Riou, Edouard (1833-1900) Assets (229 in total)

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The mass of the departure in Echarati (Peru), attended by the converted natives, drawing by Riou, illustrating Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The mass of the departure in Echarati (Peru), attended by the converted natives, drawing by Riou, illustrating Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325230: The mass of the departure in Echarati (Peru), attended by the converted natives, drawing by Riou, illustrating Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

Tobacco auctioners, makeup according to the tradition of the tribe of the Antis (Peru), drawing by Riou, illustrating Paul Marcoy's voyage from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Tobacco auctioners, makeup according to the tradition of the tribe of the Antis (Peru), drawing by Riou, illustrating Paul Marcoy's voyage from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325243: Tobacco auctioners, makeup according to the tradition of the tribe of the Antis (Peru), drawing by Riou, illustrating Paul Marcoy's voyage from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

The game of the bilboquet, with a turtle's head, among the Conibos Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The game of the bilboquet, with a turtle's head, among the Conibos Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325379: The game of the bilboquet, with a turtle's head, among the Conibos Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

Manufacture of pottery by a Conibo Indian from Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Manufacture of pottery by a Conibo Indian from Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325384: Manufacture of pottery by a Conibo Indian from Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

Paul Marcoy learned to make a carpet with the widows of Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
Paul Marcoy learned to make a carpet with the widows of Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325441: Paul Marcoy learned to make a carpet with the widows of Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

General view of Cusco or Cusco, former capital of the Incas, drawing of Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
General view of Cusco or Cusco, former capital of the Incas, drawing of Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325019: General view of Cusco or Cusco, former capital of the Incas, drawing of Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

Hacienda by Tian Tian, Peru and cocoa plantation, drawing by Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
Hacienda by Tian Tian, Peru and cocoa plantation, drawing by Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325089: Hacienda by Tian Tian, Peru and cocoa plantation, drawing by Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

Savorgnan de Brazza palabre with Renoké, village leader of West Africa - in “” Tour du Monde””, 2nd week 1887
Savorgnan de Brazza palabre with Renoké, village leader of West Africa - in “” Tour du Monde””, 2nd week 1887

LSE4104854: Savorgnan de Brazza palabre with Renoké, village leader of West Africa - in “” Tour du Monde””, 2nd week 1887, Riou, Edouard (1833-1900) / Bridgeman Images

Entrance of the Eagle to Port Said for the inauguration of the Suez Canal - in “Through the Isthmus of Suez”” by Riou, Marius Fontaine, 1869.
Entrance of the Eagle to Port Said for the inauguration of the Suez Canal - in “Through the Isthmus of Suez”” by Riou, Marius Fontaine, 1869.

LSE4093998: Entrance of the Eagle to Port Said for the inauguration of the Suez Canal - in “Through the Isthmus of Suez”” by Riou, Marius Fontaine, 1869., Riou, Edouard (1833-1900) / Bridgeman Images

Arrival of the sovereigns in Suez in “” Inauguration of the Suez Canal by G. Nicole. 1869
Arrival of the sovereigns in Suez in “” Inauguration of the Suez Canal by G. Nicole. 1869

LSE4084843: Arrival of the sovereigns in Suez in “” Inauguration of the Suez Canal by G. Nicole. 1869, Riou, Edouard (1833-1900) / Bridgeman Images

Batak women, northern Sumatra ethnic group, pounding and cleaning rice. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.
Batak women, northern Sumatra ethnic group, pounding and cleaning rice. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

LSE4312817: Batak women, northern Sumatra ethnic group, pounding and cleaning rice. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

Sir Henry Morton Stanley watching a phalanx dance by Mazamboni's warriors at Usiri, 1890 (wood engraving)
Sir Henry Morton Stanley watching a phalanx dance by Mazamboni's warriors at Usiri, 1890 (wood engraving)

KWE441407: Sir Henry Morton Stanley watching a phalanx dance by Mazamboni's warriors at Usiri, 1890 (wood engraving), Riou, Edouard (1833-1900) / Bridgeman Images

L'Arc de Triomphe as a ruin, 19th Century (b/w engraving)
L'Arc de Triomphe as a ruin, 19th Century (b/w engraving)

DGC909595: L'Arc de Triomphe as a ruin, 19th Century (b/w engraving), Riou, Edouard (1833-1900) / Bridgeman Images

Suez Canal. Egypt (watercolor)
Suez Canal. Egypt (watercolor)

TRK878722: Suez Canal. Egypt (watercolor), Riou, Edouard (1833-1900) / Bridgeman Images

Prehistory: representation of a megatherium (earthly lazy of the elephant family). Engraving by Edouard Riou (1833-1900) from the end of the 19th century.
Prehistory: representation of a megatherium (earthly lazy of the elephant family). Engraving by Edouard Riou (1833-1900) from the end of the 19th century.

