Dore, Gustave (1832-83) Assets (2601 in total)

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' Orlando Furioso '  by Ludovico Ariosto
' Orlando Furioso '  by Ludovico Ariosto

XLF3781696: ' Orlando Furioso ' by Ludovico Ariosto, Dore, Gustave (1832-83) / Bridgeman Images

Baron Münchausen: Highwaymen / brigands, by Doré.
Baron Münchausen: Highwaymen / brigands, by Doré.

XLF3780006: Baron Münchausen: Highwaymen / brigands, by Doré., Dore, Gustave (1832-83) / Bridgeman Images

Moses on the river Nile, engraving by Doré - Bible
Moses on the river Nile, engraving by Doré - Bible

XLF3780030: Moses on the river Nile, engraving by Doré - Bible, Dore, Gustave (1832-83) / Bridgeman Images

Hop o' my Thumb, engraving by Gustave Doré.
Hop o' my Thumb, engraving by Gustave Doré.

XLF3780051: Hop o' my Thumb, engraving by Gustave Doré., Dore, Gustave (1832-83) / Bridgeman Images

Jesus blessing the children, engraving by Doré. - Bible
Jesus blessing the children, engraving by Doré. - Bible

XLF3779884: Jesus blessing the children, engraving by Doré. - Bible, Dore, Gustave (1832-83) / Bridgeman Images

Death of Athaliah - Bible
Death of Athaliah - Bible

XLF3779977: Death of Athaliah - Bible, Dore, Gustave (1832-83) / Bridgeman Images

The judgement of Solomon - Bible
The judgement of Solomon - Bible

XLF3780040: The judgement of Solomon - Bible, Dore, Gustave (1832-83) / Bridgeman Images

Victorian London - Lord's cricket ground  by Doré
Victorian London - Lord's cricket ground  by Doré

XLF3780236: Victorian London - Lord's cricket ground by Doré, Dore, Gustave (1832-83) / Bridgeman Images

Victorian Derby at Tattenham corner
Victorian Derby at Tattenham corner

XLF3779045: Victorian Derby at Tattenham corner, Dore, Gustave (1832-83) / Bridgeman Images

Victorian London warehouse
Victorian London warehouse

XLF3779052: Victorian London warehouse, Dore, Gustave (1832-83) / Bridgeman Images

The dead Christ - Bible
The dead Christ - Bible

XLF3779832: The dead Christ - Bible, Dore, Gustave (1832-83) / Bridgeman Images

Victorian London Bridge  engraving by  Gustave Doré
Victorian London Bridge  engraving by  Gustave Doré

XLA3752984: Victorian London Bridge engraving by Gustave Doré, Dore, Gustave (1832-83) / Bridgeman Images

Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)
Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)

XLA3763852: Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Dante and Virgil meet the Minotaur. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “E in su la punta della rotta lacca/L'infamia di Creti era distesa. (On the high top of the rock lay the reproach of Crete)”, song 12, v. 11 & 12.
Dante and Virgil meet the Minotaur. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “E in su la punta della rotta lacca/L'infamia di Creti era distesa. (On the high top of the rock lay the reproach of Crete)”, song 12, v. 11 & 12.

PCT4265335: Dante and Virgil meet the Minotaur. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “E in su la punta della rotta lacca/L'infamia di Creti era distesa. (On the high top of the rock lay the reproach of Crete)”, song 12, v. 11 & 12., Dore, Gustave (1832-83) / Bridgeman Images

Dante and Virgil sail, led by the Nocher Phlegyas, on the Styx in which damns are wading, who try to climb into the boat. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Segando se ne va l'antica prora/Del 'acqua piu che non suol con altrui. (the ancient bow went away, digging in the water a furrow deeper than usual)”, song 8, v. 29 & 30.
Dante and Virgil sail, led by the Nocher Phlegyas, on the Styx in which damns are wading, who try to climb into the boat. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Segando se ne va l'antica prora/Del 'acqua piu che non suol con altrui. (the ancient bow went away, digging in the water a furrow deeper than usual)”, song 8, v. 29 & 30.

