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Evening primrose with large flowers - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Redsepal evening primrose, Oenothera glazioviana (Large-flowered biennial evening primrose, Oenothera biennis var. grandiflora) - Engraving) - by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833
Evening primrose with large flowers - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Redsepal evening primrose, Oenothera glazioviana (Large-flowered biennial evening primrose, Oenothera biennis var. grandiflora) - Engraving) - by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

FLO4678885: Evening primrose with large flowers - Engraved board by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Redsepal evening primrose, Oenothera glazioviana (Large-flowered biennial evening primrose, Oenothera biennis var. grandiflora) - Engraving) - by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Buff-tip, Phalera bucephala, poplar lappet, Gastropacha populifolia, and lappet moth, Gastropacha quercifolia. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.
Buff-tip, Phalera bucephala, poplar lappet, Gastropacha populifolia, and lappet moth, Gastropacha quercifolia. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864.

FLO4671132: Buff-tip, Phalera bucephala, poplar lappet, Gastropacha populifolia, and lappet moth, Gastropacha quercifolia. Handcoloured steel engraving by the Pauquet brothers after an illustration by Alexis Nicolas Noel from Hippolyte Lucas' Natural History of European Butterflies, Histoire Naturelle des Lepidopteres d'Europe, 1864. / Bridgeman Images

Detail of a stele of the Great Square
Detail of a stele of the Great Square

LRI4678920: Detail of a stele of the Great Square, Mayan, (8th century AD) / Bridgeman Images

War Allegory as a warrior and a child playing the trumpet, 1855 (painted plaster)
War Allegory as a warrior and a child playing the trumpet, 1855 (painted plaster)

JLJ4678930: War Allegory as a warrior and a child playing the trumpet, 1855 (painted plaster), Barye, Antoine Louis (1796-1875) / Bridgeman Images

Dance Group of Bacchantes dancing and playing music in the day. Stone, 1865 (marble)
Dance Group of Bacchantes dancing and playing music in the day. Stone, 1865 (marble)

JLJ4678938: Dance Group of Bacchantes dancing and playing music in the day. Stone, 1865 (marble), Carpeaux, Jean-Baptiste (1827-75) / Bridgeman Images

Orchid: variety of gongora, native to South America - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Spotted gongora orchid, Gongora maculata - Engraving by S. Watts after an illustration by Miss Drake from Sydenhake from Sydenhake Am Edwards' “” The Botanical Register,” London, Ridgway, 1833
Orchid: variety of gongora, native to South America - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Spotted gongora orchid, Gongora maculata - Engraving by S. Watts after an illustration by Miss Drake from Sydenhake from Sydenhake Am Edwards' “” The Botanical Register,” London, Ridgway, 1833

FLO4678946: Orchid: variety of gongora, native to South America - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Spotted gongora orchid, Gongora maculata - Engraving by S. Watts after an illustration by Miss Drake from Sydenhake from Sydenhake Am Edwards' “” The Botanical Register,” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Purple flower petunia - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Purple-flowered petunia, Petunia integrifolia (Purple petunia, Petunia violacea) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards'” “The Botanical Register,” London, Ridgway, 1833
Purple flower petunia - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Purple-flowered petunia, Petunia integrifolia (Purple petunia, Petunia violacea) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards'” “The Botanical Register,” London, Ridgway, 1833

FLO4678962: Purple flower petunia - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Purple-flowered petunia, Petunia integrifolia (Purple petunia, Petunia violacea) - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards'” “The Botanical Register,” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Stele A and C, Plaza de Ceremonias, 731 AD
Stele A and C, Plaza de Ceremonias, 731 AD

LRI4678990: Stele A and C, Plaza de Ceremonias, 731 AD, Mayan, (8th century AD) / Bridgeman Images

Circus III An Acrobat Ecuyere In Balance On A Horse And A Clown On A Circus Track Giving A Show, 1926 (oil on canvas)
Circus III An Acrobat Ecuyere In Balance On A Horse And A Clown On A Circus Track Giving A Show, 1926 (oil on canvas)

JLJ4679013: Circus III An Acrobat Ecuyere In Balance On A Horse And A Clown On A Circus Track Giving A Show, 1926 (oil on canvas), Smet, Gustave de (1877-1943) / Bridgeman Images

Orchid: calanth variety, with yellow flowers - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Clustered calanthe orchid, Calanthe densiflora - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833
Orchid: calanth variety, with yellow flowers - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Clustered calanthe orchid, Calanthe densiflora - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833

