1. Home
  2. All Artists
  3. Riou, Edouard (1833-1900)
  4. All Assets

Riou, Edouard (1833-1900) Assets (229 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

The fishing industry on the river Eboga, which traps the fish, leads through the rapids through its bamboo clays, drawing by Riou, to illustrate the story of a trip to Gabon and the river Ogoue, in 1875-1877, by Alfred Marche. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
The fishing industry on the river Eboga, which traps the fish, leads through the rapids through its bamboo clays, drawing by Riou, to illustrate the story of a trip to Gabon and the river Ogoue, in 1875-1877, by Alfred Marche. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331265: The fishing industry on the river Eboga, which traps the fish, leads through the rapids through its bamboo clays, drawing by Riou, to illustrate the story of a trip to Gabon and the river Ogoue, in 1875-1877, by Alfred Marche. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4331265

The fishing industry on the river Eboga, which traps the fish, leads through the rapids through its bamboo clays, drawing by Riou, to illustrate the story of a trip to Gabon and the river Ogoue, in 1875-1877, by Alfred Marche. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

Riou, Edouard (1833-1900)

An instrument made of bird bone and a way of snuffing among the Indians ouitotos (uitoto), blowing in unison, they simultaneously send the catch. Engraving by Riou, to illustrate the story of Cayenne aux Andes, by Jules Crevaux, doctor of the French navy, in 1878-1879, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
An instrument made of bird bone and a way of snuffing among the Indians ouitotos (uitoto), blowing in unison, they simultaneously send the catch. Engraving by Riou, to illustrate the story of Cayenne aux Andes, by Jules Crevaux, doctor of the French navy, in 1878-1879, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332489: An instrument made of bird bone and a way of snuffing among the Indians ouitotos (uitoto), blowing in unison, they simultaneously send the catch. Engraving by Riou, to illustrate the story of Cayenne aux Andes, by Jules Crevaux, doctor of the French navy, in 1878-1879, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4332489

An instrument made of bird bone and a way of snuffing among the Indians ouitotos (uitoto), blowing in unison, they simultaneously send the catch. Engraving by Riou, to illustrate the story of Cayenne aux Andes, by Jules Crevaux, doctor of the French navy, in 1878-1879, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

Riou, Edouard (1833-1900)

Arrival of the raft of Dr. Crevaux and E. Lejeanne, on the banks bordering the village of Mitouas. Engraving by Riou, to illustrate the voyage of exploration through New Granada and Venezuela, by Doctor Crevaux, first class physician of the navy and E.Lejeanne, marine pharmacist, in 1881, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1882, Paris. Selva Collection.
Arrival of the raft of Dr. Crevaux and E. Lejeanne, on the banks bordering the village of Mitouas. Engraving by Riou, to illustrate the voyage of exploration through New Granada and Venezuela, by Doctor Crevaux, first class physician of the navy and E.Lejeanne, marine pharmacist, in 1881, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1882, Paris. Selva Collection.

LSE4332699: Arrival of the raft of Dr. Crevaux and E. Lejeanne, on the banks bordering the village of Mitouas. Engraving by Riou, to illustrate the voyage of exploration through New Granada and Venezuela, by Doctor Crevaux, first class physician of the navy and E.Lejeanne, marine pharmacist, in 1881, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1882, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4332699

Arrival of the raft of Dr. Crevaux and E. Lejeanne, on the banks bordering the village of Mitouas. Engraving by Riou, to illustrate the voyage of exploration through New Granada and Venezuela, by Doctor Crevaux, first class physician of the navy and E.Lejeanne, marine pharmacist, in 1881, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1882, Paris. Selva Collection.

Riou, Edouard (1833-1900)

Les porters d'eau et les lavandieres de Cartago (Colombia), engraving by Riou, to illustrate the story of America Equinoxiale by E.Andre, a mission charge by the French government, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.
Les porters d'eau et les lavandieres de Cartago (Colombia), engraving by Riou, to illustrate the story of America Equinoxiale by E.Andre, a mission charge by the French government, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.