PCT4265338: Dante and Virgil sail, led by the Nocher Phlegyas, on the Styx in which damns are wading, who try to climb into the boat. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Segando se ne va l'antica prora/Del 'acqua piu che non suol con altrui. (the ancient bow went away, digging in the water a furrow deeper than usual)”, song 8, v. 29 & 30., Dore, Gustave (1832-83) / Bridgeman Images

The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. Francesca da Rimini and her lover: “” Quel giorno piu non vi leggemo avante. (This day we do not read further)”, chant 5. v. 138
The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. Francesca da Rimini and her lover: “” Quel giorno piu non vi leggemo avante. (This day we do not read further)”, chant 5. v. 138

PCT4265357: The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. Francesca da Rimini and her lover: “” Quel giorno piu non vi leggemo avante. (This day we do not read further)”, chant 5. v. 138, Dore, Gustave (1832-83) / Bridgeman Images

Portrait of Dante Alighieri (1265-1321) by Gustave Dore, in the frontispiece of “Hell” (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861.
Portrait of Dante Alighieri (1265-1321) by Gustave Dore, in the frontispiece of “Hell” (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861.

PCT4265408: Portrait of Dante Alighieri (1265-1321) by Gustave Dore, in the frontispiece of “Hell” (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861., Dore, Gustave (1832-83) / Bridgeman Images

The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “La bufera infernal, che mai non resta/Mena gli spirti con la sua rapina. (The infernal hurricane, which never stops, draws spirits into its whirlwind)”, chant 5 v. 31 & 32.
The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “La bufera infernal, che mai non resta/Mena gli spirti con la sua rapina. (The infernal hurricane, which never stops, draws spirits into its whirlwind)”, chant 5 v. 31 & 32.

PCT4265364: The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “La bufera infernal, che mai non resta/Mena gli spirti con la sua rapina. (The infernal hurricane, which never stops, draws spirits into its whirlwind)”, chant 5 v. 31 & 32., Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote (Quixote or Qijote), throws by hand and rides on his horse Rossinant is ready to go on adventure. His fidele squiyer, the gourmet Sancho Panza (Panca), hesitates in front of a good meat dish. Detail of an Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.
Don Quixote (Quixote or Qijote), throws by hand and rides on his horse Rossinant is ready to go on adventure. His fidele squiyer, the gourmet Sancho Panza (Panca), hesitates in front of a good meat dish. Detail of an Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.

PCT4267020: Don Quixote (Quixote or Qijote), throws by hand and rides on his horse Rossinant is ready to go on adventure. His fidele squiyer, the gourmet Sancho Panza (Panca), hesitates in front of a good meat dish. Detail of an Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan., Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote (Qijote or Quixote, Knight with the sad figure) rides on his horse Rossinante, and his fidele squiyer Sancho Panza, discover a dead mule in the middle of the way. Engraving by Gustave Dore illustrating an edition of the adventures of Don Quixote de Cervantes, beginning 20th century
Don Quixote (Qijote or Quixote, Knight with the sad figure) rides on his horse Rossinante, and his fidele squiyer Sancho Panza, discover a dead mule in the middle of the way. Engraving by Gustave Dore illustrating an edition of the adventures of Don Quixote de Cervantes, beginning 20th century

PCT4267069: Don Quixote (Qijote or Quixote, Knight with the sad figure) rides on his horse Rossinante, and his fidele squiyer Sancho Panza, discover a dead mule in the middle of the way. Engraving by Gustave Dore illustrating an edition of the adventures of Don Quixote de Cervantes, beginning 20th century, Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267109: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The writer Cervantes rides on a wing horse (Pegase), his book “Don Quixote” and a feather in his hand, flying over other writers carrying (heavily!) their books. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.
The writer Cervantes rides on a wing horse (Pegase), his book “Don Quixote” and a feather in his hand, flying over other writers carrying (heavily!) their books. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.

PCT4266981: The writer Cervantes rides on a wing horse (Pegase), his book “Don Quixote” and a feather in his hand, flying over other writers carrying (heavily!) their books. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan., Dore, Gustave (1832-83) / Bridgeman Images

A funeral in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.
A funeral in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.

