Dore, Gustave (1832-83) Assets (2603 in total)

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Don Quixote awakening Sancho Panza - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote awakening Sancho Panza - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156287: Don Quixote awakening Sancho Panza - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Jesus Christ warriing a young possede of the Demon - Jesus healing the lunatic - Color engraving after Gustave Dore.
Jesus Christ warriing a young possede of the Demon - Jesus healing the lunatic - Color engraving after Gustave Dore.

XEE4160073: Jesus Christ warriing a young possede of the Demon - Jesus healing the lunatic - Color engraving after Gustave Dore., Dore, Gustave (1832-83) / Bridgeman Images

Arrival in Cairo of Minieh prisoners - Seventh Crusade 1248-1254, led by Saint Louis - Arrival in Cairo of prisoners - After the defeat of Mansurah (Battle of Mansourah) on February 8, 1250, Saint Louis is taken prisoner. - engraving by Gustave Dore - from History of the Crusades by Joseph-Francois Michaud
Arrival in Cairo of Minieh prisoners - Seventh Crusade 1248-1254, led by Saint Louis - Arrival in Cairo of prisoners - After the defeat of Mansurah (Battle of Mansourah) on February 8, 1250, Saint Louis is taken prisoner. - engraving by Gustave Dore - from History of the Crusades by Joseph-Francois Michaud

XEE4160120: Arrival in Cairo of Minieh prisoners - Seventh Crusade 1248-1254, led by Saint Louis - Arrival in Cairo of prisoners - After the defeat of Mansurah (Battle of Mansourah) on February 8, 1250, Saint Louis is taken prisoner. - engraving by Gustave Dore - from History of the Crusades by Joseph-Francois Michaud, Dore, Gustave (1832-83) / Bridgeman Images

Pharaoh calling upon Moses (Moise) to leave Egypt - The Egyptians urge Moses to depart - engraving by Gustave Dore - later colouring
Pharaoh calling upon Moses (Moise) to leave Egypt - The Egyptians urge Moses to depart - engraving by Gustave Dore - later colouring

XEE4160179: Pharaoh calling upon Moses (Moise) to leave Egypt - The Egyptians urge Moses to depart - engraving by Gustave Dore - later colouring, Dore, Gustave (1832-83) / Bridgeman Images

Job hearing of his ruin - Job learant sa ruine - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Job hearing of his ruin - Job learant sa ruine - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160853: Job hearing of his ruin - Job learant sa ruine - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Jacob's Dream - Jacob's Dream (Jacob's Scale) - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Jacob's Dream - Jacob's Dream (Jacob's Scale) - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160435: Jacob's Dream - Jacob's Dream (Jacob's Scale) - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Joshua burns the town of Ai - The conquete of the city of Ai (Hai) by Josue (Josue Book to Flames the City of Ai) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Joshua burns the town of Ai - The conquete of the city of Ai (Hai) by Josue (Josue Book to Flames the City of Ai) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160438: Joshua burns the town of Ai - The conquete of the city of Ai (Hai) by Josue (Josue Book to Flames the City of Ai) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

THE CREATION OF EVE - Formation d'Eve - Genese (2, 15-25) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
THE CREATION OF EVE - Formation d'Eve - Genese (2, 15-25) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160448: THE CREATION OF EVE - Formation d'Eve - Genese (2, 15-25) - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Joseph Patriarch of Israel - Joseph recognized by his brothers - Joseph recognized by his brothers - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Joseph Patriarch of Israel - Joseph recognized by his brothers - Joseph recognized by his brothers - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160476: Joseph Patriarch of Israel - Joseph recognized by his brothers - Joseph recognized by his brothers - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Ruth and Boaz (Booz) - Ruth working in the fields of Boaz (Boaz) (Ruth and Boaz) - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Ruth and Boaz (Booz) - Ruth working in the fields of Boaz (Boaz) (Ruth and Boaz) - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160487: Ruth and Boaz (Booz) - Ruth working in the fields of Boaz (Boaz) (Ruth and Boaz) - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Daniel confounding the priests of Baal - Daniel confounding the priests of Bel - - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Daniel confounding the priests of Baal - Daniel confounding the priests of Bel - - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4161111: Daniel confounding the priests of Baal - Daniel confounding the priests of Bel - - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

