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Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995
Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995

LBY4687544: Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995, Rossi, Aldo (1931-1997) / Bridgeman Images

Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995
Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995

LBY4687590: Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995, Rossi, Aldo (1931-1997) / Bridgeman Images

Scarabee rhinoceros (Dynastes hercules), insect, specimen reported from Guadeloupe. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
Scarabee rhinoceros (Dynastes hercules), insect, specimen reported from Guadeloupe. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687621: Scarabee rhinoceros (Dynastes hercules), insect, specimen reported from Guadeloupe. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995
Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995

LBY4687534: Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995, Rossi, Aldo (1931-1997) / Bridgeman Images

Washington plum (plum tree grows). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Washington plum, Prunus domestica, from New York. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.
Washington plum (plum tree grows). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Washington plum, Prunus domestica, from New York. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.

FLO4687837: Washington plum (plum tree grows). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Washington plum, Prunus domestica, from New York. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images

Grape bunch (muscadine). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Common muscadine grape, Vitis rotundifolia. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.
Grape bunch (muscadine). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Common muscadine grape, Vitis rotundifolia. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.

FLO4687825: Grape bunch (muscadine). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Common muscadine grape, Vitis rotundifolia. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images

Elk (Cervus canadensis), herbivorous mammal, family of cervids, is hunted for its lean and very proteinous meat. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
Elk (Cervus canadensis), herbivorous mammal, family of cervids, is hunted for its lean and very proteinous meat. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687557: Elk (Cervus canadensis), herbivorous mammal, family of cervids, is hunted for its lean and very proteinous meat. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

Tartarian black cherries (cherry or bird cherry). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Black Tartarian cherry, Prunus avium, introduced from Circassia in Russia in 1794. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.
Tartarian black cherries (cherry or bird cherry). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Black Tartarian cherry, Prunus avium, introduced from Circassia in Russia in 1794. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.

FLO4687996: Tartarian black cherries (cherry or bird cherry). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Black Tartarian cherry, Prunus avium, introduced from Circassia in Russia in 1794. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images

Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995
Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995

LBY4687597: Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995, Rossi, Aldo (1931-1997) / Bridgeman Images

Apple Harvey doree (apple variety). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Golden Harvey apple, Malus domestica. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.
Apple Harvey doree (apple variety). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Golden Harvey apple, Malus domestica. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.

FLO4687953: Apple Harvey doree (apple variety). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Golden Harvey apple, Malus domestica. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images

House of Marcus Lucretius, Reg IX, Ins 3, 5, 24, Pompeii. View of the courtyard with impluvium, tablinum with mosaic floor, and garden with statues of satyrs and cupids. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Autoriello & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.
House of Marcus Lucretius, Reg IX, Ins 3, 5, 24, Pompeii. View of the courtyard with impluvium, tablinum with mosaic floor, and garden with statues of satyrs and cupids. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Autoriello & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.

FLO4688078: House of Marcus Lucretius, Reg IX, Ins 3, 5, 24, Pompeii. View of the courtyard with impluvium, tablinum with mosaic floor, and garden with statues of satyrs and cupids. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Autoriello & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images

Isabelle d'Angouleme - Isabella of Angouleme, queen consort of King John of England. Steel engraving by B. Eyles after a portrait by A. Bouvier from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.
Isabelle d'Angouleme - Isabella of Angouleme, queen consort of King John of England. Steel engraving by B. Eyles after a portrait by A. Bouvier from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

FLO4688729: Isabelle d'Angouleme - Isabella of Angouleme, queen consort of King John of England. Steel engraving by B. Eyles after a portrait by A. Bouvier from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868. / Bridgeman Images

Yellow bramble rose, Rosa lutea, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).
Yellow bramble rose, Rosa lutea, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).

