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Riou, Edouard (1833-1900) Assets (229 in total)

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The game of the bilboquet, with a turtle's head, among the Conibos Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The game of the bilboquet, with a turtle's head, among the Conibos Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325379: The game of the bilboquet, with a turtle's head, among the Conibos Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325379

The game of the bilboquet, with a turtle's head, among the Conibos Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Riou, Edouard (1833-1900)

Manufacture of pottery by a Conibo Indian from Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Manufacture of pottery by a Conibo Indian from Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325384: Manufacture of pottery by a Conibo Indian from Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325384

Manufacture of pottery by a Conibo Indian from Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Riou, Edouard (1833-1900)

Entrance of the Eagle to Port Said for the inauguration of the Suez Canal - in “Through the Isthmus of Suez”” by Riou, Marius Fontaine, 1869.
Entrance of the Eagle to Port Said for the inauguration of the Suez Canal - in “Through the Isthmus of Suez”” by Riou, Marius Fontaine, 1869.

LSE4093998: Entrance of the Eagle to Port Said for the inauguration of the Suez Canal - in “Through the Isthmus of Suez”” by Riou, Marius Fontaine, 1869., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4093998

Entrance of the Eagle to Port Said for the inauguration of the Suez Canal - in “Through the Isthmus of Suez”” by Riou, Marius Fontaine, 1869.

Riou, Edouard (1833-1900)

Savorgnan de Brazza palabre with Renoké, village leader of West Africa - in “” Tour du Monde””, 2nd week 1887
Savorgnan de Brazza palabre with Renoké, village leader of West Africa - in “” Tour du Monde””, 2nd week 1887

LSE4104854: Savorgnan de Brazza palabre with Renoké, village leader of West Africa - in “” Tour du Monde””, 2nd week 1887, Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4104854

Savorgnan de Brazza palabre with Renoké, village leader of West Africa - in “” Tour du Monde””, 2nd week 1887

Riou, Edouard (1833-1900)

Portrait of Emile Arthur Thouar, (1853- disappeared around 1898) in travel outfit, French explorer medaille of the geography society of Paris. Engraving by Riou, to illustrate the story “” In search of the remains of the Crevaux mission””, in 1884, by A.Thouar. Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1884, edited by Edouard Charton (1807-1890), edition Hachette, Paris.
Portrait of Emile Arthur Thouar, (1853- disappeared around 1898) in travel outfit, French explorer medaille of the geography society of Paris. Engraving by Riou, to illustrate the story “” In search of the remains of the Crevaux mission””, in 1884, by A.Thouar. Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1884, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

LSE4333964: Portrait of Emile Arthur Thouar, (1853- disappeared around 1898) in travel outfit, French explorer medaille of the geography society of Paris. Engraving by Riou, to illustrate the story “” In search of the remains of the Crevaux mission””, in 1884, by A.Thouar. Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1884, edited by Edouard Charton (1807-1890), edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4333964

Portrait of Emile Arthur Thouar, (1853- disappeared around 1898) in travel outfit, French explorer medaille of the geography society of Paris. Engraving by Riou, to illustrate the story “” In search of the remains of the Crevaux mission””, in 1884, by A.Thouar. Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1884, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

Riou, Edouard (1833-1900)

The fruit market of Zanzibar (Tanzania). Engraving by Riou, to illustrate the story “” Journey to the Benadir, the Omalis and the Bayoun””, in 1882- 1883, by M.G.Revoil. Published in Le Tour du monde, nouveau journal des voyages, 1er semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris.
The fruit market of Zanzibar (Tanzania). Engraving by Riou, to illustrate the story “” Journey to the Benadir, the Omalis and the Bayoun””, in 1882- 1883, by M.G.Revoil. Published in Le Tour du monde, nouveau journal des voyages, 1er semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

LSE4334021: The fruit market of Zanzibar (Tanzania). Engraving by Riou, to illustrate the story “” Journey to the Benadir, the Omalis and the Bayoun””, in 1882- 1883, by M.G.Revoil. Published in Le Tour du monde, nouveau journal des voyages, 1er semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4334021

The fruit market of Zanzibar (Tanzania). Engraving by Riou, to illustrate the story “” Journey to the Benadir, the Omalis and the Bayoun””, in 1882- 1883, by M.G.Revoil. Published in Le Tour du monde, nouveau journal des voyages, 1er semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