The Chaos Trail, leading to the Cirque de Gavarnie: engraving by Gustave Dore illustrating the book “” Journey to the Pyrenees of Hippolyte Taine””, Hachette 1860.
The Chaos Trail, leading to the Cirque de Gavarnie: engraving by Gustave Dore illustrating the book “” Journey to the Pyrenees of Hippolyte Taine””, Hachette 1860.

PCT4262559: The Chaos Trail, leading to the Cirque de Gavarnie: engraving by Gustave Dore illustrating the book “” Journey to the Pyrenees of Hippolyte Taine””, Hachette 1860., Dore, Gustave (1832-83) / Bridgeman Images

Cauterets: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees d'Hippolyte Taine, Hachette 1860.
Cauterets: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees d'Hippolyte Taine, Hachette 1860.

PCT4262554: Cauterets: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees d'Hippolyte Taine, Hachette 1860., Dore, Gustave (1832-83) / Bridgeman Images

Bishopsgate Street, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by A. Sargent, pub. 1872 (engraving)
Bishopsgate Street, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by A. Sargent, pub. 1872 (engraving)

XJF396026: Bishopsgate Street, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by A. Sargent, pub. 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Engraving by Gustave Dore 1832-1883 French artist and illustrator of Sancho Panza being tossed in a blanket from Don Quixote by Miguel de Cervantes Saavedra Part I chapter 16
Engraving by Gustave Dore 1832-1883 French artist and illustrator of Sancho Panza being tossed in a blanket from Don Quixote by Miguel de Cervantes Saavedra Part I chapter 16

KWE2919892: Engraving by Gustave Dore 1832-1883 French artist and illustrator of Sancho Panza being tossed in a blanket from Don Quixote by Miguel de Cervantes Saavedra Part I chapter 16, Dore, Gustave (1832-83) / Bridgeman Images

Le geant Pantagruel et ses compagnons chez Grippeminaud, archiduc des Chats fourres - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book -
Le geant Pantagruel et ses compagnons chez Grippeminaud, archiduc des Chats fourres - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book -

PCT4282232: Le geant Pantagruel et ses compagnons chez Grippeminaud, archiduc des Chats fourres - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book -, Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Theophile Gautier's novel “” Le Capitaine Fracasse”” - Edition Charpentier 1883, practically identical to the first edition illustrated by G. Dore at the same publisher in 1866. Chapter “” Sword, batting, and other adventures””: “The street was free, and victory remained for the comedians.”
Illustration by Gustave Dore for Theophile Gautier's novel “” Le Capitaine Fracasse”” - Edition Charpentier 1883, practically identical to the first edition illustrated by G. Dore at the same publisher in 1866. Chapter “” Sword, batting, and other adventures””: “The street was free, and victory remained for the comedians.”

PCT4277675: Illustration by Gustave Dore for Theophile Gautier's novel “” Le Capitaine Fracasse”” - Edition Charpentier 1883, practically identical to the first edition illustrated by G. Dore at the same publisher in 1866. Chapter “” Sword, batting, and other adventures””: “The street was free, and victory remained for the comedians.”, Dore, Gustave (1832-83) / Bridgeman Images

