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Riou, Edouard (1833-1900) Assets (229 in total)

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General view of Cusco or Cusco, former capital of the Incas, drawing of Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
General view of Cusco or Cusco, former capital of the Incas, drawing of Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325019: General view of Cusco or Cusco, former capital of the Incas, drawing of Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325019

General view of Cusco or Cusco, former capital of the Incas, drawing of Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

Riou, Edouard (1833-1900)

Hacienda by Tian Tian, Peru and cocoa plantation, drawing by Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
Hacienda by Tian Tian, Peru and cocoa plantation, drawing by Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325089: Hacienda by Tian Tian, Peru and cocoa plantation, drawing by Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325089

Hacienda by Tian Tian, Peru and cocoa plantation, drawing by Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

Riou, Edouard (1833-1900)

The manufacture of turtle egg oil, the eggs, collected in a canoe that serves as a press, are burned with 5-pointed arrows, then their oily yellow is picked up in jars, then boiled and dirty, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The manufacture of turtle egg oil, the eggs, collected in a canoe that serves as a press, are burned with 5-pointed arrows, then their oily yellow is picked up in jars, then boiled and dirty, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325157: The manufacture of turtle egg oil, the eggs, collected in a canoe that serves as a press, are burned with 5-pointed arrows, then their oily yellow is picked up in jars, then boiled and dirty, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325157

The manufacture of turtle egg oil, the eggs, collected in a canoe that serves as a press, are burned with 5-pointed arrows, then their oily yellow is picked up in jars, then boiled and dirty, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Riou, Edouard (1833-1900)

The mass of the departure in Echarati (Peru), attended by the converted natives, drawing by Riou, illustrating Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The mass of the departure in Echarati (Peru), attended by the converted natives, drawing by Riou, illustrating Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325230: The mass of the departure in Echarati (Peru), attended by the converted natives, drawing by Riou, illustrating Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325230

The mass of the departure in Echarati (Peru), attended by the converted natives, drawing by Riou, illustrating Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Riou, Edouard (1833-1900)

Tobacco auctioners, makeup according to the tradition of the tribe of the Antis (Peru), drawing by Riou, illustrating Paul Marcoy's voyage from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Tobacco auctioners, makeup according to the tradition of the tribe of the Antis (Peru), drawing by Riou, illustrating Paul Marcoy's voyage from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325243: Tobacco auctioners, makeup according to the tradition of the tribe of the Antis (Peru), drawing by Riou, illustrating Paul Marcoy's voyage from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325243

Tobacco auctioners, makeup according to the tradition of the tribe of the Antis (Peru), drawing by Riou, illustrating Paul Marcoy's voyage from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Riou, Edouard (1833-1900)

The game of the bilboquet, with a turtle's head, among the Conibos Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The game of the bilboquet, with a turtle's head, among the Conibos Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325379: The game of the bilboquet, with a turtle's head, among the Conibos Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325379

The game of the bilboquet, with a turtle's head, among the Conibos Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Riou, Edouard (1833-1900)

Manufacture of pottery by a Conibo Indian from Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Manufacture of pottery by a Conibo Indian from Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325384: Manufacture of pottery by a Conibo Indian from Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325384

Manufacture of pottery by a Conibo Indian from Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Riou, Edouard (1833-1900)

Paul Marcoy learned to make a carpet with the widows of Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
Paul Marcoy learned to make a carpet with the widows of Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325441: Paul Marcoy learned to make a carpet with the widows of Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325441

Paul Marcoy learned to make a carpet with the widows of Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

Riou, Edouard (1833-1900)

Batak women, northern Sumatra ethnic group, pounding and cleaning rice. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.
Batak women, northern Sumatra ethnic group, pounding and cleaning rice. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

LSE4312817: Batak women, northern Sumatra ethnic group, pounding and cleaning rice. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4312817

Batak women, northern Sumatra ethnic group, pounding and cleaning rice. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

Riou, Edouard (1833-1900)

L'Arc de Triomphe as a ruin, 19th Century (b/w engraving)
L'Arc de Triomphe as a ruin, 19th Century (b/w engraving)

DGC909595: L'Arc de Triomphe as a ruin, 19th Century (b/w engraving), Riou, Edouard (1833-1900) / Bridgeman Images

