Dore, Gustave (1832-83) Assets (2601 in total)

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Diogenes (412-323 B.C.), Greek philosopher (colour engraving)
Diogenes (412-323 B.C.), Greek philosopher (colour engraving)

TRK3716027: Diogenes (412-323 B.C.), Greek philosopher (colour engraving), Dore, Gustave (1832-83) / Bridgeman Images

He stopped: the Queen dragged herself somewhat towards him, she put her hands around the feet of her husband (Junièvre and King Arthur) - in “Juniper” by Alfred Tennyson, ill. by Gustave Doré Paris, Librairie Hachette et Cie
He stopped: the Queen dragged herself somewhat towards him, she put her hands around the feet of her husband (Junièvre and King Arthur) - in “Juniper” by Alfred Tennyson, ill. by Gustave Doré Paris, Librairie Hachette et Cie

LSE4095616: He stopped: the Queen dragged herself somewhat towards him, she put her hands around the feet of her husband (Junièvre and King Arthur) - in “Juniper” by Alfred Tennyson, ill. by Gustave Doré Paris, Librairie Hachette et Cie, Dore, Gustave (1832-83) / Bridgeman Images

Richard Heart of Lion at the Battle of Arsur - engraving by Gustave Doré, 19th century
Richard Heart of Lion at the Battle of Arsur - engraving by Gustave Doré, 19th century

LSE4104417: Richard Heart of Lion at the Battle of Arsur - engraving by Gustave Doré, 19th century, Dore, Gustave (1832-83) / Bridgeman Images

Tramp Under Bridges - in “London” by Gustave Doré, 1876.
Tramp Under Bridges - in “London” by Gustave Doré, 1876.

LSE4103614: Tramp Under Bridges - in “London” by Gustave Doré, 1876., Dore, Gustave (1832-83) / Bridgeman Images

La promenade des detenus en prison - in “” London” by Gustave Dore, 1876
La promenade des detenus en prison - in “” London” by Gustave Dore, 1876

LSE4103626: La promenade des detenus en prison - in “” London” by Gustave Dore, 1876, Dore, Gustave (1832-83) / Bridgeman Images

The last judgment will end your torment... Plate XII - Illustration by Gustave Dore (1832-1883), for La legende du jeif wandering by Pierre Dupont, edition Librairie du magasin picturesque, Paris 1862
The last judgment will end your torment... Plate XII - Illustration by Gustave Dore (1832-1883), for La legende du jeif wandering by Pierre Dupont, edition Librairie du magasin picturesque, Paris 1862

LSE4089581: The last judgment will end your torment... Plate XII - Illustration by Gustave Dore (1832-1883), for La legende du jeif wandering by Pierre Dupont, edition Librairie du magasin picturesque, Paris 1862, Dore, Gustave (1832-83) / Bridgeman Images

Personification of Fear and His Family by Doré, 1874.
Personification of Fear and His Family by Doré, 1874.

LSE4093095: Personification of Fear and His Family by Doré, 1874., Dore, Gustave (1832-83) / Bridgeman Images

Crusaders taken prisoners by the arabs (engraving
Crusaders taken prisoners by the arabs (engraving

TRK3514697: Crusaders taken prisoners by the arabs (engraving, Dore, Gustave (1832-83) / Bridgeman Images

L'education de Gargantua - The Education of Gargantua - illustration from 'Gargantua and Pantagruel', by Francois Rabelais - engraving by Gustave Dore (1832-1883)
L'education de Gargantua - The Education of Gargantua - illustration from 'Gargantua and Pantagruel', by Francois Rabelais - engraving by Gustave Dore (1832-1883)

XEE4162095: L'education de Gargantua - The Education of Gargantua - illustration from 'Gargantua and Pantagruel', by Francois Rabelais - engraving by Gustave Dore (1832-1883), Dore, Gustave (1832-83) / Bridgeman Images

The multiplication of bread - Christ feeding the multitude (Abundance Bread Christianity Crowd Engraving Fish) - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
The multiplication of bread - Christ feeding the multitude (Abundance Bread Christianity Crowd Engraving Fish) - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4163358: The multiplication of bread - Christ feeding the multitude (Abundance Bread Christianity Crowd Engraving Fish) - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Jesus Christ warriing a young possede of the Demon - Jesus healing the lunatic - Color engraving after Gustave Dore.
Jesus Christ warriing a young possede of the Demon - Jesus healing the lunatic - Color engraving after Gustave Dore.

