1. Home
  2. All Artists
  3. Dore, Gustave (1832-83)
  4. All Assets

Dore, Gustave (1832-83) Assets (2599 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Third voyage: a tempete throws the ship of Sindbad and his companions on an island where they are attacked by a giant snake who devors them all, except Sindbad who manages to escape
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Third voyage: a tempete throws the ship of Sindbad and his companions on an island where they are attacked by a giant snake who devors them all, except Sindbad who manages to escape

PCT4278257: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Third voyage: a tempete throws the ship of Sindbad and his companions on an island where they are attacked by a giant snake who devors them all, except Sindbad who manages to escape, Dore, Gustave (1832-83) / Bridgeman Images

ID: PCT4278257

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Third voyage: a tempete throws the ship of Sindbad and his companions on an island where they are attacked by a giant snake who devors them all, except Sindbad who manages to escape

Dore, Gustave (1832-83)

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat

PCT4278398: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat, Dore, Gustave (1832-83) / Bridgeman Images

ID: PCT4278398

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat

Dore, Gustave (1832-83)

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat -
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat -

PCT4278400: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat -, Dore, Gustave (1832-83) / Bridgeman Images

ID: PCT4278400

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat -

Dore, Gustave (1832-83)

The fall of Lucifer: Satan, angel dechu, falls from heaven on Earth, plunges into reflection on the consequences of his rebellion. - Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection
The fall of Lucifer: Satan, angel dechu, falls from heaven on Earth, plunges into reflection on the consequences of his rebellion. - Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

PCT4285117: The fall of Lucifer: Satan, angel dechu, falls from heaven on Earth, plunges into reflection on the consequences of his rebellion. - Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

ID: PCT4285117

The fall of Lucifer: Satan, angel dechu, falls from heaven on Earth, plunges into reflection on the consequences of his rebellion. - Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

Dore, Gustave (1832-83)

L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Dante et Virgile face aux demons: Appena furo i pie suoi giunti al letto - Del fondo giu, ch'ei giunsero in sul glue - Sovresso noi... (hardly had he touched the foot of the pit, that the demons appeared on the hill above our heads) - Twenty-third song (Song 23 - XXIII) - (ca. 52, 53, 54).
L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Dante et Virgile face aux demons: Appena furo i pie suoi giunti al letto - Del fondo giu, ch'ei giunsero in sul glue - Sovresso noi... (hardly had he touched the foot of the pit, that the demons appeared on the hill above our heads) - Twenty-third song (Song 23 - XXIII) - (ca. 52, 53, 54).

PCT4275903: L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Dante et Virgile face aux demons: Appena furo i pie suoi giunti al letto - Del fondo giu, ch'ei giunsero in sul glue - Sovresso noi... (hardly had he touched the foot of the pit, that the demons appeared on the hill above our heads) - Twenty-third song (Song 23 - XXIII) - (ca. 52, 53, 54)., Dore, Gustave (1832-83) / Bridgeman Images

ID: PCT4275903

L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Dante et Virgile face aux demons: Appena furo i pie suoi giunti al letto - Del fondo giu, ch'ei giunsero in sul glue - Sovresso noi... (hardly had he touched the foot of the pit, that the demons appeared on the hill above our heads) - Twenty-third song (Song 23 - XXIII) - (ca. 52, 53, 54).

Dore, Gustave (1832-83)

L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Gli altri duo riguardavano, e ciascuno - Gridava: O me, Anel, come ti muti! (The other two looked at him and shouted, “Helas!” Agnel, how you change!”) Twenty-fifth song (Song 25 - XXV) - (around 67 & 68).
L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Gli altri duo riguardavano, e ciascuno - Gridava: O me, Anel, come ti muti! (The other two looked at him and shouted, “Helas!” Agnel, how you change!”) Twenty-fifth song (Song 25 - XXV) - (around 67 & 68).

PCT4275836: L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Gli altri duo riguardavano, e ciascuno - Gridava: O me, Anel, come ti muti! (The other two looked at him and shouted, “Helas!” Agnel, how you change!”) Twenty-fifth song (Song 25 - XXV) - (around 67 & 68)., Dore, Gustave (1832-83) / Bridgeman Images

ID: PCT4275836

L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Gli altri duo riguardavano, e ciascuno - Gridava: O me, Anel, come ti muti! (The other two looked at him and shouted, “Helas!” Agnel, how you change!”) Twenty-fifth song (Song 25 - XXV) - (around 67 & 68).

