Flint, William Russell (1880-1969) Assets (396 in total)

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Cynisca and Aeschines, 1913 (w/c)
Cynisca and Aeschines, 1913 (w/c)

PHE79095: Cynisca and Aeschines, 1913 (w/c), Flint, William Russell (1880-1969) / Bridgeman Images

In A Shady Hollow (w/c)
In A Shady Hollow (w/c)

PHE79672: In A Shady Hollow (w/c), Flint, William Russell (1880-1969) / Bridgeman Images

Sunshine and frost, Engadine (w/c)
Sunshine and frost, Engadine (w/c)

PWG85882: Sunshine and frost, Engadine (w/c), Flint, William Russell (1880-1969) / Bridgeman Images

Audrey Fildes as Amanda in Vanburgh's Comedy The Relapse II,  (blue crayon and watercolour)
Audrey Fildes as Amanda in Vanburgh's Comedy The Relapse II,  (blue crayon and watercolour)

CH826869: Audrey Fildes as Amanda in Vanburgh's Comedy The Relapse II, (blue crayon and watercolour), Flint, William Russell (1880-1969) / Bridgeman Images

Street Corner, Sospel,  (watercolour and bodycolour)
Street Corner, Sospel,  (watercolour and bodycolour)

CH826951: Street Corner, Sospel, (watercolour and bodycolour), Flint, William Russell (1880-1969) / Bridgeman Images

An English Blonde, 1931 (w/c)
An English Blonde, 1931 (w/c)

CH378305: An English Blonde, 1931 (w/c), Flint, William Russell (1880-1969) / Bridgeman Images

The Sentimental Gardener, 1967 (Sanguine chalk)
The Sentimental Gardener, 1967 (Sanguine chalk)

CH657688: The Sentimental Gardener, 1967 (Sanguine chalk), Flint, William Russell (1880-1969) / Bridgeman Images

Kate, the Queen, (watercolour, bodycolour, gold leaf and pencil)
Kate, the Queen, (watercolour, bodycolour, gold leaf and pencil)

CH657192: Kate, the Queen, (watercolour, bodycolour, gold leaf and pencil), Flint, William Russell (1880-1969) / Bridgeman Images

Painters, Cagnes, (watercolour)
Painters, Cagnes, (watercolour)

CH656908: Painters, Cagnes, (watercolour), Flint, William Russell (1880-1969) / Bridgeman Images

'Alarmed', (red crayon)
'Alarmed', (red crayon)

CH658148: 'Alarmed', (red crayon), Flint, William Russell (1880-1969) / Bridgeman Images

'All night long the sea-nymphs sang sweetly', from 'The Heroes Medici' (colour litho)
'All night long the sea-nymphs sang sweetly', from 'The Heroes Medici' (colour litho)

IL370420: 'All night long the sea-nymphs sang sweetly', from 'The Heroes Medici' (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

Illustration to 'The Heroes' by Charles Kingsley, 1912: Theseus, Part 2
Illustration to 'The Heroes' by Charles Kingsley, 1912: Theseus, Part 2

BON51604: Illustration to 'The Heroes' by Charles Kingsley, 1912: Theseus, Part 2, Flint, William Russell (1880-1969) / Bridgeman Images

Recriminations: Viale de Sacro Monte, Orta (w/c on backboard)
Recriminations: Viale de Sacro Monte, Orta (w/c on backboard)

PFA105965: Recriminations: Viale de Sacro Monte, Orta (w/c on backboard), Flint, William Russell (1880-1969) / Bridgeman Images

'With cat-like tread upon our prey we steal' illustration for 'The Pirates of Penzance' Savoy Operas, 1909 (colour litho)
'With cat-like tread upon our prey we steal' illustration for 'The Pirates of Penzance' Savoy Operas, 1909 (colour litho)

IL212329: 'With cat-like tread upon our prey we steal' illustration for 'The Pirates of Penzance' Savoy Operas, 1909 (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

Profile of a Lady Wearing a White Dress (oil on canvas)
Profile of a Lady Wearing a White Dress (oil on canvas)

BON44113: Profile of a Lady Wearing a White Dress (oil on canvas), Flint, William Russell (1880-1969) / Bridgeman Images

Women with Water Jars
Women with Water Jars

BON44114: Women with Water Jars, Flint, William Russell (1880-1969) / Bridgeman Images

Study for the painting 'Models for Goddesses'
Study for the painting 'Models for Goddesses'

BON44119: Study for the painting 'Models for Goddesses', Flint, William Russell (1880-1969) / Bridgeman Images

Semur-en-Auxois (w/c)
Semur-en-Auxois (w/c)

BON65364: Semur-en-Auxois (w/c), Flint, William Russell (1880-1969) / Bridgeman Images

Chateau Gaillard, 1967 (w/c)
Chateau Gaillard, 1967 (w/c)

BON65371: Chateau Gaillard, 1967 (w/c), Flint, William Russell (1880-1969) / Bridgeman Images