LSE4331978: Les porters d'eau et les lavandieres de Cartago (Colombia), engraving by Riou, to illustrate the story of America Equinoxiale by E.Andre, a mission charge by the French government, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4331978

Les porters d'eau et les lavandieres de Cartago (Colombia), engraving by Riou, to illustrate the story of America Equinoxiale by E.Andre, a mission charge by the French government, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The King of Italy Victor Emmanuel II (Victor Emmanuel) (Vittorio Emanuele) in Venice on St. Mark's Square. After the defeat of the Austrians at Sadowa, Venetia was regained to the Kingdom of Italy in 1866. Engraving after a drawing by Crepon and Riou. In “” The illustrious universe””, the 24/11/1866.
The King of Italy Victor Emmanuel II (Victor Emmanuel) (Vittorio Emanuele) in Venice on St. Mark's Square. After the defeat of the Austrians at Sadowa, Venetia was regained to the Kingdom of Italy in 1866. Engraving after a drawing by Crepon and Riou. In “” The illustrious universe””, the 24/11/1866.

XEE4405710: The King of Italy Victor Emmanuel II (Victor Emmanuel) (Vittorio Emanuele) in Venice on St. Mark's Square. After the defeat of the Austrians at Sadowa, Venetia was regained to the Kingdom of Italy in 1866. Engraving after a drawing by Crepon and Riou. In “” The illustrious universe””, the 24/11/1866., Riou, Edouard (1833-1900) / Bridgeman Images

ID: XEE4405710

The King of Italy Victor Emmanuel II (Victor Emmanuel) (Vittorio Emanuele) in Venice on St. Mark's Square. After the defeat of the Austrians at Sadowa, Venetia was regained to the Kingdom of Italy in 1866. Engraving after a drawing by Crepon and Riou. In “” The illustrious universe””, the 24/11/1866.

Riou, Edouard (1833-1900)

General view of Cusco or Cusco, former capital of the Incas, drawing of Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
General view of Cusco or Cusco, former capital of the Incas, drawing of Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325019: General view of Cusco or Cusco, former capital of the Incas, drawing of Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325019

General view of Cusco or Cusco, former capital of the Incas, drawing of Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

Riou, Edouard (1833-1900)

The manufacture of turtle egg oil, the eggs, collected in a canoe that serves as a press, are burned with 5-pointed arrows, then their oily yellow is picked up in jars, then boiled and dirty, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The manufacture of turtle egg oil, the eggs, collected in a canoe that serves as a press, are burned with 5-pointed arrows, then their oily yellow is picked up in jars, then boiled and dirty, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325157: The manufacture of turtle egg oil, the eggs, collected in a canoe that serves as a press, are burned with 5-pointed arrows, then their oily yellow is picked up in jars, then boiled and dirty, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325157

The manufacture of turtle egg oil, the eggs, collected in a canoe that serves as a press, are burned with 5-pointed arrows, then their oily yellow is picked up in jars, then boiled and dirty, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Riou, Edouard (1833-1900)

The mass of the departure in Echarati (Peru), attended by the converted natives, drawing by Riou, illustrating Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The mass of the departure in Echarati (Peru), attended by the converted natives, drawing by Riou, illustrating Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325230: The mass of the departure in Echarati (Peru), attended by the converted natives, drawing by Riou, illustrating Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325230

The mass of the departure in Echarati (Peru), attended by the converted natives, drawing by Riou, illustrating Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Riou, Edouard (1833-1900)

Tobacco auctioners, makeup according to the tradition of the tribe of the Antis (Peru), drawing by Riou, illustrating Paul Marcoy's voyage from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Tobacco auctioners, makeup according to the tradition of the tribe of the Antis (Peru), drawing by Riou, illustrating Paul Marcoy's voyage from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325243: Tobacco auctioners, makeup according to the tradition of the tribe of the Antis (Peru), drawing by Riou, illustrating Paul Marcoy's voyage from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325243

Tobacco auctioners, makeup according to the tradition of the tribe of the Antis (Peru), drawing by Riou, illustrating Paul Marcoy's voyage from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Riou, Edouard (1833-1900)

