2491709 Search Results
LRI4689251: Statuette representing Fufluns or Puphluns. Circa 480 BC (bronze), Etruscan, (5th century BC) / Bridgeman Images
FLO4689288: Medallions with nymph, Calliope as Hope, Cupid on a swan, and Cupid shaping his bow. Mounted pieces including gold box with cameo of Catherine II, buckle with Bonnie Prince Charlie, scent flacon with Jupiter and the eagle, and toothpick boxes. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images
FLO4689326: Rosier musque, with double flowers - Eau forte de Charlin, d'une illustration de Pierre Joseph Redoute (1759-1840), extract from Les Roses, 1817 - Semi-double musk rose, Rosa moschata var. plena (Rosa moschata flore semi-pleno) - Handcoloured stipple copperplate engraving by Charlin after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Dot , Paris, 1817, Redouté, Pierre Joseph (1759-1840) / Bridgeman Images
LRI4689295: Column krater, 570-560 BC, Etruscan, (6th century BC) / Bridgeman Images
FLO4689315: Coffee pot showing the infant academy, Chocolate pot with acanthus foliage, and Coffee pot with women and children. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images
FLO4689429: White flowers musque rose - Eau forte de Chapuy, based on an illustration by Pierre Joseph Redoute (1759-1840), from Les Roses, 1817 - Musk rose, Rosa moschata - Handcoloured stipple copperplate engraving by Chapuy after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Didot, Paris, 1817, Redouté, Pierre Joseph (1759-1840) / Bridgeman Images
LRI4689342: Etruscan civilization: oinochoe de bucchero noir - From Chiusi, necropole de Fonte Rotella Dim 41,5 cm 6th century BC (Etruscan art: bucchero oenochoe) 6th century BC Florence, Museo Archeologico, inv 3190 - Etruscan art: black bucchero otelinochoe from Chiusi necropolis of Rote La. 41.5 cm. 6th century BC. Museum of Archaeology, inv 3190, Florence, Italy, Etruscan, (6th century BC) / Bridgeman Images
FLO4689446: Victorian women, in a botanical greenhouse with exotic plants - Engraving by Gabry, from The Book of Perfumes by Eugene Rimmel (1820-1887), England, 1865 - Victorian women in a botanical hothouse - Woodcut engraving by Lambert from Eugene Rimmel's The Book of Perfumes, London, Chapman and Hall, 1865 / Bridgeman Images
FLO4689473: The toilet of the goddess Venus, assisted by angels holding perfumes, beauty products, a mirror and a torch - Engraving by Gabry, from The Book of Perfumes by Eugene Rimmel (1820-1887), England, 1865 - The goddess Venus at her toilet assisted by cupids holding perfumes, cosmetics, mirror and torch - Woodcut engraving by W. from Thomas Eugene Rimmel's The Book of Perfumes, London: Chapman and Hall, 1865 / Bridgeman Images
FLO4689485: The interior of a perfume factory in Nice (France), with its large distillery - Engraving by Lambert after an illustration by E. Bourdelin, extracted from Le Livre des Parfums by Eugene Rimmel (1820-1887), England, 1865 - Interior of a perfume manufacturer at Nice, showing large distillery - Woodcut engraving by Lambert after an illustration by E. Bourdelin from Eugene Rimmel's The Book of Perfumes, London: Chapman and Hall, 1865 / Bridgeman Images
LRI4689539: Bronze leg shaped unguentarium, 7th century BC, Etruscan, (7th century BC) / Bridgeman Images
FLO4689496: Egyptian Perfume Vases - Engraving by Emile Duhousset (1823-19?) , from Le Livre des Parfums by Eugene Rimmel (1820-1887), France, 1870 - Egyptian vases - Woodcut engraving by E. Duhousset from Eugene Rimmel's Livres des Parfums, Paris, 1870 / Bridgeman Images
FLO4689542: Fac simile of a Japanese fashion engraving, showing male and female hairstyles from the Edo period, 1870 (chromolithograph), Cheret, Jules (1836-1932) (after) / Bridgeman Images
FLO4689647: Morel mushrooms, Morchella vulgaris and Morchella costata. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910. / Bridgeman Images
FLO4689702: European white egg mushroom, Amanita ovoidea. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910. / Bridgeman Images
LRI4689807: Etruscan civilization: bronze helmet with inscription “” haspnas””” making reference to a model of military organization (bronze helmet with inscription referring to military organization) - From Vetulonia - 5th century BC - Dim 21 cm height - Florence, museo archeologico, Etruscan, (5th century BC) / Bridgeman Images
FLO4689842: Little shiitake, Lentinus tigrinus and deep root mushroom, Xerula radicata (Collybia radicata). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910. / Bridgeman Images
FLO4689845: False death cap mushroom, Amanita mappa, daffodil amanita mushroom, Amanita junquillea. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911. / Bridgeman Images
FLO4690006: Shingled hedgehog, Sarcodon imbricatus (Hydnum imbricatum), zoned hydnellum, / Bridgeman Images
FLO4689901: Inedible and poisonous mushrooms: Nolanea pascua, rose-gilled grisette Volvaria speciosa, and straw mushroom Volvaria volvacea. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911. / Bridgeman Images
LRI4690231: Virgin and Child and Crucifixion (after restoration). 14th century (Fresco), Sienese School, (14th century) / Bridgeman Images
FLO4690069: Jean Liabaud hybrid crimson pink. Chromolithograph by Georges Severeyns from an illustration by Walter H. Fitch from William Paul's “The Rose Garden in two divisions,” London, 1888. First issued in 1848 with 15 colored plates, “” The Rose Garden”” soon became a standard work on roses and ran to 10 editions, the last in 1903. The illustrations for the 9th edition were by Walter Fitch, the famous artist who illustrated Curtis' “” Botanical Magazine”” for many years. / Bridgeman Images
FLO4690118: The skeleton of Death surprises Ned Freeman as he visits the insurance office, leaving his widow with a huge sum. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690251: The skeleton of Death appears before the telescope of the old astronomer, causing him to fall out of his chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690333: The skeleton of Death takes the mother as she witnesses her son's lifeless body pulled from a lake. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690345: The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
FLO4690269: The skeleton of Death with hourglass comes for the sick man as he eats gruel at the dining table with his drinking buddies in front of the fireplace. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
LRI4690524: The Annunciation. 14th century (fresco), Sienese School, (14th century) / Bridgeman Images
JLJ4690256: Composition On Yellow Background, 1940 (oil on canvas), Herbin, Auguste (1882-1960) / Bridgeman Images
FLO4690300: The skeleton of Death helps a landowner take aim with a musket at boys poaching in his garden trying to flee over a wall. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
LRI4690688: The life of Saint Benedict: in the center, The miracle of Saint Placide. Below is the miracle of the Goth. 13th century (fresco), Consolo (Magister Conxolus) (13th century) / Bridgeman Images
FLO4691390: Two ladies dressing before a mirror in a parlor, 19th century. She says, The pink really suits you dear. She thinks, And makes you look 10 years older. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829. / Bridgeman Images
FLO4691629: Sumatran orangutan, Pongo abelii. Critically endangered. Simia satyrus Linn. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by R. Oakes from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images
FLO4691708: White-handed or lar gibbon, Hylobates lar. Endangered. Simia longimana. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images
FLO4691907: Greater speech-nosed bat, Phyllostomus hastatus. Vespertilio foricinus Pall. Handcoloured copperplate engraving by Tyroff after an illustration by Johann Bernhard Gottfried Hopfer from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images
FLO4691862: Large flying fox, Pteropus vampyrus. Near threatened. Vespertilio vampyrus Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images
