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Two May-September couples at a ball. The old and ugly partners have arranged the company of two young, good-looking escorts, who flirt with each other. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Two May-September couples at a ball. The old and ugly partners have arranged the company of two young, good-looking escorts, who flirt with each other. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677898: Two May-September couples at a ball. The old and ugly partners have arranged the company of two young, good-looking escorts, who flirt with each other. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

Masquerade party on the rollercoaster at the Salle de l'Odeon, 1815. Fashionable society at a masked ball in the pleasure gardens, and women wearing the Swiss Bernese style. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Masquerade party on the rollercoaster at the Salle de l'Odeon, 1815. Fashionable society at a masked ball in the pleasure gardens, and women wearing the Swiss Bernese style. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677696: Masquerade party on the rollercoaster at the Salle de l'Odeon, 1815. Fashionable society at a masked ball in the pleasure gardens, and women wearing the Swiss Bernese style. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

Choosing the jockey: Young woman in form-revealing dress and short martyr hairstyle seated on chaise longue pointing to a young man with a dog, while two older men and a black servant boy watch. “” You recognise this charming chambermaid of Mrs.*** and her charming jockey. In the bathroom in the morning, behind the cabriolet in the afternoon.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Choosing the jockey: Young woman in form-revealing dress and short martyr hairstyle seated on chaise longue pointing to a young man with a dog, while two older men and a black servant boy watch. “” You recognise this charming chambermaid of Mrs.*** and her charming jockey. In the bathroom in the morning, behind the cabriolet in the afternoon.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.

FLO4677829: Choosing the jockey: Young woman in form-revealing dress and short martyr hairstyle seated on chaise longue pointing to a young man with a dog, while two older men and a black servant boy watch. “” You recognise this charming chambermaid of Mrs.*** and her charming jockey. In the bathroom in the morning, behind the cabriolet in the afternoon.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817. / Bridgeman Images

Louise of Savoy (Savoie), mother of King Francis I of France, 1476-1532. After a vellum manuscript in the King's Library. Handcoloured copperplate engraving by Gatine after an illustration by Louis Marie Lante from Pierre de la Mesanger's “Costumes des femmes celebres” (Costumes of Famous Women), Paris, 1827.
Louise of Savoy (Savoie), mother of King Francis I of France, 1476-1532. After a vellum manuscript in the King's Library. Handcoloured copperplate engraving by Gatine after an illustration by Louis Marie Lante from Pierre de la Mesanger's “Costumes des femmes celebres” (Costumes of Famous Women), Paris, 1827.

FLO4678119: Louise of Savoy (Savoie), mother of King Francis I of France, 1476-1532. After a vellum manuscript in the King's Library. Handcoloured copperplate engraving by Gatine after an illustration by Louis Marie Lante from Pierre de la Mesanger's “Costumes des femmes celebres” (Costumes of Famous Women), Paris, 1827. / Bridgeman Images

Suit of armour of an Italian man at arms of Count Gironi, Bologna, 1555. The suit has flexible splints at elbows, breastplate and backplate, and a flexible codpiece for comfort when seated in the saddle. Geman pennated dagger at bottom. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Suit of armour of an Italian man at arms of Count Gironi, Bologna, 1555. The suit has flexible splints at elbows, breastplate and backplate, and a flexible codpiece for comfort when seated in the saddle. Geman pennated dagger at bottom. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678253: Suit of armour of an Italian man at arms of Count Gironi, Bologna, 1555. The suit has flexible splints at elbows, breastplate and backplate, and a flexible codpiece for comfort when seated in the saddle. Geman pennated dagger at bottom. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Marion de Lorme (Delorme) (Marie de Lon, Lady of Lorme) (1613-1650) French courtesan. After a miniature on vellum. Handcoloured copperplate engraving by Gatine after an illustration by Louis Marie Lante from Pierre de la Mesanger's “Costumes des femmes celebres” (Costumes of Famous Women), Paris, 1827.
Marion de Lorme (Delorme) (Marie de Lon, Lady of Lorme) (1613-1650) French courtesan. After a miniature on vellum. Handcoloured copperplate engraving by Gatine after an illustration by Louis Marie Lante from Pierre de la Mesanger's “Costumes des femmes celebres” (Costumes of Famous Women), Paris, 1827.

