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Riou, Edouard (1833-1900) Assets (229 in total)

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Theatrical representation: “The King has fun” by Victor Hugo (1808-1883). Act III scene III: Antechamber of the Louvre, Triboulet (Edmond Got, 1822-1901) and the gentlemen. Paris, Comedie Francaise, 1882. Engraving by Riou in “” The Illustrous World”” n°1339 of 25 November 1882.
Theatrical representation: “The King has fun” by Victor Hugo (1808-1883). Act III scene III: Antechamber of the Louvre, Triboulet (Edmond Got, 1822-1901) and the gentlemen. Paris, Comedie Francaise, 1882. Engraving by Riou in “” The Illustrous World”” n°1339 of 25 November 1882.

XEE4178823: Theatrical representation: “The King has fun” by Victor Hugo (1808-1883). Act III scene III: Antechamber of the Louvre, Triboulet (Edmond Got, 1822-1901) and the gentlemen. Paris, Comedie Francaise, 1882. Engraving by Riou in “” The Illustrous World”” n°1339 of 25 November 1882., Riou, Edouard (1833-1900) / Bridgeman Images

ID: XEE4178823

Theatrical representation: “The King has fun” by Victor Hugo (1808-1883). Act III scene III: Antechamber of the Louvre, Triboulet (Edmond Got, 1822-1901) and the gentlemen. Paris, Comedie Francaise, 1882. Engraving by Riou in “” The Illustrous World”” n°1339 of 25 November 1882.

Riou, Edouard (1833-1900)

The eve of departure to America - German emigrants departing for U.S.A in the steerage section of an American liner at the port of Le Havre, c.1850 (engraving) (b/w photo)
The eve of departure to America - German emigrants departing for U.S.A in the steerage section of an American liner at the port of Le Havre, c.1850 (engraving) (b/w photo)

CHT199682: The eve of departure to America - German emigrants departing for U.S.A in the steerage section of an American liner at the port of Le Havre, c.1850 (engraving) (b/w photo), Riou, Edouard (1833-1900) / Bridgeman Images

ID: CHT199682

The eve of departure to America - German emigrants departing for U.S.A in the steerage section of an American liner at the port of Le Havre, c.1850 (engraving) (b/w photo)

Riou, Edouard (1833-1900)

The Suez Canal, from a souvenir album commemorating the Voyage of Empress Eugenie (1827-1920) at the Inauguration in 1869 (w/c on paper)
The Suez Canal, from a souvenir album commemorating the Voyage of Empress Eugenie (1827-1920) at the Inauguration in 1869 (w/c on paper)

XIR238725: The Suez Canal, from a souvenir album commemorating the Voyage of Empress Eugenie (1827-1920) at the Inauguration in 1869 (w/c on paper), Riou, Edouard (1833-1900) / Bridgeman Images

ID: XIR238725

The Suez Canal, from a souvenir album commemorating the Voyage of Empress Eugenie (1827-1920) at the Inauguration in 1869 (w/c on paper)

Riou, Edouard (1833-1900)

Somali dance
Somali dance

JAB7073052: Somali dance " Cheleoo-Cheleoo " in Mogadishu, 1885 (engraving), Riou, Edouard (1833-1900) / Bridgeman Images

ID: JAB7073052

Somali dance " Cheleoo-Cheleoo " in Mogadishu, 1885 (engraving)

Riou, Edouard (1833-1900)

View of a forest and a marecage of the coal period (carbonifere): from Louis Figuier's book “La Terre avant le deluge”, 1872 (engraving)
View of a forest and a marecage of the coal period (carbonifere): from Louis Figuier's book “La Terre avant le deluge”, 1872 (engraving)

PCT4265626: View of a forest and a marecage of the coal period (carbonifere): from Louis Figuier's book “La Terre avant le deluge”, 1872 (engraving), Riou, Edouard (1833-1900) / Bridgeman Images

ID: PCT4265626

View of a forest and a marecage of the coal period (carbonifere): from Louis Figuier's book “La Terre avant le deluge”, 1872 (engraving)