FLO4688892: Yellow bramble rose, Rosa lutea, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853). / Bridgeman Images

Etruscan art: geometric cut in clay from Tarquinia. Dim. 6,9x11,8 cm 8th century before JC. Museo archeologico Florence Italy
Etruscan art: geometric cut in clay from Tarquinia. Dim. 6,9x11,8 cm 8th century before JC. Museo archeologico Florence Italy

LRI4688840: Etruscan art: geometric cut in clay from Tarquinia. Dim. 6,9x11,8 cm 8th century before JC. Museo archeologico Florence Italy, Etruscan, (8th century BC) / Bridgeman Images

Caroline, queen consort of King George II of England. Steel engraving by J. Brown after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.
Caroline, queen consort of King George II of England. Steel engraving by J. Brown after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

FLO4688890: Caroline, queen consort of King George II of England. Steel engraving by J. Brown after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868. / Bridgeman Images

Little silver vase with snakes, 675-650 BC
Little silver vase with snakes, 675-650 BC

LRI4689046: Little silver vase with snakes, 675-650 BC, Etruscan, (7th century BC) / Bridgeman Images

Etruscan civilization: terracotta fusaioli from Tomb 1 of San Cerbone, Populonia - 7th century BC (Etruscan art: spindle whorls, 7th century BC) Florence, Museo Archeologico, inv 163016-163028, 163044-163046
Etruscan civilization: terracotta fusaioli from Tomb 1 of San Cerbone, Populonia - 7th century BC (Etruscan art: spindle whorls, 7th century BC) Florence, Museo Archeologico, inv 163016-163028, 163044-163046

LRI4689063: Etruscan civilization: terracotta fusaioli from Tomb 1 of San Cerbone, Populonia - 7th century BC (Etruscan art: spindle whorls, 7th century BC) Florence, Museo Archeologico, inv 163016-163028, 163044-163046, Etruscan, (7th century BC) / Bridgeman Images

Medallions mounted in gold and steel. Subjects include nymphs sacrificing to Peace, Apollo with lyre, Cupid on a swan, Cancer Zodiac sign, Bourbonnais shepherd, etc. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Medallions mounted in gold and steel. Subjects include nymphs sacrificing to Peace, Apollo with lyre, Cupid on a swan, Cancer Zodiac sign, Bourbonnais shepherd, etc. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689241: Medallions mounted in gold and steel. Subjects include nymphs sacrificing to Peace, Apollo with lyre, Cupid on a swan, Cancer Zodiac sign, Bourbonnais shepherd, etc. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

Black koty, 680-670 BC
Black koty, 680-670 BC

LRI4689007: Black koty, 680-670 BC, Etruscan, (7th century BC) / Bridgeman Images

The Borghese Vase or the Campana Vase, decorated with foliage and reliefs of classical mythology. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
The Borghese Vase or the Campana Vase, decorated with foliage and reliefs of classical mythology. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689145: The Borghese Vase or the Campana Vase, decorated with foliage and reliefs of classical mythology. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

Etruscan civilization: decoree brown earth cup from Grosseto, Patigliano, Italy - 7th century BC (Etruscan art: cup decorated with statuettes, 7th century BC) Florence Museo Archeologico, inv 89852
Etruscan civilization: decoree brown earth cup from Grosseto, Patigliano, Italy - 7th century BC (Etruscan art: cup decorated with statuettes, 7th century BC) Florence Museo Archeologico, inv 89852

LRI4689155: Etruscan civilization: decoree brown earth cup from Grosseto, Patigliano, Italy - 7th century BC (Etruscan art: cup decorated with statuettes, 7th century BC) Florence Museo Archeologico, inv 89852, Etruscan, (7th century BC) / Bridgeman Images

Etruscan civilization: small cup with handle from Tarquinia, Selciatello di Sopra, Italy - 8th century BC (Etruscan art: Capeduncola, 8th century BC) Dim 7 x diam 10,2 cm Florence, Museo Archeologico, inv 83652
Etruscan civilization: small cup with handle from Tarquinia, Selciatello di Sopra, Italy - 8th century BC (Etruscan art: Capeduncola, 8th century BC) Dim 7 x diam 10,2 cm Florence, Museo Archeologico, inv 83652

LRI4689161: Etruscan civilization: small cup with handle from Tarquinia, Selciatello di Sopra, Italy - 8th century BC (Etruscan art: Capeduncola, 8th century BC) Dim 7 x diam 10,2 cm Florence, Museo Archeologico, inv 83652, Etruscan, (8th century BC) / Bridgeman Images

Variety of molluscs and shells. Variety of molluscs including terebratula, pearly fresh water mussel (Calecola), and jingle shells (Anomia).
Variety of molluscs and shells. Variety of molluscs including terebratula, pearly fresh water mussel (Calecola), and jingle shells (Anomia).