FLO4678159: Marion de Lorme (Delorme) (Marie de Lon, Lady of Lorme) (1613-1650) French courtesan. After a miniature on vellum. Handcoloured copperplate engraving by Gatine after an illustration by Louis Marie Lante from Pierre de la Mesanger's “Costumes des femmes celebres” (Costumes of Famous Women), Paris, 1827. / Bridgeman Images

Archer and crossbow man, 1250. English longbowman in skullcap helmet cerebrerium, hauberk, leather breastplate and arrows in a girdle. The crossbowman or arbalister wears a nasal helmet and hauberk and carries a short sword baselard. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Archer and crossbow man, 1250. English longbowman in skullcap helmet cerebrerium, hauberk, leather breastplate and arrows in a girdle. The crossbowman or arbalister wears a nasal helmet and hauberk and carries a short sword baselard. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678295: Archer and crossbow man, 1250. English longbowman in skullcap helmet cerebrerium, hauberk, leather breastplate and arrows in a girdle. The crossbowman or arbalister wears a nasal helmet and hauberk and carries a short sword baselard. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

A dismounted knight and one of the king's guards to King Henry VIII, 1525. The knight holds a mace or martel de fer, drapery lamboys covering half the breastplate. Guard in arming doublet with chainmail sleeves, carrying a spontoon shield and pike. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A dismounted knight and one of the king's guards to King Henry VIII, 1525. The knight holds a mace or martel de fer, drapery lamboys covering half the breastplate. Guard in arming doublet with chainmail sleeves, carrying a spontoon shield and pike. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678554: A dismounted knight and one of the king's guards to King Henry VIII, 1525. The knight holds a mace or martel de fer, drapery lamboys covering half the breastplate. Guard in arming doublet with chainmail sleeves, carrying a spontoon shield and pike. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

A suit of cuirassier's armour at the time of the Restoration, 1650. Leather, helmet, pauldrons and brassarts of blue steel, buff coat, gambado boots and spurs, sword in fringed baudrick on a sash, rifle on a buff belt. In the possession of Llewelyn Meyrick 1650. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A suit of cuirassier's armour at the time of the Restoration, 1650. Leather, helmet, pauldrons and brassarts of blue steel, buff coat, gambado boots and spurs, sword in fringed baudrick on a sash, rifle on a buff belt. In the possession of Llewelyn Meyrick 1650. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678642: A suit of cuirassier's armour at the time of the Restoration, 1650. Leather, helmet, pauldrons and brassarts of blue steel, buff coat, gambado boots and spurs, sword in fringed baudrick on a sash, rifle on a buff belt. In the possession of Llewelyn Meyrick 1650. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

A knight of the Birmingham family, 1420. He wears a bassinet, suit of plate armour with flexible cuirasset, knee pads, shoulder and elbow plates, and carries a battle axe. Helmet of Sir John de Wydevill at bottom. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
A knight of the Birmingham family, 1420. He wears a bassinet, suit of plate armour with flexible cuirasset, knee pads, shoulder and elbow plates, and carries a battle axe. Helmet of Sir John de Wydevill at bottom. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678397: A knight of the Birmingham family, 1420. He wears a bassinet, suit of plate armour with flexible cuirasset, knee pads, shoulder and elbow plates, and carries a battle axe. Helmet of Sir John de Wydevill at bottom. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Elegant Lupin or Lupin from Mexico - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Mexican lupine, Lupinus elegans (Drooping-leaved lupine) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “The Botanical Register,”” London, Ridgway, 1833
Elegant Lupin or Lupin from Mexico - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Mexican lupine, Lupinus elegans (Drooping-leaved lupine) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “The Botanical Register,”” London, Ridgway, 1833