Riou, Edouard (1833-1900)

Entry of the Sovereign in the Suez Canal at Port Said in “” Inauguration of the Suez Canal by G. Nicole. 1869
Entry of the Sovereign in the Suez Canal at Port Said in “” Inauguration of the Suez Canal by G. Nicole. 1869

LSE4084824: Entry of the Sovereign in the Suez Canal at Port Said in “” Inauguration of the Suez Canal by G. Nicole. 1869, Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4084824

Entry of the Sovereign in the Suez Canal at Port Said in “” Inauguration of the Suez Canal by G. Nicole. 1869

Riou, Edouard (1833-1900)

Lieutenant Valliere defends himself against the inhabitants of Sibi (or Siby), a Mandingo village of Upper Niger (present-day Mali), whose inhabitants were very disturbed by the arrival of exploration detachment. Engraving by Riou, based on a sketch by the author, to illustrate the story “Exploration du Haut-Niger (Haut-Niger)” (present-day Mali) by the commander Joseph Gallieni (1849-1916) of the naval infantry, in 1881-82. Published in the Tour du monde, 1er semester 1883, edited by Edouard Charton (1807-1890), edition Hachette, Paris.
Lieutenant Valliere defends himself against the inhabitants of Sibi (or Siby), a Mandingo village of Upper Niger (present-day Mali), whose inhabitants were very disturbed by the arrival of exploration detachment. Engraving by Riou, based on a sketch by the author, to illustrate the story “Exploration du Haut-Niger (Haut-Niger)” (present-day Mali) by the commander Joseph Gallieni (1849-1916) of the naval infantry, in 1881-82. Published in the Tour du monde, 1er semester 1883, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

LSE4333676: Lieutenant Valliere defends himself against the inhabitants of Sibi (or Siby), a Mandingo village of Upper Niger (present-day Mali), whose inhabitants were very disturbed by the arrival of exploration detachment. Engraving by Riou, based on a sketch by the author, to illustrate the story “Exploration du Haut-Niger (Haut-Niger)” (present-day Mali) by the commander Joseph Gallieni (1849-1916) of the naval infantry, in 1881-82. Published in the Tour du monde, 1er semester 1883, edited by Edouard Charton (1807-1890), edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4333676

Lieutenant Valliere defends himself against the inhabitants of Sibi (or Siby), a Mandingo village of Upper Niger (present-day Mali), whose inhabitants were very disturbed by the arrival of exploration detachment. Engraving by Riou, based on a sketch by the author, to illustrate the story “Exploration du Haut-Niger (Haut-Niger)” (present-day Mali) by the commander Joseph Gallieni (1849-1916) of the naval infantry, in 1881-82. Published in the Tour du monde, 1er semester 1883, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

Riou, Edouard (1833-1900)

Tobas Indians (from the Chaco region, between Paraguay and Bolivia) refusing to pass to the column of the Thouar expedition. Engraving by Riou, to illustrate the story “” In search of the remains of the Crevaux mission””, in 1884, by A.Thouar (1853- disappeared around 1898?). Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1884, edited by Edouard Charton (1807-1890), edition Hachette, Paris.
Tobas Indians (from the Chaco region, between Paraguay and Bolivia) refusing to pass to the column of the Thouar expedition. Engraving by Riou, to illustrate the story “” In search of the remains of the Crevaux mission””, in 1884, by A.Thouar (1853- disappeared around 1898?). Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1884, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

LSE4333959: Tobas Indians (from the Chaco region, between Paraguay and Bolivia) refusing to pass to the column of the Thouar expedition. Engraving by Riou, to illustrate the story “” In search of the remains of the Crevaux mission””, in 1884, by A.Thouar (1853- disappeared around 1898?). Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1884, edited by Edouard Charton (1807-1890), edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4333959

Tobas Indians (from the Chaco region, between Paraguay and Bolivia) refusing to pass to the column of the Thouar expedition. Engraving by Riou, to illustrate the story “” In search of the remains of the Crevaux mission””, in 1884, by A.Thouar (1853- disappeared around 1898?). Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1884, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