LSE4324910: A funeral in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

The caves (underground houses) of gypsies, in Sacro Monte, in Granada. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The caves (underground houses) of gypsies, in Sacro Monte, in Granada. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325215: The caves (underground houses) of gypsies, in Sacro Monte, in Granada. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328422: The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A jar merchant, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A jar merchant, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328902: A jar merchant, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328894: A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Sketch taken on the live: beggars in Valpadenas (Channel). Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
Sketch taken on the live: beggars in Valpadenas (Channel). Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328426: Sketch taken on the live: beggars in Valpadenas (Channel). Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Giant Gargantua, visiting the city of Paris, rests at the top of the towers of Notre Dame and contemplates the people of the Parisians he is preparing to compress. Illustration by Gustave Dore for the work of Francois Rabelais.
Giant Gargantua, visiting the city of Paris, rests at the top of the towers of Notre Dame and contemplates the people of the Parisians he is preparing to compress. Illustration by Gustave Dore for the work of Francois Rabelais.

PCT4277099: Giant Gargantua, visiting the city of Paris, rests at the top of the towers of Notre Dame and contemplates the people of the Parisians he is preparing to compress. Illustration by Gustave Dore for the work of Francois Rabelais., Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Theophile Gautier's novel “” Le Capitaine Fracasse”” - Edition Charpentier 1883, practically identical to the first edition illustrated by G. Dore at the same publisher in 1866. Chapter “” Sword, batting, and other adventures””: “The street was free, and victory remained for the comedians.”
Illustration by Gustave Dore for Theophile Gautier's novel “” Le Capitaine Fracasse”” - Edition Charpentier 1883, practically identical to the first edition illustrated by G. Dore at the same publisher in 1866. Chapter “” Sword, batting, and other adventures””: “The street was free, and victory remained for the comedians.”

PCT4277675: Illustration by Gustave Dore for Theophile Gautier's novel “” Le Capitaine Fracasse”” - Edition Charpentier 1883, practically identical to the first edition illustrated by G. Dore at the same publisher in 1866. Chapter “” Sword, batting, and other adventures””: “The street was free, and victory remained for the comedians.”, Dore, Gustave (1832-83) / Bridgeman Images

An animal in a moon: fable by Jean de la Fontaine illustree by Gustave Dore - An animal in the moon -
An animal in a moon: fable by Jean de la Fontaine illustree by Gustave Dore - An animal in the moon -

PCT4288748: An animal in a moon: fable by Jean de la Fontaine illustree by Gustave Dore - An animal in the moon -, Dore, Gustave (1832-83) / Bridgeman Images

Captive story. First encounter of the captive with Zoraide in the garden of the father, who brings her back after his malaise feint from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Captive story. First encounter of the captive with Zoraide in the garden of the father, who brings her back after his malaise feint from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156150: Captive story. First encounter of the captive with Zoraide in the garden of the father, who brings her back after his malaise feint from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote Convaints His Neighbor Sancho Panza to Be His Ecuyer - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote Convaints His Neighbor Sancho Panza to Be His Ecuyer - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156180: Don Quixote Convaints His Neighbor Sancho Panza to Be His Ecuyer - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Sancho Panza gets fooled, and Don Quixote can't intervene - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Sancho Panza gets fooled, and Don Quixote can't intervene - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156203: Sancho Panza gets fooled, and Don Quixote can't intervene - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

The Acrobatic Penitence of Don Quixote in Sierra Morena - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
The Acrobatic Penitence of Don Quixote in Sierra Morena - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156232: The Acrobatic Penitence of Don Quixote in Sierra Morena - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Captive story. Pagano Doria's head cut by the Arabs - The Arabs cut his head and carried it to the general of the Turkish fleet - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Captive story. Pagano Doria's head cut by the Arabs - The Arabs cut his head and carried it to the general of the Turkish fleet - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156266: Captive story. Pagano Doria's head cut by the Arabs - The Arabs cut his head and carried it to the general of the Turkish fleet - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images


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