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The 'Sala delle Prospettive' (Hall of Prospective) detail of trompe l'oeil niche depicting Venus and Cupid, 1518-19 (fresco)
The 'Sala delle Prospettive' (Hall of Prospective) detail of trompe l'oeil niche depicting Venus and Cupid, 1518-19 (fresco)

BEN107221: The 'Sala delle Prospettive' (Hall of Prospective) detail of trompe l'oeil niche depicting Venus and Cupid, 1518-19 (fresco), Peruzzi, Baldassarre (1481-1536) (and workshop) / Bridgeman Images

ID: BEN107221

The 'Sala delle Prospettive' (Hall of Prospective) detail of trompe l'oeil niche depicting Venus and Cupid, 1518-19 (fresco)

Peruzzi, Baldassarre (1481-1536) (and workshop)

The 'Sala delle Nozze di Alessandro e Rossana' (Hall of the Marriage of Alexander The Great (356-323 BC) to Roxanne) detail of flying putti, c.1513 (fresco) (detail of 107226)
The 'Sala delle Nozze di Alessandro e Rossana' (Hall of the Marriage of Alexander The Great (356-323 BC) to Roxanne) detail of flying putti, c.1513 (fresco) (detail of 107226)

BEN107233: The 'Sala delle Nozze di Alessandro e Rossana' (Hall of the Marriage of Alexander The Great (356-323 BC) to Roxanne) detail of flying putti, c.1513 (fresco) (detail of 107226), Sodoma, Giovanni Antonio Bazzi (1477-1549) / Bridgeman Images

ID: BEN107233

The 'Sala delle Nozze di Alessandro e Rossana' (Hall of the Marriage of Alexander The Great (356-323 BC) to Roxanne) detail of flying putti, c.1513 (fresco) (detail of 107226)

Sodoma, Giovanni Antonio Bazzi (1477-1549)

Portrait of Vittoria delle Rovere, Grand Duchess of Tuscany, c.1655 (oil on canvas)
Portrait of Vittoria delle Rovere, Grand Duchess of Tuscany, c.1655 (oil on canvas)

BEN107246: Portrait of Vittoria delle Rovere, Grand Duchess of Tuscany, c.1655 (oil on canvas), Sustermans, Justus (1597-1681) / Bridgeman Images

ID: BEN107246

Portrait of Vittoria delle Rovere, Grand Duchess of Tuscany, c.1655 (oil on canvas)

Sustermans, Justus (1597-1681)

The Laboratory, 1849 (pen & ink and w/c on paper)
The Laboratory, 1849 (pen & ink and w/c on paper)

XBM107257: The Laboratory, 1849 (pen & ink and w/c on paper), Rossetti, Dante Gabriel Charles (1828-82) / Bridgeman Images

ID: XBM107257

The Laboratory, 1849 (pen & ink and w/c on paper)

Rossetti, Dante Gabriel Charles (1828-82)

Signature of Robert Clive (1725-74) 1757 (ink on paper) (b&w photo)
Signature of Robert Clive (1725-74) 1757 (ink on paper) (b&w photo)

XJF107279: Signature of Robert Clive (1725-74) 1757 (ink on paper) (b&w photo) / Bridgeman Images

ID: XJF107279

Signature of Robert Clive (1725-74) 1757 (ink on paper) (b&w photo)

Tlingit Carved Amulet, Northwest Coast, Canada, late 18th century (bear tooth)
Tlingit Carved Amulet, Northwest Coast, Canada, late 18th century (bear tooth)

EX107347: Tlingit Carved Amulet, Northwest Coast, Canada, late 18th century (bear tooth), Canadian School, (18th century) / Bridgeman Images

ID: EX107347

Tlingit Carved Amulet, Northwest Coast, Canada, late 18th century (bear tooth)

Canadian School, (18th century)

No.1534 A Village Road, Oiseme, 1888 (w/c on paper)
No.1534 A Village Road, Oiseme, 1888 (w/c on paper)

