Flint, William Russell (1880-1969) Assets (338 in total)

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A Female Archer Shoots Sir Launcelot (colour litho)
A Female Archer Shoots Sir Launcelot (colour litho)

XLA3761345: A Female Archer Shoots Sir Launcelot (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

Sir Lancelot Finds Queen Guinevere Dead (colour litho)
Sir Lancelot Finds Queen Guinevere Dead (colour litho)

XLA3761346: Sir Lancelot Finds Queen Guinevere Dead (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

The Painted Bridge
The Painted Bridge

WH48511: The Painted Bridge, Flint, William Russell (1880-1969) / Bridgeman Images

Models in the Courtyard of an Italian Art School (w/c)
Models in the Courtyard of an Italian Art School (w/c)

BON53433: Models in the Courtyard of an Italian Art School (w/c), Flint, William Russell (1880-1969) / Bridgeman Images

Phillipa (red chalk drawing)
Phillipa (red chalk drawing)

BON53438: Phillipa (red chalk drawing), Flint, William Russell (1880-1969) / Bridgeman Images

Josefina (sanguine chalk on pink paper)
Josefina (sanguine chalk on pink paper)

BON53439: Josefina (sanguine chalk on pink paper), Flint, William Russell (1880-1969) / Bridgeman Images

The Harbour Wall, Antibes (w/c)
The Harbour Wall, Antibes (w/c)

BON58949: The Harbour Wall, Antibes (w/c), Flint, William Russell (1880-1969) / Bridgeman Images

Bronze and Gold (w/c)
Bronze and Gold (w/c)

BON58952: Bronze and Gold (w/c), Flint, William Russell (1880-1969) / Bridgeman Images

Reclining Nude II (limited print)
Reclining Nude II (limited print)

BON59282: Reclining Nude II (limited print), Flint, William Russell (1880-1969) / Bridgeman Images

Matinee Entr'acte, 1947 (oil on canvas)
Matinee Entr'acte, 1947 (oil on canvas)

HMP90465: Matinee Entr'acte, 1947 (oil on canvas), Flint, William Russell (1880-1969) / Bridgeman Images

A Quiet Beach near Gareloch, Scotland, c.1930 (w/c on paper)
A Quiet Beach near Gareloch, Scotland, c.1930 (w/c on paper)

BOU2601907: A Quiet Beach near Gareloch, Scotland, c.1930 (w/c on paper), Flint, William Russell (1880-1969) / Bridgeman Images

Storm on the Ligurian Coast (w/c)
Storm on the Ligurian Coast (w/c)

XCS6201650: Storm on the Ligurian Coast (w/c), Flint, William Russell (1880-1969) / Bridgeman Images

The Musicians, 1943 (coloured chalk on paper)
The Musicians, 1943 (coloured chalk on paper)

PFA170770: The Musicians, 1943 (coloured chalk on paper), Flint, William Russell (1880-1969) / Bridgeman Images

The Choice (oil on canvas)
The Choice (oil on canvas)

PFA178561: The Choice (oil on canvas), Flint, William Russell (1880-1969) / Bridgeman Images

Enter the 'Daughters of the Plough' bearing Luncheon, scene from Princess Ida in 'Savoy Operas' by W.S. Gilbert (1836-1911) published 1909 (colour litho)
Enter the 'Daughters of the Plough' bearing Luncheon, scene from Princess Ida in 'Savoy Operas' by W.S. Gilbert (1836-1911) published 1909 (colour litho)

IL238076: Enter the 'Daughters of the Plough' bearing Luncheon, scene from Princess Ida in 'Savoy Operas' by W.S. Gilbert (1836-1911) published 1909 (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

The Yeoman of the Guard: The prisoner comes to meet his doom
The Yeoman of the Guard: The prisoner comes to meet his doom

IL1192628: The Yeoman of the Guard: The prisoner comes to meet his doom, Flint, William Russell (1880-1969) / Bridgeman Images

Front cover
Front cover

IL1192632: Front cover, Flint, William Russell (1880-1969) / Bridgeman Images

Now when thw wooers had put from them the desire of meat and drink
Now when thw wooers had put from them the desire of meat and drink

IL1192635: Now when thw wooers had put from them the desire of meat and drink, Flint, William Russell (1880-1969) / Bridgeman Images

Then in amaze she went back to her chamber, for she laid up the wise saying of her son in her heart
Then in amaze she went back to her chamber, for she laid up the wise saying of her son in her heart

IL1192636: Then in amaze she went back to her chamber, for she laid up the wise saying of her son in her heart, Flint, William Russell (1880-1969) / Bridgeman Images

Patience:
Patience:

IL1192611: Patience: "Twenty love sick maidends are we", Flint, William Russell (1880-1969) / Bridgeman Images

Patience: Enter Bunthorne, crowned with roses and hung about with garlands
Patience: Enter Bunthorne, crowned with roses and hung about with garlands

