Dore, Gustave (1832-83) Assets (2601 in total)

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Sketch taken on the live: beggars in Valpadenas (Channel). Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
Sketch taken on the live: beggars in Valpadenas (Channel). Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328426: Sketch taken on the live: beggars in Valpadenas (Channel). Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

An antique cistern, still in use, in Merida. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
An antique cistern, still in use, in Merida. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328439: An antique cistern, still in use, in Merida. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328894: A peanut merchant, sketch on the live in the puerta del sol, in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A jar merchant, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A jar merchant, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328902: A jar merchant, sketch on the lively taken in Madrid. Engraving by Gustave Dore (1832-1883) to illustrate his trip to Spain, with Ch. Davillier (editor), in 1862, published in “” Le tour du monde””” 1869, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A turkey keeper, in the streets of a village in the countryside of Salamanca. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A turkey keeper, in the streets of a village in the countryside of Salamanca. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329288: A turkey keeper, in the streets of a village in the countryside of Salamanca. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The study of psalms by the choir of the Cathedrale Santa Maria de Burgos (15th century), whose divine service has the particularity of being singed there by five different choirs since the 17th century. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The study of psalms by the choir of the Cathedrale Santa Maria de Burgos (15th century), whose divine service has the particularity of being singed there by five different choirs since the 17th century. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329290: The study of psalms by the choir of the Cathedrale Santa Maria de Burgos (15th century), whose divine service has the particularity of being singed there by five different choirs since the 17th century. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, by Charles Davillier, in 1862, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Cauterets: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees d'Hippolyte Taine, Hachette 1860.
Cauterets: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees d'Hippolyte Taine, Hachette 1860.

PCT4262554: Cauterets: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees d'Hippolyte Taine, Hachette 1860., Dore, Gustave (1832-83) / Bridgeman Images

The Chaos Trail, leading to the Cirque de Gavarnie: engraving by Gustave Dore illustrating the book “” Journey to the Pyrenees of Hippolyte Taine””, Hachette 1860.
The Chaos Trail, leading to the Cirque de Gavarnie: engraving by Gustave Dore illustrating the book “” Journey to the Pyrenees of Hippolyte Taine””, Hachette 1860.

PCT4262559: The Chaos Trail, leading to the Cirque de Gavarnie: engraving by Gustave Dore illustrating the book “” Journey to the Pyrenees of Hippolyte Taine””, Hachette 1860., Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Theophile Gautier's novel “” Le Capitaine Fracasse”” - Edition Charpentier 1883, practically identical to the first edition illustrated by G. Dore at the same publisher in 1866. Chapter “” Sword, batting, and other adventures””: “The street was free, and victory remained for the comedians.”
Illustration by Gustave Dore for Theophile Gautier's novel “” Le Capitaine Fracasse”” - Edition Charpentier 1883, practically identical to the first edition illustrated by G. Dore at the same publisher in 1866. Chapter “” Sword, batting, and other adventures””: “The street was free, and victory remained for the comedians.”

PCT4277675: Illustration by Gustave Dore for Theophile Gautier's novel “” Le Capitaine Fracasse”” - Edition Charpentier 1883, practically identical to the first edition illustrated by G. Dore at the same publisher in 1866. Chapter “” Sword, batting, and other adventures””: “The street was free, and victory remained for the comedians.”, Dore, Gustave (1832-83) / Bridgeman Images

Gargantua education: the young gentleman learns to play flute with his music teacher. Engraving by Gustave Dore illustrating the work of Rabelais.
Gargantua education: the young gentleman learns to play flute with his music teacher. Engraving by Gustave Dore illustrating the work of Rabelais.

PCT4277014: Gargantua education: the young gentleman learns to play flute with his music teacher. Engraving by Gustave Dore illustrating the work of Rabelais., Dore, Gustave (1832-83) / Bridgeman Images

Giant Gargantua, visiting the city of Paris, rests at the top of the towers of Notre Dame and contemplates the people of the Parisians he is preparing to compress. Illustration by Gustave Dore for the work of Francois Rabelais.
Giant Gargantua, visiting the city of Paris, rests at the top of the towers of Notre Dame and contemplates the people of the Parisians he is preparing to compress. Illustration by Gustave Dore for the work of Francois Rabelais.