ID: DGC909595

L'Arc de Triomphe as a ruin, 19th Century (b/w engraving)

Riou, Edouard (1833-1900)

Suez Canal. Egypt (watercolor)
Suez Canal. Egypt (watercolor)

TRK878722: Suez Canal. Egypt (watercolor), Riou, Edouard (1833-1900) / Bridgeman Images

ID: TRK878722

Suez Canal. Egypt (watercolor)

Riou, Edouard (1833-1900)

Prehistory: representation of a megatherium (earthly lazy of the elephant family). Engraving by Edouard Riou (1833-1900) from the end of the 19th century.
Prehistory: representation of a megatherium (earthly lazy of the elephant family). Engraving by Edouard Riou (1833-1900) from the end of the 19th century.

GIA4800476: Prehistory: representation of a megatherium (earthly lazy of the elephant family). Engraving by Edouard Riou (1833-1900) from the end of the 19th century., Riou, Edouard (1833-1900) / Bridgeman Images

ID: GIA4800476

Prehistory: representation of a megatherium (earthly lazy of the elephant family). Engraving by Edouard Riou (1833-1900) from the end of the 19th century.

Riou, Edouard (1833-1900)

Place des Palmistes, Cayenne, Guyana, 1862 (engraving) (b/w photo)
Place des Palmistes, Cayenne, Guyana, 1862 (engraving) (b/w photo)

CHT202679: Place des Palmistes, Cayenne, Guyana, 1862 (engraving) (b/w photo), Riou, Edouard (1833-1900) / Bridgeman Images

ID: CHT202679

Place des Palmistes, Cayenne, Guyana, 1862 (engraving) (b/w photo)

Riou, Edouard (1833-1900)

Philippe Auguste (Philippe-Auguste) wanted to offer Parisians the spectacle of a triumphant start. sd. 12th century
Philippe Auguste (Philippe-Auguste) wanted to offer Parisians the spectacle of a triumphant start. sd. 12th century

LSE4095010: Philippe Auguste (Philippe-Auguste) wanted to offer Parisians the spectacle of a triumphant start. sd. 12th century, Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4095010

Philippe Auguste (Philippe-Auguste) wanted to offer Parisians the spectacle of a triumphant start. sd. 12th century

Riou, Edouard (1833-1900)

The Midnight Sun in “The Children of Captain Grant” by Jules Verne, 1868, drawing by Riou. Hetzel Editions.
The Midnight Sun in “The Children of Captain Grant” by Jules Verne, 1868, drawing by Riou. Hetzel Editions.

LSE4106276: The Midnight Sun in “The Children of Captain Grant” by Jules Verne, 1868, drawing by Riou. Hetzel Editions., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4106276

The Midnight Sun in “The Children of Captain Grant” by Jules Verne, 1868, drawing by Riou. Hetzel Editions.

Riou, Edouard (1833-1900)

Sports competition, 1858: regates in Angers, Maine and Loire (49). Engraving by Riou in “” The Illustrous World”” n° 65 of July 10, 1858.
Sports competition, 1858: regates in Angers, Maine and Loire (49). Engraving by Riou in “” The Illustrous World”” n° 65 of July 10, 1858.

XEE4139705: Sports competition, 1858: regates in Angers, Maine and Loire (49). Engraving by Riou in “” The Illustrous World”” n° 65 of July 10, 1858., Riou, Edouard (1833-1900) / Bridgeman Images

ID: XEE4139705

Sports competition, 1858: regates in Angers, Maine and Loire (49). Engraving by Riou in “” The Illustrous World”” n° 65 of July 10, 1858.

Riou, Edouard (1833-1900)

Venitian feast in Neuilly given to the benefit of the poor in 1858. Engraving by Riou in “” Le Monde Illustré”” n°77 of 2 October 1858.
Venitian feast in Neuilly given to the benefit of the poor in 1858. Engraving by Riou in “” Le Monde Illustré”” n°77 of 2 October 1858.

XEE4140079: Venitian feast in Neuilly given to the benefit of the poor in 1858. Engraving by Riou in “” Le Monde Illustré”” n°77 of 2 October 1858., Riou, Edouard (1833-1900) / Bridgeman Images

ID: XEE4140079

Venitian feast in Neuilly given to the benefit of the poor in 1858. Engraving by Riou in “” Le Monde Illustré”” n°77 of 2 October 1858.