FLO4685457: Variety of molluscs and shells. Variety of molluscs including terebratula, pearly fresh water mussel (Calecola), and jingle shells (Anomia). / Bridgeman Images

Tropical shells. Tropical shells including Colombella, Buccinum, Voluta, Terebra, Conus imperialis and Harpa.Columbelle grande: Colombella major, Casquin: Buccinum arcularia, Volute wavy: Voluta undulata,
Tropical shells. Tropical shells including Colombella, Buccinum, Voluta, Terebra, Conus imperialis and Harpa.Columbelle grande: Colombella major, Casquin: Buccinum arcularia, Volute wavy: Voluta undulata,

FLO4685470: Tropical shells. Tropical shells including Colombella, Buccinum, Voluta, Terebra, Conus imperialis and Harpa.Columbelle grande: Colombella major, Casquin: Buccinum arcularia, Volute wavy: Voluta undulata, / Bridgeman Images

Bronze bucket (situla) decorates and uses as urn (6th century BC)
Bronze bucket (situla) decorates and uses as urn (6th century BC)

LRI4685487: Bronze bucket (situla) decorates and uses as urn (6th century BC), Etruscan, (6th century BC) / Bridgeman Images

Large black blue crayfish and scarlet. Large shiny blue black and crimson crawfish or crayfish (Palemon ornatum). Palemon adorns.
Large black blue crayfish and scarlet. Large shiny blue black and crimson crawfish or crayfish (Palemon ornatum). Palemon adorns.

FLO4685516: Large black blue crayfish and scarlet. Large shiny blue black and crimson crawfish or crayfish (Palemon ornatum). Palemon adorns. / Bridgeman Images

Different kinds of coloured sea urchins with their spines. Different types of colorful sea urchins and their spines.The very rare purple club spined or artichoke urchin (Echinus atratus), round urchin (Echinus globiformis), Cidarites imperialis, Scutella radiata, Scutella quinquefora. Handcolored engraving by Dujardin from Charles d'Orbigny's “Universal Dictionary of Natural History” 1849.
Different kinds of coloured sea urchins with their spines. Different types of colorful sea urchins and their spines.The very rare purple club spined or artichoke urchin (Echinus atratus), round urchin (Echinus globiformis), Cidarites imperialis, Scutella radiata, Scutella quinquefora. Handcolored engraving by Dujardin from Charles d'Orbigny's “Universal Dictionary of Natural History” 1849.

FLO4685471: Different kinds of coloured sea urchins with their spines. Different types of colorful sea urchins and their spines.The very rare purple club spined or artichoke urchin (Echinus atratus), round urchin (Echinus globiformis), Cidarites imperialis, Scutella radiata, Scutella quinquefora. Handcolored engraving by Dujardin from Charles d'Orbigny's “Universal Dictionary of Natural History” 1849. / Bridgeman Images

Variety of seafood including oysters and clams. Variety of seashells including oysters (Ostrea), file clams (Lima), smooth pectens and scarlet thorny oyster (Spondylus). Flake file: Lima squamosa, Spondyle sufrane: Spondylus crocastus, Oyster leaf: Ostrea folium, Pecten tigre: Pecten tigris. Handcolored engraving by Pretre from Charles d'Orbigny's “Universal Dictionary of Natural History” 1849.
Variety of seafood including oysters and clams. Variety of seashells including oysters (Ostrea), file clams (Lima), smooth pectens and scarlet thorny oyster (Spondylus). Flake file: Lima squamosa, Spondyle sufrane: Spondylus crocastus, Oyster leaf: Ostrea folium, Pecten tigre: Pecten tigris. Handcolored engraving by Pretre from Charles d'Orbigny's “Universal Dictionary of Natural History” 1849.

