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France, Champagne-Ardenne, Marne (51), Reims - Building where has been signed the Armistice of the Second World War (Second World War 1939-1945 or 39-45), on May, 7th 1945. Photography Florent Lamontagne
France, Champagne-Ardenne, Marne (51), Reims - Building where has been signed the Armistice of the Second World War (Second World War 1939-1945 or 39-45), on May, 7th 1945. Photography Florent Lamontagne

LOR4251212: France, Champagne-Ardenne, Marne (51), Reims - Building where has been signed the Armistice of the Second World War (Second World War 1939-1945 or 39-45), on May, 7th 1945. Photography Florent Lamontagne / Bridgeman Images

Romanesque architecture: capitals of the twin columns of the cloitre (14th century) of the abbey of Saint Papoul (Saint-Papoul), Aude (11). Gusman/Leemage
Romanesque architecture: capitals of the twin columns of the cloitre (14th century) of the abbey of Saint Papoul (Saint-Papoul), Aude (11). Gusman/Leemage

PCT4264850: Romanesque architecture: capitals of the twin columns of the cloitre (14th century) of the abbey of Saint Papoul (Saint-Papoul), Aude (11). Gusman/Leemage / Bridgeman Images

Gothic architecture: Cathedrale Saint Just and Saint Pasteur (Saint Just and Saint Pasteur) (1272-1340). Narbonne, Aude (11). Gusman/Leemage
Gothic architecture: Cathedrale Saint Just and Saint Pasteur (Saint Just and Saint Pasteur) (1272-1340). Narbonne, Aude (11). Gusman/Leemage

PCT4264861: Gothic architecture: Cathedrale Saint Just and Saint Pasteur (Saint Just and Saint Pasteur) (1272-1340). Narbonne, Aude (11). Gusman/Leemage / Bridgeman Images

Gothic architecture: unfinished pillar of the Cathedrale Saint Just and Saint Pasteur (Saint Just and Saint Pasteur) (1272-1340). Narbonne, Aude (11). Gusman/Leemage
Gothic architecture: unfinished pillar of the Cathedrale Saint Just and Saint Pasteur (Saint Just and Saint Pasteur) (1272-1340). Narbonne, Aude (11). Gusman/Leemage

PCT4264876: Gothic architecture: unfinished pillar of the Cathedrale Saint Just and Saint Pasteur (Saint Just and Saint Pasteur) (1272-1340). Narbonne, Aude (11). Gusman/Leemage / Bridgeman Images

Gothic architecture: cloitre of the cathedrale Saint Just and Saint Pasteur (Saint-Just and Saint-Pasteur) (1272-1340). Narbonne, Aude (11). Gusman/Leemage
Gothic architecture: cloitre of the cathedrale Saint Just and Saint Pasteur (Saint-Just and Saint-Pasteur) (1272-1340). Narbonne, Aude (11). Gusman/Leemage

PCT4264882: Gothic architecture: cloitre of the cathedrale Saint Just and Saint Pasteur (Saint-Just and Saint-Pasteur) (1272-1340). Narbonne, Aude (11). Gusman/Leemage / Bridgeman Images

Virgin and Child (14th century): albaster statue overcoming the altarpiece. Cathedrale Saint Just et Saint Pasteur (Saint-Just-et-Saint-Pasteur), Narbonne, Aude (11). Gusman/Leemage
Virgin and Child (14th century): albaster statue overcoming the altarpiece. Cathedrale Saint Just et Saint Pasteur (Saint-Just-et-Saint-Pasteur), Narbonne, Aude (11). Gusman/Leemage

PCT4264883: Virgin and Child (14th century): albaster statue overcoming the altarpiece. Cathedrale Saint Just et Saint Pasteur (Saint-Just-et-Saint-Pasteur), Narbonne, Aude (11). Gusman/Leemage / Bridgeman Images

Gargoyle of the Basilica of Saint Nazaire in Carcassonne (photo)
Gargoyle of the Basilica of Saint Nazaire in Carcassonne (photo)

PCT4264912: Gargoyle of the Basilica of Saint Nazaire in Carcassonne (photo) / Bridgeman Images

Detail of the organ (17th-20th century) of the Basilica of Saint Nazaire (Saint Nazaire). Carcassonne, Aude (11).
Detail of the organ (17th-20th century) of the Basilica of Saint Nazaire (Saint Nazaire). Carcassonne, Aude (11).

