Riou, Edouard (1833-1900) Assets (301 in total)

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The Cathedrale of Bogotá, in Bolivar Square (Colombia), during the annual celebration of the Independence (18 December), for this occasion, an ephemere kiosk was set up to house the band orchestra, drawing by E.Riou, to illustrate the journey to equinoxial America (Colombia, Ecuador, Peru), in 1875-1876, by Edouard Andre (1833 -1894), a traveller commissioned a mission by the French government. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
The Cathedrale of Bogotá, in Bolivar Square (Colombia), during the annual celebration of the Independence (18 December), for this occasion, an ephemere kiosk was set up to house the band orchestra, drawing by E.Riou, to illustrate the journey to equinoxial America (Colombia, Ecuador, Peru), in 1875-1876, by Edouard Andre (1833 -1894), a traveller commissioned a mission by the French government. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4331031: The Cathedrale of Bogotá, in Bolivar Square (Colombia), during the annual celebration of the Independence (18 December), for this occasion, an ephemere kiosk was set up to house the band orchestra, drawing by E.Riou, to illustrate the journey to equinoxial America (Colombia, Ecuador, Peru), in 1875-1876, by Edouard Andre (1833 -1894), a traveller commissioned a mission by the French government. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

Arrival of the raft of Dr. Crevaux and E. Lejeanne, on the banks bordering the village of Mitouas. Engraving by Riou, to illustrate the voyage of exploration through New Granada and Venezuela, by Doctor Crevaux, first class physician of the navy and E.Lejeanne, marine pharmacist, in 1881, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1882, Paris. Selva Collection.
Arrival of the raft of Dr. Crevaux and E. Lejeanne, on the banks bordering the village of Mitouas. Engraving by Riou, to illustrate the voyage of exploration through New Granada and Venezuela, by Doctor Crevaux, first class physician of the navy and E.Lejeanne, marine pharmacist, in 1881, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1882, Paris. Selva Collection.

LSE4332699: Arrival of the raft of Dr. Crevaux and E. Lejeanne, on the banks bordering the village of Mitouas. Engraving by Riou, to illustrate the voyage of exploration through New Granada and Venezuela, by Doctor Crevaux, first class physician of the navy and E.Lejeanne, marine pharmacist, in 1881, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1882, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

Portrait of Emile Arthur Thouar, French explorer medaille of the geography society of Paris, 19th century (engraving)
Portrait of Emile Arthur Thouar, French explorer medaille of the geography society of Paris, 19th century (engraving)

LSE4333964: Portrait of Emile Arthur Thouar, French explorer medaille of the geography society of Paris, 19th century (engraving), Riou, Edouard (1833-1900) / Bridgeman Images

Ketimkuru, tribal leader, playing the accordeon. Engraving by Riou to illustrate the story Les lacs de l'Afrique equatoriale, by Victor Giraud, ensign of ship, in 1883-1885, in the tour du monde 1886, under the direction of Edouard Charton (1807-1890), Hachette, Paris.
Ketimkuru, tribal leader, playing the accordeon. Engraving by Riou to illustrate the story Les lacs de l'Afrique equatoriale, by Victor Giraud, ensign of ship, in 1883-1885, in the tour du monde 1886, under the direction of Edouard Charton (1807-1890), Hachette, Paris.

LSE4334312: Ketimkuru, tribal leader, playing the accordeon. Engraving by Riou to illustrate the story Les lacs de l'Afrique equatoriale, by Victor Giraud, ensign of ship, in 1883-1885, in the tour du monde 1886, under the direction of Edouard Charton (1807-1890), Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

Palabre a Aouabou (Côte d'Ivoire). Signature of the commercial deal at the court of Anno, with a portrait of the author. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.
Palabre a Aouabou (Côte d'Ivoire). Signature of the commercial deal at the court of Anno, with a portrait of the author. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

LSE4335542: Palabre a Aouabou (Côte d'Ivoire). Signature of the commercial deal at the court of Anno, with a portrait of the author. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

Picking the coca leaves in the Ituata Valley, drawing by E.Riou, to illustrate the journey in the Titicaca region and the valleys of the east of Lower Peru, in 1873 by Paul Marcoy. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
Picking the coca leaves in the Ituata Valley, drawing by E.Riou, to illustrate the journey in the Titicaca region and the valleys of the east of Lower Peru, in 1873 by Paul Marcoy. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4330994: Picking the coca leaves in the Ituata Valley, drawing by E.Riou, to illustrate the journey in the Titicaca region and the valleys of the east of Lower Peru, in 1873 by Paul Marcoy. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

