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Riou, Edouard (1833-1900) Assets (230 in total)

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An Indian camp, in Utah territory, on the banks of the Riviere Verte. Engraving after the drawing of E.Riou, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
An Indian camp, in Utah territory, on the banks of the Riviere Verte. Engraving after the drawing of E.Riou, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330328: An Indian camp, in Utah territory, on the banks of the Riviere Verte. Engraving after the drawing of E.Riou, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4330328

An Indian camp, in Utah territory, on the banks of the Riviere Verte. Engraving after the drawing of E.Riou, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Riou, Edouard (1833-1900)

Cockfighting and street animation in Ibague (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller mission charge by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
Cockfighting and street animation in Ibague (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller mission charge by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331116: Cockfighting and street animation in Ibague (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller mission charge by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4331116

Cockfighting and street animation in Ibague (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller mission charge by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

Riou, Edouard (1833-1900)

Frontispice and title page of Jules Verne's novel “” 20,000 leagues under the seas””, with a vignette by Riou - Hetzel collection/Voyages extraordinaire 1870
Frontispice and title page of Jules Verne's novel “” 20,000 leagues under the seas””, with a vignette by Riou - Hetzel collection/Voyages extraordinaire 1870

PCT4259437: Frontispice and title page of Jules Verne's novel “” 20,000 leagues under the seas””, with a vignette by Riou - Hetzel collection/Voyages extraordinaire 1870, Riou, Edouard (1833-1900) / Bridgeman Images

ID: PCT4259437

Frontispice and title page of Jules Verne's novel “” 20,000 leagues under the seas””, with a vignette by Riou - Hetzel collection/Voyages extraordinaire 1870

Riou, Edouard (1833-1900)

Inauguration of the Suez Canal by G. Nicole. 1869
Inauguration of the Suez Canal by G. Nicole. 1869

LSE4084840: Inauguration of the Suez Canal by G. Nicole. 1869, Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4084840

Inauguration of the Suez Canal by G. Nicole. 1869

Riou, Edouard (1833-1900)

View of the Canal in “” Inauguration of the Canal de suez by G. Nicole. 1869
View of the Canal in “” Inauguration of the Canal de suez by G. Nicole. 1869

LSE4084844: View of the Canal in “” Inauguration of the Canal de suez by G. Nicole. 1869, Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4084844

View of the Canal in “” Inauguration of the Canal de suez by G. Nicole. 1869

Riou, Edouard (1833-1900)

Fighters, gather every Sunday around the cancha de gallos (circus of 30 feet of circonference) to witness the fighting to death of animals, in Cuzco, drawing by Riou, to illustrate the journey through South America, from 1848 to 1860 by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
Fighters, gather every Sunday around the cancha de gallos (circus of 30 feet of circonference) to witness the fighting to death of animals, in Cuzco, drawing by Riou, to illustrate the journey through South America, from 1848 to 1860 by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325025: Fighters, gather every Sunday around the cancha de gallos (circus of 30 feet of circonference) to witness the fighting to death of animals, in Cuzco, drawing by Riou, to illustrate the journey through South America, from 1848 to 1860 by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325025

Fighters, gather every Sunday around the cancha de gallos (circus of 30 feet of circonference) to witness the fighting to death of animals, in Cuzco, drawing by Riou, to illustrate the journey through South America, from 1848 to 1860 by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

Riou, Edouard (1833-1900)

The preparation of fireworks in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The preparation of fireworks in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325433: The preparation of fireworks in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325433

The preparation of fireworks in Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

Riou, Edouard (1833-1900)

The cooking of pottery by the Conibo Indians of Peru, with the presence of an old woman who sings and dances around the fire to prevent evil spirits from coming to touch and break the pottery, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The cooking of pottery by the Conibo Indians of Peru, with the presence of an old woman who sings and dances around the fire to prevent evil spirits from coming to touch and break the pottery, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325393: The cooking of pottery by the Conibo Indians of Peru, with the presence of an old woman who sings and dances around the fire to prevent evil spirits from coming to touch and break the pottery, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325393

