Riou, Edouard (1833-1900) Assets (229 in total)

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La traversee par le bac de la Riviere Mesacancha (Bas Peru), engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of the Pjonal, from 1862 to 1863, by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
La traversee par le bac de la Riviere Mesacancha (Bas Peru), engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of the Pjonal, from 1862 to 1863, by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329992: La traversee par le bac de la Riviere Mesacancha (Bas Peru), engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of the Pjonal, from 1862 to 1863, by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

Inondes villages, drawing by Riou, to illustrate the story of a trip to Gabon and the Ogoue River in 1875-1877, by Alfred Marche. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
Inondes villages, drawing by Riou, to illustrate the story of a trip to Gabon and the Ogoue River in 1875-1877, by Alfred Marche. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331257: Inondes villages, drawing by Riou, to illustrate the story of a trip to Gabon and the Ogoue River in 1875-1877, by Alfred Marche. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

The bath of the child in a palm leaf. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The bath of the child in a palm leaf. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325592: The bath of the child in a palm leaf. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

The collection of sandi, a tree whose lactee seve is both very nutritious and serves as a caulking for canoes in Venezuela and Peru. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The collection of sandi, a tree whose lactee seve is both very nutritious and serves as a caulking for canoes in Venezuela and Peru. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325605: The collection of sandi, a tree whose lactee seve is both very nutritious and serves as a caulking for canoes in Venezuela and Peru. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

Indian husbands Chontaquiros of Peru sleeping, in their bridal hammock, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Indian husbands Chontaquiros of Peru sleeping, in their bridal hammock, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325370: Indian husbands Chontaquiros of Peru sleeping, in their bridal hammock, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

A dancer in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
A dancer in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325415: A dancer in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

Restoration of statues of saints in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
Restoration of statues of saints in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325439: Restoration of statues of saints in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

The chewing of gunapo, but germinates, for the manufacture of chicha a Comtapata, heritage of the fermentation technique of the ancient Aymaras Indians of Upper Peru, drawing by Riou, to illustrate the journey through South America, from 1848 to 1860 by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
The chewing of gunapo, but germinates, for the manufacture of chicha a Comtapata, heritage of the fermentation technique of the ancient Aymaras Indians of Upper Peru, drawing by Riou, to illustrate the journey through South America, from 1848 to 1860 by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325020: The chewing of gunapo, but germinates, for the manufacture of chicha a Comtapata, heritage of the fermentation technique of the ancient Aymaras Indians of Upper Peru, drawing by Riou, to illustrate the journey through South America, from 1848 to 1860 by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

The manufacture of a canoe, evacuated by fire, by the Conibo Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The manufacture of a canoe, evacuated by fire, by the Conibo Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325153: The manufacture of a canoe, evacuated by fire, by the Conibo Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

Ajoupa (precarious housing construction) of the Antis Indians, in Biticaraya (Peru), drawing by Riou, illustrating the voyage from the Pacific Ocean to the Atlantic Ocean, 1848 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Ajoupa (precarious housing construction) of the Antis Indians, in Biticaraya (Peru), drawing by Riou, illustrating the voyage from the Pacific Ocean to the Atlantic Ocean, 1848 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325239: Ajoupa (precarious housing construction) of the Antis Indians, in Biticaraya (Peru), drawing by Riou, illustrating the voyage from the Pacific Ocean to the Atlantic Ocean, 1848 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

Distribution of food in Keauhou, after the earthquake and volcanic eruption of 1868, for the victims of the disaster, engraving after the drawing of E.Riou, illustrating the voyage to the Sandwich Islands, in 1855-1869, by C. de Varigny, published in “” Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Distribution of food in Keauhou, after the earthquake and volcanic eruption of 1868, for the victims of the disaster, engraving after the drawing of E.Riou, illustrating the voyage to the Sandwich Islands, in 1855-1869, by C. de Varigny, published in “” Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329542: Distribution of food in Keauhou, after the earthquake and volcanic eruption of 1868, for the victims of the disaster, engraving after the drawing of E.Riou, illustrating the voyage to the Sandwich Islands, in 1855-1869, by C. de Varigny, published in “” Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

Jaguar watching his prey on a tree trunk above the water - engraving 19th century
Jaguar watching his prey on a tree trunk above the water - engraving 19th century

LSE4097523: Jaguar watching his prey on a tree trunk above the water - engraving 19th century, Riou, Edouard (1833-1900) / Bridgeman Images

Take him down, Lord, into discouraged hands! in” Les Enfants du Capitaine Grant”” by Jules Verne, 1868, drawing by Riou. Hetzel Editions.
Take him down, Lord, into discouraged hands! in” Les Enfants du Capitaine Grant”” by Jules Verne, 1868, drawing by Riou. Hetzel Editions.