Dore, Gustave (1832-83)

illustration for 'The rime of the ancient mariner' the complaint of the old sailor, 19th century (engraving)
illustration for 'The rime of the ancient mariner' the complaint of the old sailor, 19th century (engraving)

PCT4275230: illustration for 'The rime of the ancient mariner' the complaint of the old sailor, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: PCT4275230

illustration for 'The rime of the ancient mariner' the complaint of the old sailor, 19th century (engraving)

Dore, Gustave (1832-83)

Noe sends a dove to the earth - Illustration by Gustave Dore for The Bible - deluge - ark -
Noe sends a dove to the earth - Illustration by Gustave Dore for The Bible - deluge - ark -

PCT4285001: Noe sends a dove to the earth - Illustration by Gustave Dore for The Bible - deluge - ark -, Dore, Gustave (1832-83) / Bridgeman Images

ID: PCT4285001

Noe sends a dove to the earth - Illustration by Gustave Dore for The Bible - deluge - ark -

Dore, Gustave (1832-83)

The creation of Eve by God from an asleep Adam's side - Illustration by Gustave Dore for The Bible -
The creation of Eve by God from an asleep Adam's side - Illustration by Gustave Dore for The Bible -

PCT4285013: The creation of Eve by God from an asleep Adam's side - Illustration by Gustave Dore for The Bible -, Dore, Gustave (1832-83) / Bridgeman Images

ID: PCT4285013

The creation of Eve by God from an asleep Adam's side - Illustration by Gustave Dore for The Bible -

Dore, Gustave (1832-83)

Engraving by Gustave Dore illustrating Theophile Gautier's novel “The Captain Fracasse””. Charpentier Edition 1863. In his home, the “Chateau de la Misere”, the Baron de Sigognac crumbles in front of his chimney or burns a wood fire. With him, his old servant Peter.
Engraving by Gustave Dore illustrating Theophile Gautier's novel “The Captain Fracasse””. Charpentier Edition 1863. In his home, the “Chateau de la Misere”, the Baron de Sigognac crumbles in front of his chimney or burns a wood fire. With him, his old servant Peter.

PCT4271555: Engraving by Gustave Dore illustrating Theophile Gautier's novel “The Captain Fracasse””. Charpentier Edition 1863. In his home, the “Chateau de la Misere”, the Baron de Sigognac crumbles in front of his chimney or burns a wood fire. With him, his old servant Peter., Dore, Gustave (1832-83) / Bridgeman Images

ID: PCT4271555

Engraving by Gustave Dore illustrating Theophile Gautier's novel “The Captain Fracasse””. Charpentier Edition 1863. In his home, the “Chateau de la Misere”, the Baron de Sigognac crumbles in front of his chimney or burns a wood fire. With him, his old servant Peter.

Dore, Gustave (1832-83)

Le geant Pantagruel et ses compagnons chez Grippeminaud, archiduc des Chats fourres - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book -
Le geant Pantagruel et ses compagnons chez Grippeminaud, archiduc des Chats fourres - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book -

PCT4282232: Le geant Pantagruel et ses compagnons chez Grippeminaud, archiduc des Chats fourres - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book -, Dore, Gustave (1832-83) / Bridgeman Images

ID: PCT4282232

Le geant Pantagruel et ses compagnons chez Grippeminaud, archiduc des Chats fourres - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book -

Dore, Gustave (1832-83)

Gargantua by Rabelais, illustration by Gustave Doré.
Gargantua by Rabelais, illustration by Gustave Doré.

LSE4403066: Gargantua by Rabelais, illustration by Gustave Doré., Dore, Gustave (1832-83) / Bridgeman Images

ID: LSE4403066

Gargantua by Rabelais, illustration by Gustave Doré.

Dore, Gustave (1832-83)

An animal in a moon: fable by Jean de la Fontaine illustree by Gustave Dore - An animal in the moon -
An animal in a moon: fable by Jean de la Fontaine illustree by Gustave Dore - An animal in the moon -

PCT4288748: An animal in a moon: fable by Jean de la Fontaine illustree by Gustave Dore - An animal in the moon -, Dore, Gustave (1832-83) / Bridgeman Images

ID: PCT4288748

An animal in a moon: fable by Jean de la Fontaine illustree by Gustave Dore - An animal in the moon -

Dore, Gustave (1832-83)

A funeral in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.
A funeral in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.