Hacienda by Tian Tian, Peru and cocoa plantation, drawing by Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
Hacienda by Tian Tian, Peru and cocoa plantation, drawing by Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325089: Hacienda by Tian Tian, Peru and cocoa plantation, drawing by Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325089

Hacienda by Tian Tian, Peru and cocoa plantation, drawing by Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

Riou, Edouard (1833-1900)

Arrival of the sovereigns in Suez in “” Inauguration of the Suez Canal by G. Nicole. 1869
Arrival of the sovereigns in Suez in “” Inauguration of the Suez Canal by G. Nicole. 1869

LSE4084843: Arrival of the sovereigns in Suez in “” Inauguration of the Suez Canal by G. Nicole. 1869, Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4084843

Arrival of the sovereigns in Suez in “” Inauguration of the Suez Canal by G. Nicole. 1869

Riou, Edouard (1833-1900)

Entrance of the Eagle to Port Said for the inauguration of the Suez Canal - in “Through the Isthmus of Suez”” by Riou, Marius Fontaine, 1869.
Entrance of the Eagle to Port Said for the inauguration of the Suez Canal - in “Through the Isthmus of Suez”” by Riou, Marius Fontaine, 1869.

LSE4093998: Entrance of the Eagle to Port Said for the inauguration of the Suez Canal - in “Through the Isthmus of Suez”” by Riou, Marius Fontaine, 1869., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4093998

Entrance of the Eagle to Port Said for the inauguration of the Suez Canal - in “Through the Isthmus of Suez”” by Riou, Marius Fontaine, 1869.

Riou, Edouard (1833-1900)

Batak women, northern Sumatra ethnic group, pounding and cleaning rice. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.
Batak women, northern Sumatra ethnic group, pounding and cleaning rice. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

LSE4312817: Batak women, northern Sumatra ethnic group, pounding and cleaning rice. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4312817

Batak women, northern Sumatra ethnic group, pounding and cleaning rice. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

Riou, Edouard (1833-1900)

Prehistory: representation of a megatherium (earthly lazy of the elephant family). Engraving by Edouard Riou (1833-1900) from the end of the 19th century.
Prehistory: representation of a megatherium (earthly lazy of the elephant family). Engraving by Edouard Riou (1833-1900) from the end of the 19th century.

GIA4800476: Prehistory: representation of a megatherium (earthly lazy of the elephant family). Engraving by Edouard Riou (1833-1900) from the end of the 19th century., Riou, Edouard (1833-1900) / Bridgeman Images

ID: GIA4800476

Prehistory: representation of a megatherium (earthly lazy of the elephant family). Engraving by Edouard Riou (1833-1900) from the end of the 19th century.

Riou, Edouard (1833-1900)

Place des Palmistes, Cayenne, Guyana, 1862 (engraving) (b/w photo)
Place des Palmistes, Cayenne, Guyana, 1862 (engraving) (b/w photo)

CHT202679: Place des Palmistes, Cayenne, Guyana, 1862 (engraving) (b/w photo), Riou, Edouard (1833-1900) / Bridgeman Images

ID: CHT202679

Place des Palmistes, Cayenne, Guyana, 1862 (engraving) (b/w photo)

Riou, Edouard (1833-1900)

Philippe Auguste (Philippe-Auguste) wanted to offer Parisians the spectacle of a triumphant start. sd. 12th century
Philippe Auguste (Philippe-Auguste) wanted to offer Parisians the spectacle of a triumphant start. sd. 12th century

LSE4095010: Philippe Auguste (Philippe-Auguste) wanted to offer Parisians the spectacle of a triumphant start. sd. 12th century, Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4095010

Philippe Auguste (Philippe-Auguste) wanted to offer Parisians the spectacle of a triumphant start. sd. 12th century

Riou, Edouard (1833-1900)

The Midnight Sun in “The Children of Captain Grant” by Jules Verne, 1868, drawing by Riou. Hetzel Editions.
The Midnight Sun in “The Children of Captain Grant” by Jules Verne, 1868, drawing by Riou. Hetzel Editions.

