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Riou, Edouard (1833-1900) Assets (230 in total)

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The trapiche, or sugar mill to grind the canes in Panche (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller mission charge by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
The trapiche, or sugar mill to grind the canes in Panche (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller mission charge by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331102: The trapiche, or sugar mill to grind the canes in Panche (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller mission charge by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4331102

The trapiche, or sugar mill to grind the canes in Panche (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller mission charge by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

Riou, Edouard (1833-1900)

A young Roucouyan woman extracts the shies that have beamed the explorer's feet during the night. Engraving by Riou, to illustrate the story of Cayenne aux Andes, by Jules Crevaux, doctor of the French navy, in 1878-1879, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
A young Roucouyan woman extracts the shies that have beamed the explorer's feet during the night. Engraving by Riou, to illustrate the story of Cayenne aux Andes, by Jules Crevaux, doctor of the French navy, in 1878-1879, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332467: A young Roucouyan woman extracts the shies that have beamed the explorer's feet during the night. Engraving by Riou, to illustrate the story of Cayenne aux Andes, by Jules Crevaux, doctor of the French navy, in 1878-1879, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4332467

A young Roucouyan woman extracts the shies that have beamed the explorer's feet during the night. Engraving by Riou, to illustrate the story of Cayenne aux Andes, by Jules Crevaux, doctor of the French navy, in 1878-1879, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

Riou, Edouard (1833-1900)

Distribution of food in Keauhou, after the earthquake and volcanic eruption of 1868, for the victims of the disaster, engraving after the drawing of E.Riou, illustrating the voyage to the Sandwich Islands, in 1855-1869, by C. de Varigny, published in “” Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Distribution of food in Keauhou, after the earthquake and volcanic eruption of 1868, for the victims of the disaster, engraving after the drawing of E.Riou, illustrating the voyage to the Sandwich Islands, in 1855-1869, by C. de Varigny, published in “” Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329542: Distribution of food in Keauhou, after the earthquake and volcanic eruption of 1868, for the victims of the disaster, engraving after the drawing of E.Riou, illustrating the voyage to the Sandwich Islands, in 1855-1869, by C. de Varigny, published in “” Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4329542

Distribution of food in Keauhou, after the earthquake and volcanic eruption of 1868, for the victims of the disaster, engraving after the drawing of E.Riou, illustrating the voyage to the Sandwich Islands, in 1855-1869, by C. de Varigny, published in “” Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The wagon of the poor of the Paraguayan trains, simple platforms attached to the tail of the trains on which passengers pile up on each other after the departure of the Assumption station, engraving after the drawing of E.Riou, illustrating the voyage to Paraguay, in 1872-1873, by L.Forgues, published in “Le tour du monde”” 1874, under the direction of by Edouard Charton, Hachette edition, Paris. Selva Collection.
The wagon of the poor of the Paraguayan trains, simple platforms attached to the tail of the trains on which passengers pile up on each other after the departure of the Assumption station, engraving after the drawing of E.Riou, illustrating the voyage to Paraguay, in 1872-1873, by L.Forgues, published in “Le tour du monde”” 1874, under the direction of by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329780: The wagon of the poor of the Paraguayan trains, simple platforms attached to the tail of the trains on which passengers pile up on each other after the departure of the Assumption station, engraving after the drawing of E.Riou, illustrating the voyage to Paraguay, in 1872-1873, by L.Forgues, published in “Le tour du monde”” 1874, under the direction of by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4329780

The wagon of the poor of the Paraguayan trains, simple platforms attached to the tail of the trains on which passengers pile up on each other after the departure of the Assumption station, engraving after the drawing of E.Riou, illustrating the voyage to Paraguay, in 1872-1873, by L.Forgues, published in “Le tour du monde”” 1874, under the direction of by Edouard Charton, Hachette edition, Paris. Selva Collection.