FIT107379: No.1534 A Village Road, Oiseme, 1888 (w/c on paper), Harpignies, Henri-Joseph (1819-1916) / Bridgeman Images

ID: FIT107379

No.1534 A Village Road, Oiseme, 1888 (w/c on paper)

Harpignies, Henri-Joseph (1819-1916)

No.2490 The Mermaid (pen & Indian ink with w/c on paper)
No.2490 The Mermaid (pen & Indian ink with w/c on paper)

FIT107393: No.2490 The Mermaid (pen & Indian ink with w/c on paper), Sime, Sidney Herbert (1867-1941) / Bridgeman Images

ID: FIT107393

No.2490 The Mermaid (pen & Indian ink with w/c on paper)

Sime, Sidney Herbert (1867-1941)

PD.32-1959 Two Donkeys and a Goat in a Landscape (pen & brown ink with wash on paper)
PD.32-1959 Two Donkeys and a Goat in a Landscape (pen & brown ink with wash on paper)

FIT107394: PD.32-1959 Two Donkeys and a Goat in a Landscape (pen & brown ink with wash on paper), Tiepolo, Giandomenico (Giovanni Domenico) (1727-1804) / Bridgeman Images

ID: FIT107394

PD.32-1959 Two Donkeys and a Goat in a Landscape (pen & brown ink with wash on paper)

Tiepolo, Giandomenico (Giovanni Domenico) (1727-1804)

The Zamorin of Calicut granting de Gama audience (engraving)
The Zamorin of Calicut granting de Gama audience (engraving)

XJF107408: The Zamorin of Calicut granting de Gama audience (engraving) , English School, (19th century) / Bridgeman Images

ID: XJF107408

The Zamorin of Calicut granting de Gama audience (engraving)

English School, (19th century)

Reproduction of the signature of James VI and I (1566-1625), March 17th 1623 (pen & ink on paper) (b/w photo)
Reproduction of the signature of James VI and I (1566-1625), March 17th 1623 (pen & ink on paper) (b/w photo)

XJF107436: Reproduction of the signature of James VI and I (1566-1625), March 17th 1623 (pen & ink on paper) (b/w photo) / Bridgeman Images

ID: XJF107436

Reproduction of the signature of James VI and I (1566-1625), March 17th 1623 (pen & ink on paper) (b/w photo)

Reproduction of the signature of George I (1660-1727) (pen & ink on paper) (b/w photo)
Reproduction of the signature of George I (1660-1727) (pen & ink on paper) (b/w photo)

XJF107442: Reproduction of the signature of George I (1660-1727) (pen & ink on paper) (b/w photo) / Bridgeman Images

ID: XJF107442

Reproduction of the signature of George I (1660-1727) (pen & ink on paper) (b/w photo)

Going to the Fair, detail of a performing bear and monkey, c.1815 (w/c and gouache on paper) (see also 107509 and 107510)
Going to the Fair, detail of a performing bear and monkey, c.1815 (w/c and gouache on paper) (see also 107509 and 107510)

CJP107509: Going to the Fair, detail of a performing bear and monkey, c.1815 (w/c and gouache on paper) (see also 107509 and 107510), English School, (19th century) / Bridgeman Images

ID: CJP107509

Going to the Fair, detail of a performing bear and monkey, c.1815 (w/c and gouache on paper) (see also 107509 and 107510)

English School, (19th century)

Sevres Royal Porcelain teapot, chocolate pot, creamer and sugar bowl made for Louis-Phillipe (1773-1850) in 1845 and a bonbon dish made for Napoleon III (1808-73) in 1860 (porcelain)
Sevres Royal Porcelain teapot, chocolate pot, creamer and sugar bowl made for Louis-Phillipe (1773-1850) in 1845 and a bonbon dish made for Napoleon III (1808-73) in 1860 (porcelain)

CJP107524: Sevres Royal Porcelain teapot, chocolate pot, creamer and sugar bowl made for Louis-Phillipe (1773-1850) in 1845 and a bonbon dish made for Napoleon III (1808-73) in 1860 (porcelain) / Bridgeman Images