LSE4324910: A funeral in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

ID: LSE4324910

A funeral in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.

Dore, Gustave (1832-83)

A turkey keeper, in the streets of a village in the countryside of Salamanca. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A turkey keeper, in the streets of a village in the countryside of Salamanca. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329288: A turkey keeper, in the streets of a village in the countryside of Salamanca. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

ID: LSE4329288

A turkey keeper, in the streets of a village in the countryside of Salamanca. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Dore, Gustave (1832-83)

The study of psalms by the choir of the Cathedrale Santa Maria de Burgos (15th century), whose divine service has the particularity of being singed there by five different choirs since the 17th century. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The study of psalms by the choir of the Cathedrale Santa Maria de Burgos (15th century), whose divine service has the particularity of being singed there by five different choirs since the 17th century. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329290: The study of psalms by the choir of the Cathedrale Santa Maria de Burgos (15th century), whose divine service has the particularity of being singed there by five different choirs since the 17th century. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

ID: LSE4329290

The study of psalms by the choir of the Cathedrale Santa Maria de Burgos (15th century), whose divine service has the particularity of being singed there by five different choirs since the 17th century. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Dore, Gustave (1832-83)

A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328894: A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

ID: LSE4328894

A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Dore, Gustave (1832-83)

A jar merchant, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A jar merchant, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328902: A jar merchant, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

ID: LSE4328902

A jar merchant, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Dore, Gustave (1832-83)

The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328422: The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

ID: LSE4328422

The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

Dore, Gustave (1832-83)

Sketch taken on the live: beggars in Valpadenas (Channel). Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
Sketch taken on the live: beggars in Valpadenas (Channel). Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328426: Sketch taken on the live: beggars in Valpadenas (Channel). Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

ID: LSE4328426

Sketch taken on the live: beggars in Valpadenas (Channel). Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

Dore, Gustave (1832-83)

An antique cistern, still in use, in Merida. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
An antique cistern, still in use, in Merida. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328439: An antique cistern, still in use, in Merida. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

ID: LSE4328439

An antique cistern, still in use, in Merida. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

Dore, Gustave (1832-83)

The caves (underground houses) of gypsies, in Sacro Monte, in Granada. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The caves (underground houses) of gypsies, in Sacro Monte, in Granada. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325215: The caves (underground houses) of gypsies, in Sacro Monte, in Granada. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

ID: LSE4325215

The caves (underground houses) of gypsies, in Sacro Monte, in Granada. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Dore, Gustave (1832-83)

Captive story. First encounter of the captive with Zoraide in the garden of the father, who brings her back after his malaise feint from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Captive story. First encounter of the captive with Zoraide in the garden of the father, who brings her back after his malaise feint from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156150: Captive story. First encounter of the captive with Zoraide in the garden of the father, who brings her back after his malaise feint from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4156150

Captive story. First encounter of the captive with Zoraide in the garden of the father, who brings her back after his malaise feint from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

Dore, Gustave (1832-83)

On this journey, our brand new adventurer spoke to himself - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
On this journey, our brand new adventurer spoke to himself - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156171: On this journey, our brand new adventurer spoke to himself - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4156171

On this journey, our brand new adventurer spoke to himself - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

Dore, Gustave (1832-83)

Don Quixote Convaints His Neighbor Sancho Panza to Be His Ecuyer - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote Convaints His Neighbor Sancho Panza to Be His Ecuyer - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156180: Don Quixote Convaints His Neighbor Sancho Panza to Be His Ecuyer - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4156180

Don Quixote Convaints His Neighbor Sancho Panza to Be His Ecuyer - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

Dore, Gustave (1832-83)

Illustration from History of Don Quixote, 19th century (engraving)
Illustration from History of Don Quixote, 19th century (engraving)

XEE4156188: Illustration from History of Don Quixote, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4156188

Illustration from History of Don Quixote, 19th century (engraving)

Dore, Gustave (1832-83)

Don Quixote and a mule maker fighting for Maritornes, the housekeeper, who Don Quixote takes for his Dulcinee - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote and a mule maker fighting for Maritornes, the housekeeper, who Don Quixote takes for his Dulcinee - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156196: Don Quixote and a mule maker fighting for Maritornes, the housekeeper, who Don Quixote takes for his Dulcinee - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4156196

