO4680719: Shellfish (Chiton squamosus). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Scaly chiton, Chiton squamosus. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796. / Bridgeman Images

ID: FLO4680719

Shellfish (Chiton squamosus). Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Scaly chiton, Chiton squamosus. Illustration signed RN (Richard Nodder). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

Vorticelle, animal capable of attracting food by vibration of its eyelashes. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Protozoa, Vorticella species. Illustration signed RN (Richard Nodder). Copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.
Vorticelle, animal capable of attracting food by vibration of its eyelashes. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Protozoa, Vorticella species. Illustration signed RN (Richard Nodder). Copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

FLO4680819: Vorticelle, animal capable of attracting food by vibration of its eyelashes. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Protozoa, Vorticella species. Illustration signed RN (Richard Nodder). Copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796. / Bridgeman Images

ID: FLO4680819

Vorticelle, animal capable of attracting food by vibration of its eyelashes. Signed illustration RN (Richard Nodder). Copper engraving for the naturalist collection, published in 1796 by George Shaw and Frederick Nodder. Protozoa, Vorticella species. Illustration signed RN (Richard Nodder). Copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

Woman balancing on a candlestick on a table, while a child walks on its hands. Later, Madame Herculanus fixes two anchors in curling papers to her hair, and lifts an anvil with her hands as if picking up a hairpin.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Woman balancing on a candlestick on a table, while a child walks on its hands. Later, Madame Herculanus fixes two anchors in curling papers to her hair, and lifts an anvil with her hands as if picking up a hairpin.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677639: Woman balancing on a candlestick on a table, while a child walks on its hands. Later, Madame Herculanus fixes two anchors in curling papers to her hair, and lifts an anvil with her hands as if picking up a hairpin.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

ID: FLO4677639

Woman balancing on a candlestick on a table, while a child walks on its hands. Later, Madame Herculanus fixes two anchors in curling papers to her hair, and lifts an anvil with her hands as if picking up a hairpin.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

Street entertainer performing on a horn and violin. After removing his huge glasses from his nose, the old geezer blows on his horn (sarbacane) and plays the violin, grimacing all the time.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Street entertainer performing on a horn and violin. After removing his huge glasses from his nose, the old geezer blows on his horn (sarbacane) and plays the violin, grimacing all the time.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677673: Street entertainer performing on a horn and violin. After removing his huge glasses from his nose, the old geezer blows on his horn (sarbacane) and plays the violin, grimacing all the time.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

ID: FLO4677673

Street entertainer performing on a horn and violin. After removing his huge glasses from his nose, the old geezer blows on his horn (sarbacane) and plays the violin, grimacing all the time.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

Fashionable dancers performing La Trenis, a country dance section in the popular quadrille created by the French dance master Trenitz. Poor celebrity! The mania for pirouettes made him deranged, and he later died in Charenton asylum, also home to the Marquis de Sade.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Fashionable dancers performing La Trenis, a country dance section in the popular quadrille created by the French dance master Trenitz. Poor celebrity! The mania for pirouettes made him deranged, and he later died in Charenton asylum, also home to the Marquis de Sade.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677861: Fashionable dancers performing La Trenis, a country dance section in the popular quadrille created by the French dance master Trenitz. Poor celebrity! The mania for pirouettes made him deranged, and he later died in Charenton asylum, also home to the Marquis de Sade.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

ID: FLO4677861

Fashionable dancers performing La Trenis, a country dance section in the popular quadrille created by the French dance master Trenitz. Poor celebrity! The mania for pirouettes made him deranged, and he later died in Charenton asylum, also home to the Marquis de Sade.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

A gentleman with a whip controls four dogs dancing on their hind legs dressed in the latest fashions on stage. “The dog show continues to attract crowds at the Theatre Montansier in Versailles.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
A gentleman with a whip controls four dogs dancing on their hind legs dressed in the latest fashions on stage. “The dog show continues to attract crowds at the Theatre Montansier in Versailles.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4678006: A gentleman with a whip controls four dogs dancing on their hind legs dressed in the latest fashions on stage. “The dog show continues to attract crowds at the Theatre Montansier in Versailles.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