ID: CJP107524

Sevres Royal Porcelain teapot, chocolate pot, creamer and sugar bowl made for Louis-Phillipe (1773-1850) in 1845 and a bonbon dish made for Napoleon III (1808-73) in 1860 (porcelain)

Portrait of Mrs Udy or 'Beauty Embraced by Sleep', c.1804 (w/c with pencil on paper)
Portrait of Mrs Udy or 'Beauty Embraced by Sleep', c.1804 (w/c with pencil on paper)

CJP107534: Portrait of Mrs Udy or 'Beauty Embraced by Sleep', c.1804 (w/c with pencil on paper), Cosway, Richard (1742-1821) / Bridgeman Images

ID: CJP107534

Portrait of Mrs Udy or 'Beauty Embraced by Sleep', c.1804 (w/c with pencil on paper)

Cosway, Richard (1742-1821)

Artist's Studio in Bad Ischl, 1867 (w/c on paper)
Artist's Studio in Bad Ischl, 1867 (w/c on paper)

CJP107583: Artist's Studio in Bad Ischl, 1867 (w/c on paper), Austrian School, (19th century) / Bridgeman Images

ID: CJP107583

Artist's Studio in Bad Ischl, 1867 (w/c on paper)

Austrian School, (19th century)

Fish and Rock Form, 1997 (oil on board)
Fish and Rock Form, 1997 (oil on board)

PDA107617: Fish and Rock Form, 1997 (oil on board), Davidson, Peter / Bridgeman Images

ID: PDA107617

Fish and Rock Form, 1997 (oil on board)

Davidson, Peter

The Triumph of Archduchess Isabella in the Ommeganck in Brussels on 31st May 1615, detail of a costumed devil figure, 1615 (oil on canvas) (detail of 75629)
The Triumph of Archduchess Isabella in the Ommeganck in Brussels on 31st May 1615, detail of a costumed devil figure, 1615 (oil on canvas) (detail of 75629)

XTD107628: The Triumph of Archduchess Isabella in the Ommeganck in Brussels on 31st May 1615, detail of a costumed devil figure, 1615 (oil on canvas) (detail of 75629), Alsloot, Denys van (1570-1628) / Bridgeman Images

ID: XTD107628

The Triumph of Archduchess Isabella in the Ommeganck in Brussels on 31st May 1615, detail of a costumed devil figure, 1615 (oil on canvas) (detail of 75629)

Alsloot, Denys van (1570-1628)

The Triumph of Isabella in the Ommeganck in Brussels on 31st May 1615, detail of the allegorical figure of Fame from the Car of the the Court of Isabella, 1615 (oil on canvas) (detail of 75629)
The Triumph of Isabella in the Ommeganck in Brussels on 31st May 1615, detail of the allegorical figure of Fame from the Car of the the Court of Isabella, 1615 (oil on canvas) (detail of 75629)

XTD107629: The Triumph of Isabella in the Ommeganck in Brussels on 31st May 1615, detail of the allegorical figure of Fame from the Car of the the Court of Isabella, 1615 (oil on canvas) (detail of 75629), Alsloot, Denys van (1570-1628) / Bridgeman Images

ID: XTD107629

The Triumph of Isabella in the Ommeganck in Brussels on 31st May 1615, detail of the allegorical figure of Fame from the Car of the the Court of Isabella, 1615 (oil on canvas) (detail of 75629)

Alsloot, Denys van (1570-1628)

Pebblescape with ringed plover, 1997 (oil on board)
Pebblescape with ringed plover, 1997 (oil on board)

KAR107638: Pebblescape with ringed plover, 1997 (oil on board), Taylor, Karl / Bridgeman Images

ID: KAR107638

Pebblescape with ringed plover, 1997 (oil on board)

Taylor, Karl

Bullfinch and Sorrel, 1997 (oil on board)
Bullfinch and Sorrel, 1997 (oil on board)