Don Quixote and a mule maker fighting for Maritornes, the housekeeper, who Don Quixote takes for his Dulcinee - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

Dore, Gustave (1832-83)

Sancho Panza gets fooled, and Don Quixote can't intervene - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Sancho Panza gets fooled, and Don Quixote can't intervene - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156203: Sancho Panza gets fooled, and Don Quixote can't intervene - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4156203

Sancho Panza gets fooled, and Don Quixote can't intervene - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

Dore, Gustave (1832-83)

Don Quixote attacks a herd of sheep, believing he was dealing with the army of Alibanfaron of Taprobana - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote attacks a herd of sheep, believing he was dealing with the army of Alibanfaron of Taprobana - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156205: Don Quixote attacks a herd of sheep, believing he was dealing with the army of Alibanfaron of Taprobana - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4156205

Don Quixote attacks a herd of sheep, believing he was dealing with the army of Alibanfaron of Taprobana - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

Dore, Gustave (1832-83)

Don Quixote and Sancho Panza continue their journey in Sierra Morena in search of the Deguenille-de-la-Malaise-Mine - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote and Sancho Panza continue their journey in Sierra Morena in search of the Deguenille-de-la-Malaise-Mine - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156230: Don Quixote and Sancho Panza continue their journey in Sierra Morena in search of the Deguenille-de-la-Malaise-Mine - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4156230

Don Quixote and Sancho Panza continue their journey in Sierra Morena in search of the Deguenille-de-la-Malaise-Mine - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

Dore, Gustave (1832-83)

The Acrobatic Penitence of Don Quixote in Sierra Morena - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
The Acrobatic Penitence of Don Quixote in Sierra Morena - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156232: The Acrobatic Penitence of Don Quixote in Sierra Morena - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4156232

The Acrobatic Penitence of Don Quixote in Sierra Morena - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

Dore, Gustave (1832-83)

Jacob's Dream - Jacob's Dream (Jacob's Scale) - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Jacob's Dream - Jacob's Dream (Jacob's Scale) - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160435: Jacob's Dream - Jacob's Dream (Jacob's Scale) - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4160435

Jacob's Dream - Jacob's Dream (Jacob's Scale) - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

Dore, Gustave (1832-83)

Joshua burns the town of Ai - The conquete of the city of Ai (Hai) by Josue (Josue Book to Flames the City of Ai) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Joshua burns the town of Ai - The conquete of the city of Ai (Hai) by Josue (Josue Book to Flames the City of Ai) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160438: Joshua burns the town of Ai - The conquete of the city of Ai (Hai) by Josue (Josue Book to Flames the City of Ai) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4160438

Joshua burns the town of Ai - The conquete of the city of Ai (Hai) by Josue (Josue Book to Flames the City of Ai) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

Dore, Gustave (1832-83)

THE CREATION OF EVE - Formation d'Eve - Genese (2, 15-25) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
THE CREATION OF EVE - Formation d'Eve - Genese (2, 15-25) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160448: THE CREATION OF EVE - Formation d'Eve - Genese (2, 15-25) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4160448

THE CREATION OF EVE - Formation d'Eve - Genese (2, 15-25) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

Dore, Gustave (1832-83)

Joseph Patriarch of Israel - Joseph recognized by his brothers - Joseph recognized by his brothers - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Joseph Patriarch of Israel - Joseph recognized by his brothers - Joseph recognized by his brothers - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160476: Joseph Patriarch of Israel - Joseph recognized by his brothers - Joseph recognized by his brothers - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4160476

Joseph Patriarch of Israel - Joseph recognized by his brothers - Joseph recognized by his brothers - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

Dore, Gustave (1832-83)

Ruth and Boaz (Booz) - Ruth working in the fields of Boaz (Boaz) (Ruth and Boaz) - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Ruth and Boaz (Booz) - Ruth working in the fields of Boaz (Boaz) (Ruth and Boaz) - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160487: Ruth and Boaz (Booz) - Ruth working in the fields of Boaz (Boaz) (Ruth and Boaz) - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4160487

Ruth and Boaz (Booz) - Ruth working in the fields of Boaz (Boaz) (Ruth and Boaz) - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

Dore, Gustave (1832-83)


Back to top