Riou, Edouard (1833-1900)

La traversee par le bac de la Riviere Mesacancha (Bas Peru), engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of the Pjonal, from 1862 to 1863, by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
La traversee par le bac de la Riviere Mesacancha (Bas Peru), engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of the Pjonal, from 1862 to 1863, by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329992: La traversee par le bac de la Riviere Mesacancha (Bas Peru), engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of the Pjonal, from 1862 to 1863, by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4329992

La traversee par le bac de la Riviere Mesacancha (Bas Peru), engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of the Pjonal, from 1862 to 1863, by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The works of natural history, in Chipaque (Colombia), the preparation of the desiccation of plants for herbarium, under the curious gaze of the Indians, drawing by E.Riou, to illustrate the journey to equinoxial America (Colombia, Ecuador, Peru), in 1875-1876, by Edouard Andre (1833-1894), traveller entrusted with a mission by the French government. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
The works of natural history, in Chipaque (Colombia), the preparation of the desiccation of plants for herbarium, under the curious gaze of the Indians, drawing by E.Riou, to illustrate the journey to equinoxial America (Colombia, Ecuador, Peru), in 1875-1876, by Edouard Andre (1833-1894), traveller entrusted with a mission by the French government. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4331026: The works of natural history, in Chipaque (Colombia), the preparation of the desiccation of plants for herbarium, under the curious gaze of the Indians, drawing by E.Riou, to illustrate the journey to equinoxial America (Colombia, Ecuador, Peru), in 1875-1876, by Edouard Andre (1833-1894), traveller entrusted with a mission by the French government. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4331026

The works of natural history, in Chipaque (Colombia), the preparation of the desiccation of plants for herbarium, under the curious gaze of the Indians, drawing by E.Riou, to illustrate the journey to equinoxial America (Colombia, Ecuador, Peru), in 1875-1876, by Edouard Andre (1833-1894), traveller entrusted with a mission by the French government. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The crew of the ship La Germania, descended on the ice for a hunting game, set up a tent to bivouac, which is visited by a polar bear as the men were apprehended to lie down, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The crew of the ship La Germania, descended on the ice for a hunting game, set up a tent to bivouac, which is visited by a polar bear as the men were apprehended to lie down, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329792: The crew of the ship La Germania, descended on the ice for a hunting game, set up a tent to bivouac, which is visited by a polar bear as the men were apprehended to lie down, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4329792

The crew of the ship La Germania, descended on the ice for a hunting game, set up a tent to bivouac, which is visited by a polar bear as the men were apprehended to lie down, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The ascent of the peaks of the Andes by the Marcoy expedition requires the most acrobatic means: here, to climb a rocky piton, the Indians climb on each other's shoulders to reach the summit, engraving by E.Riou illustrating the journey between the sierra, the valley of Huarancalqui and the regions of Pajonal, from 1862 to 1863 , by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The ascent of the peaks of the Andes by the Marcoy expedition requires the most acrobatic means: here, to climb a rocky piton, the Indians climb on each other's shoulders to reach the summit, engraving by E.Riou illustrating the journey between the sierra, the valley of Huarancalqui and the regions of Pajonal, from 1862 to 1863 , by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330000: The ascent of the peaks of the Andes by the Marcoy expedition requires the most acrobatic means: here, to climb a rocky piton, the Indians climb on each other's shoulders to reach the summit, engraving by E.Riou illustrating the journey between the sierra, the valley of Huarancalqui and the regions of Pajonal, from 1862 to 1863 , by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4330000

The ascent of the peaks of the Andes by the Marcoy expedition requires the most acrobatic means: here, to climb a rocky piton, the Indians climb on each other's shoulders to reach the summit, engraving by E.Riou illustrating the journey between the sierra, the valley of Huarancalqui and the regions of Pajonal, from 1862 to 1863 , by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The chewing of gunapo, but germinates, for the manufacture of chicha a Comtapata, heritage of the fermentation technique of the ancient Aymaras Indians of Upper Peru, drawing by Riou, to illustrate the journey through South America, from 1848 to 1860 by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
The chewing of gunapo, but germinates, for the manufacture of chicha a Comtapata, heritage of the fermentation technique of the ancient Aymaras Indians of Upper Peru, drawing by Riou, to illustrate the journey through South America, from 1848 to 1860 by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325020: The chewing of gunapo, but germinates, for the manufacture of chicha a Comtapata, heritage of the fermentation technique of the ancient Aymaras Indians of Upper Peru, drawing by Riou, to illustrate the journey through South America, from 1848 to 1860 by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325020