ID: FLO4678006

A gentleman with a whip controls four dogs dancing on their hind legs dressed in the latest fashions on stage. “The dog show continues to attract crowds at the Theatre Montansier in Versailles.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

Francoise de Foix (ca. 1495-1537), countess of Chateaubriant, mistress of King Francis I of France. After a drawing by Janet and a miniature oil painting. Handcoloured copperplate engraving by Gatine after an illustration by Louis Marie Lante from Pierre de la Mesanger's “Costumes des femmes celebres” (Costumes of Famous Women), Paris, 1827.
Francoise de Foix (ca. 1495-1537), countess of Chateaubriant, mistress of King Francis I of France. After a drawing by Janet and a miniature oil painting. Handcoloured copperplate engraving by Gatine after an illustration by Louis Marie Lante from Pierre de la Mesanger's “Costumes des femmes celebres” (Costumes of Famous Women), Paris, 1827.

FLO4678123: Francoise de Foix (ca. 1495-1537), countess of Chateaubriant, mistress of King Francis I of France. After a drawing by Janet and a miniature oil painting. Handcoloured copperplate engraving by Gatine after an illustration by Louis Marie Lante from Pierre de la Mesanger's “Costumes des femmes celebres” (Costumes of Famous Women), Paris, 1827. / Bridgeman Images

ID: FLO4678123

Francoise de Foix (ca. 1495-1537), countess of Chateaubriant, mistress of King Francis I of France. After a drawing by Janet and a miniature oil painting. Handcoloured copperplate engraving by Gatine after an illustration by Louis Marie Lante from Pierre de la Mesanger's “Costumes des femmes celebres” (Costumes of Famous Women), Paris, 1827.

Sir Eudo de Arsic III, Knight Templar, 1260. He wears a jacket over a chainmail hauberk with hood, chausses, knee poleyns and carries a sword and shield. From an effigy in St. George Church, Southacre. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Sir Eudo de Arsic III, Knight Templar, 1260. He wears a jacket over a chainmail hauberk with hood, chausses, knee poleyns and carries a sword and shield. From an effigy in St. George Church, Southacre. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678300: Sir Eudo de Arsic III, Knight Templar, 1260. He wears a jacket over a chainmail hauberk with hood, chausses, knee poleyns and carries a sword and shield. From an effigy in St. George Church, Southacre. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678300

Sir Eudo de Arsic III, Knight Templar, 1260. He wears a jacket over a chainmail hauberk with hood, chausses, knee poleyns and carries a sword and shield. From an effigy in St. George Church, Southacre. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Richard I, King of England, Richard the Lionheart, 1194. He wears a cylindrical helm, hauberk and chausses, holding a battle axe and shield with three lions. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Richard I, King of England, Richard the Lionheart, 1194. He wears a cylindrical helm, hauberk and chausses, holding a battle axe and shield with three lions. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678556: Richard I, King of England, Richard the Lionheart, 1194. He wears a cylindrical helm, hauberk and chausses, holding a battle axe and shield with three lions. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678556

Richard I, King of England, Richard the Lionheart, 1194. He wears a cylindrical helm, hauberk and chausses, holding a battle axe and shield with three lions. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Two suits of black armour made for a German knight of the Order of St. George of Ravenna, 1534. Suit of black armour edged in gilt, helmet with gorget of chainmail, horse in barding, with chamfron, bridle, manefaire and poitral. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Two suits of black armour made for a German knight of the Order of St. George of Ravenna, 1534. Suit of black armour edged in gilt, helmet with gorget of chainmail, horse in barding, with chamfron, bridle, manefaire and poitral. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678577: Two suits of black armour made for a German knight of the Order of St. George of Ravenna, 1534. Suit of black armour edged in gilt, helmet with gorget of chainmail, horse in barding, with chamfron, bridle, manefaire and poitral. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678577