PCT4277099: Giant Gargantua, visiting the city of Paris, rests at the top of the towers of Notre Dame and contemplates the people of the Parisians he is preparing to compress. Illustration by Gustave Dore for the work of Francois Rabelais., Dore, Gustave (1832-83) / Bridgeman Images

Engraving by Gustave Dore illustrating Theophile Gautier's novel “The Captain Fracasse””. Charpentier Edition 1863. In his home, the “Chateau de la Misere”, the Baron de Sigognac crumbles in front of his chimney or burns a wood fire. With him, his old servant Peter.
Engraving by Gustave Dore illustrating Theophile Gautier's novel “The Captain Fracasse””. Charpentier Edition 1863. In his home, the “Chateau de la Misere”, the Baron de Sigognac crumbles in front of his chimney or burns a wood fire. With him, his old servant Peter.

PCT4271555: Engraving by Gustave Dore illustrating Theophile Gautier's novel “The Captain Fracasse””. Charpentier Edition 1863. In his home, the “Chateau de la Misere”, the Baron de Sigognac crumbles in front of his chimney or burns a wood fire. With him, his old servant Peter., Dore, Gustave (1832-83) / Bridgeman Images

L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Dante et Virgile face aux demons: Appena furo i pie suoi giunti al letto - Del fondo giu, ch'ei giunsero in sul glue - Sovresso noi... (hardly had he touched the foot of the pit, that the demons appeared on the hill above our heads) - Twenty-third song (Song 23 - XXIII) - (ca. 52, 53, 54).
L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Dante et Virgile face aux demons: Appena furo i pie suoi giunti al letto - Del fondo giu, ch'ei giunsero in sul glue - Sovresso noi... (hardly had he touched the foot of the pit, that the demons appeared on the hill above our heads) - Twenty-third song (Song 23 - XXIII) - (ca. 52, 53, 54).

PCT4275903: L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Dante et Virgile face aux demons: Appena furo i pie suoi giunti al letto - Del fondo giu, ch'ei giunsero in sul glue - Sovresso noi... (hardly had he touched the foot of the pit, that the demons appeared on the hill above our heads) - Twenty-third song (Song 23 - XXIII) - (ca. 52, 53, 54)., Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Third voyage: a tempete throws the ship of Sindbad and his companions on an island where they are attacked by a giant snake who devors them all, except Sindbad who manages to escape
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Third voyage: a tempete throws the ship of Sindbad and his companions on an island where they are attacked by a giant snake who devors them all, except Sindbad who manages to escape

PCT4278257: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Third voyage: a tempete throws the ship of Sindbad and his companions on an island where they are attacked by a giant snake who devors them all, except Sindbad who manages to escape, Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat

PCT4278398: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat, Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat -
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat -

PCT4278400: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Fifth voyage: the merchants accompanying Sindbad break the shell of a gigantic egg of the bird giant Roc to extract a huge baby bird from which they want to eat -, Dore, Gustave (1832-83) / Bridgeman Images

illustration for 'The rime of the ancient mariner' the complaint of the old sailor, 19th century (engraving)
illustration for 'The rime of the ancient mariner' the complaint of the old sailor, 19th century (engraving)

PCT4275230: illustration for 'The rime of the ancient mariner' the complaint of the old sailor, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Gli altri duo riguardavano, e ciascuno - Gridava: O me, Anel, come ti muti! (The other two looked at him and shouted, “Helas!” Agnel, how you change!”) Twenty-fifth song (Song 25 - XXV) - (around 67 & 68).
L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Gli altri duo riguardavano, e ciascuno - Gridava: O me, Anel, come ti muti! (The other two looked at him and shouted, “Helas!” Agnel, how you change!”) Twenty-fifth song (Song 25 - XXV) - (around 67 & 68).

PCT4275836: L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino. Gli altri duo riguardavano, e ciascuno - Gridava: O me, Anel, come ti muti! (The other two looked at him and shouted, “Helas!” Agnel, how you change!”) Twenty-fifth song (Song 25 - XXV) - (around 67 & 68)., Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy, Paradiso, Canto 28: The scintillating host of heaven - by Dante Alighieri, 1885
The Divine Comedy, Paradiso, Canto 28: The scintillating host of heaven - by Dante Alighieri, 1885

XEE4145324: The Divine Comedy, Paradiso, Canto 28: The scintillating host of heaven - by Dante Alighieri, 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy: Paradiso, 1885 (engraving)
The Divine Comedy: Paradiso, 1885 (engraving)

XEE4145326: The Divine Comedy: Paradiso, 1885 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy, Purgatorio, Canto 27: Dant's dream of Leah in the meadow - by Dante Alighieri, 1885
The Divine Comedy, Purgatorio, Canto 27: Dant's dream of Leah in the meadow - by Dante Alighieri, 1885