GIA4800476: Prehistory: representation of a megatherium (earthly lazy of the elephant family). Engraving by Edouard Riou (1833-1900) from the end of the 19th century., Riou, Edouard (1833-1900) / Bridgeman Images

Philippe Auguste (Philippe-Auguste) wanted to offer Parisians the spectacle of a triumphant start. sd. 12th century
Philippe Auguste (Philippe-Auguste) wanted to offer Parisians the spectacle of a triumphant start. sd. 12th century

LSE4095010: Philippe Auguste (Philippe-Auguste) wanted to offer Parisians the spectacle of a triumphant start. sd. 12th century, Riou, Edouard (1833-1900) / Bridgeman Images

French Guiana Forest, drawing by Riou, “” Le Tour du Monde”, 2nd sem. 1879.
French Guiana Forest, drawing by Riou, “” Le Tour du Monde”, 2nd sem. 1879.

LSE4091291: French Guiana Forest, drawing by Riou, “” Le Tour du Monde”, 2nd sem. 1879., Riou, Edouard (1833-1900) / Bridgeman Images

Engraving of the book by Jules Verne “” Twenty thousand lieues sous les mers”” (Twenty-thousand - 20,000 - 20000), 1865: frontispiece by Riou - editions Hetzel/
Engraving of the book by Jules Verne “” Twenty thousand lieues sous les mers”” (Twenty-thousand - 20,000 - 20000), 1865: frontispiece by Riou - editions Hetzel/

PCT4258185: Engraving of the book by Jules Verne “” Twenty thousand lieues sous les mers”” (Twenty-thousand - 20,000 - 20000), 1865: frontispiece by Riou - editions Hetzel/, Riou, Edouard (1833-1900) / Bridgeman Images

Ideal view of the Earth during the period of the lias (Jurassic) showing a pterodactyl apprehending to devour a dragonfly, 1872 (engraving)
Ideal view of the Earth during the period of the lias (Jurassic) showing a pterodactyl apprehending to devour a dragonfly, 1872 (engraving)

PCT4265634: Ideal view of the Earth during the period of the lias (Jurassic) showing a pterodactyl apprehending to devour a dragonfly, 1872 (engraving), Riou, Edouard (1833-1900) / Bridgeman Images

The Midnight Sun in “The Children of Captain Grant” by Jules Verne, 1868, drawing by Riou. Hetzel Editions.
The Midnight Sun in “The Children of Captain Grant” by Jules Verne, 1868, drawing by Riou. Hetzel Editions.

LSE4106276: The Midnight Sun in “The Children of Captain Grant” by Jules Verne, 1868, drawing by Riou. Hetzel Editions., Riou, Edouard (1833-1900) / Bridgeman Images

Matipa, an indigenous man who provided canoes to Livingstone's team, was served drinking by his wife, engraving after a drawing by Riou, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Matipa, an indigenous man who provided canoes to Livingstone's team, was served drinking by his wife, engraving after a drawing by Riou, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330140: Matipa, an indigenous man who provided canoes to Livingstone's team, was served drinking by his wife, engraving after a drawing by Riou, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

Procession to the Marabout de Tlemcen (tomb with a dome of a man veneree of Islam), engraved after a drawing by E.Riou, illustrating the voyage to Tlemcen (Algeria), by E. de Lorral, in 1875, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Procession to the Marabout de Tlemcen (tomb with a dome of a man veneree of Islam), engraved after a drawing by E.Riou, illustrating the voyage to Tlemcen (Algeria), by E. de Lorral, in 1875, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330237: Procession to the Marabout de Tlemcen (tomb with a dome of a man veneree of Islam), engraved after a drawing by E.Riou, illustrating the voyage to Tlemcen (Algeria), by E. de Lorral, in 1875, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

The walk at Pager Alam Cafe (Malaysia). Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.
The walk at Pager Alam Cafe (Malaysia). Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

LSE4312832: The walk at Pager Alam Cafe (Malaysia). Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

Visit to the Naba of Karaga (Ghana). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.
Visit to the Naba of Karaga (Ghana). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

LSE4335525: Visit to the Naba of Karaga (Ghana). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

Types of Pakhala (Ivory Coast). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.
Types of Pakhala (Ivory Coast). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

LSE4335536: Types of Pakhala (Ivory Coast). Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

Women of Samory Toure (circa 1835-1898) war chief of the Niger loop and their supervisor, Sonninke, who knows how to read and write Arabic, as evidenced by the paper he holds in his hand. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.
Women of Samory Toure (circa 1835-1898) war chief of the Niger loop and their supervisor, Sonninke, who knows how to read and write Arabic, as evidenced by the paper he holds in his hand. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.

