Flint, William Russell (1880-1969) Assets (337 in total)

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The Iced Drink (w/c on paper)
The Iced Drink (w/c on paper)

XPG380533: The Iced Drink (w/c on paper), Flint, William Russell (1880-1969) / Bridgeman Images

On the Beach (w/c on paper)
On the Beach (w/c on paper)

XPG380554: On the Beach (w/c on paper), Flint, William Russell (1880-1969) / Bridgeman Images

The Yeoman of the Guard:
The Yeoman of the Guard:

IL1192625: The Yeoman of the Guard: "Oh, Father, Father, I cannot bear it!", Flint, William Russell (1880-1969) / Bridgeman Images

Helen came forth from her fragrant vaulted chamber, like Artemis of the golden arrows
Helen came forth from her fragrant vaulted chamber, like Artemis of the golden arrows

IL1192637: Helen came forth from her fragrant vaulted chamber, like Artemis of the golden arrows, Flint, William Russell (1880-1969) / Bridgeman Images

The Great Lavoir, Antibes (chalk & w/c on paper)
The Great Lavoir, Antibes (chalk & w/c on paper)

TW1214036: The Great Lavoir, Antibes (chalk & w/c on paper), Flint, William Russell (1880-1969) / Bridgeman Images

Patience: Silvered in the raven hair
Patience: Silvered in the raven hair

IL1192616: Patience: Silvered in the raven hair, Flint, William Russell (1880-1969) / Bridgeman Images

And the daughter of Alcinous alone stood firm, for the Athene gave her courage of heart, and took all trembling from her knees
And the daughter of Alcinous alone stood firm, for the Athene gave her courage of heart, and took all trembling from her knees

IL1192639: And the daughter of Alcinous alone stood firm, for the Athene gave her courage of heart, and took all trembling from her knees, Flint, William Russell (1880-1969) / Bridgeman Images

Silver and Jade on the Gard, Languedoc (w/c)
Silver and Jade on the Gard, Languedoc (w/c)

PHE78521: Silver and Jade on the Gard, Languedoc (w/c), Flint, William Russell (1880-1969) / Bridgeman Images

Salamanders
Salamanders

NOO56963: Salamanders, Flint, William Russell (1880-1969) / Bridgeman Images

Splitting Bamboos (w/c on paper)
Splitting Bamboos (w/c on paper)

MAI45007: Splitting Bamboos (w/c on paper), Flint, William Russell (1880-1969) / Bridgeman Images

Cynisca and Aeschines, 1913 (w/c)
Cynisca and Aeschines, 1913 (w/c)

PHE79095: Cynisca and Aeschines, 1913 (w/c), Flint, William Russell (1880-1969) / Bridgeman Images

'With cat-like tread upon our prey we steal' illustration for 'The Pirates of Penzance' Savoy Operas, 1909 (colour litho)
'With cat-like tread upon our prey we steal' illustration for 'The Pirates of Penzance' Savoy Operas, 1909 (colour litho)

IL212329: 'With cat-like tread upon our prey we steal' illustration for 'The Pirates of Penzance' Savoy Operas, 1909 (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

Gossip in a Park, 1955 (watercolour)
Gossip in a Park, 1955 (watercolour)

XCS5914749: Gossip in a Park, 1955 (watercolour), Flint, William Russell (1880-1969) / Bridgeman Images

IL3667094: "For Certein, whan that fortune list to flee" (The Monks Tale) , from The Canterbury Tales published by The Medici Society Limited, 1929 (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

IL3667103: "And after this, he dide him switch pleasaunce" (The Frankkeleyns Tale), from The Canterbury Tales published by The Medici Society Limited, 1929 (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

IL3667090: "And how he asseged was Ipolita, the faire hardy queen of Scithia" (The Knights Tale), from The Canterbury Tales published by The Medici Society Limited, 1929 (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

IL3667105: "Almache answerde, chees oon of thise two" he (Second Noones Tale), from The Canterbury Tales published by The Medici Society Limited, 1929 (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

IL3667108: "Certes, for fals witnessing was Susanna in ful gret sorwe and peyne" (The Persones Tale), from The Canterbury Tales published by The Medici Society Limited, 1929 (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

Recriminations: Viale de Sacro Monte, Orta (w/c on backboard)
Recriminations: Viale de Sacro Monte, Orta (w/c on backboard)

PFA105965: Recriminations: Viale de Sacro Monte, Orta (w/c on backboard), Flint, William Russell (1880-1969) / Bridgeman Images