IL1192615: Patience: Enter Bunthorne, crowned with roses and hung about with garlands, Flint, William Russell (1880-1969) / Bridgeman Images

Detail of Title Page from 'Mort d'Arthur', pub.1911 (colour lithograh)
Detail of Title Page from 'Mort d'Arthur', pub.1911 (colour lithograh)

STC3598145: Detail of Title Page from 'Mort d'Arthur', pub.1911 (colour lithograh), Flint, William Russell (1880-1969) / Bridgeman Images

Title page design, from Le Morte D'Arthur published by Medici Society Ltd 1929 (colour litho)
Title page design, from Le Morte D'Arthur published by Medici Society Ltd 1929 (colour litho)

IL3482344: Title page design, from Le Morte D'Arthur published by Medici Society Ltd 1929 (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

When she saw he would not abide, she prayed unto God, from Le Morte D'Arthur published by Medici Society Ltd 1929 (colour litho)
When she saw he would not abide, she prayed unto God, from Le Morte D'Arthur published by Medici Society Ltd 1929 (colour litho)

IL3482348: When she saw he would not abide, she prayed unto God, from Le Morte D'Arthur published by Medici Society Ltd 1929 (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

Therefore thee behoveth now to choose one of us four, from 'Le Morte D'Arthur', publ. 1929 (colour litho)
Therefore thee behoveth now to choose one of us four, from 'Le Morte D'Arthur', publ. 1929 (colour litho)

IL3482350: Therefore thee behoveth now to choose one of us four, from 'Le Morte D'Arthur', publ. 1929 (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

And anon he raised off her helm, and smote his neck in sunder, from 'Le Morte D'Arthur', publ. 1929 (colour litho)
And anon he raised off her helm, and smote his neck in sunder, from 'Le Morte D'Arthur', publ. 1929 (colour litho)

IL3482351: And anon he raised off her helm, and smote his neck in sunder, from 'Le Morte D'Arthur', publ. 1929 (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

Sir Launcelot beheld the young squire and saw him seemly and demure as a dove, from 'Le Morte D'Arthur', publ. 1929 (colour litho)
Sir Launcelot beheld the young squire and saw him seemly and demure as a dove, from 'Le Morte D'Arthur', publ. 1929 (colour litho)

IL3482360: Sir Launcelot beheld the young squire and saw him seemly and demure as a dove, from 'Le Morte D'Arthur', publ. 1929 (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

Geoffrey Chaucer's The Canterbury Tales
Geoffrey Chaucer's The Canterbury Tales

XLA3750629: Geoffrey Chaucer's The Canterbury Tales, Flint, William Russell (1880-1969) / Bridgeman Images

Greek mythology: Jason nails a bough to the prow of the Argo
Greek mythology: Jason nails a bough to the prow of the Argo

XLA3754781: Greek mythology: Jason nails a bough to the prow of the Argo, Flint, William Russell (1880-1969) / Bridgeman Images

'Too Late! Ha! Ha!' illustration for 'The Pirates of Penzance', Savoy Operas, 1909 (colour litho)
'Too Late! Ha! Ha!' illustration for 'The Pirates of Penzance', Savoy Operas, 1909 (colour litho)

IL212320: 'Too Late! Ha! Ha!' illustration for 'The Pirates of Penzance', Savoy Operas, 1909 (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

'Away, you grieve me!' illustration for 'The Pirates of Penzance', Savoy Operas, 1909 (colour litho)
'Away, you grieve me!' illustration for 'The Pirates of Penzance', Savoy Operas, 1909 (colour litho)

IL212321: 'Away, you grieve me!' illustration for 'The Pirates of Penzance', Savoy Operas, 1909 (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

Two Models and a Mirror, 1938-42 (tempera on canvas)
Two Models and a Mirror, 1938-42 (tempera on canvas)

NUM118943: Two Models and a Mirror, 1938-42 (tempera on canvas), Flint, William Russell (1880-1969) / Bridgeman Images

A Conversation in Aragon, 1922 (oil on canvas)
A Conversation in Aragon, 1922 (oil on canvas)

PNH352761: A Conversation in Aragon, 1922 (oil on canvas), Flint, William Russell (1880-1969) / Bridgeman Images

The Bather (w/c on paper)
The Bather (w/c on paper)

CBE393705: The Bather (w/c on paper), Flint, William Russell (1880-1969) / Bridgeman Images

Cafe de la Flotille, Versailles, 1954 (w/c on paper)
Cafe de la Flotille, Versailles, 1954 (w/c on paper)

CBE393721: Cafe de la Flotille, Versailles, 1954 (w/c on paper), Flint, William Russell (1880-1969) / Bridgeman Images

When April sweet showers had ended the draught of March (colour litho)
When April sweet showers had ended the draught of March (colour litho)

IL1630760: When April sweet showers had ended the draught of March (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images


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