Batak women, northern Sumatra ethnic group, pounding and cleaning rice. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.
Batak women, northern Sumatra ethnic group, pounding and cleaning rice. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

LSE4312817: Batak women, northern Sumatra ethnic group, pounding and cleaning rice. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

Hacienda by Tian Tian, Peru and cocoa plantation, drawing by Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
Hacienda by Tian Tian, Peru and cocoa plantation, drawing by Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325089: Hacienda by Tian Tian, Peru and cocoa plantation, drawing by Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

The mass of the departure in Echarati (Peru), attended by the converted natives, drawing by Riou, illustrating Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The mass of the departure in Echarati (Peru), attended by the converted natives, drawing by Riou, illustrating Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325230: The mass of the departure in Echarati (Peru), attended by the converted natives, drawing by Riou, illustrating Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

The game of the bilboquet, with a turtle's head, among the Conibos Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The game of the bilboquet, with a turtle's head, among the Conibos Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325379: The game of the bilboquet, with a turtle's head, among the Conibos Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

Paul Marcoy learned to make a carpet with the widows of Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
Paul Marcoy learned to make a carpet with the widows of Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325441: Paul Marcoy learned to make a carpet with the widows of Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

Illustration of Jules Verne's book “” Journey to the Centre of the Earth”” - Hetzel edition/Extraordinary Voyages 1864, vignette de Riou: The torch threw enough clarity to illuminate the whole scene.
Illustration of Jules Verne's book “” Journey to the Centre of the Earth”” - Hetzel edition/Extraordinary Voyages 1864, vignette de Riou: The torch threw enough clarity to illuminate the whole scene.

PCT4258241: Illustration of Jules Verne's book “” Journey to the Centre of the Earth”” - Hetzel edition/Extraordinary Voyages 1864, vignette de Riou: The torch threw enough clarity to illuminate the whole scene., Riou, Edouard (1833-1900) / Bridgeman Images

Illustration for Jules Verne's book “The Children of Captain Grant, Journey Around the World
Illustration for Jules Verne's book “The Children of Captain Grant, Journey Around the World

PCT4259716: Illustration for Jules Verne's book “The Children of Captain Grant, Journey Around the World" (print), Riou, Edouard (1833-1900) / Bridgeman Images

Illustration Jules Verne's novel
Illustration Jules Verne's novel

PCT4260757: Illustration Jules Verne's novel "Journey to the Centre of the Earth", 19th century (engraving), Riou, Edouard (1833-1900) / Bridgeman Images

Illustration by Riou of Jules Verne's novel “” Journey to the Centre of the Earth””: the Sea Lidenbrock - edition HETZEL 1867
Illustration by Riou of Jules Verne's novel “” Journey to the Centre of the Earth””: the Sea Lidenbrock - edition HETZEL 1867

PCT4260765: Illustration by Riou of Jules Verne's novel “” Journey to the Centre of the Earth””: the Sea Lidenbrock - edition HETZEL 1867, Riou, Edouard (1833-1900) / Bridgeman Images

Grandma's kitchen is ideal for romantic encounters: an old woman serving soup to two young people holding hands. Illustration by Riou for a “national novel” by Erkmann-Chatrian, edition Hetzel 1873.
Grandma's kitchen is ideal for romantic encounters: an old woman serving soup to two young people holding hands. Illustration by Riou for a “national novel” by Erkmann-Chatrian, edition Hetzel 1873.

PCT4265971: Grandma's kitchen is ideal for romantic encounters: an old woman serving soup to two young people holding hands. Illustration by Riou for a “national novel” by Erkmann-Chatrian, edition Hetzel 1873., Riou, Edouard (1833-1900) / Bridgeman Images

Rural ball improvised in the countryside of Alsace in the 19th century. Young people from the region of Saverne met in the spring, Sunday, in an orchard to dance under the blossoming apple trees. The musicians of the small local orchestra stand on a barrel platform. Illustration by Riou of a short story by Erckmann-Chatrian (Erckmann Chatrian), “Histoire d'un homme du peuple”, edition Hetzel 1873. See same image not removed: GUT2586 -
Rural ball improvised in the countryside of Alsace in the 19th century. Young people from the region of Saverne met in the spring, Sunday, in an orchard to dance under the blossoming apple trees. The musicians of the small local orchestra stand on a barrel platform. Illustration by Riou of a short story by Erckmann-Chatrian (Erckmann Chatrian), “Histoire d'un homme du peuple”, edition Hetzel 1873. See same image not removed: GUT2586 -