LSE4335581: Women of Samory Toure (circa 1835-1898) war chief of the Niger loop and their supervisor, Sonninke, who knows how to read and write Arabic, as evidenced by the paper he holds in his hand. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

Aspect of the heights with vertical walls at the Dasoulami and Bobodioulasou plateau (Gulf of Guinee), description of the techniques of hooking the mounts of the expedition convoy. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.
Aspect of the heights with vertical walls at the Dasoulami and Bobodioulasou plateau (Gulf of Guinee), description of the techniques of hooking the mounts of the expedition convoy. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris.

LSE4335593: Aspect of the heights with vertical walls at the Dasoulami and Bobodioulasou plateau (Gulf of Guinee), description of the techniques of hooking the mounts of the expedition convoy. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 1st semester 1891, edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

The crew of the ship La Germania, descended on the ice for a hunting game, was surprised by a snow storm during the towing of the sled containing their material, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “ Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The crew of the ship La Germania, descended on the ice for a hunting game, was surprised by a snow storm during the towing of the sled containing their material, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “ Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329816: The crew of the ship La Germania, descended on the ice for a hunting game, was surprised by a snow storm during the towing of the sled containing their material, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “ Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

The hauling of a steamer through the vegetation rafts that invade the hollow canal to leave a marsh, etched after a drawing by E.Riou, illustrating an armed expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection.
The hauling of a steamer through the vegetation rafts that invade the hollow canal to leave a marsh, etched after a drawing by E.Riou, illustrating an armed expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329936: The hauling of a steamer through the vegetation rafts that invade the hollow canal to leave a marsh, etched after a drawing by E.Riou, illustrating an armed expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, under the direction of Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

Travelers in roadstand: Julian Teissere, who is behind the explorer, George Revoil (1852-1894) and Salem Amari Ben Aod, guide of the expedition. Engraving by Riou, to illustrate the story “” Journey to the Benadir, Somalis and Bayoun””, in 1882- 1883, by M.G.Revoil. Published in Le Tour du monde, nouveau journal des voyages, 1er semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris.
Travelers in roadstand: Julian Teissere, who is behind the explorer, George Revoil (1852-1894) and Salem Amari Ben Aod, guide of the expedition. Engraving by Riou, to illustrate the story “” Journey to the Benadir, Somalis and Bayoun””, in 1882- 1883, by M.G.Revoil. Published in Le Tour du monde, nouveau journal des voyages, 1er semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

LSE4334010: Travelers in roadstand: Julian Teissere, who is behind the explorer, George Revoil (1852-1894) and Salem Amari Ben Aod, guide of the expedition. Engraving by Riou, to illustrate the story “” Journey to the Benadir, Somalis and Bayoun””, in 1882- 1883, by M.G.Revoil. Published in Le Tour du monde, nouveau journal des voyages, 1er semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

With the dung of travelers entering the harbour of Moguedouchou (Mogadishu), sailors make a huge racket to attract the people who welcome them with shouts of enthusiasm. Engraving by Riou, to illustrate the story “” Voyage chez les Benadir, les somalis et les Bayoun””, in 1882- 1883, by Georges Revoil (1852-1894). Published in Le Tour du monde, nouveau journal des voyages, 1er semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris.
With the dung of travelers entering the harbour of Moguedouchou (Mogadishu), sailors make a huge racket to attract the people who welcome them with shouts of enthusiasm. Engraving by Riou, to illustrate the story “” Voyage chez les Benadir, les somalis et les Bayoun””, in 1882- 1883, by Georges Revoil (1852-1894). Published in Le Tour du monde, nouveau journal des voyages, 1er semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