Two suits of black armour made for a German knight of the Order of St. George of Ravenna, 1534. Suit of black armour edged in gilt, helmet with gorget of chainmail, horse in barding, with chamfron, bridle, manefaire and poitral. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Sir John Cornwall, First Baron Fanhope and Milbroke, English nobleman and soldier, 1364-1442. He wears a suit of plate armour, armorial tabard with a gold-crowned red lion on ermine field. Cornwall holds the banner and stands on the shield of a English knight he defeated in a joust in 1400. His squire wears a visored capelline or steel hat. From a stained glass window in Ampthill Church, Bedfordshire. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Sir John Cornwall, First Baron Fanhope and Milbroke, English nobleman and soldier, 1364-1442. He wears a suit of plate armour, armorial tabard with a gold-crowned red lion on ermine field. Cornwall holds the banner and stands on the shield of a English knight he defeated in a joust in 1400. His squire wears a visored capelline or steel hat. From a stained glass window in Ampthill Church, Bedfordshire. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678472: Sir John Cornwall, First Baron Fanhope and Milbroke, English nobleman and soldier, 1364-1442. He wears a suit of plate armour, armorial tabard with a gold-crowned red lion on ermine field. Cornwall holds the banner and stands on the shield of a English knight he defeated in a joust in 1400. His squire wears a visored capelline or steel hat. From a stained glass window in Ampthill Church, Bedfordshire. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

ID: FLO4678472

Sir John Cornwall, First Baron Fanhope and Milbroke, English nobleman and soldier, 1364-1442. He wears a suit of plate armour, armorial tabard with a gold-crowned red lion on ermine field. Cornwall holds the banner and stands on the shield of a English knight he defeated in a joust in 1400. His squire wears a visored capelline or steel hat. From a stained glass window in Ampthill Church, Bedfordshire. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

Variete of Clarkia, native of South America Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Large purple Chilean evening primrose, Clarkia tenella subsp. tenella (Oenothera tenella var. tenuifolia) - Engraving by S. Watts after year illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833
Variete of Clarkia, native of South America Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Large purple Chilean evening primrose, Clarkia tenella subsp. tenella (Oenothera tenella var. tenuifolia) - Engraving by S. Watts after year illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

FLO4678766: Variete of Clarkia, native of South America Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Large purple Chilean evening primrose, Clarkia tenella subsp. tenella (Oenothera tenella var. tenuifolia) - Engraving by S. Watts after year illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4678766

Variete of Clarkia, native of South America Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Large purple Chilean evening primrose, Clarkia tenella subsp. tenella (Oenothera tenella var. tenuifolia) - Engraving by S. Watts after year illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

Edwards, Sydenham Teast (c.1768-1819)

Variete of liliacee (Helonias asphodeloides) - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Turkey beard, Xerophyllum asphodeloides (Tough-leaved xerophyllum, Xerophyllum) Setifolium) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1833
Variete of liliacee (Helonias asphodeloides) - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Turkey beard, Xerophyllum asphodeloides (Tough-leaved xerophyllum, Xerophyllum) Setifolium) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1833

FLO4678939: Variete of liliacee (Helonias asphodeloides) - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Turkey beard, Xerophyllum asphodeloides (Tough-leaved xerophyllum, Xerophyllum) Setifolium) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4678939

Variete of liliacee (Helonias asphodeloides) - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Turkey beard, Xerophyllum asphodeloides (Tough-leaved xerophyllum, Xerophyllum) Setifolium) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1833

Edwards, Sydenham Teast (c.1768-1819)

Costus Variete - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Variegated-flowered costus, Costus pictus - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833
Costus Variete - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Variegated-flowered costus, Costus pictus - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

FLO4678831: Costus Variete - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Variegated-flowered costus, Costus pictus - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4678831

Costus Variete - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Variegated-flowered costus, Costus pictus - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

Edwards, Sydenham Teast (c.1768-1819)