Riou, Edouard (1833-1900)

Batak women, northern Sumatra ethnic group, pounding and cleaning rice. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.
Batak women, northern Sumatra ethnic group, pounding and cleaning rice. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

LSE4312817: Batak women, northern Sumatra ethnic group, pounding and cleaning rice. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4312817

Batak women, northern Sumatra ethnic group, pounding and cleaning rice. Engraving by Riou to illustrate the story “a year in Malaysia””, by Jules Claine (1856-1939), 1889-1890, in Le tour du Monde 1892, directed by Edouard Charton (1807-1891), Hachette, Paris.

Riou, Edouard (1833-1900)

P.Marcoy finds a friend, who became a colonel of genie and post in a cave set near the lake of Cailloma, together they receive the visit of the city's notables, etched after a drawing by E.Riou, illustrating the journey in the mountains, the Huarancalqui valley and the regions of Pajonal (Peru), from 1862 to 1863, by Paul Marcoy, published in “” The tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
P.Marcoy finds a friend, who became a colonel of genie and post in a cave set near the lake of Cailloma, together they receive the visit of the city's notables, etched after a drawing by E.Riou, illustrating the journey in the mountains, the Huarancalqui valley and the regions of Pajonal (Peru), from 1862 to 1863, by Paul Marcoy, published in “” The tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329974: P.Marcoy finds a friend, who became a colonel of genie and post in a cave set near the lake of Cailloma, together they receive the visit of the city's notables, etched after a drawing by E.Riou, illustrating the journey in the mountains, the Huarancalqui valley and the regions of Pajonal (Peru), from 1862 to 1863, by Paul Marcoy, published in “” The tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4329974

P.Marcoy finds a friend, who became a colonel of genie and post in a cave set near the lake of Cailloma, together they receive the visit of the city's notables, etched after a drawing by E.Riou, illustrating the journey in the mountains, the Huarancalqui valley and the regions of Pajonal (Peru), from 1862 to 1863, by Paul Marcoy, published in “” The tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The feast of San Isidro, patron of the ploughers and protector of cultures, in Challqui (Peru), the parade of more than 1000 Indians from the surrounding area, brings the statue of the saint to the altar of the virgin, then all are gathered for the feast to the sound of the local band and drinking the chicha, engraving by E.Riou illustrating the journey in the Sierra, the valley of Huarancalqui and the regions of Pjonal, from 1862 to 1863, by Paul Marcoy, published in “” Le tour du monde””” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The feast of San Isidro, patron of the ploughers and protector of cultures, in Challqui (Peru), the parade of more than 1000 Indians from the surrounding area, brings the statue of the saint to the altar of the virgin, then all are gathered for the feast to the sound of the local band and drinking the chicha, engraving by E.Riou illustrating the journey in the Sierra, the valley of Huarancalqui and the regions of Pjonal, from 1862 to 1863, by Paul Marcoy, published in “” Le tour du monde””” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329987: The feast of San Isidro, patron of the ploughers and protector of cultures, in Challqui (Peru), the parade of more than 1000 Indians from the surrounding area, brings the statue of the saint to the altar of the virgin, then all are gathered for the feast to the sound of the local band and drinking the chicha, engraving by E.Riou illustrating the journey in the Sierra, the valley of Huarancalqui and the regions of Pjonal, from 1862 to 1863, by Paul Marcoy, published in “” Le tour du monde””” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4329987