Riou, Edouard (1833-1900)

Ketimkuru, tribal leader, playing the accordeon. Engraving by Riou to illustrate the story Les lacs de l'Afrique equatoriale, by Victor Giraud, ensign of ship, in 1883-1885, in the tour du monde 1886, under the direction of Edouard Charton (1807-1890), Hachette, Paris.
Ketimkuru, tribal leader, playing the accordeon. Engraving by Riou to illustrate the story Les lacs de l'Afrique equatoriale, by Victor Giraud, ensign of ship, in 1883-1885, in the tour du monde 1886, under the direction of Edouard Charton (1807-1890), Hachette, Paris.

LSE4334312: Ketimkuru, tribal leader, playing the accordeon. Engraving by Riou to illustrate the story Les lacs de l'Afrique equatoriale, by Victor Giraud, ensign of ship, in 1883-1885, in the tour du monde 1886, under the direction of Edouard Charton (1807-1890), Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4334312

Ketimkuru, tribal leader, playing the accordeon. Engraving by Riou to illustrate the story Les lacs de l'Afrique equatoriale, by Victor Giraud, ensign of ship, in 1883-1885, in the tour du monde 1886, under the direction of Edouard Charton (1807-1890), Hachette, Paris.

Riou, Edouard (1833-1900)

Dakar. Engraving by Riou to illustrate the story Voyage a la Plata, three months of vacation by Emile Blaireaux in 1886, in the tour du monde 1887, under the direction of Edouard Charton (1807-1890), Hachette, Paris.
Dakar. Engraving by Riou to illustrate the story Voyage a la Plata, three months of vacation by Emile Blaireaux in 1886, in the tour du monde 1887, under the direction of Edouard Charton (1807-1890), Hachette, Paris.

LSE4334449: Dakar. Engraving by Riou to illustrate the story Voyage a la Plata, three months of vacation by Emile Blaireaux in 1886, in the tour du monde 1887, under the direction of Edouard Charton (1807-1890), Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4334449

Dakar. Engraving by Riou to illustrate the story Voyage a la Plata, three months of vacation by Emile Blaireaux in 1886, in the tour du monde 1887, under the direction of Edouard Charton (1807-1890), Hachette, Paris.

Riou, Edouard (1833-1900)

Portrait of the author Victor Giraud, a ship ensign and his traveller, Montagu Kerr, a hunter. Engraving by Riou, to illustrate the story Les lacs de l'Afrique equatoriale, 1883-1885, by Victor Giraud, in le tour du monde 1888, directed by Edouard Charton (1807-1890), Hachette, Paris.
Portrait of the author Victor Giraud, a ship ensign and his traveller, Montagu Kerr, a hunter. Engraving by Riou, to illustrate the story Les lacs de l'Afrique equatoriale, 1883-1885, by Victor Giraud, in le tour du monde 1888, directed by Edouard Charton (1807-1890), Hachette, Paris.

LSE4334597: Portrait of the author Victor Giraud, a ship ensign and his traveller, Montagu Kerr, a hunter. Engraving by Riou, to illustrate the story Les lacs de l'Afrique equatoriale, 1883-1885, by Victor Giraud, in le tour du monde 1888, directed by Edouard Charton (1807-1890), Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4334597

Portrait of the author Victor Giraud, a ship ensign and his traveller, Montagu Kerr, a hunter. Engraving by Riou, to illustrate the story Les lacs de l'Afrique equatoriale, 1883-1885, by Victor Giraud, in le tour du monde 1888, directed by Edouard Charton (1807-1890), Hachette, Paris.

Riou, Edouard (1833-1900)

Palabre a Aouabou (Côte d'Ivoire). Signature of the commercial deal at the court of Anno, with a portrait of the author. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.
Palabre a Aouabou (Côte d'Ivoire). Signature of the commercial deal at the court of Anno, with a portrait of the author. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

LSE4335542: Palabre a Aouabou (Côte d'Ivoire). Signature of the commercial deal at the court of Anno, with a portrait of the author. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4335542

Palabre a Aouabou (Côte d'Ivoire). Signature of the commercial deal at the court of Anno, with a portrait of the author. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

Riou, Edouard (1833-1900)

Prehistory: representation of a megatherium (earthly lazy of the elephant family). Engraving by Edouard Riou (1833-1900) from the end of the 19th century.
Prehistory: representation of a megatherium (earthly lazy of the elephant family). Engraving by Edouard Riou (1833-1900) from the end of the 19th century.