PCT4264913: Detail of the organ (17th-20th century) of the Basilica of Saint Nazaire (Saint Nazaire). Carcassonne, Aude (11). / Bridgeman Images

Tomb of the 14th century of Pierre de Rochefort (eveque of Carcassonne from 1300-1321). The eveque is surrounded by the archdeacon of the diocese Pons de Castillon and the archdeacon Gasc de Rochefort. Basilica of Saint Nazaire (Saint Nazaire). Carcassonne, Aude (11).
Tomb of the 14th century of Pierre de Rochefort (eveque of Carcassonne from 1300-1321). The eveque is surrounded by the archdeacon of the diocese Pons de Castillon and the archdeacon Gasc de Rochefort. Basilica of Saint Nazaire (Saint Nazaire). Carcassonne, Aude (11).

PCT4264923: Tomb of the 14th century of Pierre de Rochefort (eveque of Carcassonne from 1300-1321). The eveque is surrounded by the archdeacon of the diocese Pons de Castillon and the archdeacon Gasc de Rochefort. Basilica of Saint Nazaire (Saint Nazaire). Carcassonne, Aude (11). / Bridgeman Images

Sculptures restored by the architect Eugene Viollet le Duc (Viollet-le-Duc, 1814-1879) (photo)
Sculptures restored by the architect Eugene Viollet le Duc (Viollet-le-Duc, 1814-1879) (photo)

PCT4264947: Sculptures restored by the architect Eugene Viollet le Duc (Viollet-le-Duc, 1814-1879) (photo) / Bridgeman Images

Romanesque architecture: pillar and vaults of the choir (13th-14th century) of the Basilica of Saint Nazaire (Saint Nazaire). Carcassonne, Aude (11).
Romanesque architecture: pillar and vaults of the choir (13th-14th century) of the Basilica of Saint Nazaire (Saint Nazaire). Carcassonne, Aude (11).

PCT4264956: Romanesque architecture: pillar and vaults of the choir (13th-14th century) of the Basilica of Saint Nazaire (Saint Nazaire). Carcassonne, Aude (11). / Bridgeman Images

Tomb of Guihem Razouls or Guillaume Radulphe (eveque from 1255 to 1266): funerary cortege at the ceremony of the abbey. Lower part (detail) of the tomb (13th century). Basilica of Saint Nazaire (Saint Nazaire). Carcassonne, Aude (11).
Tomb of Guihem Razouls or Guillaume Radulphe (eveque from 1255 to 1266): funerary cortege at the ceremony of the abbey. Lower part (detail) of the tomb (13th century). Basilica of Saint Nazaire (Saint Nazaire). Carcassonne, Aude (11).

PCT4264965: Tomb of Guihem Razouls or Guillaume Radulphe (eveque from 1255 to 1266): funerary cortege at the ceremony of the abbey. Lower part (detail) of the tomb (13th century). Basilica of Saint Nazaire (Saint Nazaire). Carcassonne, Aude (11). / Bridgeman Images

Romanesque art: capiteau (detail) of the 12th century. Cloitre of the Abbey of Saint Peter (Saint Pierre). Moissac, Tarn and Garonne (82).
Romanesque art: capiteau (detail) of the 12th century. Cloitre of the Abbey of Saint Peter (Saint Pierre). Moissac, Tarn and Garonne (82).

PCT4264983: Romanesque art: capiteau (detail) of the 12th century. Cloitre of the Abbey of Saint Peter (Saint Pierre). Moissac, Tarn and Garonne (82). / Bridgeman Images

Esther Williams and her water ballets in the film “The Sirens Ball” (Bathing Beauty), a musical and nautical comedy by George Sidney (1944) “” we come to see the actress, swimming champion, for her plastic, her smile, her dives and her graceful evolutions in the pool. Around her, her famous jersey, a kitsch, but colorful and brilliant staging” (Gilbert Salachas). ExploitationMGM Photo
Esther Williams and her water ballets in the film “The Sirens Ball” (Bathing Beauty), a musical and nautical comedy by George Sidney (1944) “” we come to see the actress, swimming champion, for her plastic, her smile, her dives and her graceful evolutions in the pool. Around her, her famous jersey, a kitsch, but colorful and brilliant staging” (Gilbert Salachas). ExploitationMGM Photo