FLO4679110: Orchid: calanth variety, with yellow flowers - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Clustered calanthe orchid, Calanthe densiflora - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical Register,”” London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Scotia a smooth branches - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Smooth-branched scottia, Scotia laevis - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical, London, Ridgway, 1833
Scotia a smooth branches - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Smooth-branched scottia, Scotia laevis - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical, London, Ridgway, 1833

FLO4679119: Scotia a smooth branches - Plate engraved by S.Watts, from an illustration by Sarah Anne Drake (1803-1857), from the Botanical Register of Sydenham Edwards (1768-1819), England, 1833 - Smooth-branched scottia, Scotia laevis - Engraving by S. Watts after an illustration by Miss Drake from Sydenham Edwards' “” The Botanical, London, Ridgway, 1833, Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Detail of a sculpture on the wall of the temple
Detail of a sculpture on the wall of the temple

LRI4679273: Detail of a sculpture on the wall of the temple, Indian School (12th century) / Bridgeman Images

Carved decoration of the eastern gateway to the Great Stupa of Sanchi
Carved decoration of the eastern gateway to the Great Stupa of Sanchi

LRI4679286: Carved decoration of the eastern gateway to the Great Stupa of Sanchi, Indian School, (1st century BC) / Bridgeman Images

View Of The Old Fishing District In Lyon, 19th century (oil on canvas)
View Of The Old Fishing District In Lyon, 19th century (oil on canvas)

JLJ4679373: View Of The Old Fishing District In Lyon, 19th century (oil on canvas), Grobon, Jean Michel (1770-1853) / Bridgeman Images

Section through the Tomb of Caius Cestius, Rome. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.
Section through the Tomb of Caius Cestius, Rome. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814.

FLO4679389: Section through the Tomb of Caius Cestius, Rome. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc., London, 1814. / Bridgeman Images

Strawberries (strawberry ostara). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Grove-End scarlet strawberry, Fragaria x anananassa, raised at Grove End, London, in 1820. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.
Strawberries (strawberry ostara). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Grove-End scarlet strawberry, Fragaria x anananassa, raised at Grove End, London, in 1820. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.

FLO4688040: Strawberries (strawberry ostara). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Grove-End scarlet strawberry, Fragaria x anananassa, raised at Grove End, London, in 1820. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images

Columns of St. Lawrence, 4th century
Columns of St. Lawrence, 4th century

LRI4688071: Columns of St. Lawrence, 4th century, Roman, (4th century AD) / Bridgeman Images

The Woman Has The Letter, 17th century (oil on canvas)
The Woman Has The Letter, 17th century (oil on canvas)

JLJ4688111: The Woman Has The Letter, 17th century (oil on canvas), Ostade, Adriaen Jansz. van (1610-85) / Bridgeman Images

Communism [...] we are in the Lake Poster of French propaganda between the wars of the Communist Party, 1920 (drawing)
Communism [...] we are in the Lake Poster of French propaganda between the wars of the Communist Party, 1920 (drawing)

JLJ4688124: Communism [...] we are in the Lake Poster of French propaganda between the wars of the Communist Party, 1920 (drawing) / Bridgeman Images

House in Regio VIII, insula 2, Pompeii. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.
House in Regio VIII, insula 2, Pompeii. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.

FLO4688286: House in Regio VIII, insula 2, Pompeii. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images

Protiro of the cathedral , end 13th-beginning 14th century
Protiro of the cathedral , end 13th-beginning 14th century

LRI4688306: Protiro of the cathedral , end 13th-beginning 14th century, Italian School, (13th century) / Bridgeman Images

View of the Olympieion or temple of Zeus Olympian, 6th century BC (photography)
View of the Olympieion or temple of Zeus Olympian, 6th century BC (photography)

LRI4688335: View of the Olympieion or temple of Zeus Olympian, 6th century BC (photography), Greek school, (6th century BC) / Bridgeman Images

Boat on the Nile (July 10, 1853), 1853 (watercolour)
Boat on the Nile (July 10, 1853), 1853 (watercolour)

JLJ4688491: Boat on the Nile (July 10, 1853), 1853 (watercolour), Crapelet, Louis Amable (1822-67) / Bridgeman Images

Ram Ruttun, companion and secretary to Ram-Mohun-Roy, a Brahman of India. Handcoloured lithograph by J. Bull after an illustration by Branwhite from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Ram Ruttun, companion and secretary to Ram-Mohun-Roy, a Brahman of India. Handcoloured lithograph by J. Bull after an illustration by Branwhite from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688568: Ram Ruttun, companion and secretary to Ram-Mohun-Roy, a Brahman of India. Handcoloured lithograph by J. Bull after an illustration by Branwhite from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

Self Portrait, 1795 (oil on canvas)
Self Portrait, 1795 (oil on canvas)

JLJ4671268: Self Portrait, 1795 (oil on canvas), Girodet de Roucy-Trioson, Anne Louis (1767-1824) / Bridgeman Images

One of
One of

JLJ4671363: One of "The bell", 1880 (engraving), Pepin, (fl.1880) / Bridgeman Images

Hibiscus (rosa sinensis albo variegatus) has white pink flowers and variegated leaves. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Hibiscus (rosa sinensis albo variegatus) has white pink flowers and variegated leaves. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).