High Tide, Dell Quay, Chichester Harbour, 1940 (w/c)
High Tide, Dell Quay, Chichester Harbour, 1940 (w/c)

BON65378: High Tide, Dell Quay, Chichester Harbour, 1940 (w/c), Flint, William Russell (1880-1969) / Bridgeman Images

Blossom Time at Vennaveys, near Crest, Drome
Blossom Time at Vennaveys, near Crest, Drome

BON61690: Blossom Time at Vennaveys, near Crest, Drome, Flint, William Russell (1880-1969) / Bridgeman Images

Mock Toil (w/c)
Mock Toil (w/c)

BON61697: Mock Toil (w/c), Flint, William Russell (1880-1969) / Bridgeman Images

Study of a Reclining Nude (coloured chalks)
Study of a Reclining Nude (coloured chalks)

BON57658: Study of a Reclining Nude (coloured chalks), Flint, William Russell (1880-1969) / Bridgeman Images

Red and Yellow! Primary Colours! Oh South Kensington! scene from Patience in 'Savoy Operas' by W.S. Gilbert (1836-1911) published 1909 (colour litho)
Red and Yellow! Primary Colours! Oh South Kensington! scene from Patience in 'Savoy Operas' by W.S. Gilbert (1836-1911) published 1909 (colour litho)

IL238074: Red and Yellow! Primary Colours! Oh South Kensington! scene from Patience in 'Savoy Operas' by W.S. Gilbert (1836-1911) published 1909 (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

I can tell a woman's age in half a minute - and I do, scene from Princess Ida in 'Savoy Operas' by W.S. Gilbert (1836-1911) published 1909 (colour litho)
I can tell a woman's age in half a minute - and I do, scene from Princess Ida in 'Savoy Operas' by W.S. Gilbert (1836-1911) published 1909 (colour litho)

IL238075: I can tell a woman's age in half a minute - and I do, scene from Princess Ida in 'Savoy Operas' by W.S. Gilbert (1836-1911) published 1909 (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

An advertising poster for Chester, c.1920 (colour lithograph)
An advertising poster for Chester, c.1920 (colour lithograph)

CH1769926: An advertising poster for Chester, c.1920 (colour lithograph), Flint, William Russell (1880-1969) / Bridgeman Images

The sorrowful maid was brought to the ship (colour litho)
The sorrowful maid was brought to the ship (colour litho)

IL1630763: The sorrowful maid was brought to the ship (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

Now to return to May and January, who were strolling through the Green Allays (colour litho)
Now to return to May and January, who were strolling through the Green Allays (colour litho)

IL1630766: Now to return to May and January, who were strolling through the Green Allays (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

Among the dancers was a young squire, as fresh and gay as the month of May itself (colour litho)
Among the dancers was a young squire, as fresh and gay as the month of May itself (colour litho)

IL1630767: Among the dancers was a young squire, as fresh and gay as the month of May itself (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

Then he grew angry, and bade his men take her to her house and their he said
Then he grew angry, and bade his men take her to her house and their he said

IL1630769: Then he grew angry, and bade his men take her to her house and their he said "burn her in a bath of fire" (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

Bayonne, Pays Basque (w/c & bodycolour on paper)
Bayonne, Pays Basque (w/c & bodycolour on paper)

CH1248868: Bayonne, Pays Basque (w/c & bodycolour on paper), Flint, William Russell (1880-1969) / Bridgeman Images

Patience: Silvered in the raven hair
Patience: Silvered in the raven hair

IL1192616: Patience: Silvered in the raven hair, Flint, William Russell (1880-1969) / Bridgeman Images

Princess Ida; Enter the 'Daughters of the Plough' bearing luncheon
Princess Ida; Enter the 'Daughters of the Plough' bearing luncheon

IL1192620: Princess Ida; Enter the 'Daughters of the Plough' bearing luncheon, Flint, William Russell (1880-1969) / Bridgeman Images

The Yeoman of the Guard:
The Yeoman of the Guard:

IL1192625: The Yeoman of the Guard: "Oh, Father, Father, I cannot bear it!", Flint, William Russell (1880-1969) / Bridgeman Images

Helen came forth from her fragrant vaulted chamber, like Artemis of the golden arrows
Helen came forth from her fragrant vaulted chamber, like Artemis of the golden arrows

IL1192637: Helen came forth from her fragrant vaulted chamber, like Artemis of the golden arrows, Flint, William Russell (1880-1969) / Bridgeman Images

And the daughter of Alcinous alone stood firm, for the Athene gave her courage of heart, and took all trembling from her knees
And the daughter of Alcinous alone stood firm, for the Athene gave her courage of heart, and took all trembling from her knees

IL1192639: And the daughter of Alcinous alone stood firm, for the Athene gave her courage of heart, and took all trembling from her knees, Flint, William Russell (1880-1969) / Bridgeman Images


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