The chewing of gunapo, but germinates, for the manufacture of chicha a Comtapata, heritage of the fermentation technique of the ancient Aymaras Indians of Upper Peru, drawing by Riou, to illustrate the journey through South America, from 1848 to 1860 by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

Riou, Edouard (1833-1900)

The manufacture of a canoe, evacuated by fire, by the Conibo Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The manufacture of a canoe, evacuated by fire, by the Conibo Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325153: The manufacture of a canoe, evacuated by fire, by the Conibo Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325153

The manufacture of a canoe, evacuated by fire, by the Conibo Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Riou, Edouard (1833-1900)

Ajoupa (precarious housing construction) of the Antis Indians, in Biticaraya (Peru), drawing by Riou, illustrating the voyage from the Pacific Ocean to the Atlantic Ocean, 1848 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Ajoupa (precarious housing construction) of the Antis Indians, in Biticaraya (Peru), drawing by Riou, illustrating the voyage from the Pacific Ocean to the Atlantic Ocean, 1848 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325239: Ajoupa (precarious housing construction) of the Antis Indians, in Biticaraya (Peru), drawing by Riou, illustrating the voyage from the Pacific Ocean to the Atlantic Ocean, 1848 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325239

Ajoupa (precarious housing construction) of the Antis Indians, in Biticaraya (Peru), drawing by Riou, illustrating the voyage from the Pacific Ocean to the Atlantic Ocean, 1848 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Riou, Edouard (1833-1900)

A dancer in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
A dancer in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325415: A dancer in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325415

A dancer in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

Riou, Edouard (1833-1900)

The bath of the child in a palm leaf. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The bath of the child in a palm leaf. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325592: The bath of the child in a palm leaf. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325592

The bath of the child in a palm leaf. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

Riou, Edouard (1833-1900)

The collection of sandi, a tree whose lactee seve is both very nutritious and serves as a caulking for canoes in Venezuela and Peru. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The collection of sandi, a tree whose lactee seve is both very nutritious and serves as a caulking for canoes in Venezuela and Peru. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325605: The collection of sandi, a tree whose lactee seve is both very nutritious and serves as a caulking for canoes in Venezuela and Peru. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325605

The collection of sandi, a tree whose lactee seve is both very nutritious and serves as a caulking for canoes in Venezuela and Peru. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

Riou, Edouard (1833-1900)

Indian husbands Chontaquiros of Peru sleeping, in their bridal hammock, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Indian husbands Chontaquiros of Peru sleeping, in their bridal hammock, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325370: Indian husbands Chontaquiros of Peru sleeping, in their bridal hammock, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325370

Indian husbands Chontaquiros of Peru sleeping, in their bridal hammock, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Riou, Edouard (1833-1900)

Restoration of statues of saints in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
Restoration of statues of saints in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325439: Restoration of statues of saints in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325439

Restoration of statues of saints in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

Riou, Edouard (1833-1900)

Louis Jacolliot's book 'Journey to the ruins of Golconde and a la cite des morts (Industan)', 1879 (print)
Louis Jacolliot's book 'Journey to the ruins of Golconde and a la cite des morts (Industan)', 1879 (print)

PCT4286625: Louis Jacolliot's book 'Journey to the ruins of Golconde and a la cite des morts (Industan)', 1879 (print), Riou, Edouard (1833-1900) / Bridgeman Images

ID: PCT4286625

Louis Jacolliot's book 'Journey to the ruins of Golconde and a la cite des morts (Industan)', 1879 (print)