PCT4277126: Rural ball improvised in the countryside of Alsace in the 19th century. Young people from the region of Saverne met in the spring, Sunday, in an orchard to dance under the blossoming apple trees. The musicians of the small local orchestra stand on a barrel platform. Illustration by Riou of a short story by Erckmann-Chatrian (Erckmann Chatrian), “Histoire d'un homme du peuple”, edition Hetzel 1873. See same image not removed: GUT2586 -, Riou, Edouard (1833-1900) / Bridgeman Images

Sir Henry Morton Stanley watching a phalanx dance by Mazamboni's warriors at Usiri, 1890 (wood engraving)
Sir Henry Morton Stanley watching a phalanx dance by Mazamboni's warriors at Usiri, 1890 (wood engraving)

KWE441407: Sir Henry Morton Stanley watching a phalanx dance by Mazamboni's warriors at Usiri, 1890 (wood engraving), Riou, Edouard (1833-1900) / Bridgeman Images

The Midnight Sun in “The Children of Captain Grant” by Jules Verne, 1868, drawing by Riou. Hetzel Editions.
The Midnight Sun in “The Children of Captain Grant” by Jules Verne, 1868, drawing by Riou. Hetzel Editions.

LSE4106276: The Midnight Sun in “The Children of Captain Grant” by Jules Verne, 1868, drawing by Riou. Hetzel Editions., Riou, Edouard (1833-1900) / Bridgeman Images

Philippe Auguste (Philippe-Auguste) wanted to offer Parisians the spectacle of a triumphant start. sd. 12th century
Philippe Auguste (Philippe-Auguste) wanted to offer Parisians the spectacle of a triumphant start. sd. 12th century

LSE4095010: Philippe Auguste (Philippe-Auguste) wanted to offer Parisians the spectacle of a triumphant start. sd. 12th century, Riou, Edouard (1833-1900) / Bridgeman Images

Illustration for Jules Verne's “Five weeks en Ballon
Illustration for Jules Verne's “Five weeks en Ballon

PCT4259604: Illustration for Jules Verne's “Five weeks en Ballon" (print), Riou, Edouard (1833-1900) / Bridgeman Images

Title page of the novel by Jules Verne “Five weeks in balloon
Title page of the novel by Jules Verne “Five weeks in balloon

PCT4259587: Title page of the novel by Jules Verne “Five weeks in balloon" (print), Riou, Edouard (1833-1900) / Bridgeman Images

Place des Palmistes, Cayenne, Guyana, 1862 (engraving) (b/w photo)
Place des Palmistes, Cayenne, Guyana, 1862 (engraving) (b/w photo)

CHT202679: Place des Palmistes, Cayenne, Guyana, 1862 (engraving) (b/w photo), Riou, Edouard (1833-1900) / Bridgeman Images

Illustration of Jules Verne
Illustration of Jules Verne

PCT4260010: Illustration of Jules Verne "Adventures of Captain Hatteras, 1866 (print), Riou, Edouard (1833-1900) / Bridgeman Images

Ideal view of the Earth during the period of the lias (Jurassic) showing a pterodactyl apprehending to devour a dragonfly, 1872 (engraving)
Ideal view of the Earth during the period of the lias (Jurassic) showing a pterodactyl apprehending to devour a dragonfly, 1872 (engraving)

PCT4265634: Ideal view of the Earth during the period of the lias (Jurassic) showing a pterodactyl apprehending to devour a dragonfly, 1872 (engraving), Riou, Edouard (1833-1900) / Bridgeman Images

Engraving of the book by Jules Verne “” Twenty thousand lieues sous les mers”” (Twenty-thousand - 20,000 - 20000), 1865: frontispiece by Riou - editions Hetzel/
Engraving of the book by Jules Verne “” Twenty thousand lieues sous les mers”” (Twenty-thousand - 20,000 - 20000), 1865: frontispiece by Riou - editions Hetzel/