Riou, Edouard (1833-1900)

Ideal view of the Earth during the period of the lias (Jurassic) showing a pterodactyl apprehending to devour a dragonfly, 1872 (engraving)
Ideal view of the Earth during the period of the lias (Jurassic) showing a pterodactyl apprehending to devour a dragonfly, 1872 (engraving)

PCT4265634: Ideal view of the Earth during the period of the lias (Jurassic) showing a pterodactyl apprehending to devour a dragonfly, 1872 (engraving), Riou, Edouard (1833-1900) / Bridgeman Images

ID: PCT4265634

Ideal view of the Earth during the period of the lias (Jurassic) showing a pterodactyl apprehending to devour a dragonfly, 1872 (engraving)

Riou, Edouard (1833-1900)

Engraving of the book by Jules Verne “” Twenty thousand lieues sous les mers”” (Twenty-thousand - 20,000 - 20000), 1865: frontispiece by Riou - editions Hetzel/
Engraving of the book by Jules Verne “” Twenty thousand lieues sous les mers”” (Twenty-thousand - 20,000 - 20000), 1865: frontispiece by Riou - editions Hetzel/

PCT4258185: Engraving of the book by Jules Verne “” Twenty thousand lieues sous les mers”” (Twenty-thousand - 20,000 - 20000), 1865: frontispiece by Riou - editions Hetzel/, Riou, Edouard (1833-1900) / Bridgeman Images

ID: PCT4258185

Engraving of the book by Jules Verne “” Twenty thousand lieues sous les mers”” (Twenty-thousand - 20,000 - 20000), 1865: frontispiece by Riou - editions Hetzel/

Riou, Edouard (1833-1900)

French Guiana Forest, drawing by Riou, “” Le Tour du Monde”, 2nd sem. 1879.
French Guiana Forest, drawing by Riou, “” Le Tour du Monde”, 2nd sem. 1879.

LSE4091291: French Guiana Forest, drawing by Riou, “” Le Tour du Monde”, 2nd sem. 1879., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4091291

French Guiana Forest, drawing by Riou, “” Le Tour du Monde”, 2nd sem. 1879.

Riou, Edouard (1833-1900)

Passage of the Cuesta Infernal. Engraving by Riou, to illustrate the story Voyage dans le delta du Pilcomayo et de Buenos Aires a Sucre, 1885-1886, by A.Thouar, in le tour du monde 1889, directed by Edouard Charton (1807-1890), Hachette, Paris.
Passage of the Cuesta Infernal. Engraving by Riou, to illustrate the story Voyage dans le delta du Pilcomayo et de Buenos Aires a Sucre, 1885-1886, by A.Thouar, in le tour du monde 1889, directed by Edouard Charton (1807-1890), Hachette, Paris.

LSE4334801: Passage of the Cuesta Infernal. Engraving by Riou, to illustrate the story Voyage dans le delta du Pilcomayo et de Buenos Aires a Sucre, 1885-1886, by A.Thouar, in le tour du monde 1889, directed by Edouard Charton (1807-1890), Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4334801

Passage of the Cuesta Infernal. Engraving by Riou, to illustrate the story Voyage dans le delta du Pilcomayo et de Buenos Aires a Sucre, 1885-1886, by A.Thouar, in le tour du monde 1889, directed by Edouard Charton (1807-1890), Hachette, Paris.

Riou, Edouard (1833-1900)

Visit to the Naba of Karaga (Ghana). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.
Visit to the Naba of Karaga (Ghana). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

LSE4335525: Visit to the Naba of Karaga (Ghana). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4335525

Visit to the Naba of Karaga (Ghana). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

Riou, Edouard (1833-1900)

Types of Pakhala (Ivory Coast). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.
Types of Pakhala (Ivory Coast). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

LSE4335536: Types of Pakhala (Ivory Coast). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4335536

Types of Pakhala (Ivory Coast). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

Riou, Edouard (1833-1900)

Women of Samory Toure (circa 1835-1898) war chief of the Niger loop and their supervisor, Sonninke, who knows how to read and write Arabic, as evidenced by the paper he holds in his hand. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.
Women of Samory Toure (circa 1835-1898) war chief of the Niger loop and their supervisor, Sonninke, who knows how to read and write Arabic, as evidenced by the paper he holds in his hand. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.