LSE4106276: The Midnight Sun in “The Children of Captain Grant” by Jules Verne, 1868, drawing by Riou. Hetzel Editions., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4106276

The Midnight Sun in “The Children of Captain Grant” by Jules Verne, 1868, drawing by Riou. Hetzel Editions.

Riou, Edouard (1833-1900)

Sports competition, 1858: regates in Angers, Maine and Loire (49). Engraving by Riou in “” The Illustrous World”” n° 65 of July 10, 1858.
Sports competition, 1858: regates in Angers, Maine and Loire (49). Engraving by Riou in “” The Illustrous World”” n° 65 of July 10, 1858.

XEE4139705: Sports competition, 1858: regates in Angers, Maine and Loire (49). Engraving by Riou in “” The Illustrous World”” n° 65 of July 10, 1858., Riou, Edouard (1833-1900) / Bridgeman Images

ID: XEE4139705

Sports competition, 1858: regates in Angers, Maine and Loire (49). Engraving by Riou in “” The Illustrous World”” n° 65 of July 10, 1858.

Riou, Edouard (1833-1900)

Venitian feast in Neuilly given to the benefit of the poor in 1858. Engraving by Riou in “” Le Monde Illustré”” n°77 of 2 October 1858.
Venitian feast in Neuilly given to the benefit of the poor in 1858. Engraving by Riou in “” Le Monde Illustré”” n°77 of 2 October 1858.

XEE4140079: Venitian feast in Neuilly given to the benefit of the poor in 1858. Engraving by Riou in “” Le Monde Illustré”” n°77 of 2 October 1858., Riou, Edouard (1833-1900) / Bridgeman Images

ID: XEE4140079

Venitian feast in Neuilly given to the benefit of the poor in 1858. Engraving by Riou in “” Le Monde Illustré”” n°77 of 2 October 1858.

Riou, Edouard (1833-1900)

French Guiana Forest, drawing by Riou, “” Le Tour du Monde”, 2nd sem. 1879.
French Guiana Forest, drawing by Riou, “” Le Tour du Monde”, 2nd sem. 1879.

LSE4091291: French Guiana Forest, drawing by Riou, “” Le Tour du Monde”, 2nd sem. 1879., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4091291

French Guiana Forest, drawing by Riou, “” Le Tour du Monde”, 2nd sem. 1879.

Riou, Edouard (1833-1900)

Engraving of the book by Jules Verne “” Twenty thousand lieues sous les mers”” (Twenty-thousand - 20,000 - 20000), 1865: frontispiece by Riou - editions Hetzel/
Engraving of the book by Jules Verne “” Twenty thousand lieues sous les mers”” (Twenty-thousand - 20,000 - 20000), 1865: frontispiece by Riou - editions Hetzel/

PCT4258185: Engraving of the book by Jules Verne “” Twenty thousand lieues sous les mers”” (Twenty-thousand - 20,000 - 20000), 1865: frontispiece by Riou - editions Hetzel/, Riou, Edouard (1833-1900) / Bridgeman Images

ID: PCT4258185

Engraving of the book by Jules Verne “” Twenty thousand lieues sous les mers”” (Twenty-thousand - 20,000 - 20000), 1865: frontispiece by Riou - editions Hetzel/

Riou, Edouard (1833-1900)

Ideal view of the Earth during the period of the lias (Jurassic) showing a pterodactyl apprehending to devour a dragonfly, 1872 (engraving)
Ideal view of the Earth during the period of the lias (Jurassic) showing a pterodactyl apprehending to devour a dragonfly, 1872 (engraving)

PCT4265634: Ideal view of the Earth during the period of the lias (Jurassic) showing a pterodactyl apprehending to devour a dragonfly, 1872 (engraving), Riou, Edouard (1833-1900) / Bridgeman Images

ID: PCT4265634

Ideal view of the Earth during the period of the lias (Jurassic) showing a pterodactyl apprehending to devour a dragonfly, 1872 (engraving)

Riou, Edouard (1833-1900)

Reception at Mkwewe, tribe chief, with the narrator. Engraving by Riou to illustrate the story Les lacs de l'Afrique equatoriale, by Victor Giraud, ensign of ship, in 1883-1885, in the tour du monde 1886, under the direction of Edouard Charton (1807-1890), Hachette, Paris.
Reception at Mkwewe, tribe chief, with the narrator. Engraving by Riou to illustrate the story Les lacs de l'Afrique equatoriale, by Victor Giraud, ensign of ship, in 1883-1885, in the tour du monde 1886, under the direction of Edouard Charton (1807-1890), Hachette, Paris.