FLO4678729: Elegant Lupin or Lupin from Mexico - Engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Mexican lupine, Lupinus elegans (Drooping-leaved lupine) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “The Botanical Register,”” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Sir John Crosbie or Crosby, London alderman and Yorkist, and a serjeant at arms, 1475. Crosby wears a breastplate with three cupboards, elbow pieces and tiles, ornamented knee pads. Serjeant at arms in skullcap under a plumed hat, cuirasset and knee pads. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Sir John Crosbie or Crosby, London alderman and Yorkist, and a serjeant at arms, 1475. Crosby wears a breastplate with three cupboards, elbow pieces and tiles, ornamented knee pads. Serjeant at arms in skullcap under a plumed hat, cuirasset and knee pads. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678487: Sir John Crosbie or Crosby, London alderman and Yorkist, and a serjeant at arms, 1475. Crosby wears a breastplate with three cupboards, elbow pieces and tiles, ornamented knee pads. Serjeant at arms in skullcap under a plumed hat, cuirasset and knee pads. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Variete of gompholobium (family of leguminous plants), native to Australia - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Gompholobium confertum (Clustered burtonia, Burtonia conferta) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1833
Variete of gompholobium (family of leguminous plants), native to Australia - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Gompholobium confertum (Clustered burtonia, Burtonia conferta) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1833

FLO4678810: Variete of gompholobium (family of leguminous plants), native to Australia - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Gompholobium confertum (Clustered burtonia, Burtonia conferta) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

King Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
King Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678450: King Richard III of England, Duke of Gloucester, 1452-1485, or his father Richard, Third Duke of York 1411-1460. He wears a crown, a suit of armour with a globular breastplate and engraved plates, fingered gauntlets, and holds a two-handed sword. From a stained glass window in Trinity Hall, Cambridge. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Orchid: variety of gongora, native to South America - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Spotted gongora orchid, Gongora maculata - Engraving by S. Watts after an illustration by Miss Drake from Sydenhake from Sydenhake Am Edwards' “” The Botanical Register,” London, Ridgway, 1833
Orchid: variety of gongora, native to South America - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Spotted gongora orchid, Gongora maculata - Engraving by S. Watts after an illustration by Miss Drake from Sydenhake from Sydenhake Am Edwards' “” The Botanical Register,” London, Ridgway, 1833

FLO4678946: Orchid: variety of gongora, native to South America - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Spotted gongora orchid, Gongora maculata - Engraving by S. Watts after an illustration by Miss Drake from Sydenhake from Sydenhake Am Edwards' “” The Botanical Register,” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

King Henry VII of England and a billman, 1490. Henry VII's engraved suit of armour in the Tower of London, with convex breastplate, puckered plate skirt of lamboys, square sollerets and plumed capquetel helmet. Horse in barding, chamfron, manefaire, poitral and croupiere. Billman in jazerine jacket and salad helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
King Henry VII of England and a billman, 1490. Henry VII's engraved suit of armour in the Tower of London, with convex breastplate, puckered plate skirt of lamboys, square sollerets and plumed capquetel helmet. Horse in barding, chamfron, manefaire, poitral and croupiere. Billman in jazerine jacket and salad helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.

FLO4678481: King Henry VII of England and a billman, 1490. Henry VII's engraved suit of armour in the Tower of London, with convex breastplate, puckered plate skirt of lamboys, square sollerets and plumed capquetel helmet. Horse in barding, chamfron, manefaire, poitral and croupiere. Billman in jazerine jacket and salad helmet. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour. / Bridgeman Images

Boisduvalia variete, dense-flowered epilobe - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Denseflower willowherb, Boisduvalia densiflora (Close-flowered evening primrose, Oenothera densiflora) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833
Boisduvalia variete, dense-flowered epilobe - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Denseflower willowherb, Boisduvalia densiflora (Close-flowered evening primrose, Oenothera densiflora) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

FLO4678763: Boisduvalia variete, dense-flowered epilobe - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Denseflower willowherb, Boisduvalia densiflora (Close-flowered evening primrose, Oenothera densiflora) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Grand Duke of America - Illustration - Great Horned Owl - Illustration - A Great Duke of America (Bubo virginianus) perch in a tree turns his back on the Moon. A Great Horned Owl (Bubo virginianus) in a tree with moonlight
Grand Duke of America - Illustration - Great Horned Owl - Illustration - A Great Duke of America (Bubo virginianus) perch in a tree turns his back on the Moon. A Great Horned Owl (Bubo virginianus) in a tree with moonlight

PIX4678845: Grand Duke of America - Illustration - Great Horned Owl - Illustration - A Great Duke of America (Bubo virginianus) perch in a tree turns his back on the Moon. A Great Horned Owl (Bubo virginianus) in a tree with moonlight, Bergeron, Joe / Bridgeman Images

