Dore, Gustave (1832-83) Assets (2599 in total)

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Victorian London - Lord's cricket ground
Victorian London - Lord's cricket ground

XLF3779056: Victorian London - Lord's cricket ground, Dore, Gustave (1832-83) / Bridgeman Images

Death of Athaliah - Bible
Death of Athaliah - Bible

XLF3779977: Death of Athaliah - Bible, Dore, Gustave (1832-83) / Bridgeman Images

Baron Münchausen: Highwaymen / brigands, by Doré.
Baron Münchausen: Highwaymen / brigands, by Doré.

XLF3780006: Baron Münchausen: Highwaymen / brigands, by Doré., Dore, Gustave (1832-83) / Bridgeman Images

AUDIENCE after the performance
AUDIENCE after the performance

XLE3751713: AUDIENCE after the performance, Dore, Gustave (1832-83) / Bridgeman Images

AUDIENCE Before the performance
AUDIENCE Before the performance

XLE3751714: AUDIENCE Before the performance, Dore, Gustave (1832-83) / Bridgeman Images

Milton's Paradise Lost
Milton's Paradise Lost

XLA3750706: Milton's Paradise Lost, Dore, Gustave (1832-83) / Bridgeman Images

Illustration for The Divine Comedy - Purgatory (La Divina Commedia) by Dante, 1929 (engraving)
Illustration for The Divine Comedy - Purgatory (La Divina Commedia) by Dante, 1929 (engraving)

XLA3750708: Illustration for The Divine Comedy - Purgatory (La Divina Commedia) by Dante, 1929 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)
Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)

XLA3763852: Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Theophile Gautier's novel “” Le Capitaine Fracasse”” - Edition Charpentier 1883, practically identical to the first edition illustrated by G. Dore at the same publisher in 1866. Chapter “” Sword, batting, and other adventures””: “The street was free, and victory remained for the comedians.”
Illustration by Gustave Dore for Theophile Gautier's novel “” Le Capitaine Fracasse”” - Edition Charpentier 1883, practically identical to the first edition illustrated by G. Dore at the same publisher in 1866. Chapter “” Sword, batting, and other adventures””: “The street was free, and victory remained for the comedians.”

PCT4277675: Illustration by Gustave Dore for Theophile Gautier's novel “” Le Capitaine Fracasse”” - Edition Charpentier 1883, practically identical to the first edition illustrated by G. Dore at the same publisher in 1866. Chapter “” Sword, batting, and other adventures””: “The street was free, and victory remained for the comedians.”, Dore, Gustave (1832-83) / Bridgeman Images

Giant Gargantua, visiting the city of Paris, rests at the top of the towers of Notre Dame and contemplates the people of the Parisians he is preparing to compress. Illustration by Gustave Dore for the work of Francois Rabelais.
Giant Gargantua, visiting the city of Paris, rests at the top of the towers of Notre Dame and contemplates the people of the Parisians he is preparing to compress. Illustration by Gustave Dore for the work of Francois Rabelais.

PCT4277099: Giant Gargantua, visiting the city of Paris, rests at the top of the towers of Notre Dame and contemplates the people of the Parisians he is preparing to compress. Illustration by Gustave Dore for the work of Francois Rabelais., Dore, Gustave (1832-83) / Bridgeman Images

Gargantua education: the young gentleman learns to play flute with his music teacher. Engraving by Gustave Dore illustrating the work of Rabelais.
Gargantua education: the young gentleman learns to play flute with his music teacher. Engraving by Gustave Dore illustrating the work of Rabelais.