A turkey keeper, in the streets of a village in the countryside of Salamanca. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A turkey keeper, in the streets of a village in the countryside of Salamanca. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329288: A turkey keeper, in the streets of a village in the countryside of Salamanca. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The study of psalms by the choir of the Cathedrale Santa Maria de Burgos (15th century), whose divine service has the particularity of being singed there by five different choirs since the 17th century. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The study of psalms by the choir of the Cathedrale Santa Maria de Burgos (15th century), whose divine service has the particularity of being singed there by five different choirs since the 17th century. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329290: The study of psalms by the choir of the Cathedrale Santa Maria de Burgos (15th century), whose divine service has the particularity of being singed there by five different choirs since the 17th century. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328894: A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A jar merchant, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A jar merchant, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328902: A jar merchant, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “La bufera infernal, che mai non resta/Mena gli spirti con la sua rapina. (The infernal hurricane, which never stops, draws spirits into its whirlwind)”, chant 5 v. 31 & 32.
The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “La bufera infernal, che mai non resta/Mena gli spirti con la sua rapina. (The infernal hurricane, which never stops, draws spirits into its whirlwind)”, chant 5 v. 31 & 32.

PCT4265364: The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “La bufera infernal, che mai non resta/Mena gli spirti con la sua rapina. (The infernal hurricane, which never stops, draws spirits into its whirlwind)”, chant 5 v. 31 & 32., Dore, Gustave (1832-83) / Bridgeman Images

Portrait of Dante Alighieri (1265-1321) by Gustave Dore, in the frontispiece of “Hell” (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861.
Portrait of Dante Alighieri (1265-1321) by Gustave Dore, in the frontispiece of “Hell” (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861.

PCT4265408: Portrait of Dante Alighieri (1265-1321) by Gustave Dore, in the frontispiece of “Hell” (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861., Dore, Gustave (1832-83) / Bridgeman Images

illustration for 'The rime of the ancient mariner' the complaint of the old sailor, 19th century (engraving)
illustration for 'The rime of the ancient mariner' the complaint of the old sailor, 19th century (engraving)

PCT4275230: illustration for 'The rime of the ancient mariner' the complaint of the old sailor, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Gli altri duo riguardavano, e ciascuno - Gridava: O me, Anel, come ti muti! (The other two looked at him and shouted, “Helas!” Agnel, how you change!”) Twenty-fifth song (Song 25 - XXV) - (around 67 & 68).
L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Gli altri duo riguardavano, e ciascuno - Gridava: O me, Anel, come ti muti! (The other two looked at him and shouted, “Helas!” Agnel, how you change!”) Twenty-fifth song (Song 25 - XXV) - (around 67 & 68).

PCT4275836: L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Gli altri duo riguardavano, e ciascuno - Gridava: O me, Anel, come ti muti! (The other two looked at him and shouted, “Helas!” Agnel, how you change!”) Twenty-fifth song (Song 25 - XXV) - (around 67 & 68)., Dore, Gustave (1832-83) / Bridgeman Images

L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Dante et Virgile face aux demons: Appena furo i pie suoi giunti al letto - Del fondo giu, ch'ei giunsero in sul glue - Sovresso noi... (hardly had he touched the foot of the pit, that the demons appeared on the hill above our heads) - Twenty-third song (Song 23 - XXIII) - (ca. 52, 53, 54).
L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Dante et Virgile face aux demons: Appena furo i pie suoi giunti al letto - Del fondo giu, ch'ei giunsero in sul glue - Sovresso noi... (hardly had he touched the foot of the pit, that the demons appeared on the hill above our heads) - Twenty-third song (Song 23 - XXIII) - (ca. 52, 53, 54).