Purple flower petunia - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Purple-flowered petunia, Petunia integrifolia (Purple petunia, Petunia violacea) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards'” “The Botanical Register,” London, Ridgway, 1833
Purple flower petunia - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Purple-flowered petunia, Petunia integrifolia (Purple petunia, Petunia violacea) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards'” “The Botanical Register,” London, Ridgway, 1833

FLO4678962: Purple flower petunia - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Purple-flowered petunia, Petunia integrifolia (Purple petunia, Petunia violacea) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards'” “The Botanical Register,” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Passion Variete - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Crimson winged-stem passionflower, Passiflora alata (Passiflora phoenicia) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwardam Edwards 'The' Botanical Register,” London, Ridgway, 1833
Passion Variete - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Crimson winged-stem passionflower, Passiflora alata (Passiflora phoenicia) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwardam Edwards 'The' Botanical Register,” London, Ridgway, 1833

FLO4678860: Passion Variete - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Crimson winged-stem passionflower, Passiflora alata (Passiflora phoenicia) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwardam Edwards 'The' Botanical Register,” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Evening primrose with large flowers - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Redsepal evening primrose, Oenothera glazioviana (Large-flowered biennial evening primrose, Oenothera biennis var. grandiflora) - Engraving) - by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833
Evening primrose with large flowers - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Redsepal evening primrose, Oenothera glazioviana (Large-flowered biennial evening primrose, Oenothera biennis var. grandiflora) - Engraving) - by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

FLO4678885: Evening primrose with large flowers - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Redsepal evening primrose, Oenothera glazioviana (Large-flowered biennial evening primrose, Oenothera biennis var. grandiflora) - Engraving) - by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Belle sauroglossum - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Lizard's tongue orchid, Sauroglossum nitidum (Tall lizard's tongue, Sauroglossum elatum - Engraving by S. Watts after an illustration by S. Watts after an illustration by Miss Drake from Sydenham Edwards' The Botanical Register,” London, Ridgway, 1833
Belle sauroglossum - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Lizard's tongue orchid, Sauroglossum nitidum (Tall lizard's tongue, Sauroglossum elatum - Engraving by S. Watts after an illustration by S. Watts after an illustration by Miss Drake from Sydenham Edwards' The Botanical Register,” London, Ridgway, 1833

FLO4678966: Belle sauroglossum - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Lizard's tongue orchid, Sauroglossum nitidum (Tall lizard's tongue, Sauroglossum elatum - Engraving by S. Watts after an illustration by S. Watts after an illustration by Miss Drake from Sydenham Edwards' The Botanical Register,” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Toad headed agama, Phrynocephalus mystaceus mystaceus (Lobe-cheeked lizard, Lacerta aurita). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1803.
Toad headed agama, Phrynocephalus mystaceus mystaceus (Lobe-cheeked lizard, Lacerta aurita). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1803.

FLO4680936: Toad headed agama, Phrynocephalus mystaceus mystaceus (Lobe-cheeked lizard, Lacerta aurita). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1803. / Bridgeman Images

Spotted sea hare or speckled aplysia, Aplysia punctata. Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1804.
Spotted sea hare or speckled aplysia, Aplysia punctata. Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1804.

FLO4681177: Spotted sea hare or speckled aplysia, Aplysia punctata. Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1804. / Bridgeman Images

Taenaris urania butterfly, upperside and underside (Jairus butterfly, Papilio jairus). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1804.
Taenaris urania butterfly, upperside and underside (Jairus butterfly, Papilio jairus). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1804.

FLO4681146: Taenaris urania butterfly, upperside and underside (Jairus butterfly, Papilio jairus). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1804. / Bridgeman Images

Ganges river dolphin, Platanista gangetica gangetica, endangered. Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1804.
Ganges river dolphin, Platanista gangetica gangetica, endangered. Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1804.

FLO4681157: Ganges river dolphin, Platanista gangetica gangetica, endangered. Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1804. / Bridgeman Images

Mantis shrimp, Squilla mantis (Long-bodied crab, Cancer mantis). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1804.
Mantis shrimp, Squilla mantis (Long-bodied crab, Cancer mantis). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1804.

FLO4681191: Mantis shrimp, Squilla mantis (Long-bodied crab, Cancer mantis). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1804. / Bridgeman Images

Greater striped swallow, Hirundo cucullata (Cape swallow, Hirundo capensis). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1804.
Greater striped swallow, Hirundo cucullata (Cape swallow, Hirundo capensis). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1804.