The feast of San Isidro, patron of the ploughers and protector of cultures, in Challqui (Peru), the parade of more than 1000 Indians from the surrounding area, brings the statue of the saint to the altar of the virgin, then all are gathered for the feast to the sound of the local band and drinking the chicha, engraving by E.Riou illustrating the journey in the Sierra, the valley of Huarancalqui and the regions of Pjonal, from 1862 to 1863, by Paul Marcoy, published in “” Le tour du monde””” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The suchi fishing (small brown fish of the species of catfish) on the lake of Villafro, near the village of Cailloma, the Indians a caliphourchon on grass bales attract fish with meat hamlets, engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of Pjonal, from 1862 to 1863, by Paul Marcoy, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The suchi fishing (small brown fish of the species of catfish) on the lake of Villafro, near the village of Cailloma, the Indians a caliphourchon on grass bales attract fish with meat hamlets, engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of Pjonal, from 1862 to 1863, by Paul Marcoy, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329990: The suchi fishing (small brown fish of the species of catfish) on the lake of Villafro, near the village of Cailloma, the Indians a caliphourchon on grass bales attract fish with meat hamlets, engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of Pjonal, from 1862 to 1863, by Paul Marcoy, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4329990

The suchi fishing (small brown fish of the species of catfish) on the lake of Villafro, near the village of Cailloma, the Indians a caliphourchon on grass bales attract fish with meat hamlets, engraving by E.Riou illustrating the journey in the mountains, the valley of Huarancalqui and the regions of Pjonal, from 1862 to 1863, by Paul Marcoy, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Riou, Edouard (1833-1900)

Surgical method used to heal fractures, the wounded is seated in a hole, the leg is banished by a leaf, then the pit is filled with mud and covered with buds that are inflamed and heat the fracture, the patient is protected by a mat that serves as a screen against smoking, then the leg is firmly bound to support splints, engraving based on a drawing by Riou, illustrating David Livingstone's last diary (1813-1873), in 1866-73, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Surgical method used to heal fractures, the wounded is seated in a hole, the leg is banished by a leaf, then the pit is filled with mud and covered with buds that are inflamed and heat the fracture, the patient is protected by a mat that serves as a screen against smoking, then the leg is firmly bound to support splints, engraving based on a drawing by Riou, illustrating David Livingstone's last diary (1813-1873), in 1866-73, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330147: Surgical method used to heal fractures, the wounded is seated in a hole, the leg is banished by a leaf, then the pit is filled with mud and covered with buds that are inflamed and heat the fracture, the patient is protected by a mat that serves as a screen against smoking, then the leg is firmly bound to support splints, engraving based on a drawing by Riou, illustrating David Livingstone's last diary (1813-1873), in 1866-73, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4330147

Surgical method used to heal fractures, the wounded is seated in a hole, the leg is banished by a leaf, then the pit is filled with mud and covered with buds that are inflamed and heat the fracture, the patient is protected by a mat that serves as a screen against smoking, then the leg is firmly bound to support splints, engraving based on a drawing by Riou, illustrating David Livingstone's last diary (1813-1873), in 1866-73, published in “” Le tour du monde””” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Riou, Edouard (1833-1900)

Tyson's crew, after several days drifting on an iceberg, finally saw a whaler and waved the American flag to be seen and saved, engraved after a drawing by E.Riou, illustrating the story of the Polaris, ice raft, by Lieutenant Tyson, in 1870-1873, published in “Le tour du monde””” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.
Tyson's crew, after several days drifting on an iceberg, finally saw a whaler and waved the American flag to be seen and saved, engraved after a drawing by E.Riou, illustrating the story of the Polaris, ice raft, by Lieutenant Tyson, in 1870-1873, published in “Le tour du monde””” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330210: Tyson's crew, after several days drifting on an iceberg, finally saw a whaler and waved the American flag to be seen and saved, engraved after a drawing by E.Riou, illustrating the story of the Polaris, ice raft, by Lieutenant Tyson, in 1870-1873, published in “Le tour du monde””” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4330210