PCT4275903: L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Dante et Virgile face aux demons: Appena furo i pie suoi giunti al letto - Del fondo giu, ch'ei giunsero in sul glue - Sovresso noi... (hardly had he touched the foot of the pit, that the demons appeared on the hill above our heads) - Twenty-third song (Song 23 - XXIII) - (ca. 52, 53, 54)., Dore, Gustave (1832-83) / Bridgeman Images

Noe sends a dove to the earth - Illustration by Gustave Dore for The Bible - deluge - ark -
Noe sends a dove to the earth - Illustration by Gustave Dore for The Bible - deluge - ark -

PCT4285001: Noe sends a dove to the earth - Illustration by Gustave Dore for The Bible - deluge - ark -, Dore, Gustave (1832-83) / Bridgeman Images

The creation of Eve by God from an asleep Adam's side - Illustration by Gustave Dore for The Bible -
The creation of Eve by God from an asleep Adam's side - Illustration by Gustave Dore for The Bible -

PCT4285013: The creation of Eve by God from an asleep Adam's side - Illustration by Gustave Dore for The Bible -, Dore, Gustave (1832-83) / Bridgeman Images

The fall of Lucifer: Satan, angel dechu, falls from heaven on Earth, plunges into reflection on the consequences of his rebellion. - Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection
The fall of Lucifer: Satan, angel dechu, falls from heaven on Earth, plunges into reflection on the consequences of his rebellion. - Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

PCT4285117: The fall of Lucifer: Satan, angel dechu, falls from heaven on Earth, plunges into reflection on the consequences of his rebellion. - Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

Engraving by Gustave Dore illustrating Theophile Gautier's novel “The Captain Fracasse””. Charpentier Edition 1863. In his home, the “Chateau de la Misere”, the Baron de Sigognac crumbles in front of his chimney or burns a wood fire. With him, his old servant Peter.
Engraving by Gustave Dore illustrating Theophile Gautier's novel “The Captain Fracasse””. Charpentier Edition 1863. In his home, the “Chateau de la Misere”, the Baron de Sigognac crumbles in front of his chimney or burns a wood fire. With him, his old servant Peter.

PCT4271555: Engraving by Gustave Dore illustrating Theophile Gautier's novel “The Captain Fracasse””. Charpentier Edition 1863. In his home, the “Chateau de la Misere”, the Baron de Sigognac crumbles in front of his chimney or burns a wood fire. With him, his old servant Peter., Dore, Gustave (1832-83) / Bridgeman Images

Gargantua education: the young gentleman learns to play flute with his music teacher. Engraving by Gustave Dore illustrating the work of Rabelais.
Gargantua education: the young gentleman learns to play flute with his music teacher. Engraving by Gustave Dore illustrating the work of Rabelais.

PCT4277014: Gargantua education: the young gentleman learns to play flute with his music teacher. Engraving by Gustave Dore illustrating the work of Rabelais., Dore, Gustave (1832-83) / Bridgeman Images

Giant Gargantua, visiting the city of Paris, rests at the top of the towers of Notre Dame and contemplates the people of the Parisians he is preparing to compress. Illustration by Gustave Dore for the work of Francois Rabelais.
Giant Gargantua, visiting the city of Paris, rests at the top of the towers of Notre Dame and contemplates the people of the Parisians he is preparing to compress. Illustration by Gustave Dore for the work of Francois Rabelais.

PCT4277099: Giant Gargantua, visiting the city of Paris, rests at the top of the towers of Notre Dame and contemplates the people of the Parisians he is preparing to compress. Illustration by Gustave Dore for the work of Francois Rabelais., Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Third voyage: a tempete throws the ship of Sindbad and his companions on an island where they are attacked by a giant snake who devors them all, except Sindbad who manages to escape
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Third voyage: a tempete throws the ship of Sindbad and his companions on an island where they are attacked by a giant snake who devors them all, except Sindbad who manages to escape

PCT4278257: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Third voyage: a tempete throws the ship of Sindbad and his companions on an island where they are attacked by a giant snake who devors them all, except Sindbad who manages to escape, Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat

PCT4278398: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat, Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat -
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat -

PCT4278400: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat -, Dore, Gustave (1832-83) / Bridgeman Images

Gargantua by Rabelais, illustration by Gustave Doré.
Gargantua by Rabelais, illustration by Gustave Doré.

LSE4403066: Gargantua by Rabelais, illustration by Gustave Doré., Dore, Gustave (1832-83) / Bridgeman Images


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