PCT4263915: Esther Williams and her water ballets in the film “The Sirens Ball” (Bathing Beauty), a musical and nautical comedy by George Sidney (1944) “” we come to see the actress, swimming champion, for her plastic, her smile, her dives and her graceful evolutions in the pool. Around her, her famous jersey, a kitsch, but colorful and brilliant staging” (Gilbert Salachas). ExploitationMGM Photo / Bridgeman Images

School library filled with study books and surmounted by a globe, first half of the 20th century. School Museum, Carcassonne. Photo by Patrice Cartier.
School library filled with study books and surmounted by a globe, first half of the 20th century. School Museum, Carcassonne. Photo by Patrice Cartier.

PCT4262881: School library filled with study books and surmounted by a globe, first half of the 20th century. School Museum, Carcassonne. Photo by Patrice Cartier. / Bridgeman Images

Poster of the film “” Le roi du cirque”” (1925), latest film by French comic actor and director Max Linder. Chaplin will be inspired by this comedy for his film “The Circus”. On October 31, 1925, eight months after the film was released, Max Linder, did in 1883, suicide during a depression crisis, leading his young wife to death.
Poster of the film “” Le roi du cirque”” (1925), latest film by French comic actor and director Max Linder. Chaplin will be inspired by this comedy for his film “The Circus”. On October 31, 1925, eight months after the film was released, Max Linder, did in 1883, suicide during a depression crisis, leading his young wife to death.

PCT4260339: Poster of the film “” Le roi du cirque”” (1925), latest film by French comic actor and director Max Linder. Chaplin will be inspired by this comedy for his film “The Circus”. On October 31, 1925, eight months after the film was released, Max Linder, did in 1883, suicide during a depression crisis, leading his young wife to death. / Bridgeman Images

German stamp (Deutsches Reich) of 1939 celebrating the Berlin Motor Show  (print)
German stamp (Deutsches Reich) of 1939 celebrating the Berlin Motor Show  (print)

PCT4266682: German stamp (Deutsches Reich) of 1939 celebrating the Berlin Motor Show (print) / Bridgeman Images

South Morocco: at the foot of the Atlas snow, Ryad, pottery village near Tamaloukt, Mentaga mountain, a few kilometres from Taroudannt. Photo by Patrice Cartier.
South Morocco: at the foot of the Atlas snow, Ryad, pottery village near Tamaloukt, Mentaga mountain, a few kilometres from Taroudannt. Photo by Patrice Cartier.

PCT4268926: South Morocco: at the foot of the Atlas snow, Ryad, pottery village near Tamaloukt, Mentaga mountain, a few kilometres from Taroudannt. Photo by Patrice Cartier. / Bridgeman Images

Pieta in painted stone (16th century). Basilica of Saint Nazaire (Saint Nazaire). Carcassonne, Aude (11).
Pieta in painted stone (16th century). Basilica of Saint Nazaire (Saint Nazaire). Carcassonne, Aude (11).

PCT4265009: Pieta in painted stone (16th century). Basilica of Saint Nazaire (Saint Nazaire). Carcassonne, Aude (11). / Bridgeman Images

Mecanized harvest: thresher with its motor. Debut 20th century. Museum of Agriculture of Saint Michel de Llotes (66, Aspres, Roussillon, Catalonia). Photo by Patrice Cartier.
Mecanized harvest: thresher with its motor. Debut 20th century. Museum of Agriculture of Saint Michel de Llotes (66, Aspres, Roussillon, Catalonia). Photo by Patrice Cartier.

PCT4265030: Mecanized harvest: thresher with its motor. Debut 20th century. Museum of Agriculture of Saint Michel de Llotes (66, Aspres, Roussillon, Catalonia). Photo by Patrice Cartier. / Bridgeman Images

Carnival of Limoux (Aude -11): exit of the Meuniers band on the first day of the carnival, in the central square. Photo by Patrice Cartier.
Carnival of Limoux (Aude -11): exit of the Meuniers band on the first day of the carnival, in the central square. Photo by Patrice Cartier.