LSE4334309: Reception at Mkwewe, tribe chief, with the narrator. Engraving by Riou to illustrate the story Les lacs de l'Afrique equatoriale, by Victor Giraud, ensign of ship, in 1883-1885, in the tour du monde 1886, under the direction of Edouard Charton (1807-1890), Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4334309

Reception at Mkwewe, tribe chief, with the narrator. Engraving by Riou to illustrate the story Les lacs de l'Afrique equatoriale, by Victor Giraud, ensign of ship, in 1883-1885, in the tour du monde 1886, under the direction of Edouard Charton (1807-1890), Hachette, Paris.

Riou, Edouard (1833-1900)

Procession to the Marabout de Tlemcen (tomb with a dome of a man veneree of Islam), engraved after a drawing by E.Riou, illustrating the voyage to Tlemcen (Algeria), by E. de Lorral, in 1875, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Procession to the Marabout de Tlemcen (tomb with a dome of a man veneree of Islam), engraved after a drawing by E.Riou, illustrating the voyage to Tlemcen (Algeria), by E. de Lorral, in 1875, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330237: Procession to the Marabout de Tlemcen (tomb with a dome of a man veneree of Islam), engraved after a drawing by E.Riou, illustrating the voyage to Tlemcen (Algeria), by E. de Lorral, in 1875, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4330237

Procession to the Marabout de Tlemcen (tomb with a dome of a man veneree of Islam), engraved after a drawing by E.Riou, illustrating the voyage to Tlemcen (Algeria), by E. de Lorral, in 1875, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Riou, Edouard (1833-1900)

Visit to the Naba of Karaga (Ghana). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.
Visit to the Naba of Karaga (Ghana). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

LSE4335525: Visit to the Naba of Karaga (Ghana). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4335525

Visit to the Naba of Karaga (Ghana). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

Riou, Edouard (1833-1900)

Types of Pakhala (Ivory Coast). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.
Types of Pakhala (Ivory Coast). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

LSE4335536: Types of Pakhala (Ivory Coast). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4335536

Types of Pakhala (Ivory Coast). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

Riou, Edouard (1833-1900)

Women of Samory Toure (circa 1835-1898) war chief of the Niger loop and their supervisor, Sonninke, who knows how to read and write Arabic, as evidenced by the paper he holds in his hand. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.
Women of Samory Toure (circa 1835-1898) war chief of the Niger loop and their supervisor, Sonninke, who knows how to read and write Arabic, as evidenced by the paper he holds in his hand. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.

LSE4335581: Women of Samory Toure (circa 1835-1898) war chief of the Niger loop and their supervisor, Sonninke, who knows how to read and write Arabic, as evidenced by the paper he holds in his hand. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4335581

Women of Samory Toure (circa 1835-1898) war chief of the Niger loop and their supervisor, Sonninke, who knows how to read and write Arabic, as evidenced by the paper he holds in his hand. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.

Riou, Edouard (1833-1900)

Aspect of the heights with vertical walls at the Dasoulami and Bobodioulasou plateau (Gulf of Guinee), description of the techniques of hooking the mounts of the expedition convoy. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.
Aspect of the heights with vertical walls at the Dasoulami and Bobodioulasou plateau (Gulf of Guinee), description of the techniques of hooking the mounts of the expedition convoy. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.

LSE4335593: Aspect of the heights with vertical walls at the Dasoulami and Bobodioulasou plateau (Gulf of Guinee), description of the techniques of hooking the mounts of the expedition convoy. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4335593

Aspect of the heights with vertical walls at the Dasoulami and Bobodioulasou plateau (Gulf of Guinee), description of the techniques of hooking the mounts of the expedition convoy. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.