Tyson's crew, after several days drifting on an iceberg, finally saw a whaler and waved the American flag to be seen and saved, engraved after a drawing by E.Riou, illustrating the story of the Polaris, ice raft, by Lieutenant Tyson, in 1870-1873, published in “Le tour du monde””” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The divine service on board, every Sunday at noon, the crew gather under a tent set up on the deck, a simple reading of the gospel by the captain of the ship serves as a celebration. Engraving after Riou's drawing, to illustrate the odyssee Tegetthoff, by lieutenants Payer and Weyprecht, in 1872-1874, published in “” Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The divine service on board, every Sunday at noon, the crew gather under a tent set up on the deck, a simple reading of the gospel by the captain of the ship serves as a celebration. Engraving after Riou's drawing, to illustrate the odyssee Tegetthoff, by lieutenants Payer and Weyprecht, in 1872-1874, published in “” Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330533: The divine service on board, every Sunday at noon, the crew gather under a tent set up on the deck, a simple reading of the gospel by the captain of the ship serves as a celebration. Engraving after Riou's drawing, to illustrate the odyssee Tegetthoff, by lieutenants Payer and Weyprecht, in 1872-1874, published in “” Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4330533

The divine service on board, every Sunday at noon, the crew gather under a tent set up on the deck, a simple reading of the gospel by the captain of the ship serves as a celebration. Engraving after Riou's drawing, to illustrate the odyssee Tegetthoff, by lieutenants Payer and Weyprecht, in 1872-1874, published in “” Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The travel suit of Lieutenant Payer and Lieutenant Weyprecht, several thicknesses of clothing to fight the snow squalls, a retractable leather jacket to protect the face from frost, boots and mittens made of veil and flannel and heavy glasses. Engraving after Riou's drawing, to illustrate the odyssee Tegetthoff, by lieutenants Payer and Weyprecht, in 1872-1874, published in “” Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The travel suit of Lieutenant Payer and Lieutenant Weyprecht, several thicknesses of clothing to fight the snow squalls, a retractable leather jacket to protect the face from frost, boots and mittens made of veil and flannel and heavy glasses. Engraving after Riou's drawing, to illustrate the odyssee Tegetthoff, by lieutenants Payer and Weyprecht, in 1872-1874, published in “” Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330539: The travel suit of Lieutenant Payer and Lieutenant Weyprecht, several thicknesses of clothing to fight the snow squalls, a retractable leather jacket to protect the face from frost, boots and mittens made of veil and flannel and heavy glasses. Engraving after Riou's drawing, to illustrate the odyssee Tegetthoff, by lieutenants Payer and Weyprecht, in 1872-1874, published in “” Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4330539

The travel suit of Lieutenant Payer and Lieutenant Weyprecht, several thicknesses of clothing to fight the snow squalls, a retractable leather jacket to protect the face from frost, boots and mittens made of veil and flannel and heavy glasses. Engraving after Riou's drawing, to illustrate the odyssee Tegetthoff, by lieutenants Payer and Weyprecht, in 1872-1874, published in “” Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Riou, Edouard (1833-1900)

Picking the coca leaves in the Ituata Valley, drawing by E.Riou, to illustrate the journey in the Titicaca region and the valleys of the east of Lower Peru, in 1873 by Paul Marcoy. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
Picking the coca leaves in the Ituata Valley, drawing by E.Riou, to illustrate the journey in the Titicaca region and the valleys of the east of Lower Peru, in 1873 by Paul Marcoy. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4330994: Picking the coca leaves in the Ituata Valley, drawing by E.Riou, to illustrate the journey in the Titicaca region and the valleys of the east of Lower Peru, in 1873 by Paul Marcoy. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4330994

Picking the coca leaves in the Ituata Valley, drawing by E.Riou, to illustrate the journey in the Titicaca region and the valleys of the east of Lower Peru, in 1873 by Paul Marcoy. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The Cathedrale of Bogotá, in Bolivar Square (Colombia), during the annual celebration of the Independence (18 December), for this occasion, an ephemere kiosk was set up to house the band orchestra, drawing by E.Riou, to illustrate the journey to equinoxial America (Colombia, Ecuador, Peru), in 1875-1876, by Edouard Andre (1833 -1894), a traveller commissioned a mission by the French government. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
The Cathedrale of Bogotá, in Bolivar Square (Colombia), during the annual celebration of the Independence (18 December), for this occasion, an ephemere kiosk was set up to house the band orchestra, drawing by E.Riou, to illustrate the journey to equinoxial America (Colombia, Ecuador, Peru), in 1875-1876, by Edouard Andre (1833 -1894), a traveller commissioned a mission by the French government. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4331031: The Cathedrale of Bogotá, in Bolivar Square (Colombia), during the annual celebration of the Independence (18 December), for this occasion, an ephemere kiosk was set up to house the band orchestra, drawing by E.Riou, to illustrate the journey to equinoxial America (Colombia, Ecuador, Peru), in 1875-1876, by Edouard Andre (1833 -1894), a traveller commissioned a mission by the French government. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4331031