LSE4106300: Take him down, Lord, into discouraged hands! in” Les Enfants du Capitaine Grant”” by Jules Verne, 1868, drawing by Riou. Hetzel Editions., Riou, Edouard (1833-1900) / Bridgeman Images

Dantès évadé à la nage - Engraving by Riou, in “Le Comte de Monte-Cristo”” by A. Dumas, ed. Jules Rouff & Cie, 19th century
Dantès évadé à la nage - Engraving by Riou, in “Le Comte de Monte-Cristo”” by A. Dumas, ed. Jules Rouff & Cie, 19th century

LSE4105229: Dantès évadé à la nage - Engraving by Riou, in “Le Comte de Monte-Cristo”” by A. Dumas, ed. Jules Rouff & Cie, 19th century, Riou, Edouard (1833-1900) / Bridgeman Images

Scouts serving out milk and butter for broth to starving Pygmy natives, 1890 (wood engraving)
Scouts serving out milk and butter for broth to starving Pygmy natives, 1890 (wood engraving)

KWE441390: Scouts serving out milk and butter for broth to starving Pygmy natives, 1890 (wood engraving), Riou, Edouard (1833-1900) / Bridgeman Images

The Suez Canal, from a souvenir album commemorating the Voyage of Empress Eugenie (1827-1920) at the Inauguration in 1869 (w/c on paper)
The Suez Canal, from a souvenir album commemorating the Voyage of Empress Eugenie (1827-1920) at the Inauguration in 1869 (w/c on paper)

XIR240908: The Suez Canal, from a souvenir album commemorating the Voyage of Empress Eugenie (1827-1920) at the Inauguration in 1869 (w/c on paper), Riou, Edouard (1833-1900) / Bridgeman Images

Frontispice and title page of Jules Verne's novel “” 20,000 leagues under the seas””, with a vignette by Riou - Hetzel collection/Voyages extraordinaire 1870
Frontispice and title page of Jules Verne's novel “” 20,000 leagues under the seas””, with a vignette by Riou - Hetzel collection/Voyages extraordinaire 1870

PCT4259437: Frontispice and title page of Jules Verne's novel “” 20,000 leagues under the seas””, with a vignette by Riou - Hetzel collection/Voyages extraordinaire 1870, Riou, Edouard (1833-1900) / Bridgeman Images

Playing ear ornaments to Batak girls, ethnic group of northern Sumatra. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.
Playing ear ornaments to Batak girls, ethnic group of northern Sumatra. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

LSE4312811: Playing ear ornaments to Batak girls, ethnic group of northern Sumatra. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

A gang of children hunted for butterflies, accompanied by the author, a Villavicensio (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller in charge of mission by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
A gang of children hunted for butterflies, accompanied by the author, a Villavicensio (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller in charge of mission by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331107: A gang of children hunted for butterflies, accompanied by the author, a Villavicensio (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller in charge of mission by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

Cockfighting and street animation in Ibague (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller mission charge by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
Cockfighting and street animation in Ibague (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller mission charge by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331116: Cockfighting and street animation in Ibague (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller mission charge by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

Captain George Strong Nares (1831-1915) planted the British flag at the place closest to the pole, drawing by Riou, to illustrate the story of a voyage to the polar sea in 1875-1876, by Captain G.S.Nares. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
Captain George Strong Nares (1831-1915) planted the British flag at the place closest to the pole, drawing by Riou, to illustrate the story of a voyage to the polar sea in 1875-1876, by Captain G.S.Nares. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331225: Captain George Strong Nares (1831-1915) planted the British flag at the place closest to the pole, drawing by Riou, to illustrate the story of a voyage to the polar sea in 1875-1876, by Captain G.S.Nares. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