PCT4265076: Carnival of Limoux (Aude -11): exit of the Meuniers band on the first day of the carnival, in the central square. Photo by Patrice Cartier. / Bridgeman Images

Carnival of Limoux (Aude -11): exit of the Meuniers band on the first day of the carnival, in the central square. Photo by Patrice Cartier.
Carnival of Limoux (Aude -11): exit of the Meuniers band on the first day of the carnival, in the central square. Photo by Patrice Cartier.

PCT4265083: Carnival of Limoux (Aude -11): exit of the Meuniers band on the first day of the carnival, in the central square. Photo by Patrice Cartier. / Bridgeman Images

Carnival of Limoux (Aude -11): exit of the Meuniers band on the first day of the carnival. Suckers leave the sub-prefecture after being officially received by the sub-prefet. Photo by Patrice Cartier.
Carnival of Limoux (Aude -11): exit of the Meuniers band on the first day of the carnival. Suckers leave the sub-prefecture after being officially received by the sub-prefet. Photo by Patrice Cartier.

PCT4265085: Carnival of Limoux (Aude -11): exit of the Meuniers band on the first day of the carnival. Suckers leave the sub-prefecture after being officially received by the sub-prefet. Photo by Patrice Cartier. / Bridgeman Images

Includes harvest with its lever transport system. Debut 20th century. Museum of Agriculture of Saint Michel de Llotes (66, Aspres, Roussillon, Catalonia). Photo by Patrice Cartier.
Includes harvest with its lever transport system. Debut 20th century. Museum of Agriculture of Saint Michel de Llotes (66, Aspres, Roussillon, Catalonia). Photo by Patrice Cartier.

PCT4265114: Includes harvest with its lever transport system. Debut 20th century. Museum of Agriculture of Saint Michel de Llotes (66, Aspres, Roussillon, Catalonia). Photo by Patrice Cartier. / Bridgeman Images

Tram of the agglomeration of Montpellier (34, Herault, Languedoc Roussillon) on its lawn area. Rails are along an avenue or use cars (city traffic, public transit). Photo by Patrice Cartier, May 2007.
Tram of the agglomeration of Montpellier (34, Herault, Languedoc Roussillon) on its lawn area. Rails are along an avenue or use cars (city traffic, public transit). Photo by Patrice Cartier, May 2007.

PCT4265270: Tram of the agglomeration of Montpellier (34, Herault, Languedoc Roussillon) on its lawn area. Rails are along an avenue or use cars (city traffic, public transit). Photo by Patrice Cartier, May 2007. / Bridgeman Images

Caunes in Minervois (Aude, Languedoc). Pink marble quarry. View of the operation in May 2009. Photo by Patrice Cartier
Caunes in Minervois (Aude, Languedoc). Pink marble quarry. View of the operation in May 2009. Photo by Patrice Cartier

PCT4269691: Caunes in Minervois (Aude, Languedoc). Pink marble quarry. View of the operation in May 2009. Photo by Patrice Cartier / Bridgeman Images

A scene from the film Marius (1931) by Alexandre Korda and Marcel Pagnol, based on the latter's eponym play. The cafe boy Marius (Pierre Fresnay), kisses by his father Cesar (Raimu).
A scene from the film Marius (1931) by Alexandre Korda and Marcel Pagnol, based on the latter's eponym play. The cafe boy Marius (Pierre Fresnay), kisses by his father Cesar (Raimu).

PCT4269737: A scene from the film Marius (1931) by Alexandre Korda and Marcel Pagnol, based on the latter's eponym play. The cafe boy Marius (Pierre Fresnay), kisses by his father Cesar (Raimu). / Bridgeman Images

Mirepoix (Ariege, Cathare Country). Maison des Consuls, wooden joists carved 15th century. Photo by Patrice Cartier
Mirepoix (Ariege, Cathare Country). Maison des Consuls, wooden joists carved 15th century. Photo by Patrice Cartier

PCT4269996: Mirepoix (Ariege, Cathare Country). Maison des Consuls, wooden joists carved 15th century. Photo by Patrice Cartier / Bridgeman Images

Preparations for a meeting of Francois Miterrand before his election as President of the French Republic. Grand Theatre de Carcassonne, Fete de la Rose, June 1980. Photo by Patrice Cartier.
Preparations for a meeting of Francois Miterrand before his election as President of the French Republic. Grand Theatre de Carcassonne, Fete de la Rose, June 1980. Photo by Patrice Cartier.