The Cathedrale of Bogotá, in Bolivar Square (Colombia), during the annual celebration of the Independence (18 December), for this occasion, an ephemere kiosk was set up to house the band orchestra, drawing by E.Riou, to illustrate the journey to equinoxial America (Colombia, Ecuador, Peru), in 1875-1876, by Edouard Andre (1833 -1894), a traveller commissioned a mission by the French government. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The crew of the ship La Germania, descended on the ice for a hunting game, proceeded to tow their sleigh on the ice, as the sun sets, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “The tour of the world” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The crew of the ship La Germania, descended on the ice for a hunting game, proceeded to tow their sleigh on the ice, as the sun sets, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “The tour of the world” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329809: The crew of the ship La Germania, descended on the ice for a hunting game, proceeded to tow their sleigh on the ice, as the sun sets, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “The tour of the world” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4329809

The crew of the ship La Germania, descended on the ice for a hunting game, proceeded to tow their sleigh on the ice, as the sun sets, engraving after the drawing of E.Riou, illustrating a voyage to the North Pole in 1869-1870 by the captain of the ship La Germania, Mr. Koldewey and his crew, published in “The tour of the world” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Riou, Edouard (1833-1900)

General view of Cusco or Cusco, former capital of the Incas, drawing of Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
General view of Cusco or Cusco, former capital of the Incas, drawing of Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325019: General view of Cusco or Cusco, former capital of the Incas, drawing of Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325019

General view of Cusco or Cusco, former capital of the Incas, drawing of Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

Riou, Edouard (1833-1900)

Hacienda by Tian Tian, Peru and cocoa plantation, drawing by Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
Hacienda by Tian Tian, Peru and cocoa plantation, drawing by Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325089: Hacienda by Tian Tian, Peru and cocoa plantation, drawing by Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325089

Hacienda by Tian Tian, Peru and cocoa plantation, drawing by Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

Riou, Edouard (1833-1900)

The manufacture of turtle egg oil, the eggs, collected in a canoe that serves as a press, are burned with 5-pointed arrows, then their oily yellow is picked up in jars, then boiled and dirty, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The manufacture of turtle egg oil, the eggs, collected in a canoe that serves as a press, are burned with 5-pointed arrows, then their oily yellow is picked up in jars, then boiled and dirty, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325157: The manufacture of turtle egg oil, the eggs, collected in a canoe that serves as a press, are burned with 5-pointed arrows, then their oily yellow is picked up in jars, then boiled and dirty, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325157

The manufacture of turtle egg oil, the eggs, collected in a canoe that serves as a press, are burned with 5-pointed arrows, then their oily yellow is picked up in jars, then boiled and dirty, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Riou, Edouard (1833-1900)

The mass of the departure in Echarati (Peru), attended by the converted natives, drawing by Riou, illustrating Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The mass of the departure in Echarati (Peru), attended by the converted natives, drawing by Riou, illustrating Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325230: The mass of the departure in Echarati (Peru), attended by the converted natives, drawing by Riou, illustrating Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325230

The mass of the departure in Echarati (Peru), attended by the converted natives, drawing by Riou, illustrating Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Riou, Edouard (1833-1900)

Tobacco auctioners, makeup according to the tradition of the tribe of the Antis (Peru), drawing by Riou, illustrating Paul Marcoy's voyage from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Tobacco auctioners, makeup according to the tradition of the tribe of the Antis (Peru), drawing by Riou, illustrating Paul Marcoy's voyage from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325243: Tobacco auctioners, makeup according to the tradition of the tribe of the Antis (Peru), drawing by Riou, illustrating Paul Marcoy's voyage from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325243