LSE4335581: Women of Samory Toure (circa 1835-1898) war chief of the Niger loop and their supervisor, Sonninke, who knows how to read and write Arabic, as evidenced by the paper he holds in his hand. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4335581

Women of Samory Toure (circa 1835-1898) war chief of the Niger loop and their supervisor, Sonninke, who knows how to read and write Arabic, as evidenced by the paper he holds in his hand. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.

Riou, Edouard (1833-1900)

Aspect of the heights with vertical walls at the Dasoulami and Bobodioulasou plateau (Gulf of Guinee), description of the techniques of hooking the mounts of the expedition convoy. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.
Aspect of the heights with vertical walls at the Dasoulami and Bobodioulasou plateau (Gulf of Guinee), description of the techniques of hooking the mounts of the expedition convoy. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.

LSE4335593: Aspect of the heights with vertical walls at the Dasoulami and Bobodioulasou plateau (Gulf of Guinee), description of the techniques of hooking the mounts of the expedition convoy. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4335593

Aspect of the heights with vertical walls at the Dasoulami and Bobodioulasou plateau (Gulf of Guinee), description of the techniques of hooking the mounts of the expedition convoy. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.

Riou, Edouard (1833-1900)

Reception at Mkwewe, tribe chief, with the narrator. Engraving by Riou to illustrate the story Les lacs de l'Afrique equatoriale, by Victor Giraud, ensign of ship, in 1883-1885, in the tour du monde 1886, under the direction of Edouard Charton (1807-1890), Hachette, Paris.
Reception at Mkwewe, tribe chief, with the narrator. Engraving by Riou to illustrate the story Les lacs de l'Afrique equatoriale, by Victor Giraud, ensign of ship, in 1883-1885, in the tour du monde 1886, under the direction of Edouard Charton (1807-1890), Hachette, Paris.

LSE4334309: Reception at Mkwewe, tribe chief, with the narrator. Engraving by Riou to illustrate the story Les lacs de l'Afrique equatoriale, by Victor Giraud, ensign of ship, in 1883-1885, in the tour du monde 1886, under the direction of Edouard Charton (1807-1890), Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4334309

Reception at Mkwewe, tribe chief, with the narrator. Engraving by Riou to illustrate the story Les lacs de l'Afrique equatoriale, by Victor Giraud, ensign of ship, in 1883-1885, in the tour du monde 1886, under the direction of Edouard Charton (1807-1890), Hachette, Paris.

Riou, Edouard (1833-1900)

Travelers in roadstand: Julian Teissere, who is behind the explorer, George Revoil (1852-1894) and Salem Amari Ben Aod, guide of the expedition. Engraving by Riou, to illustrate the story “” Journey to the Benadir, Somalis and Bayoun””, in 1882- 1883, by M.G.Revoil. Published in Le Tour du monde, nouveau journal des voyages, 1er semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris.
Travelers in roadstand: Julian Teissere, who is behind the explorer, George Revoil (1852-1894) and Salem Amari Ben Aod, guide of the expedition. Engraving by Riou, to illustrate the story “” Journey to the Benadir, Somalis and Bayoun””, in 1882- 1883, by M.G.Revoil. Published in Le Tour du monde, nouveau journal des voyages, 1er semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

LSE4334010: Travelers in roadstand: Julian Teissere, who is behind the explorer, George Revoil (1852-1894) and Salem Amari Ben Aod, guide of the expedition. Engraving by Riou, to illustrate the story “” Journey to the Benadir, Somalis and Bayoun””, in 1882- 1883, by M.G.Revoil. Published in Le Tour du monde, nouveau journal des voyages, 1er semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4334010

Travelers in roadstand: Julian Teissere, who is behind the explorer, George Revoil (1852-1894) and Salem Amari Ben Aod, guide of the expedition. Engraving by Riou, to illustrate the story “” Journey to the Benadir, Somalis and Bayoun””, in 1882- 1883, by M.G.Revoil. Published in Le Tour du monde, nouveau journal des voyages, 1er semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