GIA4800476: Prehistory: representation of a megatherium (earthly lazy of the elephant family). Engraving by Edouard Riou (1833-1900) from the end of the 19th century., Riou, Edouard (1833-1900) / Bridgeman Images

ID: GIA4800476

Prehistory: representation of a megatherium (earthly lazy of the elephant family). Engraving by Edouard Riou (1833-1900) from the end of the 19th century.

Riou, Edouard (1833-1900)

Sir Henry Morton Stanley watching a phalanx dance by Mazamboni's warriors at Usiri, 1890 (wood engraving)
Sir Henry Morton Stanley watching a phalanx dance by Mazamboni's warriors at Usiri, 1890 (wood engraving)

KWE441407: Sir Henry Morton Stanley watching a phalanx dance by Mazamboni's warriors at Usiri, 1890 (wood engraving), Riou, Edouard (1833-1900) / Bridgeman Images

ID: KWE441407

Sir Henry Morton Stanley watching a phalanx dance by Mazamboni's warriors at Usiri, 1890 (wood engraving)

Riou, Edouard (1833-1900)

Suez Canal. Egypt (watercolor)
Suez Canal. Egypt (watercolor)

TRK878722: Suez Canal. Egypt (watercolor), Riou, Edouard (1833-1900) / Bridgeman Images

ID: TRK878722

Suez Canal. Egypt (watercolor)

Riou, Edouard (1833-1900)

L'Arc de Triomphe as a ruin, 19th Century (b/w engraving)
L'Arc de Triomphe as a ruin, 19th Century (b/w engraving)

DGC909595: L'Arc de Triomphe as a ruin, 19th Century (b/w engraving), Riou, Edouard (1833-1900) / Bridgeman Images

ID: DGC909595

L'Arc de Triomphe as a ruin, 19th Century (b/w engraving)

Riou, Edouard (1833-1900)

The King of Italy Victor Emmanuel II in Venice on St. Mark's Square, 1866 (engraving)
The King of Italy Victor Emmanuel II in Venice on St. Mark's Square, 1866 (engraving)

XEE4405710: The King of Italy Victor Emmanuel II in Venice on St. Mark's Square, 1866 (engraving), Riou, Edouard (1833-1900) / Bridgeman Images

ID: XEE4405710

The King of Italy Victor Emmanuel II in Venice on St. Mark's Square, 1866 (engraving)

Riou, Edouard (1833-1900)

The collection of pulque, a traditional Aztec drink, resulting from the fermentation of the seve de l'agave pulquero, drawing by Riou, to illustrate the voyage to Mexico of E.Vigneaux, in 1854-1855. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.
The collection of pulque, a traditional Aztec drink, resulting from the fermentation of the seve de l'agave pulquero, drawing by Riou, to illustrate the voyage to Mexico of E.Vigneaux, in 1854-1855. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.

LSE4324756: The collection of pulque, a traditional Aztec drink, resulting from the fermentation of the seve de l'agave pulquero, drawing by Riou, to illustrate the voyage to Mexico of E.Vigneaux, in 1854-1855. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4324756

The collection of pulque, a traditional Aztec drink, resulting from the fermentation of the seve de l'agave pulquero, drawing by Riou, to illustrate the voyage to Mexico of E.Vigneaux, in 1854-1855. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.

Riou, Edouard (1833-1900)

The square of Torre del Greco, during the eruption of the Vesuve, 8 December 1861, drawing by Riou, to illustrate the walks around Naples by Marc Monnier, in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.
The square of Torre del Greco, during the eruption of the Vesuve, 8 December 1861, drawing by Riou, to illustrate the walks around Naples by Marc Monnier, in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.

LSE4324770: The square of Torre del Greco, during the eruption of the Vesuve, 8 December 1861, drawing by Riou, to illustrate the walks around Naples by Marc Monnier, in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4324770

The square of Torre del Greco, during the eruption of the Vesuve, 8 December 1861, drawing by Riou, to illustrate the walks around Naples by Marc Monnier, in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.