FLO4685484: Variety of seafood including oysters and clams. Variety of seashells including oysters (Ostrea), file clams (Lima), smooth pectens and scarlet thorny oyster (Spondylus). Flake file: Lima squamosa, Spondyle sufrane: Spondylus crocastus, Oyster leaf: Ostrea folium, Pecten tigre: Pecten tigris. Handcolored engraving by Pretre from Charles d'Orbigny's “Universal Dictionary of Natural History” 1849. / Bridgeman Images

Calligraphic title reading A Series of Antient Allegorical Historical and Legendary Paintings which were uncovered in the summer of 1802 on the walls of the Chapel of the Trinity at Stratford upon Avon in Warwickshire. Handcoloured etching from Thomas Fisher's Paintings on the Walls of the Chapel of the Trinity.
Calligraphic title reading A Series of Antient Allegorical Historical and Legendary Paintings which were uncovered in the summer of 1802 on the walls of the Chapel of the Trinity at Stratford upon Avon in Warwickshire. Handcoloured etching from Thomas Fisher's Paintings on the Walls of the Chapel of the Trinity.

FLO4685542: Calligraphic title reading A Series of Antient Allegorical Historical and Legendary Paintings which were uncovered in the summer of 1802 on the walls of the Chapel of the Trinity at Stratford upon Avon in Warwickshire. Handcoloured etching from Thomas Fisher's Paintings on the Walls of the Chapel of the Trinity. / Bridgeman Images

Variety of colorful shells. Variety of colorful shells including Cardium, Etheria, Tridacna and Chama shells. Giant bucarde: Cardium magnum, Etherie plumbee: Etheria plumbea, Tridacne faitiere: Tridacna squammosa, Came Suede horn: Chama damaecornis. Handcolored engraving from Charles d'Orbigny's “” Dictionnaire Universale d'Histoire Naturelle” (Universal Dictionary of Natural History) 1849.
Variety of colorful shells. Variety of colorful shells including Cardium, Etheria, Tridacna and Chama shells. Giant bucarde: Cardium magnum, Etherie plumbee: Etheria plumbea, Tridacne faitiere: Tridacna squammosa, Came Suede horn: Chama damaecornis. Handcolored engraving from Charles d'Orbigny's “” Dictionnaire Universale d'Histoire Naturelle” (Universal Dictionary of Natural History) 1849.

FLO4685454: Variety of colorful shells. Variety of colorful shells including Cardium, Etheria, Tridacna and Chama shells. Giant bucarde: Cardium magnum, Etherie plumbee: Etheria plumbea, Tridacne faitiere: Tridacna squammosa, Came Suede horn: Chama damaecornis. Handcolored engraving from Charles d'Orbigny's “” Dictionnaire Universale d'Histoire Naturelle” (Universal Dictionary of Natural History) 1849. / Bridgeman Images

Broker, reign of Charles IX, 1579. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Broker, reign of Charles IX, 1579. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685943: Broker, reign of Charles IX, 1579. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Lady, reign of Henry III, 1586. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Lady, reign of Henry III, 1586. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685979: Lady, reign of Henry III, 1586. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Courtesan, reign of Charles VIII, 1491. Handcoloured steel engraving by Hippolyte Pauquet after a contemporary work from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Courtesan, reign of Charles VIII, 1491. Handcoloured steel engraving by Hippolyte Pauquet after a contemporary work from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685843: Courtesan, reign of Charles VIII, 1491. Handcoloured steel engraving by Hippolyte Pauquet after a contemporary work from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Women's costume in the reign of Charles the Bald, after a contemporary manuscript, 9th century. Handcoloured steel engraving by Polidor Pauquet from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Women's costume in the reign of Charles the Bald, after a contemporary manuscript, 9th century. Handcoloured steel engraving by Polidor Pauquet from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685883: Women's costume in the reign of Charles the Bald, after a contemporary manuscript, 9th century. Handcoloured steel engraving by Polidor Pauquet from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Broker, reign of Henri III, 1580. Handcoloured steel engraving by Hippolyte Pauquet after a contemporary painting from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Broker, reign of Henri III, 1580. Handcoloured steel engraving by Hippolyte Pauquet after a contemporary painting from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685941: Broker, reign of Henri III, 1580. Handcoloured steel engraving by Hippolyte Pauquet after a contemporary painting from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Porter, reign of Henri III, 1586. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Porter, reign of Henri III, 1586. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685955: Porter, reign of Henri III, 1586. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images


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