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Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995
Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995

LBY4687504: Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995, Rossi, Aldo (1931-1997) / Bridgeman Images

Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)
Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)

MDA4687019: Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo), Rogers, Richard (b.1933) and Piano, Renzo (b.1937) / Bridgeman Images

Mediatheque du Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)
Mediatheque du Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)

OMG4687066: Mediatheque du Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo), Rogers, Richard (b.1933) and Piano, Renzo (b.1937) / Bridgeman Images

Alexander the Great on horseback, 4th century BC (Bronze sculpture)
Alexander the Great on horseback, 4th century BC (Bronze sculpture)

LRI4687108: Alexander the Great on horseback, 4th century BC (Bronze sculpture), Lysippos (fl.370-310 BC) (attributed to) / Bridgeman Images

Alexander the Great on horseback, 4th century BC (Bronze sculpture)
Alexander the Great on horseback, 4th century BC (Bronze sculpture)

LRI4687115: Alexander the Great on horseback, 4th century BC (Bronze sculpture), Lysippos (fl.370-310 BC) (attributed to) / Bridgeman Images

Decorative figures from the House of Epigrams, Regio V, Insula 1, 18. An urn and mythical beast at top, and a goat and hunting scene with dog and hare below. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.
Decorative figures from the House of Epigrams, Regio V, Insula 1, 18. An urn and mythical beast at top, and a goat and hunting scene with dog and hare below. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.

FLO4687119: Decorative figures from the House of Epigrams, Regio V, Insula 1, 18. An urn and mythical beast at top, and a goat and hunting scene with dog and hare below. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881., Discanno, Geremia (1839-1907) / Bridgeman Images

Portrait of a man and woman from an unidentified house in Pompeii. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.
Portrait of a man and woman from an unidentified house in Pompeii. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.

FLO4687054: Portrait of a man and woman from an unidentified house in Pompeii. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881., Discanno, Geremia (1839-1907) / Bridgeman Images

Head fragment,  5th-4th century BC (sculpture)
Head fragment,  5th-4th century BC (sculpture)

LRI4687142: Head fragment, 5th-4th century BC (sculpture), Greek school, (4th century BC) / Bridgeman Images

Alpine Hare (Lepus alpinus). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
Alpine Hare (Lepus alpinus). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687319: Alpine Hare (Lepus alpinus). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

Greek Art: “” marble relief representing a menade and a satyre”” (marble relief representing satyr and maenad) 25-50 aJ Dim 64x57 cm Mantua (mantua) Palazzo Ducale, Coll statuaria, inv n 6705 Italy
Greek Art: “” marble relief representing a menade and a satyre”” (marble relief representing satyr and maenad) 25-50 aJ Dim 64x57 cm Mantua (mantua) Palazzo Ducale, Coll statuaria, inv n 6705 Italy

LRI4687277: Greek Art: “” marble relief representing a menade and a satyre”” (marble relief representing satyr and maenad) 25-50 aJ Dim 64x57 cm Mantua (mantua) Palazzo Ducale, Coll statuaria, inv n 6705 Italy, Greek / Bridgeman Images

Bresilian epic pork (Coendou prehensilis), semi-arboreal American epic pork of the tropical strains, whose tail prehensile allows it to climb trees. Drawing by Thomas Pennant (1726-1798). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
Bresilian epic pork (Coendou prehensilis), semi-arboreal American epic pork of the tropical strains, whose tail prehensile allows it to climb trees. Drawing by Thomas Pennant (1726-1798). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687347: Bresilian epic pork (Coendou prehensilis), semi-arboreal American epic pork of the tropical strains, whose tail prehensile allows it to climb trees. Drawing by Thomas Pennant (1726-1798). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

Sea bat fish (Halieutea sp), carnivorous, bad swimmer, but endowed with large and flexible pectoral fins that mimic legs and allow it to walk on the bottom of the sea, a pointed snout and skin topped with tubers rough to the touch
Sea bat fish (Halieutea sp), carnivorous, bad swimmer, but endowed with large and flexible pectoral fins that mimic legs and allow it to walk on the bottom of the sea, a pointed snout and skin topped with tubers rough to the touch

FLO4687408: Sea bat fish (Halieutea sp), carnivorous, bad swimmer, but endowed with large and flexible pectoral fins that mimic legs and allow it to walk on the bottom of the sea, a pointed snout and skin topped with tubers rough to the touch / Bridgeman Images

Virginia or American opossum (Didelphis virginiana), North American marsupial. Illustration copy of “” The True Representation”” account for the philosophical transactions of the Royal Society by Thomas Pennant (1726-1798). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
Virginia or American opossum (Didelphis virginiana), North American marsupial. Illustration copy of “” The True Representation”” account for the philosophical transactions of the Royal Society by Thomas Pennant (1726-1798). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687485: Virginia or American opossum (Didelphis virginiana), North American marsupial. Illustration copy of “” The True Representation”” account for the philosophical transactions of the Royal Society by Thomas Pennant (1726-1798). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