PCT4258185: Engraving of the book by Jules Verne “” Twenty thousand lieues sous les mers”” (Twenty-thousand - 20,000 - 20000), 1865: frontispiece by Riou - editions Hetzel/, Riou, Edouard (1833-1900) / Bridgeman Images

Illustration Jules Verne's novel
Illustration Jules Verne's novel

PCT4260796: Illustration Jules Verne's novel "Journey to the Centre of the Earth", 19th century (engraving), Riou, Edouard (1833-1900) / Bridgeman Images

Illustration for Jules Verne's book “The Children of Captain Grant, Journey Around the World
Illustration for Jules Verne's book “The Children of Captain Grant, Journey Around the World

PCT4259691: Illustration for Jules Verne's book “The Children of Captain Grant, Journey Around the World" (print), Riou, Edouard (1833-1900) / Bridgeman Images

Sports competition, 1858: regates in Angers, Maine and Loire. Engraving by Riou in
Sports competition, 1858: regates in Angers, Maine and Loire. Engraving by Riou in

XEE4139705: Sports competition, 1858: regates in Angers, Maine and Loire. Engraving by Riou in "Le Monde Illustré" n° 65 of July 10, 1858., Riou, Edouard (1833-1900) / Bridgeman Images

Venitian feast in Neuilly given to the benefit of the poor in 1858. Engraving by Riou in “” Le Monde Illustré”” n°77 of 2 October 1858.
Venitian feast in Neuilly given to the benefit of the poor in 1858. Engraving by Riou in “” Le Monde Illustré”” n°77 of 2 October 1858.

XEE4140079: Venitian feast in Neuilly given to the benefit of the poor in 1858. Engraving by Riou in “” Le Monde Illustré”” n°77 of 2 October 1858., Riou, Edouard (1833-1900) / Bridgeman Images

Transport of a leaf and a flower of nymphea from Lake Nuna (perou), specimen reserve at P.Marcoy herbarium. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
Transport of a leaf and a flower of nymphea from Lake Nuna (perou), specimen reserve at P.Marcoy herbarium. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325598: Transport of a leaf and a flower of nymphea from Lake Nuna (perou), specimen reserve at P.Marcoy herbarium. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

Reception at Mkwewe, tribe chief, with the narrator. Engraving by Riou to illustrate the story Les lacs de l'Afrique equatoriale, by Victor Giraud, ensign of ship, in 1883-1885, in the tour du monde 1886, under the direction of Edouard Charton (1807-1890), Hachette, Paris.
Reception at Mkwewe, tribe chief, with the narrator. Engraving by Riou to illustrate the story Les lacs de l'Afrique equatoriale, by Victor Giraud, ensign of ship, in 1883-1885, in the tour du monde 1886, under the direction of Edouard Charton (1807-1890), Hachette, Paris.

LSE4334309: Reception at Mkwewe, tribe chief, with the narrator. Engraving by Riou to illustrate the story Les lacs de l'Afrique equatoriale, by Victor Giraud, ensign of ship, in 1883-1885, in the tour du monde 1886, under the direction of Edouard Charton (1807-1890), Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

Types of Pakhala (Ivory Coast). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.
Types of Pakhala (Ivory Coast). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

LSE4335536: Types of Pakhala (Ivory Coast). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

The hauling of a steamer through the vegetation rafts that invade the hollow canal to leave a marsh, etched after a drawing by E.Riou, illustrating an armed expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection.
The hauling of a steamer through the vegetation rafts that invade the hollow canal to leave a marsh, etched after a drawing by E.Riou, illustrating an armed expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329936: The hauling of a steamer through the vegetation rafts that invade the hollow canal to leave a marsh, etched after a drawing by E.Riou, illustrating an armed expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

Matipa, an indigenous man who provided canoes to Livingstone's team, was served drinking by his wife, engraving after a drawing by Riou, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Matipa, an indigenous man who provided canoes to Livingstone's team, was served drinking by his wife, engraving after a drawing by Riou, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330140: Matipa, an indigenous man who provided canoes to Livingstone's team, was served drinking by his wife, engraving after a drawing by Riou, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

A taxidermy laboratory in the virgin forest, in the region of Llanos (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller mission charge by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
A taxidermy laboratory in the virgin forest, in the region of Llanos (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller mission charge by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331111: A taxidermy laboratory in the virgin forest, in the region of Llanos (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller mission charge by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images


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