Riou, Edouard (1833-1900)

Place des Palmistes, Cayenne, Guyana, 1862 (engraving) (b/w photo)
Place des Palmistes, Cayenne, Guyana, 1862 (engraving) (b/w photo)

CHT202679: Place des Palmistes, Cayenne, Guyana, 1862 (engraving) (b/w photo), Riou, Edouard (1833-1900) / Bridgeman Images

ID: CHT202679

Place des Palmistes, Cayenne, Guyana, 1862 (engraving) (b/w photo)

Riou, Edouard (1833-1900)

Fruit market in Zanzibar, 1885 (engraving)
Fruit market in Zanzibar, 1885 (engraving)

JAB7073050: Fruit market in Zanzibar, 1885 (engraving), Riou, Edouard (1833-1900) / Bridgeman Images

ID: JAB7073050

Fruit market in Zanzibar, 1885 (engraving)

Riou, Edouard (1833-1900)

The walk at Pager Alam Cafe (Malaysia). Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.
The walk at Pager Alam Cafe (Malaysia). Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

LSE4312832: The walk at Pager Alam Cafe (Malaysia). Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4312832

The walk at Pager Alam Cafe (Malaysia). Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

Riou, Edouard (1833-1900)

The Midnight Sun in “The Children of Captain Grant” by Jules Verne, 1868, drawing by Riou. Hetzel Editions.
The Midnight Sun in “The Children of Captain Grant” by Jules Verne, 1868, drawing by Riou. Hetzel Editions.

LSE4106276: The Midnight Sun in “The Children of Captain Grant” by Jules Verne, 1868, drawing by Riou. Hetzel Editions., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4106276

The Midnight Sun in “The Children of Captain Grant” by Jules Verne, 1868, drawing by Riou. Hetzel Editions.

Riou, Edouard (1833-1900)

French Guiana Forest, drawing by Riou, “” Le Tour du Monde”, 2nd sem. 1879.
French Guiana Forest, drawing by Riou, “” Le Tour du Monde”, 2nd sem. 1879.

LSE4091291: French Guiana Forest, drawing by Riou, “” Le Tour du Monde”, 2nd sem. 1879., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4091291

French Guiana Forest, drawing by Riou, “” Le Tour du Monde”, 2nd sem. 1879.

Riou, Edouard (1833-1900)

Philippe Auguste (Philippe-Auguste) wanted to offer Parisians the spectacle of a triumphant start. sd. 12th century
Philippe Auguste (Philippe-Auguste) wanted to offer Parisians the spectacle of a triumphant start. sd. 12th century

LSE4095010: Philippe Auguste (Philippe-Auguste) wanted to offer Parisians the spectacle of a triumphant start. sd. 12th century, Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4095010

Philippe Auguste (Philippe-Auguste) wanted to offer Parisians the spectacle of a triumphant start. sd. 12th century

Riou, Edouard (1833-1900)

The punishment of the impiete, two children are kneeling on a pole placed on pegs and watched in their torment by the parish of the village, drawing by E.Riou, to illustrate the journey in the region of Titicaca and the vallees of the east of Lower Peru, in 1873 by Paul Marcoy. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
The punishment of the impiete, two children are kneeling on a pole placed on pegs and watched in their torment by the parish of the village, drawing by E.Riou, to illustrate the journey in the region of Titicaca and the vallees of the east of Lower Peru, in 1873 by Paul Marcoy. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4330990: The punishment of the impiete, two children are kneeling on a pole placed on pegs and watched in their torment by the parish of the village, drawing by E.Riou, to illustrate the journey in the region of Titicaca and the vallees of the east of Lower Peru, in 1873 by Paul Marcoy. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4330990

The punishment of the impiete, two children are kneeling on a pole placed on pegs and watched in their torment by the parish of the village, drawing by E.Riou, to illustrate the journey in the region of Titicaca and the vallees of the east of Lower Peru, in 1873 by Paul Marcoy. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

Riou, Edouard (1833-1900)

A taxidermy laboratory in the virgin forest, in the region of Llanos (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller mission charge by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
A taxidermy laboratory in the virgin forest, in the region of Llanos (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller mission charge by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331111: A taxidermy laboratory in the virgin forest, in the region of Llanos (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller mission charge by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4331111