The cooking of pottery by the Conibo Indians of Peru, with the presence of an old woman who sings and dances around the fire to prevent evil spirits from coming to touch and break the pottery, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Riou, Edouard (1833-1900)

Panic among the Conibos Indians, who fled at the arrival of Paul Marcoy's expedition near Tumbaya (Peru), who himself was the victim of an evil incantation by an old Indian, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Panic among the Conibos Indians, who fled at the arrival of Paul Marcoy's expedition near Tumbaya (Peru), who himself was the victim of an evil incantation by an old Indian, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325374: Panic among the Conibos Indians, who fled at the arrival of Paul Marcoy's expedition near Tumbaya (Peru), who himself was the victim of an evil incantation by an old Indian, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325374

Panic among the Conibos Indians, who fled at the arrival of Paul Marcoy's expedition near Tumbaya (Peru), who himself was the victim of an evil incantation by an old Indian, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Riou, Edouard (1833-1900)

The mill to grind sugar cane from Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The mill to grind sugar cane from Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325427: The mill to grind sugar cane from Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325427

The mill to grind sugar cane from Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

Riou, Edouard (1833-1900)

Sinking of the steam boat. In “” Journey in the West African”” by Brazza, 1888. Engraving after a drawing by Riou.
Sinking of the steam boat. In “” Journey in the West African”” by Brazza, 1888. Engraving after a drawing by Riou.

LSE4112678: Sinking of the steam boat. In “” Journey in the West African”” by Brazza, 1888. Engraving after a drawing by Riou., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4112678

Sinking of the steam boat. In “” Journey in the West African”” by Brazza, 1888. Engraving after a drawing by Riou.

Riou, Edouard (1833-1900)

Edmond Dantes, the Count of Monte Cristo (Monte Cristo) in his prison - Engraving by Riou, in “La Comte de Monte-Cristo” by Alexandre Dumas, Rouff & Cie, 19th century
Edmond Dantes, the Count of Monte Cristo (Monte Cristo) in his prison - Engraving by Riou, in “La Comte de Monte-Cristo” by Alexandre Dumas, Rouff & Cie, 19th century

LSE4103819: Edmond Dantes, the Count of Monte Cristo (Monte Cristo) in his prison - Engraving by Riou, in “La Comte de Monte-Cristo” by Alexandre Dumas, Rouff & Cie, 19th century, Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4103819

Edmond Dantes, the Count of Monte Cristo (Monte Cristo) in his prison - Engraving by Riou, in “La Comte de Monte-Cristo” by Alexandre Dumas, Rouff & Cie, 19th century

Riou, Edouard (1833-1900)

Je suis Edmond Dantès - Engraving by Riou, in “” Le Comte de Monte-Cristo”” by A. Dumas, ed. Jules Rouff & Cie, 19th century
Je suis Edmond Dantès - Engraving by Riou, in “” Le Comte de Monte-Cristo”” by A. Dumas, ed. Jules Rouff & Cie, 19th century

LSE4105227: Je suis Edmond Dantès - Engraving by Riou, in “” Le Comte de Monte-Cristo”” by A. Dumas, ed. Jules Rouff & Cie, 19th century, Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4105227

Je suis Edmond Dantès - Engraving by Riou, in “” Le Comte de Monte-Cristo”” by A. Dumas, ed. Jules Rouff & Cie, 19th century

Riou, Edouard (1833-1900)

Playing ear ornaments to Batak girls, ethnic group of northern Sumatra. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.
Playing ear ornaments to Batak girls, ethnic group of northern Sumatra. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

LSE4312811: Playing ear ornaments to Batak girls, ethnic group of northern Sumatra. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4312811

Playing ear ornaments to Batak girls, ethnic group of northern Sumatra. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

Riou, Edouard (1833-1900)


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