1. Home
  2. All Artists
  3. Riou, Edouard (1833-1900)
  4. All Assets

Riou, Edouard (1833-1900) Assets (301 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

Edmond Dantes, the Count of Monte Cristo (Monte Cristo) in his prison - Engraving by Riou, in “La Comte de Monte-Cristo” by Alexandre Dumas, Rouff & Cie, 19th century
Edmond Dantes, the Count of Monte Cristo (Monte Cristo) in his prison - Engraving by Riou, in “La Comte de Monte-Cristo” by Alexandre Dumas, Rouff & Cie, 19th century

LSE4103819: Edmond Dantes, the Count of Monte Cristo (Monte Cristo) in his prison - Engraving by Riou, in “La Comte de Monte-Cristo” by Alexandre Dumas, Rouff & Cie, 19th century, Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4103819

Edmond Dantes, the Count of Monte Cristo (Monte Cristo) in his prison - Engraving by Riou, in “La Comte de Monte-Cristo” by Alexandre Dumas, Rouff & Cie, 19th century

Riou, Edouard (1833-1900)

Sinking of the steam boat. In “” Journey in the West African”” by Brazza, 1888. Engraving after a drawing by Riou.
Sinking of the steam boat. In “” Journey in the West African”” by Brazza, 1888. Engraving after a drawing by Riou.

LSE4112678: Sinking of the steam boat. In “” Journey in the West African”” by Brazza, 1888. Engraving after a drawing by Riou., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4112678

Sinking of the steam boat. In “” Journey in the West African”” by Brazza, 1888. Engraving after a drawing by Riou.

Riou, Edouard (1833-1900)

Je suis Edmond Dantès - Engraving by Riou, in “” Le Comte de Monte-Cristo”” by A. Dumas, ed. Jules Rouff & Cie, 19th century
Je suis Edmond Dantès - Engraving by Riou, in “” Le Comte de Monte-Cristo”” by A. Dumas, ed. Jules Rouff & Cie, 19th century

LSE4105227: Je suis Edmond Dantès - Engraving by Riou, in “” Le Comte de Monte-Cristo”” by A. Dumas, ed. Jules Rouff & Cie, 19th century, Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4105227

Je suis Edmond Dantès - Engraving by Riou, in “” Le Comte de Monte-Cristo”” by A. Dumas, ed. Jules Rouff & Cie, 19th century

Riou, Edouard (1833-1900)

Reception at the naba Sanem, from the Mossi kingdom (or Mosse) of Waghadougou (Ouagadougou, Burkina Faso). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.
Reception at the naba Sanem, from the Mossi kingdom (or Mosse) of Waghadougou (Ouagadougou, Burkina Faso). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

LSE4335523: Reception at the naba Sanem, from the Mossi kingdom (or Mosse) of Waghadougou (Ouagadougou, Burkina Faso). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4335523

Reception at the naba Sanem, from the Mossi kingdom (or Mosse) of Waghadougou (Ouagadougou, Burkina Faso). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

Riou, Edouard (1833-1900)

Sinking at Sea - Illustration of Jules Verne's novel “” The Chancellor”” - Drawing by Riou grave by Barbant.
Sinking at Sea - Illustration of Jules Verne's novel “” The Chancellor”” - Drawing by Riou grave by Barbant.

PCT4275336: Sinking at Sea - Illustration of Jules Verne's novel “” The Chancellor”” - Drawing by Riou grave by Barbant., Riou, Edouard (1833-1900) / Bridgeman Images

ID: PCT4275336

Sinking at Sea - Illustration of Jules Verne's novel “” The Chancellor”” - Drawing by Riou grave by Barbant.

