Dore, Gustave (1832-83) Assets (2601 in total)

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Illustration by Gustave Dore for Milton's Paradise Lost, Book X, lines 521-523 (engraving)
Illustration by Gustave Dore for Milton's Paradise Lost, Book X, lines 521-523 (engraving)

LLM5223005: Illustration by Gustave Dore for Milton's Paradise Lost, Book X, lines 521-523 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Milton's Paradise Lost, Book XI, line 729 (engraving)
Illustration by Gustave Dore for Milton's Paradise Lost, Book XI, line 729 (engraving)

LLM5223007: Illustration by Gustave Dore for Milton's Paradise Lost, Book XI, line 729 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: Christ and the Tribute Money (engraving)
Gustave Dore Bible: Christ and the Tribute Money (engraving)

LLM5221576: Gustave Dore Bible: Christ and the Tribute Money (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: Jesus healing the lunatic (engraving)
Gustave Dore Bible: Jesus healing the lunatic (engraving)

LLM5221579: Gustave Dore Bible: Jesus healing the lunatic (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: Christ feeding the multitude (engraving)
Gustave Dore Bible: Christ feeding the multitude (engraving)

LLM5221580: Gustave Dore Bible: Christ feeding the multitude (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: Jonathan destroying the Temple of Dagon (engraving)
Gustave Dore Bible: Jonathan destroying the Temple of Dagon (engraving)

LLM5221593: Gustave Dore Bible: Jonathan destroying the Temple of Dagon (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: Judith showing the head of Holofernes (engraving)
Gustave Dore Bible: Judith showing the head of Holofernes (engraving)

LLM5221598: Gustave Dore Bible: Judith showing the head of Holofernes (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: Tobias and the Angel (engraving)
Gustave Dore Bible: Tobias and the Angel (engraving)

LLM5221600: Gustave Dore Bible: Tobias and the Angel (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: Daniel in the den of lions (engraving)
Gustave Dore Bible: Daniel in the den of lions (engraving)

LLM5221607: Gustave Dore Bible: Daniel in the den of lions (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: Ezekiel prophesying (engraving)
Gustave Dore Bible: Ezekiel prophesying (engraving)

LLM5221612: Gustave Dore Bible: Ezekiel prophesying (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: Daniel confounding the priests of Bel (engraving)
Gustave Dore Bible: Daniel confounding the priests of Bel (engraving)

LLM5221616: Gustave Dore Bible: Daniel confounding the priests of Bel (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Prophet Amos Engraving from “The Bible” by Gustave Dore (1832-1883)
The Prophet Amos Engraving from “The Bible” by Gustave Dore (1832-1883)

GIA4715125: The Prophet Amos Engraving from “The Bible” by Gustave Dore (1832-1883), Dore, Gustave (1832-83) / Bridgeman Images

Don Quixot attacks the flock of sheep Engraving by Gustave Dore (1832-1883) for “The Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection
Don Quixot attacks the flock of sheep Engraving by Gustave Dore (1832-1883) for “The Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection

ELD4868817: Don Quixot attacks the flock of sheep Engraving by Gustave Dore (1832-1883) for “The Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote fails to stop the launchers of Sancho Panca who make him bounce on a blanket (Don Quixote” s remonstrances fail to influence the tossers) Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection
Don Quixote fails to stop the launchers of Sancho Panca who make him bounce on a blanket (Don Quixote” s remonstrances fail to influence the tossers) Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection

ELD4868847: Don Quixote fails to stop the launchers of Sancho Panca who make him bounce on a blanket (Don Quixote” s remonstrances fail to influence the tossers) Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

Les mauvais effets de l'elixir de Fierabras (Bad effects of the medicine that was to heal Sancho's bruises) Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixotte de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Collection privee
Les mauvais effets de l'elixir de Fierabras (Bad effects of the medicine that was to heal Sancho's bruises) Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixotte de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Collection privee

ELD4868877: Les mauvais effets de l'elixir de Fierabras (Bad effects of the medicine that was to heal Sancho's bruises) Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixotte de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Collection privee, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and Sancho Panza with the goatherds Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private Collection
Don Quixote and Sancho Panza with the goatherds Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private Collection

ELD4868954: Don Quixote and Sancho Panza with the goatherds Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote persuades his neighbor Sancho Panza to become his squire Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection
Don Quixote persuades his neighbor Sancho Panza to become his squire Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection

ELD4869011: Don Quixote persuades his neighbor Sancho Panza to become his squire Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

The Battered Quixote arrives home Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Collection privee
The Battered Quixote arrives home Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Collection privee

ELD4869024: The Battered Quixote arrives home Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Manche (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Collection privee, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and sancho Panza see a waterfall and noisy hovels (Don Quixote and sancho Panza see a waterfall and noisy hovels) Engraving by Gustave Dore (1832-1883) for “The Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547 1616) 1863 Private collection
Don Quixote and sancho Panza see a waterfall and noisy hovels (Don Quixote and sancho Panza see a waterfall and noisy hovels) Engraving by Gustave Dore (1832-1883) for “The Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547 1616) 1863 Private collection

ELD4868799: Don Quixote and sancho Panza see a waterfall and noisy hovels (Don Quixote and sancho Panza see a waterfall and noisy hovels) Engraving by Gustave Dore (1832-1883) for “The Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547 1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

Divine Comedy, Dante and Virgil, 19th century (engraving)
Divine Comedy, Dante and Virgil, 19th century (engraving)

TRK5459238: Divine Comedy, Dante and Virgil, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