Tobacco auctioners, makeup according to the tradition of the tribe of the Antis (Peru), drawing by Riou, illustrating Paul Marcoy's voyage from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Riou, Edouard (1833-1900)

The game of the bilboquet, with a turtle's head, among the Conibos Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The game of the bilboquet, with a turtle's head, among the Conibos Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325379: The game of the bilboquet, with a turtle's head, among the Conibos Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325379

The game of the bilboquet, with a turtle's head, among the Conibos Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Riou, Edouard (1833-1900)

Manufacture of pottery by a Conibo Indian from Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Manufacture of pottery by a Conibo Indian from Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325384: Manufacture of pottery by a Conibo Indian from Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325384

Manufacture of pottery by a Conibo Indian from Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Riou, Edouard (1833-1900)

Paul Marcoy learned to make a carpet with the widows of Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
Paul Marcoy learned to make a carpet with the widows of Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325441: Paul Marcoy learned to make a carpet with the widows of Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4325441

Paul Marcoy learned to make a carpet with the widows of Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

Riou, Edouard (1833-1900)

Arrival of the sovereigns in Suez in “” Inauguration of the Suez Canal by G. Nicole. 1869
Arrival of the sovereigns in Suez in “” Inauguration of the Suez Canal by G. Nicole. 1869

LSE4084843: Arrival of the sovereigns in Suez in “” Inauguration of the Suez Canal by G. Nicole. 1869, Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4084843

Arrival of the sovereigns in Suez in “” Inauguration of the Suez Canal by G. Nicole. 1869

Riou, Edouard (1833-1900)

Portrait of Emile Arthur Thouar, (1853- disappeared around 1898) in travel outfit, French explorer medaille of the geography society of Paris. Engraving by Riou, to illustrate the story “” In search of the remains of the Crevaux mission””, in 1884, by A.Thouar. Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1884, edited by Edouard Charton (1807-1890), edition Hachette, Paris.
Portrait of Emile Arthur Thouar, (1853- disappeared around 1898) in travel outfit, French explorer medaille of the geography society of Paris. Engraving by Riou, to illustrate the story “” In search of the remains of the Crevaux mission””, in 1884, by A.Thouar. Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1884, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

LSE4333964: Portrait of Emile Arthur Thouar, (1853- disappeared around 1898) in travel outfit, French explorer medaille of the geography society of Paris. Engraving by Riou, to illustrate the story “” In search of the remains of the Crevaux mission””, in 1884, by A.Thouar. Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1884, edited by Edouard Charton (1807-1890), edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4333964

Portrait of Emile Arthur Thouar, (1853- disappeared around 1898) in travel outfit, French explorer medaille of the geography society of Paris. Engraving by Riou, to illustrate the story “” In search of the remains of the Crevaux mission””, in 1884, by A.Thouar. Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1884, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

Riou, Edouard (1833-1900)

The fruit market of Zanzibar (Tanzania). Engraving by Riou, to illustrate the story “” Journey to the Benadir, the Omalis and the Bayoun””, in 1882- 1883, by M.G.Revoil. Published in Le Tour du monde, nouveau journal des voyages, 1er semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris.
The fruit market of Zanzibar (Tanzania). Engraving by Riou, to illustrate the story “” Journey to the Benadir, the Omalis and the Bayoun””, in 1882- 1883, by M.G.Revoil. Published in Le Tour du monde, nouveau journal des voyages, 1er semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

LSE4334021: The fruit market of Zanzibar (Tanzania). Engraving by Riou, to illustrate the story “” Journey to the Benadir, the Omalis and the Bayoun””, in 1882- 1883, by M.G.Revoil. Published in Le Tour du monde, nouveau journal des voyages, 1er semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4334021

The fruit market of Zanzibar (Tanzania). Engraving by Riou, to illustrate the story “” Journey to the Benadir, the Omalis and the Bayoun””, in 1882- 1883, by M.G.Revoil. Published in Le Tour du monde, nouveau journal des voyages, 1er semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris.