XEE4160073: Jesus Christ warriing a young possede of the Demon - Jesus healing the lunatic - Color engraving after Gustave Dore., Dore, Gustave (1832-83) / Bridgeman Images

Pharaoh calling upon Moses (Moise) to leave Egypt - The Egyptians urge Moses to depart - engraving by Gustave Dore - later colouring
Pharaoh calling upon Moses (Moise) to leave Egypt - The Egyptians urge Moses to depart - engraving by Gustave Dore - later colouring

XEE4160179: Pharaoh calling upon Moses (Moise) to leave Egypt - The Egyptians urge Moses to depart - engraving by Gustave Dore - later colouring, Dore, Gustave (1832-83) / Bridgeman Images

Joshua burns the town of Ai - The conquete of the city of Ai (Hai) by Josue (Josue Book to Flames the City of Ai) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Joshua burns the town of Ai - The conquete of the city of Ai (Hai) by Josue (Josue Book to Flames the City of Ai) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160438: Joshua burns the town of Ai - The conquete of the city of Ai (Hai) by Josue (Josue Book to Flames the City of Ai) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

THE CREATION OF EVE - Formation d'Eve - Genese (2, 15-25) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
THE CREATION OF EVE - Formation d'Eve - Genese (2, 15-25) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160448: THE CREATION OF EVE - Formation d'Eve - Genese (2, 15-25) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Jacob's Dream - Jacob's Dream (Jacob's Scale) - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Jacob's Dream - Jacob's Dream (Jacob's Scale) - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160435: Jacob's Dream - Jacob's Dream (Jacob's Scale) - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Arrival in Cairo of Minieh prisoners - Seventh Crusade 1248-1254, led by Saint Louis - Arrival in Cairo of prisoners - After the defeat of Mansurah (Battle of Mansourah) on February 8, 1250, Saint Louis is taken prisoner. - engraving by Gustave Dore - from History of the Crusades by Joseph-Francois Michaud
Arrival in Cairo of Minieh prisoners - Seventh Crusade 1248-1254, led by Saint Louis - Arrival in Cairo of prisoners - After the defeat of Mansurah (Battle of Mansourah) on February 8, 1250, Saint Louis is taken prisoner. - engraving by Gustave Dore - from History of the Crusades by Joseph-Francois Michaud

XEE4160120: Arrival in Cairo of Minieh prisoners - Seventh Crusade 1248-1254, led by Saint Louis - Arrival in Cairo of prisoners - After the defeat of Mansurah (Battle of Mansourah) on February 8, 1250, Saint Louis is taken prisoner. - engraving by Gustave Dore - from History of the Crusades by Joseph-Francois Michaud, Dore, Gustave (1832-83) / Bridgeman Images