KAR107639: Bullfinch and Sorrel, 1997 (oil on board), Taylor, Karl / Bridgeman Images

ID: KAR107639

Bullfinch and Sorrel, 1997 (oil on board)

Taylor, Karl

St. James (oil on panel)
St. James (oil on panel)

XIR108508: St. James (oil on panel), Tura, Cosimo (1430-95) / Bridgeman Images

ID: XIR108508

St. James (oil on panel)

Tura, Cosimo (1430-95)

Food of the Street (acrylic on wood)
Food of the Street (acrylic on wood)

PJC108609: Food of the Street (acrylic on wood), Crook, PJ / Bridgeman Images

ID: PJC108609

Food of the Street (acrylic on wood)

Crook, PJ

Three Young Girls (oil on canvas)
Three Young Girls (oil on canvas)

PWI108547: Three Young Girls (oil on canvas), Laurencin, Marie (1883-1956) / Bridgeman Images

ID: PWI108547

Three Young Girls (oil on canvas)

Laurencin, Marie (1883-1956)

Composition, 1953 (acrylic on canvas)
Composition, 1953 (acrylic on canvas)

PWI108650: Composition, 1953 (acrylic on canvas), Leppien, Jean (20th century) / Bridgeman Images

ID: PWI108650

Composition, 1953 (acrylic on canvas)

Leppien, Jean (20th century)

A View from the King's Barracks, Fort St. George, plate 16 from 'Twenty Four Views in Hindostan', engraved by Harraden, pub. by Edward Orme (1774-c.1820) 1804 (aquatint)
A View from the King's Barracks, Fort St. George, plate 16 from 'Twenty Four Views in Hindostan', engraved by Harraden, pub. by Edward Orme (1774-c.1820) 1804 (aquatint)

STC108675: A View from the King's Barracks, Fort St. George, plate 16 from 'Twenty Four Views in Hindostan', engraved by Harraden, pub. by Edward Orme (1774-c.1820) 1804 (aquatint), Ward, Colonel Francis Swain (c.1734-94) (after) / Bridgeman Images

ID: STC108675

A View from the King's Barracks, Fort St. George, plate 16 from 'Twenty Four Views in Hindostan', engraved by Harraden, pub. by Edward Orme (1774-c.1820) 1804 (aquatint)

Ward, Colonel Francis Swain (c.1734-94) (after)

Peepul Tree in the Palace of Delhi, 1863 (chromolitho)
Peepul Tree in the Palace of Delhi, 1863 (chromolitho)

STC108691: Peepul Tree in the Palace of Delhi, 1863 (chromolitho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC108691

Peepul Tree in the Palace of Delhi, 1863 (chromolitho)

Simpson, William 'Crimea' (1823-99)

Our Sitting Room in London, 1849 (w/c on paper)
Our Sitting Room in London, 1849 (w/c on paper)

CJP108719: Our Sitting Room in London, 1849 (w/c on paper), Cadogan, Lady Honoria (1813-1904) / Bridgeman Images

ID: CJP108719

Our Sitting Room in London, 1849 (w/c on paper)

Cadogan, Lady Honoria (1813-1904)

A Classical Capriccio with a Sarcophagus, design for a title page from 'Palais, Maisons et Autres Edifices Modernes, Dessines a Rome' by Charles Percier and Francois Leonard Fontaine (1762-1853) pub. Paris, 1798 (pen & ink and w/c on paper)
A Classical Capriccio with a Sarcophagus, design for a title page from 'Palais, Maisons et Autres Edifices Modernes, Dessines a Rome' by Charles Percier and Francois Leonard Fontaine (1762-1853) pub. Paris, 1798 (pen & ink and w/c on paper)

CJP108733: A Classical Capriccio with a Sarcophagus, design for a title page from 'Palais, Maisons et Autres Edifices Modernes, Dessines a Rome' by Charles Percier and Francois Leonard Fontaine (1762-1853) pub. Paris, 1798 (pen & ink and w/c on paper), Percier, Charles (1764-1838) / Bridgeman Images