Riou, Edouard (1833-1900)

The Suez Canal, from a souvenir album commemorating the Voyage of Empress Eugenie (1827-1920) at the Inauguration in 1869 (w/c on paper)
The Suez Canal, from a souvenir album commemorating the Voyage of Empress Eugenie (1827-1920) at the Inauguration in 1869 (w/c on paper)

XIR240908: The Suez Canal, from a souvenir album commemorating the Voyage of Empress Eugenie (1827-1920) at the Inauguration in 1869 (w/c on paper), Riou, Edouard (1833-1900) / Bridgeman Images

ID: XIR240908

The Suez Canal, from a souvenir album commemorating the Voyage of Empress Eugenie (1827-1920) at the Inauguration in 1869 (w/c on paper)

Riou, Edouard (1833-1900)

Edmond Dantes, the Count of Monte Cristo (Monte Cristo) in his prison - Engraving by Riou, in “La Comte de Monte-Cristo” by Alexandre Dumas, Rouff & Cie, 19th century
Edmond Dantes, the Count of Monte Cristo (Monte Cristo) in his prison - Engraving by Riou, in “La Comte de Monte-Cristo” by Alexandre Dumas, Rouff & Cie, 19th century

LSE4103819: Edmond Dantes, the Count of Monte Cristo (Monte Cristo) in his prison - Engraving by Riou, in “La Comte de Monte-Cristo” by Alexandre Dumas, Rouff & Cie, 19th century, Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4103819

Edmond Dantes, the Count of Monte Cristo (Monte Cristo) in his prison - Engraving by Riou, in “La Comte de Monte-Cristo” by Alexandre Dumas, Rouff & Cie, 19th century

Riou, Edouard (1833-1900)

Je suis Edmond Dantès - Engraving by Riou, in “” Le Comte de Monte-Cristo”” by A. Dumas, ed. Jules Rouff & Cie, 19th century
Je suis Edmond Dantès - Engraving by Riou, in “” Le Comte de Monte-Cristo”” by A. Dumas, ed. Jules Rouff & Cie, 19th century

LSE4105227: Je suis Edmond Dantès - Engraving by Riou, in “” Le Comte de Monte-Cristo”” by A. Dumas, ed. Jules Rouff & Cie, 19th century, Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4105227

Je suis Edmond Dantès - Engraving by Riou, in “” Le Comte de Monte-Cristo”” by A. Dumas, ed. Jules Rouff & Cie, 19th century

Riou, Edouard (1833-1900)

View of the Canal in “” Inauguration of the Canal de suez by G. Nicole. 1869
View of the Canal in “” Inauguration of the Canal de suez by G. Nicole. 1869

LSE4084844: View of the Canal in “” Inauguration of the Canal de suez by G. Nicole. 1869, Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4084844

View of the Canal in “” Inauguration of the Canal de suez by G. Nicole. 1869

Riou, Edouard (1833-1900)

Inauguration of the Suez Canal by G. Nicole. 1869
Inauguration of the Suez Canal by G. Nicole. 1869

LSE4084840: Inauguration of the Suez Canal by G. Nicole. 1869, Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4084840

Inauguration of the Suez Canal by G. Nicole. 1869

Riou, Edouard (1833-1900)

Sinking of the steam boat. In “” Journey in the West African”” by Brazza, 1888. Engraving after a drawing by Riou.
Sinking of the steam boat. In “” Journey in the West African”” by Brazza, 1888. Engraving after a drawing by Riou.

LSE4112678: Sinking of the steam boat. In “” Journey in the West African”” by Brazza, 1888. Engraving after a drawing by Riou., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4112678

Sinking of the steam boat. In “” Journey in the West African”” by Brazza, 1888. Engraving after a drawing by Riou.