Job hearing of his ruin - Job learant sa ruine - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Job hearing of his ruin - Job learant sa ruine - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160853: Job hearing of his ruin - Job learant sa ruine - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Ruth and Boaz (Booz) - Ruth working in the fields of Boaz (Boaz) (Ruth and Boaz) - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Ruth and Boaz (Booz) - Ruth working in the fields of Boaz (Boaz) (Ruth and Boaz) - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160487: Ruth and Boaz (Booz) - Ruth working in the fields of Boaz (Boaz) (Ruth and Boaz) - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Daniel confounding the priests of Baal - Daniel confounding the priests of Bel - - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Daniel confounding the priests of Baal - Daniel confounding the priests of Bel - - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4161111: Daniel confounding the priests of Baal - Daniel confounding the priests of Bel - - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 13: Sapia cleanses his guilty life - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 13: Sapia cleanses his guilty life - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145503: The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 13: Sapia cleanses his guilty life - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 31: Ephialtes in manacles among the giants - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 31: Ephialtes in manacles among the giants - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145594: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 31: Ephialtes in manacles among the giants - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 3: The doomed souls embarking to cross the Acheron - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 3: The doomed souls embarking to cross the Acheron - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145748: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 3: The doomed souls embarking to cross the Acheron - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 3: Virgil and Dante at the gates of Hell - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 3: Virgil and Dante at the gates of Hell - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145755: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 3: Virgil and Dante at the gates of Hell - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

Captive story. First encounter of the captive with Zoraide in the garden of the father, who brings her back after his malaise feint from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Captive story. First encounter of the captive with Zoraide in the garden of the father, who brings her back after his malaise feint from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156150: Captive story. First encounter of the captive with Zoraide in the garden of the father, who brings her back after his malaise feint from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

The Acrobatic Penitence of Don Quixote in Sierra Morena - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
The Acrobatic Penitence of Don Quixote in Sierra Morena - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156232: The Acrobatic Penitence of Don Quixote in Sierra Morena - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote accepts the mission proposed by Dorothe-Princess of Micomicon - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote accepts the mission proposed by Dorothe-Princess of Micomicon - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156249: Don Quixote accepts the mission proposed by Dorothe-Princess of Micomicon - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote Convaints His Neighbor Sancho Panza to Be His Ecuyer - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote Convaints His Neighbor Sancho Panza to Be His Ecuyer - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156180: Don Quixote Convaints His Neighbor Sancho Panza to Be His Ecuyer - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote attacks a herd of sheep, believing he was dealing with the army of Alibanfaron of Taprobana - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote attacks a herd of sheep, believing he was dealing with the army of Alibanfaron of Taprobana - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156205: Don Quixote attacks a herd of sheep, believing he was dealing with the army of Alibanfaron of Taprobana - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and Sancho Panza continue their journey in Sierra Morena in search of the Deguenille-de-la-Malaise-Mine - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote and Sancho Panza continue their journey in Sierra Morena in search of the Deguenille-de-la-Malaise-Mine - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156230: Don Quixote and Sancho Panza continue their journey in Sierra Morena in search of the Deguenille-de-la-Malaise-Mine - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Captive story. First encounter of the captive with Zoraide in the garden of her father - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Captive story. First encounter of the captive with Zoraide in the garden of her father - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156268: Captive story. First encounter of the captive with Zoraide in the garden of her father - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

On this journey, our brand new adventurer spoke to himself - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
On this journey, our brand new adventurer spoke to himself - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156171: On this journey, our brand new adventurer spoke to himself - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Illustration from History of Don Quixote, 19th century (engraving)
Illustration from History of Don Quixote, 19th century (engraving)

XEE4156188: Illustration from History of Don Quixote, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Sancho Panza gets fooled, and Don Quixote can't intervene - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Sancho Panza gets fooled, and Don Quixote can't intervene - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156203: Sancho Panza gets fooled, and Don Quixote can't intervene - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Luscinde sends a ticket to Cardenio - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Luscinde sends a ticket to Cardenio - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156238: Luscinde sends a ticket to Cardenio - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Captive story. Pagano Doria's head cut by the Arabs - The Arabs cut his head and carried it to the general of the Turkish fleet - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Captive story. Pagano Doria's head cut by the Arabs - The Arabs cut his head and carried it to the general of the Turkish fleet - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156266: Captive story. Pagano Doria's head cut by the Arabs - The Arabs cut his head and carried it to the general of the Turkish fleet - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote awakening Sancho Panza - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote awakening Sancho Panza - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156287: Don Quixote awakening Sancho Panza - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images


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