The team of topographers with their material, of the American geological mission, engraving after the drawing of F.Riou, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The team of topographers with their material, of the American geological mission, engraving after the drawing of F.Riou, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329899: The team of topographers with their material, of the American geological mission, engraving after the drawing of F.Riou, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by Messrs Hayden, Doane and Langford, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

The colonel of the genie and his aide-de-camp, drunken after the small fete given by the notables of Cailloma, hides behind the rocks, the narrator and his companion of travel, in the background, the troupe of notables returns home, engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of the Pjonal, from 1800s. 62 a 1863 , by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The colonel of the genie and his aide-de-camp, drunken after the small fete given by the notables of Cailloma, hides behind the rocks, the narrator and his companion of travel, in the background, the troupe of notables returns home, engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of the Pjonal, from 1800s. 62 a 1863 , by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329984: The colonel of the genie and his aide-de-camp, drunken after the small fete given by the notables of Cailloma, hides behind the rocks, the narrator and his companion of travel, in the background, the troupe of notables returns home, engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of the Pjonal, from 1800s. 62 a 1863 , by Paul Marcoy, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

Lieutenant Tyson occupied his morning toilet, a comb before putting on his boots, etched after a drawing by E.Riou, illustrating the story of the Polaris, ice raft, by Lieutenant Tyson, in 1870-1873, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Lieutenant Tyson occupied his morning toilet, a comb before putting on his boots, etched after a drawing by E.Riou, illustrating the story of the Polaris, ice raft, by Lieutenant Tyson, in 1870-1873, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330201: Lieutenant Tyson occupied his morning toilet, a comb before putting on his boots, etched after a drawing by E.Riou, illustrating the story of the Polaris, ice raft, by Lieutenant Tyson, in 1870-1873, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

The crew's boat is caught in a terrible tempete, the men without ropes and grapples hold their boat to the strength of their arms, etched after a drawing by E.Riou, illustrating the story of the Polaris, ice raft, by Lieutenant Tyson, in 1870-1873, published in “Le tour du monde””” 1875, under the direction of Edouard Ton, edition Hachette, Paris. Selva Collection.
The crew's boat is caught in a terrible tempete, the men without ropes and grapples hold their boat to the strength of their arms, etched after a drawing by E.Riou, illustrating the story of the Polaris, ice raft, by Lieutenant Tyson, in 1870-1873, published in “Le tour du monde””” 1875, under the direction of Edouard Ton, edition Hachette, Paris. Selva Collection.

LSE4330204: The crew's boat is caught in a terrible tempete, the men without ropes and grapples hold their boat to the strength of their arms, etched after a drawing by E.Riou, illustrating the story of the Polaris, ice raft, by Lieutenant Tyson, in 1870-1873, published in “Le tour du monde””” 1875, under the direction of Edouard Ton, edition Hachette, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

An Indian camp, in Utah territory, on the banks of the Riviere Verte. Engraving after the drawing of E.Riou, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
An Indian camp, in Utah territory, on the banks of the Riviere Verte. Engraving after the drawing of E.Riou, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330328: An Indian camp, in Utah territory, on the banks of the Riviere Verte. Engraving after the drawing of E.Riou, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

Lost and exhausted with fatigue, the crew of the expedition is collected by the Russian fishing vessel, the Nicholas, and ends the voyage in the ship's holds, stacks among the cargo of fish and hunting trophees (deer wood, polar bear skin). Engraving after Riou's drawing, to illustrate the odyssee Tegetthoff, by lieutenants Payer and Weyprecht, in 1872-1874, published in “” Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Lost and exhausted with fatigue, the crew of the expedition is collected by the Russian fishing vessel, the Nicholas, and ends the voyage in the ship's holds, stacks among the cargo of fish and hunting trophees (deer wood, polar bear skin). Engraving after Riou's drawing, to illustrate the odyssee Tegetthoff, by lieutenants Payer and Weyprecht, in 1872-1874, published in “” Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330545: Lost and exhausted with fatigue, the crew of the expedition is collected by the Russian fishing vessel, the Nicholas, and ends the voyage in the ship's holds, stacks among the cargo of fish and hunting trophees (deer wood, polar bear skin). Engraving after Riou's drawing, to illustrate the odyssee Tegetthoff, by lieutenants Payer and Weyprecht, in 1872-1874, published in “” Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