FLO4671407: Hibiscus (rosa sinensis albo variegatus) has white pink flowers and variegated leaves. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905). / Bridgeman Images

Different types of flower: liliaceous, rosacaous, caryophyllaceous, nectiferous-spurred flower, cruciform and papilionaceous. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.
Different types of flower: liliaceous, rosacaous, caryophyllaceous, nectiferous-spurred flower, cruciform and papilionaceous. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer.

FLO4671482: Different types of flower: liliaceous, rosacaous, caryophyllaceous, nectiferous-spurred flower, cruciform and papilionaceous. Handcoloured woodblock engravings from James Main's Popular Botany, Orr and Smith, London, 1835. James Main (1775-1846) was a Scottish gardener, botanist and writer. / Bridgeman Images

Byzantine art: oldest map of Palestine. Detail representing the city of Jericho (with the name in Greek). Mosaic of the 6th century. Madaba, Church of St. George
Byzantine art: oldest map of Palestine. Detail representing the city of Jericho (with the name in Greek). Mosaic of the 6th century. Madaba, Church of St. George

LRI4671590: Byzantine art: oldest map of Palestine. Detail representing the city of Jericho (with the name in Greek). Mosaic of the 6th century. Madaba, Church of St. George, Byzantine School, (6th century) / Bridgeman Images

French diligence, half wagon, half coach, on the road to Paris, 1815. Handcoloured copperplate engraving from Benjamin Rotch's “” Manners and Customs of the French,”” London, Sotheran, 1893.
French diligence, half wagon, half coach, on the road to Paris, 1815. Handcoloured copperplate engraving from Benjamin Rotch's “” Manners and Customs of the French,”” London, Sotheran, 1893.

FLO4671688: French diligence, half wagon, half coach, on the road to Paris, 1815. Handcoloured copperplate engraving from Benjamin Rotch's “” Manners and Customs of the French,”” London, Sotheran, 1893. / Bridgeman Images

View of the storefront of the boutique
View of the storefront of the boutique

JLJ4671696: View of the storefront of the boutique "Le cafe turkish", 19th century (litho), French School, (19th century) / Bridgeman Images

Woman in sky-blue caraco wearing a huge straw hat lined with pink satin and decorated with ribbons, and woman in pink caraco with large hat in taffeta and gauze, decorated with artificial flowers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.
Woman in sky-blue caraco wearing a huge straw hat lined with pink satin and decorated with ribbons, and woman in pink caraco with large hat in taffeta and gauze, decorated with artificial flowers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

FLO4671769: Woman in sky-blue caraco wearing a huge straw hat lined with pink satin and decorated with ribbons, and woman in pink caraco with large hat in taffeta and gauze, decorated with artificial flowers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court. / Bridgeman Images

Kitchen Interior A Young Servant Gives The Dog The Leftovers, 19th century (oil on canvas)
Kitchen Interior A Young Servant Gives The Dog The Leftovers, 19th century (oil on canvas)

JLJ4671774: Kitchen Interior A Young Servant Gives The Dog The Leftovers, 19th century (oil on canvas), Drolling, Martin (1752-1817) / Bridgeman Images

Siderurgy:
Siderurgy:

JLJ4671909: Siderurgy: "Au Creusot la sortie du oven d'un plaque de armage" Prints of 19th century (oil on canvas), French School, (19th century) / Bridgeman Images

Workers working in a factory at various stages, casting and casting coins, 19th century (engraving)
Workers working in a factory at various stages, casting and casting coins, 19th century (engraving)

JLJ4671923: Workers working in a factory at various stages, casting and casting coins, 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

Portrait Of Cornelius Jansen, Eveque D'Ypres (1585-1638), 17th century (oil on canvas)
Portrait Of Cornelius Jansen, Eveque D'Ypres (1585-1638), 17th century (oil on canvas)

JLJ4679502: Portrait Of Cornelius Jansen, Eveque D'Ypres (1585-1638), 17th century (oil on canvas), Dutielt, Louis (1610-1669) / Bridgeman Images


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