Riou, Edouard (1833-1900)

Panic among the Conibos Indians, who fled at the arrival of Paul Marcoy's expedition near Tumbaya (Peru), who himself was the victim of an evil incantation by an old Indian, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Panic among the Conibos Indians, who fled at the arrival of Paul Marcoy's expedition near Tumbaya (Peru), who himself was the victim of an evil incantation by an old Indian, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325374: Panic among the Conibos Indians, who fled at the arrival of Paul Marcoy's expedition near Tumbaya (Peru), who himself was the victim of an evil incantation by an old Indian, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325374

Panic among the Conibos Indians, who fled at the arrival of Paul Marcoy's expedition near Tumbaya (Peru), who himself was the victim of an evil incantation by an old Indian, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Riou, Edouard (1833-1900)

The team of topographers with their material, of the American geological mission, engraving after the drawing of F.Riou, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The team of topographers with their material, of the American geological mission, engraving after the drawing of F.Riou, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329899: The team of topographers with their material, of the American geological mission, engraving after the drawing of F.Riou, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4329899

The team of topographers with their material, of the American geological mission, engraving after the drawing of F.Riou, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The colonel of the genie and his aide-de-camp, drunken after the small fete given by the notables of Cailloma, hides behind the rocks, the narrator and his companion of travel, in the background, the troupe of notables returns home, engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of the Pjonal, from 1800s. 62 a 1863 , by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The colonel of the genie and his aide-de-camp, drunken after the small fete given by the notables of Cailloma, hides behind the rocks, the narrator and his companion of travel, in the background, the troupe of notables returns home, engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of the Pjonal, from 1800s. 62 a 1863 , by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329984: The colonel of the genie and his aide-de-camp, drunken after the small fete given by the notables of Cailloma, hides behind the rocks, the narrator and his companion of travel, in the background, the troupe of notables returns home, engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of the Pjonal, from 1800s. 62 a 1863 , by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4329984

The colonel of the genie and his aide-de-camp, drunken after the small fete given by the notables of Cailloma, hides behind the rocks, the narrator and his companion of travel, in the background, the troupe of notables returns home, engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of the Pjonal, from 1800s. 62 a 1863 , by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The mill to grind sugar cane from Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The mill to grind sugar cane from Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325427: The mill to grind sugar cane from Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325427

The mill to grind sugar cane from Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

Riou, Edouard (1833-1900)

The cooking of pottery by the Conibo Indians of Peru, with the presence of an old woman who sings and dances around the fire to prevent evil spirits from coming to touch and break the pottery, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The cooking of pottery by the Conibo Indians of Peru, with the presence of an old woman who sings and dances around the fire to prevent evil spirits from coming to touch and break the pottery, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325393: The cooking of pottery by the Conibo Indians of Peru, with the presence of an old woman who sings and dances around the fire to prevent evil spirits from coming to touch and break the pottery, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325393

The cooking of pottery by the Conibo Indians of Peru, with the presence of an old woman who sings and dances around the fire to prevent evil spirits from coming to touch and break the pottery, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Riou, Edouard (1833-1900)

Fighters, gather every Sunday around the cancha de gallos (circus of 30 feet of circonference) to witness the fighting to death of animals, in Cuzco, drawing by Riou, to illustrate the journey through South America, from 1848 to 1860 by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
Fighters, gather every Sunday around the cancha de gallos (circus of 30 feet of circonference) to witness the fighting to death of animals, in Cuzco, drawing by Riou, to illustrate the journey through South America, from 1848 to 1860 by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325025: Fighters, gather every Sunday around the cancha de gallos (circus of 30 feet of circonference) to witness the fighting to death of animals, in Cuzco, drawing by Riou, to illustrate the journey through South America, from 1848 to 1860 by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325025

Fighters, gather every Sunday around the cancha de gallos (circus of 30 feet of circonference) to witness the fighting to death of animals, in Cuzco, drawing by Riou, to illustrate the journey through South America, from 1848 to 1860 by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

Riou, Edouard (1833-1900)

The preparation of fireworks in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The preparation of fireworks in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325433: The preparation of fireworks in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325433

The preparation of fireworks in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

Riou, Edouard (1833-1900)

Playing ear ornaments to Batak girls, ethnic group of northern Sumatra. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.
Playing ear ornaments to Batak girls, ethnic group of northern Sumatra. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

LSE4312811: Playing ear ornaments to Batak girls, ethnic group of northern Sumatra. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4312811

Playing ear ornaments to Batak girls, ethnic group of northern Sumatra. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

Riou, Edouard (1833-1900)


Back to top