Dore, Gustave (1832-83) Assets (2599 in total)

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La promenade des detenus en prison - in “” London” by Gustave Dore, 1876
La promenade des detenus en prison - in “” London” by Gustave Dore, 1876

LSE4103626: La promenade des detenus en prison - in “” London” by Gustave Dore, 1876, Dore, Gustave (1832-83) / Bridgeman Images

The rat who withdrew from the World in Jean de La Fontaine's fables. Illustration by Gustave Doré.
The rat who withdrew from the World in Jean de La Fontaine's fables. Illustration by Gustave Doré.

LSE4112154: The rat who withdrew from the World in Jean de La Fontaine's fables. Illustration by Gustave Doré., Dore, Gustave (1832-83) / Bridgeman Images

The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328422: The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Sketch taken on the live: beggars in Valpadenas (Channel). Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
Sketch taken on the live: beggars in Valpadenas (Channel). Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328426: Sketch taken on the live: beggars in Valpadenas (Channel). Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

An antique cistern, still in use, in Merida. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
An antique cistern, still in use, in Merida. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328439: An antique cistern, still in use, in Merida. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328894: A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A jar merchant, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A jar merchant, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328902: A jar merchant, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A turkey keeper, in the streets of a village in the countryside of Salamanca. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A turkey keeper, in the streets of a village in the countryside of Salamanca. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329288: A turkey keeper, in the streets of a village in the countryside of Salamanca. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The study of psalms by the choir of the Cathedrale Santa Maria de Burgos (15th century), whose divine service has the particularity of being singed there by five different choirs since the 17th century. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The study of psalms by the choir of the Cathedrale Santa Maria de Burgos (15th century), whose divine service has the particularity of being singed there by five different choirs since the 17th century. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329290: The study of psalms by the choir of the Cathedrale Santa Maria de Burgos (15th century), whose divine service has the particularity of being singed there by five different choirs since the 17th century. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A funeral in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.
A funeral in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.

LSE4324910: A funeral in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

The caves (underground houses) of gypsies, in Sacro Monte, in Granada. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The caves (underground houses) of gypsies, in Sacro Monte, in Granada. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325215: The caves (underground houses) of gypsies, in Sacro Monte, in Granada. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

Gargantua by Rabelais, illustration by Gustave Doré.
Gargantua by Rabelais, illustration by Gustave Doré.

LSE4403066: Gargantua by Rabelais, illustration by Gustave Doré., Dore, Gustave (1832-83) / Bridgeman Images

Divine Comedy, Dante and Virgil, 19th century (engraving)
Divine Comedy, Dante and Virgil, 19th century (engraving)

TRK5459238: Divine Comedy, Dante and Virgil, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Enigma, 1871 (oil on canvas)
The Enigma, 1871 (oil on canvas)

JLJ4675809: The Enigma, 1871 (oil on canvas), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Milton's Paradise Lost, Book III, lines 473, 474 (engraving)
Illustration by Gustave Dore for Milton's Paradise Lost, Book III, lines 473, 474 (engraving)

LLM5222972: Illustration by Gustave Dore for Milton's Paradise Lost, Book III, lines 473, 474 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Milton's Paradise Lost, Book VII, lines 298, 299 (engraving)
Illustration by Gustave Dore for Milton's Paradise Lost, Book VII, lines 298, 299 (engraving)

LLM5222990: Illustration by Gustave Dore for Milton's Paradise Lost, Book VII, lines 298, 299 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Milton's Paradise Lost, Book IX, line 99, 100 (engraving)
Illustration by Gustave Dore for Milton's Paradise Lost, Book IX, line 99, 100 (engraving)

LLM5222998: Illustration by Gustave Dore for Milton's Paradise Lost, Book IX, line 99, 100 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Milton's Paradise Lost, Book X, lines 439-441 (engraving)
Illustration by Gustave Dore for Milton's Paradise Lost, Book X, lines 439-441 (engraving)

LLM5223004: Illustration by Gustave Dore for Milton's Paradise Lost, Book X, lines 439-441 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Milton's Paradise Lost, Book X, lines 521-523 (engraving)
Illustration by Gustave Dore for Milton's Paradise Lost, Book X, lines 521-523 (engraving)

LLM5223005: Illustration by Gustave Dore for Milton's Paradise Lost, Book X, lines 521-523 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Milton's Paradise Lost, Book XI, line 729 (engraving)
Illustration by Gustave Dore for Milton's Paradise Lost, Book XI, line 729 (engraving)

LLM5223007: Illustration by Gustave Dore for Milton's Paradise Lost, Book XI, line 729 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008319: Gustave Dore’s Don Quixote: "It was yet early in the morning, at which time the sunbeams did not prove so offensive" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008323: Gustave Dore’s Don Quixote: "Alas! where are you, lady dear, That for my woe you do not moan?" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote: “He travelled almost all that day” (engraving)
Gustave Dore’s Don Quixote: “He travelled almost all that day” (engraving)

LLM6008329: Gustave Dore’s Don Quixote: “He travelled almost all that day” (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008334: Gustave Dore’s Don Quixote: "I have nothing to do with all this," cried the innkeeper; "pay your reckoning" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008336: Gustave Dore’s Don Quixote: "The more he stormed, the more they tossed and laughed" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008337: Gustave Dore’s Don Quixote: "He charged the squadron of sheep" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008344: Gustave Dore’s Don Quixote: "Don Quixote was transported with joy to find himself where he might flatter his ambition with the hopes of fresh adventures" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008353: Gustave Dore’s Don Quixote: "With the little strength I had I pushed him down a precipice, where I left him" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008356: Gustave Dore’s Don Quixote: "Towards the kingdom of Micomicon" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008359: Gustave Dore’s Don Quixote: "How Felixmarte cut off five giants by the middle" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008360: Gustave Dore’s Don Quixote: "Lucinda finding herself in his power, fell into a swoon" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008371: Gustave Dore’s Don Quixote: "The curate was very attentive, and believed him a man of a sound judgment" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008381: Gustave Dore’s Don Quixote: "Friend Sancho," said Don Quixote, "I find the approaching night will overtake us ere we can reach Toboso" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008389: Gustave Dore’s Don Quixote: "The poor virgin, trembling and dismayed without speaking a word, came to poor Basil" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008405: Gustave Dore’s Don Quixote: "'March!' quoth Sancho, 'how do you think I am able to do it?'" (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore’s Don Quixote:
Gustave Dore’s Don Quixote:

LLM6008412: Gustave Dore’s Don Quixote: "Governor Sancho Panza administering justice" (engraving), Dore, Gustave (1832-83) / Bridgeman Images


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