XEE4145460: The Divine Comedy, Purgatorio, Canto 27: Dant's dream of Leah in the meadow - by Dante Alighieri, 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 13: Sapia cleanses his guilty life - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 13: Sapia cleanses his guilty life - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145503: The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 13: Sapia cleanses his guilty life - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 34: The poets emerge from hell - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 34: The poets emerge from hell - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145561: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 34: The poets emerge from hell - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 31: Ephialtes in manacles among the giants - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 31: Ephialtes in manacles among the giants - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145594: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 31: Ephialtes in manacles among the giants - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 18: Virgil shows Dante the shade of Thai - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 18: Virgil shows Dante the shade of Thai - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145653: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 18: Virgil shows Dante the shade of Thai - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 3: The doomed souls embarking to cross the Acheron - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 3: The doomed souls embarking to cross the Acheron - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145748: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 3: The doomed souls embarking to cross the Acheron - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 3: Virgil and Dante at the gates of Hell - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 3: Virgil and Dante at the gates of Hell - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145755: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 3: Virgil and Dante at the gates of Hell - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The last judgment will end your torment... Plate XII - Illustration by Gustave Dore (1832-1883), for La legende du jeif wandering by Pierre Dupont, edition Librairie du magasin picturesque, Paris 1862
The last judgment will end your torment... Plate XII - Illustration by Gustave Dore (1832-1883), for La legende du jeif wandering by Pierre Dupont, edition Librairie du magasin picturesque, Paris 1862

LSE4089581: The last judgment will end your torment... Plate XII - Illustration by Gustave Dore (1832-1883), for La legende du jeif wandering by Pierre Dupont, edition Librairie du magasin picturesque, Paris 1862, Dore, Gustave (1832-83) / Bridgeman Images

He stopped: the Queen dragged herself somewhat towards him, she put her hands around the feet of her husband (Junièvre and King Arthur) - in “Juniper” by Alfred Tennyson, ill. by Gustave Doré Paris, Librairie Hachette et Cie
He stopped: the Queen dragged herself somewhat towards him, she put her hands around the feet of her husband (Junièvre and King Arthur) - in “Juniper” by Alfred Tennyson, ill. by Gustave Doré Paris, Librairie Hachette et Cie

LSE4095616: He stopped: the Queen dragged herself somewhat towards him, she put her hands around the feet of her husband (Junièvre and King Arthur) - in “Juniper” by Alfred Tennyson, ill. by Gustave Doré Paris, Librairie Hachette et Cie, Dore, Gustave (1832-83) / Bridgeman Images

Personification of Fear and His Family by Doré, 1874.
Personification of Fear and His Family by Doré, 1874.

LSE4093095: Personification of Fear and His Family by Doré, 1874., Dore, Gustave (1832-83) / Bridgeman Images

Richard Heart of Lion at the Battle of Arsur - engraving by Gustave Doré, 19th century
Richard Heart of Lion at the Battle of Arsur - engraving by Gustave Doré, 19th century

LSE4104417: Richard Heart of Lion at the Battle of Arsur - engraving by Gustave Doré, 19th century, Dore, Gustave (1832-83) / Bridgeman Images

Tramp Under Bridges - in “London” by Gustave Doré, 1876.
Tramp Under Bridges - in “London” by Gustave Doré, 1876.

LSE4103614: Tramp Under Bridges - in “London” by Gustave Doré, 1876., Dore, Gustave (1832-83) / Bridgeman Images

La promenade des detenus en prison - in “” London” by Gustave Dore, 1876
La promenade des detenus en prison - in “” London” by Gustave Dore, 1876

LSE4103626: La promenade des detenus en prison - in “” London” by Gustave Dore, 1876, Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: The Murrain of Beasts (engraving)
Gustave Dore Bible: The Murrain of Beasts (engraving)

LLM5221477: Gustave Dore Bible: The Murrain of Beasts (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: Joseph makes himself known to his brethren (engraving)
Gustave Dore Bible: Joseph makes himself known to his brethren (engraving)

LLM5221482: Gustave Dore Bible: Joseph makes himself known to his brethren (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: The meeting of Isaac and Rebekah (engraving)
Gustave Dore Bible: The meeting of Isaac and Rebekah (engraving)

LLM5221490: Gustave Dore Bible: The meeting of Isaac and Rebekah (engraving), Dore, Gustave (1832-83) / Bridgeman Images


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