PCT4277014: Gargantua education: the young gentleman learns to play flute with his music teacher. Engraving by Gustave Dore illustrating the work of Rabelais., Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Third voyage: a tempete throws the ship of Sindbad and his companions on an island where they are attacked by a giant snake who devors them all, except Sindbad who manages to escape
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Third voyage: a tempete throws the ship of Sindbad and his companions on an island where they are attacked by a giant snake who devors them all, except Sindbad who manages to escape

PCT4278257: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Third voyage: a tempete throws the ship of Sindbad and his companions on an island where they are attacked by a giant snake who devors them all, except Sindbad who manages to escape, Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat

PCT4278398: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat, Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat -
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat -

PCT4278400: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat -, Dore, Gustave (1832-83) / Bridgeman Images

The fall of Lucifer: Satan, angel dechu, falls from heaven on Earth, plunges into reflection on the consequences of his rebellion. - Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection
The fall of Lucifer: Satan, angel dechu, falls from heaven on Earth, plunges into reflection on the consequences of his rebellion. - Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

PCT4285117: The fall of Lucifer: Satan, angel dechu, falls from heaven on Earth, plunges into reflection on the consequences of his rebellion. - Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Dante et Virgile face aux demons: Appena furo i pie suoi giunti al letto - Del fondo giu, ch'ei giunsero in sul glue - Sovresso noi... (hardly had he touched the foot of the pit, that the demons appeared on the hill above our heads) - Twenty-third song (Song 23 - XXIII) - (ca. 52, 53, 54).
L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Dante et Virgile face aux demons: Appena furo i pie suoi giunti al letto - Del fondo giu, ch'ei giunsero in sul glue - Sovresso noi... (hardly had he touched the foot of the pit, that the demons appeared on the hill above our heads) - Twenty-third song (Song 23 - XXIII) - (ca. 52, 53, 54).

PCT4275903: L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Dante et Virgile face aux demons: Appena furo i pie suoi giunti al letto - Del fondo giu, ch'ei giunsero in sul glue - Sovresso noi... (hardly had he touched the foot of the pit, that the demons appeared on the hill above our heads) - Twenty-third song (Song 23 - XXIII) - (ca. 52, 53, 54)., Dore, Gustave (1832-83) / Bridgeman Images

L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Gli altri duo riguardavano, e ciascuno - Gridava: O me, Anel, come ti muti! (The other two looked at him and shouted, “Helas!” Agnel, how you change!”) Twenty-fifth song (Song 25 - XXV) - (around 67 & 68).
L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Gli altri duo riguardavano, e ciascuno - Gridava: O me, Anel, come ti muti! (The other two looked at him and shouted, “Helas!” Agnel, how you change!”) Twenty-fifth song (Song 25 - XXV) - (around 67 & 68).

PCT4275836: L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Gli altri duo riguardavano, e ciascuno - Gridava: O me, Anel, come ti muti! (The other two looked at him and shouted, “Helas!” Agnel, how you change!”) Twenty-fifth song (Song 25 - XXV) - (around 67 & 68)., Dore, Gustave (1832-83) / Bridgeman Images

illustration for 'The rime of the ancient mariner' the complaint of the old sailor, 19th century (engraving)
illustration for 'The rime of the ancient mariner' the complaint of the old sailor, 19th century (engraving)

PCT4275230: illustration for 'The rime of the ancient mariner' the complaint of the old sailor, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Noe sends a dove to the earth - Illustration by Gustave Dore for The Bible - deluge - ark -
Noe sends a dove to the earth - Illustration by Gustave Dore for The Bible - deluge - ark -

PCT4285001: Noe sends a dove to the earth - Illustration by Gustave Dore for The Bible - deluge - ark -, Dore, Gustave (1832-83) / Bridgeman Images

The creation of Eve by God from an asleep Adam's side - Illustration by Gustave Dore for The Bible -
The creation of Eve by God from an asleep Adam's side - Illustration by Gustave Dore for The Bible -

PCT4285013: The creation of Eve by God from an asleep Adam's side - Illustration by Gustave Dore for The Bible -, Dore, Gustave (1832-83) / Bridgeman Images

Engraving by Gustave Dore illustrating Theophile Gautier's novel “The Captain Fracasse””. Charpentier Edition 1863. In his home, the “Chateau de la Misere”, the Baron de Sigognac crumbles in front of his chimney or burns a wood fire. With him, his old servant Peter.
Engraving by Gustave Dore illustrating Theophile Gautier's novel “The Captain Fracasse””. Charpentier Edition 1863. In his home, the “Chateau de la Misere”, the Baron de Sigognac crumbles in front of his chimney or burns a wood fire. With him, his old servant Peter.