Frontispiece for Jules Verne's novel 20,000 Leagues Under the Sea, 1870 (engraving)
Frontispiece for Jules Verne's novel 20,000 Leagues Under the Sea, 1870 (engraving)

XRH1703528: Frontispiece for Jules Verne's novel 20,000 Leagues Under the Sea, 1870 (engraving), Riou, Edouard (1833-1900) / Bridgeman Images

Inauguration of the Suez Canal by G. Nicole. 1869
Inauguration of the Suez Canal by G. Nicole. 1869

LSE4084840: Inauguration of the Suez Canal by G. Nicole. 1869, Riou, Edouard (1833-1900) / Bridgeman Images

View of the Canal in “” Inauguration of the Canal de suez by G. Nicole. 1869
View of the Canal in “” Inauguration of the Canal de suez by G. Nicole. 1869

LSE4084844: View of the Canal in “” Inauguration of the Canal de suez by G. Nicole. 1869, Riou, Edouard (1833-1900) / Bridgeman Images

Sinking of the steam boat. In “” Journey in the West African”” by Brazza, 1888. Engraving after a drawing by Riou.
Sinking of the steam boat. In “” Journey in the West African”” by Brazza, 1888. Engraving after a drawing by Riou.

LSE4112678: Sinking of the steam boat. In “” Journey in the West African”” by Brazza, 1888. Engraving after a drawing by Riou., Riou, Edouard (1833-1900) / Bridgeman Images

Je suis Edmond Dantès - Engraving by Riou, in “” Le Comte de Monte-Cristo”” by A. Dumas, ed. Jules Rouff & Cie, 19th century
Je suis Edmond Dantès - Engraving by Riou, in “” Le Comte de Monte-Cristo”” by A. Dumas, ed. Jules Rouff & Cie, 19th century

LSE4105227: Je suis Edmond Dantès - Engraving by Riou, in “” Le Comte de Monte-Cristo”” by A. Dumas, ed. Jules Rouff & Cie, 19th century, Riou, Edouard (1833-1900) / Bridgeman Images

Edmond Dantes, the Count of Monte Cristo (Monte Cristo) in his prison - Engraving by Riou, in “La Comte de Monte-Cristo” by Alexandre Dumas, Rouff & Cie, 19th century
Edmond Dantes, the Count of Monte Cristo (Monte Cristo) in his prison - Engraving by Riou, in “La Comte de Monte-Cristo” by Alexandre Dumas, Rouff & Cie, 19th century

LSE4103819: Edmond Dantes, the Count of Monte Cristo (Monte Cristo) in his prison - Engraving by Riou, in “La Comte de Monte-Cristo” by Alexandre Dumas, Rouff & Cie, 19th century, Riou, Edouard (1833-1900) / Bridgeman Images

Panic among the Conibos Indians, who fled at the arrival of Paul Marcoy's expedition near Tumbaya (Peru), who himself was the victim of an evil incantation by an old Indian, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Panic among the Conibos Indians, who fled at the arrival of Paul Marcoy's expedition near Tumbaya (Peru), who himself was the victim of an evil incantation by an old Indian, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325374: Panic among the Conibos Indians, who fled at the arrival of Paul Marcoy's expedition near Tumbaya (Peru), who himself was the victim of an evil incantation by an old Indian, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

The cooking of pottery by the Conibo Indians of Peru, with the presence of an old woman who sings and dances around the fire to prevent evil spirits from coming to touch and break the pottery, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The cooking of pottery by the Conibo Indians of Peru, with the presence of an old woman who sings and dances around the fire to prevent evil spirits from coming to touch and break the pottery, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325393: The cooking of pottery by the Conibo Indians of Peru, with the presence of an old woman who sings and dances around the fire to prevent evil spirits from coming to touch and break the pottery, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

The mill to grind sugar cane from Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The mill to grind sugar cane from Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325427: The mill to grind sugar cane from Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images


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