A turkey keeper, in the streets of a village in the countryside of Salamanca. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A turkey keeper, in the streets of a village in the countryside of Salamanca. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329288: A turkey keeper, in the streets of a village in the countryside of Salamanca. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The study of psalms by the choir of the Cathedrale Santa Maria de Burgos (15th century), whose divine service has the particularity of being singed there by five different choirs since the 17th century. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The study of psalms by the choir of the Cathedrale Santa Maria de Burgos (15th century), whose divine service has the particularity of being singed there by five different choirs since the 17th century. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329290: The study of psalms by the choir of the Cathedrale Santa Maria de Burgos (15th century), whose divine service has the particularity of being singed there by five different choirs since the 17th century. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Gargantua resting on the towers of the Church of Our Lady. Engraving after the work Gargantua by François Rabelais (1483 - 1553), 1534. Engraving by Gustave Dore (1832-1883).
Gargantua resting on the towers of the Church of Our Lady. Engraving after the work Gargantua by François Rabelais (1483 - 1553), 1534. Engraving by Gustave Dore (1832-1883).

GIA4733046: Gargantua resting on the towers of the Church of Our Lady. Engraving after the work Gargantua by François Rabelais (1483 - 1553), 1534. Engraving by Gustave Dore (1832-1883)., Dore, Gustave (1832-83) / Bridgeman Images

However, four of his people threw mustard in his mouth, one after the other, continually, full-shoveled. Extract from Gargantua by François Rabelais (1483 - 1553), engraving by Gustave Dore (1832-1883).
However, four of his people threw mustard in his mouth, one after the other, continually, full-shoveled. Extract from Gargantua by François Rabelais (1483 - 1553), engraving by Gustave Dore (1832-1883).

GIA4733078: However, four of his people threw mustard in his mouth, one after the other, continually, full-shoveled. Extract from Gargantua by François Rabelais (1483 - 1553), engraving by Gustave Dore (1832-1883)., Dore, Gustave (1832-83) / Bridgeman Images

The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328422: The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Sketch taken on the live: beggars in Valpadenas (Channel). Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
Sketch taken on the live: beggars in Valpadenas (Channel). Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328426: Sketch taken on the live: beggars in Valpadenas (Channel). Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

An antique cistern, still in use, in Merida. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
An antique cistern, still in use, in Merida. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328439: An antique cistern, still in use, in Merida. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328894: A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A jar merchant, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A jar merchant, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328902: A jar merchant, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The caves (underground houses) of gypsies, in Sacro Monte, in Granada. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The caves (underground houses) of gypsies, in Sacro Monte, in Granada. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325215: The caves (underground houses) of gypsies, in Sacro Monte, in Granada. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

A funeral in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.
A funeral in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.

LSE4324910: A funeral in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

Gargantua by Rabelais, illustration by Gustave Doré.
Gargantua by Rabelais, illustration by Gustave Doré.

LSE4403066: Gargantua by Rabelais, illustration by Gustave Doré., Dore, Gustave (1832-83) / Bridgeman Images

Cauterets: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees d'Hippolyte Taine, Hachette 1860.
Cauterets: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees d'Hippolyte Taine, Hachette 1860.

PCT4262554: Cauterets: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees d'Hippolyte Taine, Hachette 1860., Dore, Gustave (1832-83) / Bridgeman Images

The Chaos Trail, leading to the Cirque de Gavarnie: engraving by Gustave Dore illustrating the book “” Journey to the Pyrenees of Hippolyte Taine””, Hachette 1860.
The Chaos Trail, leading to the Cirque de Gavarnie: engraving by Gustave Dore illustrating the book “” Journey to the Pyrenees of Hippolyte Taine””, Hachette 1860.

PCT4262559: The Chaos Trail, leading to the Cirque de Gavarnie: engraving by Gustave Dore illustrating the book “” Journey to the Pyrenees of Hippolyte Taine””, Hachette 1860., Dore, Gustave (1832-83) / Bridgeman Images

Dante and Virgil meet the Minotaur. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “E in su la punta della rotta lacca/L'infamia di Creti era distesa. (On the high top of the rock lay the reproach of Crete)”, song 12, v. 11 & 12.
Dante and Virgil meet the Minotaur. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “E in su la punta della rotta lacca/L'infamia di Creti era distesa. (On the high top of the rock lay the reproach of Crete)”, song 12, v. 11 & 12.

PCT4265335: Dante and Virgil meet the Minotaur. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “E in su la punta della rotta lacca/L'infamia di Creti era distesa. (On the high top of the rock lay the reproach of Crete)”, song 12, v. 11 & 12., Dore, Gustave (1832-83) / Bridgeman Images

Dante and Virgil sail, led by the Nocher Phlegyas, on the Styx in which damns are wading, who try to climb into the boat. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Segando se ne va l'antica prora/Del 'acqua piu che non suol con altrui. (the ancient bow went away, digging in the water a furrow deeper than usual)”, song 8, v. 29 & 30.
Dante and Virgil sail, led by the Nocher Phlegyas, on the Styx in which damns are wading, who try to climb into the boat. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Segando se ne va l'antica prora/Del 'acqua piu che non suol con altrui. (the ancient bow went away, digging in the water a furrow deeper than usual)”, song 8, v. 29 & 30.

PCT4265338: Dante and Virgil sail, led by the Nocher Phlegyas, on the Styx in which damns are wading, who try to climb into the boat. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Segando se ne va l'antica prora/Del 'acqua piu che non suol con altrui. (the ancient bow went away, digging in the water a furrow deeper than usual)”, song 8, v. 29 & 30., Dore, Gustave (1832-83) / Bridgeman Images


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