LSE4334015: With the dung of travelers entering the harbour of Moguedouchou (Mogadishu), sailors make a huge racket to attract the people who welcome them with shouts of enthusiasm. Engraving by Riou, to illustrate the story “” Voyage chez les Benadir, les somalis et les Bayoun””, in 1882- 1883, by Georges Revoil (1852-1894). Published in Le Tour du monde, nouveau journal des voyages, 1er semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

Toilet of the coffee, the woman has the fan activates the fire that heats the coffee beans, once rissoles in the fat, the coffee is poured with oil into a large dish and circulates among the somalis guests, each anointed with a drop of oil on the ears, then rubs the rest of the body, and finally crunch coffee beans like treats. Engraving by Riou, to illustrate the story “” Voyage chez les Benadir, les somalis et les Bayoun””, in 1882-1883, by Georges Revoil (1852-1894). Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris.
Toilet of the coffee, the woman has the fan activates the fire that heats the coffee beans, once rissoles in the fat, the coffee is poured with oil into a large dish and circulates among the somalis guests, each anointed with a drop of oil on the ears, then rubs the rest of the body, and finally crunch coffee beans like treats. Engraving by Riou, to illustrate the story “” Voyage chez les Benadir, les somalis et les Bayoun””, in 1882-1883, by Georges Revoil (1852-1894). Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

LSE4334113: Toilet of the coffee, the woman has the fan activates the fire that heats the coffee beans, once rissoles in the fat, the coffee is poured with oil into a large dish and circulates among the somalis guests, each anointed with a drop of oil on the ears, then rubs the rest of the body, and finally crunch coffee beans like treats. Engraving by Riou, to illustrate the story “” Voyage chez les Benadir, les somalis et les Bayoun””, in 1882-1883, by Georges Revoil (1852-1894). Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

Reception at Mkwewe, tribe chief, with the narrator. Engraving by Riou to illustrate the story Les lacs de l'Afrique equatoriale, by Victor Giraud, ensign of ship, in 1883-1885, in the tour du monde 1886, under the direction of Edouard Charton (1807-1890), Hachette, Paris.
Reception at Mkwewe, tribe chief, with the narrator. Engraving by Riou to illustrate the story Les lacs de l'Afrique equatoriale, by Victor Giraud, ensign of ship, in 1883-1885, in the tour du monde 1886, under the direction of Edouard Charton (1807-1890), Hachette, Paris.

LSE4334309: Reception at Mkwewe, tribe chief, with the narrator. Engraving by Riou to illustrate the story Les lacs de l'Afrique equatoriale, by Victor Giraud, ensign of ship, in 1883-1885, in the tour du monde 1886, under the direction of Edouard Charton (1807-1890), Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

Passage of the Cuesta Infernal. Engraving by Riou, to illustrate the story Voyage dans le delta du Pilcomayo et de Buenos Aires a Sucre, 1885-1886, by A.Thouar, in le tour du monde 1889, directed by Edouard Charton (1807-1890), Hachette, Paris.
Passage of the Cuesta Infernal. Engraving by Riou, to illustrate the story Voyage dans le delta du Pilcomayo et de Buenos Aires a Sucre, 1885-1886, by A.Thouar, in le tour du monde 1889, directed by Edouard Charton (1807-1890), Hachette, Paris.

LSE4334801: Passage of the Cuesta Infernal. Engraving by Riou, to illustrate the story Voyage dans le delta du Pilcomayo et de Buenos Aires a Sucre, 1885-1886, by A.Thouar, in le tour du monde 1889, directed by Edouard Charton (1807-1890), Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

Transport of a leaf and a flower of nymphea from Lake Nuna (perou), specimen reserve at P.Marcoy herbarium. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
Transport of a leaf and a flower of nymphea from Lake Nuna (perou), specimen reserve at P.Marcoy herbarium. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325598: Transport of a leaf and a flower of nymphea from Lake Nuna (perou), specimen reserve at P.Marcoy herbarium. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

The collection of pulque, a traditional Aztec drink, resulting from the fermentation of the seve de l'agave pulquero, drawing by Riou, to illustrate the voyage to Mexico of E.Vigneaux, in 1854-1855. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.
The collection of pulque, a traditional Aztec drink, resulting from the fermentation of the seve de l'agave pulquero, drawing by Riou, to illustrate the voyage to Mexico of E.Vigneaux, in 1854-1855. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.

LSE4324756: The collection of pulque, a traditional Aztec drink, resulting from the fermentation of the seve de l'agave pulquero, drawing by Riou, to illustrate the voyage to Mexico of E.Vigneaux, in 1854-1855. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images


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