The sorrowful maid was brought to the ship (colour litho)
The sorrowful maid was brought to the ship (colour litho)

IL1630763: The sorrowful maid was brought to the ship (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

Now to return to May and January, who were strolling through the Green Allays (colour litho)
Now to return to May and January, who were strolling through the Green Allays (colour litho)

IL1630766: Now to return to May and January, who were strolling through the Green Allays (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

Then he grew angry, and bade his men take her to her house and their he said
Then he grew angry, and bade his men take her to her house and their he said

IL1630769: Then he grew angry, and bade his men take her to her house and their he said "burn her in a bath of fire" (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

Jennifer and Two Mirrors
Jennifer and Two Mirrors

WOR49060: Jennifer and Two Mirrors, Flint, William Russell (1880-1969) / Bridgeman Images

In A Shady Hollow (w/c)
In A Shady Hollow (w/c)

PHE79672: In A Shady Hollow (w/c), Flint, William Russell (1880-1969) / Bridgeman Images

Profile of a Lady Wearing a White Dress (oil on canvas)
Profile of a Lady Wearing a White Dress (oil on canvas)

BNM44113: Profile of a Lady Wearing a White Dress (oil on canvas), Flint, William Russell (1880-1969) / Bridgeman Images

Study for the painting 'Models for Goddesses'
Study for the painting 'Models for Goddesses'

BNM44119: Study for the painting 'Models for Goddesses', Flint, William Russell (1880-1969) / Bridgeman Images

Illustration to 'The Heroes' by Charles Kingsley, 1912: Theseus, Part 2
Illustration to 'The Heroes' by Charles Kingsley, 1912: Theseus, Part 2

BNM51604: Illustration to 'The Heroes' by Charles Kingsley, 1912: Theseus, Part 2, Flint, William Russell (1880-1969) / Bridgeman Images

Mock Toil (w/c)
Mock Toil (w/c)

BNM61697: Mock Toil (w/c), Flint, William Russell (1880-1969) / Bridgeman Images

Semur-en-Auxois (w/c)
Semur-en-Auxois (w/c)

BNM65364: Semur-en-Auxois (w/c), Flint, William Russell (1880-1969) / Bridgeman Images

Chateau Gaillard, 1967 (w/c)
Chateau Gaillard, 1967 (w/c)

BNM65371: Chateau Gaillard, 1967 (w/c), Flint, William Russell (1880-1969) / Bridgeman Images

Study of a Reclining Nude (coloured chalks)
Study of a Reclining Nude (coloured chalks)

BNM57658: Study of a Reclining Nude (coloured chalks), Flint, William Russell (1880-1969) / Bridgeman Images

Blossom Time at Vennaveys, near Crest, Drome
Blossom Time at Vennaveys, near Crest, Drome

BNM61690: Blossom Time at Vennaveys, near Crest, Drome, Flint, William Russell (1880-1969) / Bridgeman Images

High Tide, Dell Quay, Chichester Harbour, 1940 (w/c)
High Tide, Dell Quay, Chichester Harbour, 1940 (w/c)

BNM65378: High Tide, Dell Quay, Chichester Harbour, 1940 (w/c), Flint, William Russell (1880-1969) / Bridgeman Images

Women with Water Jars
Women with Water Jars

BNM44114: Women with Water Jars, Flint, William Russell (1880-1969) / Bridgeman Images

They fought for the love of one lady, and ever she lay on the walls and beheld them, from Le Morte D'Arthur published by Medici Society Ltd 1929 (colour litho)
They fought for the love of one lady, and ever she lay on the walls and beheld them, from Le Morte D'Arthur published by Medici Society Ltd 1929 (colour litho)

IL3482354: They fought for the love of one lady, and ever she lay on the walls and beheld them, from Le Morte D'Arthur published by Medici Society Ltd 1929 (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images

There he blew three deadly notes, and there came two damsels and armed him lightly, from Le Morte D'Arthur published by Medici Society Ltd 1929 (colour litho)
There he blew three deadly notes, and there came two damsels and armed him lightly, from Le Morte D'Arthur published by Medici Society Ltd 1929 (colour litho)

IL3482352: There he blew three deadly notes, and there came two damsels and armed him lightly, from Le Morte D'Arthur published by Medici Society Ltd 1929 (colour litho), Flint, William Russell (1880-1969) / Bridgeman Images


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