Riou, Edouard (1833-1900)

With the dung of travelers entering the harbour of Moguedouchou (Mogadishu), sailors make a huge racket to attract the people who welcome them with shouts of enthusiasm. Engraving by Riou, to illustrate the story “” Voyage chez les Benadir, les somalis et les Bayoun””, in 1882- 1883, by Georges Revoil (1852-1894). Published in Le Tour du monde, nouveau journal des voyages, 1er semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris.
With the dung of travelers entering the harbour of Moguedouchou (Mogadishu), sailors make a huge racket to attract the people who welcome them with shouts of enthusiasm. Engraving by Riou, to illustrate the story “” Voyage chez les Benadir, les somalis et les Bayoun””, in 1882- 1883, by Georges Revoil (1852-1894). Published in Le Tour du monde, nouveau journal des voyages, 1er semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

LSE4334015: With the dung of travelers entering the harbour of Moguedouchou (Mogadishu), sailors make a huge racket to attract the people who welcome them with shouts of enthusiasm. Engraving by Riou, to illustrate the story “” Voyage chez les Benadir, les somalis et les Bayoun””, in 1882- 1883, by Georges Revoil (1852-1894). Published in Le Tour du monde, nouveau journal des voyages, 1er semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4334015

With the dung of travelers entering the harbour of Moguedouchou (Mogadishu), sailors make a huge racket to attract the people who welcome them with shouts of enthusiasm. Engraving by Riou, to illustrate the story “” Voyage chez les Benadir, les somalis et les Bayoun””, in 1882- 1883, by Georges Revoil (1852-1894). Published in Le Tour du monde, nouveau journal des voyages, 1er semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

Riou, Edouard (1833-1900)

Toilet of the coffee, the woman has the fan activates the fire that heats the coffee beans, once rissoles in the fat, the coffee is poured with oil into a large dish and circulates among the somalis guests, each anointed with a drop of oil on the ears, then rubs the rest of the body, and finally crunch coffee beans like treats. Engraving by Riou, to illustrate the story “” Voyage chez les Benadir, les somalis et les Bayoun””, in 1882-1883, by Georges Revoil (1852-1894). Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris.
Toilet of the coffee, the woman has the fan activates the fire that heats the coffee beans, once rissoles in the fat, the coffee is poured with oil into a large dish and circulates among the somalis guests, each anointed with a drop of oil on the ears, then rubs the rest of the body, and finally crunch coffee beans like treats. Engraving by Riou, to illustrate the story “” Voyage chez les Benadir, les somalis et les Bayoun””, in 1882-1883, by Georges Revoil (1852-1894). Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

LSE4334113: Toilet of the coffee, the woman has the fan activates the fire that heats the coffee beans, once rissoles in the fat, the coffee is poured with oil into a large dish and circulates among the somalis guests, each anointed with a drop of oil on the ears, then rubs the rest of the body, and finally crunch coffee beans like treats. Engraving by Riou, to illustrate the story “” Voyage chez les Benadir, les somalis et les Bayoun””, in 1882-1883, by Georges Revoil (1852-1894). Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4334113

Toilet of the coffee, the woman has the fan activates the fire that heats the coffee beans, once rissoles in the fat, the coffee is poured with oil into a large dish and circulates among the somalis guests, each anointed with a drop of oil on the ears, then rubs the rest of the body, and finally crunch coffee beans like treats. Engraving by Riou, to illustrate the story “” Voyage chez les Benadir, les somalis et les Bayoun””, in 1882-1883, by Georges Revoil (1852-1894). Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

Riou, Edouard (1833-1900)

Matipa, an indigenous man who provided canoes to Livingstone's team, was served drinking by his wife, engraving after a drawing by Riou, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Matipa, an indigenous man who provided canoes to Livingstone's team, was served drinking by his wife, engraving after a drawing by Riou, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330140: Matipa, an indigenous man who provided canoes to Livingstone's team, was served drinking by his wife, engraving after a drawing by Riou, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4330140