Riou, Edouard (1833-1900)

The walk at Pager Alam Cafe (Malaysia). Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.
The walk at Pager Alam Cafe (Malaysia). Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

LSE4312832: The walk at Pager Alam Cafe (Malaysia). Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4312832

The walk at Pager Alam Cafe (Malaysia). Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

Riou, Edouard (1833-1900)

Fruit market in Zanzibar, 1885 (engraving)
Fruit market in Zanzibar, 1885 (engraving)

JAB7073050: Fruit market in Zanzibar, 1885 (engraving), Riou, Edouard (1833-1900) / Bridgeman Images

ID: JAB7073050

Fruit market in Zanzibar, 1885 (engraving)

Riou, Edouard (1833-1900)

A taxidermy laboratory in the virgin forest, in the region of Llanos (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller mission charge by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
A taxidermy laboratory in the virgin forest, in the region of Llanos (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller mission charge by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331111: A taxidermy laboratory in the virgin forest, in the region of Llanos (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller mission charge by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4331111

A taxidermy laboratory in the virgin forest, in the region of Llanos (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller mission charge by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The departure of the Alert sleds, ship of the polar expedition, drawing by Riou, to illustrate the story of a voyage to the polar sea in 1875-1876, by Captain G.S.Nares. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
The departure of the Alert sleds, ship of the polar expedition, drawing by Riou, to illustrate the story of a voyage to the polar sea in 1875-1876, by Captain G.S.Nares. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331216: The departure of the Alert sleds, ship of the polar expedition, drawing by Riou, to illustrate the story of a voyage to the polar sea in 1875-1876, by Captain G.S.Nares. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4331216

The departure of the Alert sleds, ship of the polar expedition, drawing by Riou, to illustrate the story of a voyage to the polar sea in 1875-1876, by Captain G.S.Nares. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The crew of the ship La Germania, descended on the ice for a hunting game, was surprised by a snow storm during the towing of the sled containing their material, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “ Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The crew of the ship La Germania, descended on the ice for a hunting game, was surprised by a snow storm during the towing of the sled containing their material, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “ Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329816: The crew of the ship La Germania, descended on the ice for a hunting game, was surprised by a snow storm during the towing of the sled containing their material, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “ Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4329816

The crew of the ship La Germania, descended on the ice for a hunting game, was surprised by a snow storm during the towing of the sled containing their material, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “ Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The hauling of a steamer through the vegetation rafts that invade the hollow canal to leave a marsh, etched after a drawing by E.Riou, illustrating an armed expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection.
The hauling of a steamer through the vegetation rafts that invade the hollow canal to leave a marsh, etched after a drawing by E.Riou, illustrating an armed expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329936: The hauling of a steamer through the vegetation rafts that invade the hollow canal to leave a marsh, etched after a drawing by E.Riou, illustrating an armed expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4329936

The hauling of a steamer through the vegetation rafts that invade the hollow canal to leave a marsh, etched after a drawing by E.Riou, illustrating an armed expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection.

Riou, Edouard (1833-1900)

Matipa, an indigenous man who provided canoes to Livingstone's team, was served drinking by his wife, engraving after a drawing by Riou, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Matipa, an indigenous man who provided canoes to Livingstone's team, was served drinking by his wife, engraving after a drawing by Riou, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330140: Matipa, an indigenous man who provided canoes to Livingstone's team, was served drinking by his wife, engraving after a drawing by Riou, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4330140

Matipa, an indigenous man who provided canoes to Livingstone's team, was served drinking by his wife, engraving after a drawing by Riou, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The crucifixion of an Indian Cacibos anthropophagus in Sarayacu (Peru), drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, from 1848 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The crucifixion of an Indian Cacibos anthropophagus in Sarayacu (Peru), drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, from 1848 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325444: The crucifixion of an Indian Cacibos anthropophagus in Sarayacu (Peru), drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, from 1848 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325444

The crucifixion of an Indian Cacibos anthropophagus in Sarayacu (Peru), drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, from 1848 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

Riou, Edouard (1833-1900)


Back to top