A taxidermy laboratory in the virgin forest, in the region of Llanos (Colombia), drawing by Riou, to illustrate the story of Equinoxiale America (Colombia, Ecuador, Peru), in 1875-1876, by Ed. andre, traveller mission charge by the French government. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The departure of the Alert sleds, ship of the polar expedition, drawing by Riou, to illustrate the story of a voyage to the polar sea in 1875-1876, by Captain G.S.Nares. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
The departure of the Alert sleds, ship of the polar expedition, drawing by Riou, to illustrate the story of a voyage to the polar sea in 1875-1876, by Captain G.S.Nares. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331216: The departure of the Alert sleds, ship of the polar expedition, drawing by Riou, to illustrate the story of a voyage to the polar sea in 1875-1876, by Captain G.S.Nares. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4331216

The departure of the Alert sleds, ship of the polar expedition, drawing by Riou, to illustrate the story of a voyage to the polar sea in 1875-1876, by Captain G.S.Nares. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The crew of the ship La Germania, descended on the ice for a hunting game, was surprised by a snow storm during the towing of the sled containing their material, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “ Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The crew of the ship La Germania, descended on the ice for a hunting game, was surprised by a snow storm during the towing of the sled containing their material, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “ Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329816: The crew of the ship La Germania, descended on the ice for a hunting game, was surprised by a snow storm during the towing of the sled containing their material, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “ Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4329816

The crew of the ship La Germania, descended on the ice for a hunting game, was surprised by a snow storm during the towing of the sled containing their material, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “ Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The hauling of a steamer through the vegetation rafts that invade the hollow canal to leave a marsh, etched after a drawing by E.Riou, illustrating an armed expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection.
The hauling of a steamer through the vegetation rafts that invade the hollow canal to leave a marsh, etched after a drawing by E.Riou, illustrating an armed expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329936: The hauling of a steamer through the vegetation rafts that invade the hollow canal to leave a marsh, etched after a drawing by E.Riou, illustrating an armed expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4329936

The hauling of a steamer through the vegetation rafts that invade the hollow canal to leave a marsh, etched after a drawing by E.Riou, illustrating an armed expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection.

Riou, Edouard (1833-1900)

Visit to the Naba of Karaga (Ghana). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.
Visit to the Naba of Karaga (Ghana). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

LSE4335525: Visit to the Naba of Karaga (Ghana). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4335525

Visit to the Naba of Karaga (Ghana). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

Riou, Edouard (1833-1900)

Types of Pakhala (Ivory Coast). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.
Types of Pakhala (Ivory Coast). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

LSE4335536: Types of Pakhala (Ivory Coast). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4335536

Types of Pakhala (Ivory Coast). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

Riou, Edouard (1833-1900)

Women of Samory Toure (circa 1835-1898) war chief of the Niger loop and their supervisor, Sonninke, who knows how to read and write Arabic, as evidenced by the paper he holds in his hand. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.
Women of Samory Toure (circa 1835-1898) war chief of the Niger loop and their supervisor, Sonninke, who knows how to read and write Arabic, as evidenced by the paper he holds in his hand. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.

LSE4335581: Women of Samory Toure (circa 1835-1898) war chief of the Niger loop and their supervisor, Sonninke, who knows how to read and write Arabic, as evidenced by the paper he holds in his hand. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4335581

Women of Samory Toure (circa 1835-1898) war chief of the Niger loop and their supervisor, Sonninke, who knows how to read and write Arabic, as evidenced by the paper he holds in his hand. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.

Riou, Edouard (1833-1900)

Aspect of the heights with vertical walls at the Dasoulami and Bobodioulasou plateau (Gulf of Guinee), description of the techniques of hooking the mounts of the expedition convoy. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.
Aspect of the heights with vertical walls at the Dasoulami and Bobodioulasou plateau (Gulf of Guinee), description of the techniques of hooking the mounts of the expedition convoy. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.

LSE4335593: Aspect of the heights with vertical walls at the Dasoulami and Bobodioulasou plateau (Gulf of Guinee), description of the techniques of hooking the mounts of the expedition convoy. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4335593

Aspect of the heights with vertical walls at the Dasoulami and Bobodioulasou plateau (Gulf of Guinee), description of the techniques of hooking the mounts of the expedition convoy. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.