Riou, Edouard (1833-1900)

Frontispiece for Jules Verne's novel 20,000 Leagues Under the Sea, 1870 (engraving)
Frontispiece for Jules Verne's novel 20,000 Leagues Under the Sea, 1870 (engraving)

XRH1703528: Frontispiece for Jules Verne's novel 20,000 Leagues Under the Sea, 1870 (engraving), Riou, Edouard (1833-1900) / Bridgeman Images

ID: XRH1703528

Frontispiece for Jules Verne's novel 20,000 Leagues Under the Sea, 1870 (engraving)

Riou, Edouard (1833-1900)

Fighters, gather every Sunday around the cancha de gallos (circus of 30 feet of circonference) to witness the fighting to death of animals, in Cuzco, drawing by Riou, to illustrate the journey through South America, from 1848 to 1860 by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
Fighters, gather every Sunday around the cancha de gallos (circus of 30 feet of circonference) to witness the fighting to death of animals, in Cuzco, drawing by Riou, to illustrate the journey through South America, from 1848 to 1860 by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325025: Fighters, gather every Sunday around the cancha de gallos (circus of 30 feet of circonference) to witness the fighting to death of animals, in Cuzco, drawing by Riou, to illustrate the journey through South America, from 1848 to 1860 by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325025

Fighters, gather every Sunday around the cancha de gallos (circus of 30 feet of circonference) to witness the fighting to death of animals, in Cuzco, drawing by Riou, to illustrate the journey through South America, from 1848 to 1860 by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

Riou, Edouard (1833-1900)

The cooking of pottery by the Conibo Indians of Peru, with the presence of an old woman who sings and dances around the fire to prevent evil spirits from coming to touch and break the pottery, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The cooking of pottery by the Conibo Indians of Peru, with the presence of an old woman who sings and dances around the fire to prevent evil spirits from coming to touch and break the pottery, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325393: The cooking of pottery by the Conibo Indians of Peru, with the presence of an old woman who sings and dances around the fire to prevent evil spirits from coming to touch and break the pottery, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325393

The cooking of pottery by the Conibo Indians of Peru, with the presence of an old woman who sings and dances around the fire to prevent evil spirits from coming to touch and break the pottery, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Riou, Edouard (1833-1900)

The preparation of fireworks in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The preparation of fireworks in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325433: The preparation of fireworks in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325433

The preparation of fireworks in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

Riou, Edouard (1833-1900)

Panic among the Conibos Indians, who fled at the arrival of Paul Marcoy's expedition near Tumbaya (Peru), who himself was the victim of an evil incantation by an old Indian, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Panic among the Conibos Indians, who fled at the arrival of Paul Marcoy's expedition near Tumbaya (Peru), who himself was the victim of an evil incantation by an old Indian, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325374: Panic among the Conibos Indians, who fled at the arrival of Paul Marcoy's expedition near Tumbaya (Peru), who himself was the victim of an evil incantation by an old Indian, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325374

Panic among the Conibos Indians, who fled at the arrival of Paul Marcoy's expedition near Tumbaya (Peru), who himself was the victim of an evil incantation by an old Indian, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Riou, Edouard (1833-1900)

The mill to grind sugar cane from Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The mill to grind sugar cane from Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325427: The mill to grind sugar cane from Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325427

The mill to grind sugar cane from Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

Riou, Edouard (1833-1900)

Playing ear ornaments to Batak girls, ethnic group of northern Sumatra. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.
Playing ear ornaments to Batak girls, ethnic group of northern Sumatra. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

LSE4312811: Playing ear ornaments to Batak girls, ethnic group of northern Sumatra. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4312811

Playing ear ornaments to Batak girls, ethnic group of northern Sumatra. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

Riou, Edouard (1833-1900)

Frontispice and title page of Jules Verne's novel “” 20,000 leagues under the seas””, with a vignette by Riou - Hetzel collection/Voyages extraordinaire 1870
Frontispice and title page of Jules Verne's novel “” 20,000 leagues under the seas””, with a vignette by Riou - Hetzel collection/Voyages extraordinaire 1870

PCT4259437: Frontispice and title page of Jules Verne's novel “” 20,000 leagues under the seas””, with a vignette by Riou - Hetzel collection/Voyages extraordinaire 1870, Riou, Edouard (1833-1900) / Bridgeman Images