Matipa, an indigenous man who provided canoes to Livingstone's team, was served drinking by his wife, engraving after a drawing by Riou, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The departure of the Alert sleds, ship of the polar expedition, drawing by Riou, to illustrate the story of a voyage to the polar sea in 1875-1876, by Captain G.S.Nares. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
The departure of the Alert sleds, ship of the polar expedition, drawing by Riou, to illustrate the story of a voyage to the polar sea in 1875-1876, by Captain G.S.Nares. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331216: The departure of the Alert sleds, ship of the polar expedition, drawing by Riou, to illustrate the story of a voyage to the polar sea in 1875-1876, by Captain G.S.Nares. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4331216

The departure of the Alert sleds, ship of the polar expedition, drawing by Riou, to illustrate the story of a voyage to the polar sea in 1875-1876, by Captain G.S.Nares. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The celebration of the Christmas feast in Sarayacu (Peru), the Christmas queen carries the child Jesus in a basket, and accompanied by two following, she presents the child to all the houses of the village, drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The celebration of the Christmas feast in Sarayacu (Peru), the Christmas queen carries the child Jesus in a basket, and accompanied by two following, she presents the child to all the houses of the village, drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325438: The celebration of the Christmas feast in Sarayacu (Peru), the Christmas queen carries the child Jesus in a basket, and accompanied by two following, she presents the child to all the houses of the village, drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325438

The celebration of the Christmas feast in Sarayacu (Peru), the Christmas queen carries the child Jesus in a basket, and accompanied by two following, she presents the child to all the houses of the village, drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

Riou, Edouard (1833-1900)

The crucifixion of an Indian Cacibos anthropophagus in Sarayacu (Peru), drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, from 1848 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The crucifixion of an Indian Cacibos anthropophagus in Sarayacu (Peru), drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, from 1848 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325444: The crucifixion of an Indian Cacibos anthropophagus in Sarayacu (Peru), drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, from 1848 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325444

The crucifixion of an Indian Cacibos anthropophagus in Sarayacu (Peru), drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, from 1848 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

Riou, Edouard (1833-1900)

Transport of a leaf and a flower of nymphea from Lake Nuna (perou), specimen reserve at P.Marcoy herbarium. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
Transport of a leaf and a flower of nymphea from Lake Nuna (perou), specimen reserve at P.Marcoy herbarium. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325598: Transport of a leaf and a flower of nymphea from Lake Nuna (perou), specimen reserve at P.Marcoy herbarium. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325598

Transport of a leaf and a flower of nymphea from Lake Nuna (perou), specimen reserve at P.Marcoy herbarium. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

Riou, Edouard (1833-1900)

The collection of pulque, a traditional Aztec drink, resulting from the fermentation of the seve de l'agave pulquero, drawing by Riou, to illustrate the voyage to Mexico of E.Vigneaux, in 1854-1855. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.
The collection of pulque, a traditional Aztec drink, resulting from the fermentation of the seve de l'agave pulquero, drawing by Riou, to illustrate the voyage to Mexico of E.Vigneaux, in 1854-1855. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.

LSE4324756: The collection of pulque, a traditional Aztec drink, resulting from the fermentation of the seve de l'agave pulquero, drawing by Riou, to illustrate the voyage to Mexico of E.Vigneaux, in 1854-1855. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4324756

The collection of pulque, a traditional Aztec drink, resulting from the fermentation of the seve de l'agave pulquero, drawing by Riou, to illustrate the voyage to Mexico of E.Vigneaux, in 1854-1855. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.

Riou, Edouard (1833-1900)

The square of Torre del Greco, during the eruption of the Vesuve, 8 December 1861, drawing by Riou, to illustrate the walks around Naples by Marc Monnier, in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.
The square of Torre del Greco, during the eruption of the Vesuve, 8 December 1861, drawing by Riou, to illustrate the walks around Naples by Marc Monnier, in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.

LSE4324770: The square of Torre del Greco, during the eruption of the Vesuve, 8 December 1861, drawing by Riou, to illustrate the walks around Naples by Marc Monnier, in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4324770

The square of Torre del Greco, during the eruption of the Vesuve, 8 December 1861, drawing by Riou, to illustrate the walks around Naples by Marc Monnier, in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.

Riou, Edouard (1833-1900)


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