Riou, Edouard (1833-1900)

Matipa, an indigenous man who provided canoes to Livingstone's team, was served drinking by his wife, engraving after a drawing by Riou, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Matipa, an indigenous man who provided canoes to Livingstone's team, was served drinking by his wife, engraving after a drawing by Riou, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330140: Matipa, an indigenous man who provided canoes to Livingstone's team, was served drinking by his wife, engraving after a drawing by Riou, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4330140

Matipa, an indigenous man who provided canoes to Livingstone's team, was served drinking by his wife, engraving after a drawing by Riou, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Riou, Edouard (1833-1900)

Procession to the Marabout de Tlemcen (tomb with a dome of a man veneree of Islam), engraved after a drawing by E.Riou, illustrating the voyage to Tlemcen (Algeria), by E. de Lorral, in 1875, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Procession to the Marabout de Tlemcen (tomb with a dome of a man veneree of Islam), engraved after a drawing by E.Riou, illustrating the voyage to Tlemcen (Algeria), by E. de Lorral, in 1875, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330237: Procession to the Marabout de Tlemcen (tomb with a dome of a man veneree of Islam), engraved after a drawing by E.Riou, illustrating the voyage to Tlemcen (Algeria), by E. de Lorral, in 1875, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4330237

Procession to the Marabout de Tlemcen (tomb with a dome of a man veneree of Islam), engraved after a drawing by E.Riou, illustrating the voyage to Tlemcen (Algeria), by E. de Lorral, in 1875, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Riou, Edouard (1833-1900)

Passage of the Cuesta Infernal. Engraving by Riou, to illustrate the story Voyage dans le delta du Pilcomayo et de Buenos Aires a Sucre, 1885-1886, by A.Thouar, in le tour du monde 1889, directed by Edouard Charton (1807-1890), Hachette, Paris.
Passage of the Cuesta Infernal. Engraving by Riou, to illustrate the story Voyage dans le delta du Pilcomayo et de Buenos Aires a Sucre, 1885-1886, by A.Thouar, in le tour du monde 1889, directed by Edouard Charton (1807-1890), Hachette, Paris.

LSE4334801: Passage of the Cuesta Infernal. Engraving by Riou, to illustrate the story Voyage dans le delta du Pilcomayo et de Buenos Aires a Sucre, 1885-1886, by A.Thouar, in le tour du monde 1889, directed by Edouard Charton (1807-1890), Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4334801

Passage of the Cuesta Infernal. Engraving by Riou, to illustrate the story Voyage dans le delta du Pilcomayo et de Buenos Aires a Sucre, 1885-1886, by A.Thouar, in le tour du monde 1889, directed by Edouard Charton (1807-1890), Hachette, Paris.

Riou, Edouard (1833-1900)

Travelers in roadstand: Julian Teissere, who is behind the explorer, George Revoil (1852-1894) and Salem Amari Ben Aod, guide of the expedition. Engraving by Riou, to illustrate the story “” Journey to the Benadir, Somalis and Bayoun””, in 1882- 1883, by M.G.Revoil. Published in Le Tour du monde, nouveau journal des voyages, 1er semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris.
Travelers in roadstand: Julian Teissere, who is behind the explorer, George Revoil (1852-1894) and Salem Amari Ben Aod, guide of the expedition. Engraving by Riou, to illustrate the story “” Journey to the Benadir, Somalis and Bayoun””, in 1882- 1883, by M.G.Revoil. Published in Le Tour du monde, nouveau journal des voyages, 1er semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

LSE4334010: Travelers in roadstand: Julian Teissere, who is behind the explorer, George Revoil (1852-1894) and Salem Amari Ben Aod, guide of the expedition. Engraving by Riou, to illustrate the story “” Journey to the Benadir, Somalis and Bayoun””, in 1882- 1883, by M.G.Revoil. Published in Le Tour du monde, nouveau journal des voyages, 1er semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4334010

Travelers in roadstand: Julian Teissere, who is behind the explorer, George Revoil (1852-1894) and Salem Amari Ben Aod, guide of the expedition. Engraving by Riou, to illustrate the story “” Journey to the Benadir, Somalis and Bayoun””, in 1882- 1883, by M.G.Revoil. Published in Le Tour du monde, nouveau journal des voyages, 1er semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

Riou, Edouard (1833-1900)


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