ID: CJP108733

A Classical Capriccio with a Sarcophagus, design for a title page from 'Palais, Maisons et Autres Edifices Modernes, Dessines a Rome' by Charles Percier and Francois Leonard Fontaine (1762-1853) pub. Paris, 1798 (pen & ink and w/c on paper)

Percier, Charles (1764-1838)

The Trellised Gardens at the Villa Gallo, 1824 (w/c on paper)
The Trellised Gardens at the Villa Gallo, 1824 (w/c on paper)

CJP108756: The Trellised Gardens at the Villa Gallo, 1824 (w/c on paper), D'Esterhazy, Marianne (fl.1820-40) / Bridgeman Images

ID: CJP108756

The Trellised Gardens at the Villa Gallo, 1824 (w/c on paper)

D'Esterhazy, Marianne (fl.1820-40)

On the Downs (Wiltshire Landscape) 1924 (oil on canvas)
On the Downs (Wiltshire Landscape) 1924 (oil on canvas)

LMG108800: On the Downs (Wiltshire Landscape) 1924 (oil on canvas), Nicholson, William (1872-1949) / Bridgeman Images

ID: LMG108800

On the Downs (Wiltshire Landscape) 1924 (oil on canvas)

Nicholson, William (1872-1949)

View of Kirkstall Abbey, Leeds, 1860 (watercolour on paper)
View of Kirkstall Abbey, Leeds, 1860 (watercolour on paper)

LMG108843: View of Kirkstall Abbey, Leeds, 1860 (watercolour on paper), Fripp, George Arthur (1813-96) / Bridgeman Images

ID: LMG108843

View of Kirkstall Abbey, Leeds, 1860 (watercolour on paper)

Fripp, George Arthur (1813-96)

Interior, Rutland Lodge: vista through open doors, 1920 (oil on canvas)
Interior, Rutland Lodge: vista through open doors, 1920 (oil on canvas)

LMG108886: Interior, Rutland Lodge: vista through open doors, 1920 (oil on canvas), Adam, Patrick William (1854-1930) / Bridgeman Images

ID: LMG108886

Interior, Rutland Lodge: vista through open doors, 1920 (oil on canvas)

Adam, Patrick William (1854-1930)

The Temple of Saturn (Roman Ruins) (pen & ink, w/c and wash on paper)
The Temple of Saturn (Roman Ruins) (pen & ink, w/c and wash on paper)

LMG108891: The Temple of Saturn (Roman Ruins) (pen & ink, w/c and wash on paper), Skelton, Jonathan (fl.1754-58) / Bridgeman Images

ID: LMG108891

The Temple of Saturn (Roman Ruins) (pen & ink, w/c and wash on paper)

Skelton, Jonathan (fl.1754-58)

Stuyvesant Surrendering Fort Amsterdam to the English, from Harper's Magazine, 1893 (litho)
Stuyvesant Surrendering Fort Amsterdam to the English, from Harper's Magazine, 1893 (litho)

BAL108921: Stuyvesant Surrendering Fort Amsterdam to the English, from Harper's Magazine, 1893 (litho), Pyle, Howard (1853-1911) (after) / Bridgeman Images

ID: BAL108921

Stuyvesant Surrendering Fort Amsterdam to the English, from Harper's Magazine, 1893 (litho)

Pyle, Howard (1853-1911) (after)

The Assassination of La Salle, illustration from 'La Salle and the Discovery of the Great West' by Francis Parkman (litho)
The Assassination of La Salle, illustration from 'La Salle and the Discovery of the Great West' by Francis Parkman (litho)

BAL108937: The Assassination of La Salle, illustration from 'La Salle and the Discovery of the Great West' by Francis Parkman (litho), Pyle, Howard (1853-1911) (after) / Bridgeman Images

ID: BAL108937

The Assassination of La Salle, illustration from 'La Salle and the Discovery of the Great West' by Francis Parkman (litho)

Pyle, Howard (1853-1911) (after)


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