PCT4268388: Preparations for a meeting of Francois Miterrand before his election as President of the French Republic. Grand Theatre de Carcassonne, Fete de la Rose, June 1980. Photo by Patrice Cartier. / Bridgeman Images

Catapult balls (mangonneaux, stones) fired during the siege of Beziers by the Armee des Croises. Some weigh nearly 100 kilos. Musee du Biterrois. Photo by Patrice Cartier
Catapult balls (mangonneaux, stones) fired during the siege of Beziers by the Armee des Croises. Some weigh nearly 100 kilos. Musee du Biterrois. Photo by Patrice Cartier

PCT4270655: Catapult balls (mangonneaux, stones) fired during the siege of Beziers by the Armee des Croises. Some weigh nearly 100 kilos. Musee du Biterrois. Photo by Patrice Cartier / Bridgeman Images

Chateau de Peyrepertuse (Aude, Languedoc, Pays Cathare) Photo by Patrice Cartier
Chateau de Peyrepertuse (Aude, Languedoc, Pays Cathare) Photo by Patrice Cartier

PCT4270811: Chateau de Peyrepertuse (Aude, Languedoc, Pays Cathare) Photo by Patrice Cartier / Bridgeman Images

Avignonet (Haute-Garonne, Lauragais, Midi Pyrenees, Pays Cathare): the ramparts. Photo by Patrice Cartier
Avignonet (Haute-Garonne, Lauragais, Midi Pyrenees, Pays Cathare): the ramparts. Photo by Patrice Cartier

PCT4270043: Avignonet (Haute-Garonne, Lauragais, Midi Pyrenees, Pays Cathare): the ramparts. Photo by Patrice Cartier / Bridgeman Images

Baraigne (Aude, Lauragais, Pays Cathare): cross discoidales in the cemetery. Photo by Patrice Cartier
Baraigne (Aude, Lauragais, Pays Cathare): cross discoidales in the cemetery. Photo by Patrice Cartier

PCT4270046: Baraigne (Aude, Lauragais, Pays Cathare): cross discoidales in the cemetery. Photo by Patrice Cartier / Bridgeman Images

Beziers, (Herault, Languedoc, Cathare country). L'Orb, the Old Bridge, the Cathedral of Saint Nazaire. Photo by Patrice Cartier
Beziers, (Herault, Languedoc, Cathare country). L'Orb, the Old Bridge, the Cathedral of Saint Nazaire. Photo by Patrice Cartier

PCT4270063: Beziers, (Herault, Languedoc, Cathare country). L'Orb, the Old Bridge, the Cathedral of Saint Nazaire. Photo by Patrice Cartier / Bridgeman Images

Beziers (Herault, Languedoc, Cathar country). Church of the Madeleine where the inhabitants of the city were massacred on 21 July 1209. “Kill them all, God will recognize his own! “” Photo by Patrice Cartier
Beziers (Herault, Languedoc, Cathar country). Church of the Madeleine where the inhabitants of the city were massacred on 21 July 1209. “Kill them all, God will recognize his own! “” Photo by Patrice Cartier

PCT4270077: Beziers (Herault, Languedoc, Cathar country). Church of the Madeleine where the inhabitants of the city were massacred on 21 July 1209. “Kill them all, God will recognize his own! “” Photo by Patrice Cartier / Bridgeman Images

Spoulga de Bouan (Ariege, Midi Pyrenees, Pays Cathare): remains of a 14th century troglodyte castle belonging to the Lord of Chateau-Verdun (Chateau Verdun), last refuge of the heretics Albigeois chased by the Inquisition. Photo by Patrice Cartier
Spoulga de Bouan (Ariege, Midi Pyrenees, Pays Cathare): remains of a 14th century troglodyte castle belonging to the Lord of Chateau-Verdun (Chateau Verdun), last refuge of the heretics Albigeois chased by the Inquisition. Photo by Patrice Cartier

PCT4270099: Spoulga de Bouan (Ariege, Midi Pyrenees, Pays Cathare): remains of a 14th century troglodyte castle belonging to the Lord of Chateau-Verdun (Chateau Verdun), last refuge of the heretics Albigeois chased by the Inquisition. Photo by Patrice Cartier / Bridgeman Images


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