ID: PCT4259437

Frontispice and title page of Jules Verne's novel “” 20,000 leagues under the seas””, with a vignette by Riou - Hetzel collection/Voyages extraordinaire 1870

Riou, Edouard (1833-1900)

The cremation of a Roucouyenne (or wayana), tribe living along the Mana and Maroni rivers, facing the Bucher, Dr. Crevaux, engraving by Riou, to illustrate the voyage of exploration in the interior of Guiana by Dr. Jules Crevaux, doctor of the French navy, in 1876-1877, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.
The cremation of a Roucouyenne (or wayana), tribe living along the Mana and Maroni rivers, facing the Bucher, Dr. Crevaux, engraving by Riou, to illustrate the voyage of exploration in the interior of Guiana by Dr. Jules Crevaux, doctor of the French navy, in 1876-1877, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.

LSE4332044: The cremation of a Roucouyenne (or wayana), tribe living along the Mana and Maroni rivers, facing the Bucher, Dr. Crevaux, engraving by Riou, to illustrate the voyage of exploration in the interior of Guiana by Dr. Jules Crevaux, doctor of the French navy, in 1876-1877, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4332044

The cremation of a Roucouyenne (or wayana), tribe living along the Mana and Maroni rivers, facing the Bucher, Dr. Crevaux, engraving by Riou, to illustrate the voyage of exploration in the interior of Guiana by Dr. Jules Crevaux, doctor of the French navy, in 1876-1877, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The Clouds of Grasshoppers of the Vallee du Upper Patia, with on his mule the narrator of the voyage, engraving by Riou, to illustrate the story L'Amerique equinoxiale, by E.Andre, traveller in charge of mission by the French government, in 1875-1876, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.
The Clouds of Grasshoppers of the Vallee du Upper Patia, with on his mule the narrator of the voyage, engraving by Riou, to illustrate the story L'Amerique equinoxiale, by E.Andre, traveller in charge of mission by the French government, in 1875-1876, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.

LSE4332125: The Clouds of Grasshoppers of the Vallee du Upper Patia, with on his mule the narrator of the voyage, engraving by Riou, to illustrate the story L'Amerique equinoxiale, by E.Andre, traveller in charge of mission by the French government, in 1875-1876, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4332125

The Clouds of Grasshoppers of the Vallee du Upper Patia, with on his mule the narrator of the voyage, engraving by Riou, to illustrate the story L'Amerique equinoxiale, by E.Andre, traveller in charge of mission by the French government, in 1875-1876, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.

Riou, Edouard (1833-1900)

Signing of the treaty that placed the country of Kita (former French Sudan, present-day Mali) under the protectorate of France on 25 April 1880 between Commander Joseph Gallieni (1849-1916) and Tokontan Keita. Engraving by Riou, based on a sketch by the author, to illustrate the story “Exploration du Haut-Niger (Haut Niger)” by the commander Joseph Gallieni of the naval infantry, in 1881-82. Published in the Tour du monde, 1er semester 1883, edited by Edouard Charton (1807-1890), edition Hachette, Paris.
Signing of the treaty that placed the country of Kita (former French Sudan, present-day Mali) under the protectorate of France on 25 April 1880 between Commander Joseph Gallieni (1849-1916) and Tokontan Keita. Engraving by Riou, based on a sketch by the author, to illustrate the story “Exploration du Haut-Niger (Haut Niger)” by the commander Joseph Gallieni of the naval infantry, in 1881-82. Published in the Tour du monde, 1er semester 1883, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

LSE4333655: Signing of the treaty that placed the country of Kita (former French Sudan, present-day Mali) under the protectorate of France on 25 April 1880 between Commander Joseph Gallieni (1849-1916) and Tokontan Keita. Engraving by Riou, based on a sketch by the author, to illustrate the story “Exploration du Haut-Niger (Haut Niger)” by the commander Joseph Gallieni of the naval infantry, in 1881-82. Published in the Tour du monde, 1er semester 1883, edited by Edouard Charton (1807-1890), edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4333655