PCT4271555: Engraving by Gustave Dore illustrating Theophile Gautier's novel “The Captain Fracasse””. Charpentier Edition 1863. In his home, the “Chateau de la Misere”, the Baron de Sigognac crumbles in front of his chimney or burns a wood fire. With him, his old servant Peter., Dore, Gustave (1832-83) / Bridgeman Images

Le geant Pantagruel et ses compagnons chez Grippeminaud, archiduc des Chats fourres - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book -
Le geant Pantagruel et ses compagnons chez Grippeminaud, archiduc des Chats fourres - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book -

PCT4282232: Le geant Pantagruel et ses compagnons chez Grippeminaud, archiduc des Chats fourres - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book -, Dore, Gustave (1832-83) / Bridgeman Images

Gargantua by Rabelais, illustration by Gustave Doré.
Gargantua by Rabelais, illustration by Gustave Doré.

LSE4403066: Gargantua by Rabelais, illustration by Gustave Doré., Dore, Gustave (1832-83) / Bridgeman Images

An animal in a moon: fable by Jean de la Fontaine illustree by Gustave Dore - An animal in the moon -
An animal in a moon: fable by Jean de la Fontaine illustree by Gustave Dore - An animal in the moon -

PCT4288748: An animal in a moon: fable by Jean de la Fontaine illustree by Gustave Dore - An animal in the moon -, Dore, Gustave (1832-83) / Bridgeman Images

A funeral in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.
A funeral in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.

LSE4324910: A funeral in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

A turkey keeper, in the streets of a village in the countryside of Salamanca. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A turkey keeper, in the streets of a village in the countryside of Salamanca. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329288: A turkey keeper, in the streets of a village in the countryside of Salamanca. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The study of psalms by the choir of the Cathedrale Santa Maria de Burgos (15th century), whose divine service has the particularity of being singed there by five different choirs since the 17th century. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The study of psalms by the choir of the Cathedrale Santa Maria de Burgos (15th century), whose divine service has the particularity of being singed there by five different choirs since the 17th century. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329290: The study of psalms by the choir of the Cathedrale Santa Maria de Burgos (15th century), whose divine service has the particularity of being singed there by five different choirs since the 17th century. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328894: A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A jar merchant, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A jar merchant, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328902: A jar merchant, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328422: The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Sketch taken on the live: beggars in Valpadenas (Channel). Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
Sketch taken on the live: beggars in Valpadenas (Channel). Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328426: Sketch taken on the live: beggars in Valpadenas (Channel). Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

An antique cistern, still in use, in Merida. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
An antique cistern, still in use, in Merida. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328439: An antique cistern, still in use, in Merida. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The caves (underground houses) of gypsies, in Sacro Monte, in Granada. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The caves (underground houses) of gypsies, in Sacro Monte, in Granada. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325215: The caves (underground houses) of gypsies, in Sacro Monte, in Granada. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

Captive story. First encounter of the captive with Zoraide in the garden of the father, who brings her back after his malaise feint from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Captive story. First encounter of the captive with Zoraide in the garden of the father, who brings her back after his malaise feint from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156150: Captive story. First encounter of the captive with Zoraide in the garden of the father, who brings her back after his malaise feint from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

On this journey, our brand new adventurer spoke to himself - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
On this journey, our brand new adventurer spoke to himself - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156171: On this journey, our brand new adventurer spoke to himself - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote Convaints His Neighbor Sancho Panza to Be His Ecuyer - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote Convaints His Neighbor Sancho Panza to Be His Ecuyer - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156180: Don Quixote Convaints His Neighbor Sancho Panza to Be His Ecuyer - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images


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