FLO4681333: Greater striped swallow, Hirundo cucullata (Cape swallow, Hirundo capensis). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1804. / Bridgeman Images

Purple emperor, Apatura iris (Iris butterfly, Papilio iris). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.
Purple emperor, Apatura iris (Iris butterfly, Papilio iris). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806.

FLO4682026: Purple emperor, Apatura iris (Iris butterfly, Papilio iris). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1806. / Bridgeman Images

Me And My Wife, 1917 (oil on canvas)
Me And My Wife, 1917 (oil on canvas)

JLJ4679963: Me And My Wife, 1917 (oil on canvas), Dongen, Kees van (1877-1968) / Bridgeman Images

Roman mythology: Ceres, goddess of agriculture, harvests and fertility, holding a sickle and a bushel of wheat - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Ceres, Roman goddess of the harvest and agriculture, in toga and laurel crown, with scythe and bushel of wheat - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820
Roman mythology: Ceres, goddess of agriculture, harvests and fertility, holding a sickle and a bushel of wheat - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Ceres, Roman goddess of the harvest and agriculture, in toga and laurel crown, with scythe and bushel of wheat - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820

FLO4679713: Roman mythology: Ceres, goddess of agriculture, harvests and fertility, holding a sickle and a bushel of wheat - Eau forte by Jacques Louis Constant Lacerf, based on an illustration by Leonard Defrance (1735-1805), extracted from mythology in fabulous prints or divine figures, circa 1820 - Ceres, Roman goddess of the harvest and agriculture, in toga and laurel crown, with scythe and bushel of wheat - Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defrance from “” Mythology in Prints or Figures of Fabled Gods””, Chez P. Blanchard, Paris, c 1820 / Bridgeman Images

Butterfly Atrophaneura hector (Indian lepidoptere, Asia). Signed illustration S (George Shaw). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. Crimson pink butterfly, Atrophaneura hector. Illustration signed S (George Shaw). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.
Butterfly Atrophaneura hector (Indian lepidoptere, Asia). Signed illustration S (George Shaw). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. Crimson pink butterfly, Atrophaneura hector. Illustration signed S (George Shaw). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

FLO4680761: Butterfly Atrophaneura hector (Indian lepidoptere, Asia). Signed illustration S (George Shaw). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. Crimson pink butterfly, Atrophaneura hector. Illustration signed S (George Shaw). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796. / Bridgeman Images

Nightmare has swings. Signed illustration S (George Shaw). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. Standard-winged nightjar, Macrodipteryx longipennis. Illustration signed S (George Shaw). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.
Nightmare has swings. Signed illustration S (George Shaw). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. Standard-winged nightjar, Macrodipteryx longipennis. Illustration signed S (George Shaw). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796.

FLO4680765: Nightmare has swings. Signed illustration S (George Shaw). Copper engraving for the naturalist collection, published in 1796 by Frederick Nodder (1751-1801) and George Shaw. Standard-winged nightjar, Macrodipteryx longipennis. Illustration signed S (George Shaw). Handcolored copperplate engraving from George Shaw and Frederick Nodder's “” The Naturalist's Miscellany””” 1796. / Bridgeman Images

The skeleton of Death carries off a wounded man before the doctor can wait him after a fatal duel with pistols in a park. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death carries off a wounded man before the doctor can wait him after a fatal duel with pistols in a park. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690247: The skeleton of Death carries off a wounded man before the doctor can wait him after a fatal duel with pistols in a park. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Interior view of the chapel of Saint Gregory decorated with frescoes, early 13th century (photography)
Interior view of the chapel of Saint Gregory decorated with frescoes, early 13th century (photography)

LRI4690635: Interior view of the chapel of Saint Gregory decorated with frescoes, early 13th century (photography), Italian School, (13th century) / Bridgeman Images

View of the lower church with frescoes representing life and miracles of St. Benedict (13th century). (photography)
View of the lower church with frescoes representing life and miracles of St. Benedict (13th century). (photography)

LRI4690668: View of the lower church with frescoes representing life and miracles of St. Benedict (13th century). (photography), Consolo (Magister Conxolus) (13th century) / Bridgeman Images


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