Woman of Vialka, Russia, 1860. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Woman of Vialka, Russia, 1860. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4686695: Woman of Vialka, Russia, 1860. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

Fashionable dandies, soldiers and ladies in the colonnade of the Palais Royal. Dick Wildfire and Squire Jenkins seeing Real Life in the Galleries of the Palais Royal. Handcoloured copperplate engraving by George Cruikshank from David Carey's Life in Paris, the Rambles, Sprees and Amours of Dick Wildfire, Fairburn, London, 1822.
Fashionable dandies, soldiers and ladies in the colonnade of the Palais Royal. Dick Wildfire and Squire Jenkins seeing Real Life in the Galleries of the Palais Royal. Handcoloured copperplate engraving by George Cruikshank from David Carey's Life in Paris, the Rambles, Sprees and Amours of Dick Wildfire, Fairburn, London, 1822.

FLO4686711: Fashionable dandies, soldiers and ladies in the colonnade of the Palais Royal. Dick Wildfire and Squire Jenkins seeing Real Life in the Galleries of the Palais Royal. Handcoloured copperplate engraving by George Cruikshank from David Carey's Life in Paris, the Rambles, Sprees and Amours of Dick Wildfire, Fairburn, London, 1822. / Bridgeman Images

Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)
Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)

MDA4686718: Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo), Rogers, Richard (b.1933) and Piano, Renzo (b.1937) / Bridgeman Images

Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)
Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)

MDA4686754: Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo), Rogers, Richard (b.1933) and Piano, Renzo (b.1937) / Bridgeman Images

Fashionable dandies, soldiers and ladies strolling in the Tuileries Garden. Dick Wildfire and the Captain promenading in the Garden of the Thuilleries. Handcoloured copperplate engraving by George Cruikshank from David Carey's Life in Paris, the Rambles, Sprees and Amours of Dick Wildfire, Fairburn, London, 1822.
Fashionable dandies, soldiers and ladies strolling in the Tuileries Garden. Dick Wildfire and the Captain promenading in the Garden of the Thuilleries. Handcoloured copperplate engraving by George Cruikshank from David Carey's Life in Paris, the Rambles, Sprees and Amours of Dick Wildfire, Fairburn, London, 1822.

FLO4686758: Fashionable dandies, soldiers and ladies strolling in the Tuileries Garden. Dick Wildfire and the Captain promenading in the Garden of the Thuilleries. Handcoloured copperplate engraving by George Cruikshank from David Carey's Life in Paris, the Rambles, Sprees and Amours of Dick Wildfire, Fairburn, London, 1822. / Bridgeman Images

Wall painting from a room in the House of the Epigrams. V, Ins. 1, No. 18. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.
Wall painting from a room in the House of the Epigrams. V, Ins. 1, No. 18. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.

FLO4686877: Wall painting from a room in the House of the Epigrams. V, Ins. 1, No. 18. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881., Discanno, Geremia (1839-1907) / Bridgeman Images

Wall painting from a room in the Domus M. Asellini or House of Adonis or House of Venus and Adonis or Casa di Ione or Casa con Xystus, Reg. VI.7.18. Drawn and chromolithographed by Victor Steeger from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.
Wall painting from a room in the Domus M. Asellini or House of Adonis or House of Venus and Adonis or Casa di Ione or Casa con Xystus, Reg. VI.7.18. Drawn and chromolithographed by Victor Steeger from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.

FLO4686942: Wall painting from a room in the Domus M. Asellini or House of Adonis or House of Venus and Adonis or Casa di Ione or Casa con Xystus, Reg. VI.7.18. Drawn and chromolithographed by Victor Steeger from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881., Discanno, Geremia (1839-1907) / Bridgeman Images

Decorative ornaments with centaurs and harpies in the oecus or living room in the house of Lucius Caecilius Iucundus. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.
Decorative ornaments with centaurs and harpies in the oecus or living room in the house of Lucius Caecilius Iucundus. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.

FLO4686969: Decorative ornaments with centaurs and harpies in the oecus or living room in the house of Lucius Caecilius Iucundus. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881., Discanno, Geremia (1839-1907) / Bridgeman Images

Wall painting of an arabesque with a mask of Oceanus found in Herculaneum, and two other ornaments of Oceanus and a lotus flower found in the Temple of Isis. All now in the Museum of Naples. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.
Wall painting of an arabesque with a mask of Oceanus found in Herculaneum, and two other ornaments of Oceanus and a lotus flower found in the Temple of Isis. All now in the Museum of Naples. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.

FLO4687005: Wall painting of an arabesque with a mask of Oceanus found in Herculaneum, and two other ornaments of Oceanus and a lotus flower found in the Temple of Isis. All now in the Museum of Naples. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881., Discanno, Geremia (1839-1907) / Bridgeman Images

Floor mosaic from a room in the viridarium (garden) in the House of Vesonius Primus, a fuller. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.
Floor mosaic from a room in the viridarium (garden) in the House of Vesonius Primus, a fuller. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.