Spicy Poppy - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Ortiga brava, Loasa tricolor var. placei (Mr. Place's loasa, Loasa placei) - Engraving by S. Watts after an illustration by Miss Drake from Sydake Enham Edwards' “” The Botanical Register,”” London, Ridgway, 1833
Spicy Poppy - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Ortiga brava, Loasa tricolor var. placei (Mr. Place's loasa, Loasa placei) - Engraving by S. Watts after an illustration by Miss Drake from Sydake Enham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

FLO4678855: Spicy Poppy - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Ortiga brava, Loasa tricolor var. placei (Mr. Place's loasa, Loasa placei) - Engraving by S. Watts after an illustration by Miss Drake from Sydake Enham Edwards' “” The Botanical Register,”” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4678855

Spicy Poppy - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Ortiga brava, Loasa tricolor var. placei (Mr. Place's loasa, Loasa placei) - Engraving by S. Watts after an illustration by Miss Drake from Sydake Enham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

Edwards, Sydenham Teast (c.1768-1819)

Scotia a smooth branches - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Smooth-branched scottia, Scotia laevis - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical, London, Ridgway, 1833
Scotia a smooth branches - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Smooth-branched scottia, Scotia laevis - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical, London, Ridgway, 1833

FLO4679119: Scotia a smooth branches - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Smooth-branched scottia, Scotia laevis - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical, London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4679119

Scotia a smooth branches - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Smooth-branched scottia, Scotia laevis - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical, London, Ridgway, 1833

Edwards, Sydenham Teast (c.1768-1819)

Vases decorated with mythical scenes from C.H. Tatham's collection. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.
Vases decorated with mythical scenes from C.H. Tatham's collection. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.

FLO4679482: Vases decorated with mythical scenes from C.H. Tatham's collection. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814. / Bridgeman Images

ID: FLO4679482

Vases decorated with mythical scenes from C.H. Tatham's collection. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.

Orchid: calanth variety, with yellow flowers - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Clustered calanthe orchid, Calanthe densiflora - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833
Orchid: calanth variety, with yellow flowers - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Clustered calanthe orchid, Calanthe densiflora - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

FLO4679110: Orchid: calanth variety, with yellow flowers - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Clustered calanthe orchid, Calanthe densiflora - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

ID: FLO4679110

Orchid: calanth variety, with yellow flowers - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Clustered calanthe orchid, Calanthe densiflora - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

Edwards, Sydenham Teast (c.1768-1819)

Tourists on a British beach struggling over shingle and riding a donkey stuck in the mud. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.
Tourists on a British beach struggling over shingle and riding a donkey stuck in the mud. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.

FLO4679250: Tourists on a British beach struggling over shingle and riding a donkey stuck in the mud. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807. / Bridgeman Images

ID: FLO4679250

Tourists on a British beach struggling over shingle and riding a donkey stuck in the mud. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.

Ancient vase in the possession of Mr. George Cooke. Vase in red clay with black design of men with quadriga four-horse chariot and deer. Handcoloured copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.
Ancient vase in the possession of Mr. George Cooke. Vase in red clay with black design of men with quadriga four-horse chariot and deer. Handcoloured copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.

FLO4679312: Ancient vase in the possession of Mr. George Cooke. Vase in red clay with black design of men with quadriga four-horse chariot and deer. Handcoloured copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814. / Bridgeman Images

ID: FLO4679312

Ancient vase in the possession of Mr. George Cooke. Vase in red clay with black design of men with quadriga four-horse chariot and deer. Handcoloured copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.

Tired stage-coach passengers waiting for supper in a cold room at an inn. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.
Tired stage-coach passengers waiting for supper in a cold room at an inn. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.

FLO4679244: Tired stage-coach passengers waiting for supper in a cold room at an inn. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807. / Bridgeman Images

ID: FLO4679244

Tired stage-coach passengers waiting for supper in a cold room at an inn. Handcoloured copperplate drawn and etched by John Augustus Atkinson from Illustrations of the Miseries of Human Life, William Miller, London, 1807.


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