Signing of the treaty that placed the country of Kita (former French Sudan, present-day Mali) under the protectorate of France on 25 April 1880 between Commander Joseph Gallieni (1849-1916) and Tokontan Keita. Engraving by Riou, based on a sketch by the author, to illustrate the story “Exploration du Haut-Niger (Haut Niger)” by the commander Joseph Gallieni of the naval infantry, in 1881-82. Published in the Tour du monde, 1er semester 1883, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

Riou, Edouard (1833-1900)

The explorers' camp, at the confluence of the Orenoque and the Cabullero river. Engraving by Riou, to illustrate the voyage of exploration through New Granada and Venezuela, by Doctor Crevaux, first class physician of the navy and E.Lejeanne, marine pharmacist, in 1881, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1882, Paris. Selva Collection.
The explorers' camp, at the confluence of the Orenoque and the Cabullero river. Engraving by Riou, to illustrate the voyage of exploration through New Granada and Venezuela, by Doctor Crevaux, first class physician of the navy and E.Lejeanne, marine pharmacist, in 1881, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1882, Paris. Selva Collection.

LSE4332703: The explorers' camp, at the confluence of the Orenoque and the Cabullero river. Engraving by Riou, to illustrate the voyage of exploration through New Granada and Venezuela, by Doctor Crevaux, first class physician of the navy and E.Lejeanne, marine pharmacist, in 1881, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1882, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4332703

The explorers' camp, at the confluence of the Orenoque and the Cabullero river. Engraving by Riou, to illustrate the voyage of exploration through New Granada and Venezuela, by Doctor Crevaux, first class physician of the navy and E.Lejeanne, marine pharmacist, in 1881, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1882, Paris. Selva Collection.

Riou, Edouard (1833-1900)

Installation of the mission in Nango, for a 10-month stay, with portraits of Gallieni and his captains Valliere and Pietri, Doctor Tautain as well as his interpreters, guide and cantiniere. Engraving by Riou, based on a sketch by the author, to illustrate the story “Exploration du Haut-Niger (Haut-Niger)” (present-day Mali) by the commander Joseph Gallieni (1849-1916) of the naval infantry, in 1881-82. Published in the Tour du monde, 1er semester 1883, edited by Edouard Charton (1807-1890), edition Hachette, Paris.
Installation of the mission in Nango, for a 10-month stay, with portraits of Gallieni and his captains Valliere and Pietri, Doctor Tautain as well as his interpreters, guide and cantiniere. Engraving by Riou, based on a sketch by the author, to illustrate the story “Exploration du Haut-Niger (Haut-Niger)” (present-day Mali) by the commander Joseph Gallieni (1849-1916) of the naval infantry, in 1881-82. Published in the Tour du monde, 1er semester 1883, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

LSE4333678: Installation of the mission in Nango, for a 10-month stay, with portraits of Gallieni and his captains Valliere and Pietri, Doctor Tautain as well as his interpreters, guide and cantiniere. Engraving by Riou, based on a sketch by the author, to illustrate the story “Exploration du Haut-Niger (Haut-Niger)” (present-day Mali) by the commander Joseph Gallieni (1849-1916) of the naval infantry, in 1881-82. Published in the Tour du monde, 1er semester 1883, edited by Edouard Charton (1807-1890), edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4333678

Installation of the mission in Nango, for a 10-month stay, with portraits of Gallieni and his captains Valliere and Pietri, Doctor Tautain as well as his interpreters, guide and cantiniere. Engraving by Riou, based on a sketch by the author, to illustrate the story “Exploration du Haut-Niger (Haut-Niger)” (present-day Mali) by the commander Joseph Gallieni (1849-1916) of the naval infantry, in 1881-82. Published in the Tour du monde, 1er semester 1883, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

Riou, Edouard (1833-1900)


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