FLO4687124: Floor mosaic from a room in the viridarium (garden) in the House of Vesonius Primus, a fuller. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881. / Bridgeman Images

Wall painting of Narcissus contemplating his reflection said to have been found in the Casa delle Vestali or House of the Vestals, Reg. VI, Ins. 1, No. 7. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.
Wall painting of Narcissus contemplating his reflection said to have been found in the Casa delle Vestali or House of the Vestals, Reg. VI, Ins. 1, No. 7. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.

FLO4687134: Wall painting of Narcissus contemplating his reflection said to have been found in the Casa delle Vestali or House of the Vestals, Reg. VI, Ins. 1, No. 7. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881., Discanno, Geremia (1839-1907) / Bridgeman Images

Heracles at rest. Detail. 4th century BC (Bronze sculpture)
Heracles at rest. Detail. 4th century BC (Bronze sculpture)

LRI4687118: Heracles at rest. Detail. 4th century BC (Bronze sculpture), Lysippos (fl.370-310 BC) (attributed to) / Bridgeman Images

Dancers and musicians during a banquet. Frescoes of the Tomba del triclinium, 5th century BC
Dancers and musicians during a banquet. Frescoes of the Tomba del triclinium, 5th century BC

LRI4687147: Dancers and musicians during a banquet. Frescoes of the Tomba del triclinium, 5th century BC, Etruscan, (5th century BC) / Bridgeman Images

House altar or lararium in the house of the banker Lucius Caecilius Iucundus, Regio V.1.26. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.
House altar or lararium in the house of the banker Lucius Caecilius Iucundus, Regio V.1.26. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.

FLO4687163: House altar or lararium in the house of the banker Lucius Caecilius Iucundus, Regio V.1.26. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881., Discanno, Geremia (1839-1907) / Bridgeman Images

Marble funerary stele with high relief 375-330 BC
Marble funerary stele with high relief 375-330 BC

LRI4687227: Marble funerary stele with high relief 375-330 BC, Greek school, (4th century BC) / Bridgeman Images

Hops hepiale (Hepialus humuli), lepidoptere, female (top) and male, pale colour (bottom). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
Hops hepiale (Hepialus humuli), lepidoptere, female (top) and male, pale colour (bottom). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687317: Hops hepiale (Hepialus humuli), lepidoptere, female (top) and male, pale colour (bottom). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

the Hamster songar (Mus songarus), living in Siberia. Its nest is made of dry herbs, in one of which Dr. Pallas found seven young, good size but still blind. They were quickly tame, fed by the deoctor and without any desire to escape.
the Hamster songar (Mus songarus), living in Siberia. Its nest is made of dry herbs, in one of which Dr. Pallas found seven young, good size but still blind. They were quickly tame, fed by the deoctor and without any desire to escape.

FLO4687444: the Hamster songar (Mus songarus), living in Siberia. Its nest is made of dry herbs, in one of which Dr. Pallas found seven young, good size but still blind. They were quickly tame, fed by the deoctor and without any desire to escape. / Bridgeman Images

Black atele, four-finger monkey, or atele coaita or araignee monkey (Ateles paniscus). Small arboreal monkey from South America's forests, very fast and agile, helps with this by its long prehensile tail, which also serves as a swing when it leaps. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
Black atele, four-finger monkey, or atele coaita or araignee monkey (Ateles paniscus). Small arboreal monkey from South America's forests, very fast and agile, helps with this by its long prehensile tail, which also serves as a swing when it leaps. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687467: Black atele, four-finger monkey, or atele coaita or araignee monkey (Ateles paniscus). Small arboreal monkey from South America's forests, very fast and agile, helps with this by its long prehensile tail, which also serves as a swing when it leaps. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687483: Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

The black rhinoceros (Diceros bicornis), a herbivorous bi-horned mammal, lives in Africa, the only species of the genus Diceros. Animal hunting by the Khoisan tribes of South Africa for the consumption of its flesh, but also for its horns and leather. Illustration by Thomas Pennant (1726-1798). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
The black rhinoceros (Diceros bicornis), a herbivorous bi-horned mammal, lives in Africa, the only species of the genus Diceros. Animal hunting by the Khoisan tribes of South Africa for the consumption of its flesh, but also for its horns and leather. Illustration by Thomas Pennant (1726-1798). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687513: The black rhinoceros (Diceros bicornis), a herbivorous bi-horned mammal, lives in Africa, the only species of the genus Diceros. Animal hunting by the Khoisan tribes of South Africa for the consumption of its flesh, but also for its horns and leather. Illustration by Thomas Pennant (1726-1798). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995
Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995

LBY4687525: Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995, Rossi, Aldo (1931-1997) / Bridgeman Images

Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995
Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995

LBY4687544: Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995, Rossi, Aldo (1931-1997) / Bridgeman Images

Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995
Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995

LBY4687590: Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995, Rossi, Aldo (1931-1997) / Bridgeman Images


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