Riou, Edouard (1833-1900)

Ketimkuru, tribal leader, playing the accordeon. Engraving by Riou to illustrate the story Les lacs de l'Afrique equatoriale, by Victor Giraud, ensign of ship, in 1883-1885, in the tour du monde 1886, under the direction of Edouard Charton (1807-1890), Hachette, Paris.
Ketimkuru, tribal leader, playing the accordeon. Engraving by Riou to illustrate the story Les lacs de l'Afrique equatoriale, by Victor Giraud, ensign of ship, in 1883-1885, in the tour du monde 1886, under the direction of Edouard Charton (1807-1890), Hachette, Paris.

LSE4334312: Ketimkuru, tribal leader, playing the accordeon. Engraving by Riou to illustrate the story Les lacs de l'Afrique equatoriale, by Victor Giraud, ensign of ship, in 1883-1885, in the tour du monde 1886, under the direction of Edouard Charton (1807-1890), Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4334312

Ketimkuru, tribal leader, playing the accordeon. Engraving by Riou to illustrate the story Les lacs de l'Afrique equatoriale, by Victor Giraud, ensign of ship, in 1883-1885, in the tour du monde 1886, under the direction of Edouard Charton (1807-1890), Hachette, Paris.

Riou, Edouard (1833-1900)

Dakar. Engraving by Riou to illustrate the story Voyage a la Plata, three months of vacation by Emile Blaireaux in 1886, in the tour du monde 1887, under the direction of Edouard Charton (1807-1890), Hachette, Paris.
Dakar. Engraving by Riou to illustrate the story Voyage a la Plata, three months of vacation by Emile Blaireaux in 1886, in the tour du monde 1887, under the direction of Edouard Charton (1807-1890), Hachette, Paris.

LSE4334449: Dakar. Engraving by Riou to illustrate the story Voyage a la Plata, three months of vacation by Emile Blaireaux in 1886, in the tour du monde 1887, under the direction of Edouard Charton (1807-1890), Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4334449

Dakar. Engraving by Riou to illustrate the story Voyage a la Plata, three months of vacation by Emile Blaireaux in 1886, in the tour du monde 1887, under the direction of Edouard Charton (1807-1890), Hachette, Paris.

Riou, Edouard (1833-1900)

Portrait of the author Victor Giraud, a ship ensign and his traveller, Montagu Kerr, a hunter. Engraving by Riou, to illustrate the story Les lacs de l'Afrique equatoriale, 1883-1885, by Victor Giraud, in le tour du monde 1888, directed by Edouard Charton (1807-1890), Hachette, Paris.
Portrait of the author Victor Giraud, a ship ensign and his traveller, Montagu Kerr, a hunter. Engraving by Riou, to illustrate the story Les lacs de l'Afrique equatoriale, 1883-1885, by Victor Giraud, in le tour du monde 1888, directed by Edouard Charton (1807-1890), Hachette, Paris.

LSE4334597: Portrait of the author Victor Giraud, a ship ensign and his traveller, Montagu Kerr, a hunter. Engraving by Riou, to illustrate the story Les lacs de l'Afrique equatoriale, 1883-1885, by Victor Giraud, in le tour du monde 1888, directed by Edouard Charton (1807-1890), Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4334597

Portrait of the author Victor Giraud, a ship ensign and his traveller, Montagu Kerr, a hunter. Engraving by Riou, to illustrate the story Les lacs de l'Afrique equatoriale, 1883-1885, by Victor Giraud, in le tour du monde 1888, directed by Edouard Charton (1807-1890), Hachette, Paris.

Riou, Edouard (1833-1900)

Palabre a Aouabou (Côte d'Ivoire). Signature of the commercial deal at the court of Anno, with a portrait of the author. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.
Palabre a Aouabou (Côte d'Ivoire). Signature of the commercial deal at the court of Anno, with a portrait of the author. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

LSE4335542: Palabre a Aouabou (Côte d'Ivoire). Signature of the commercial deal at the court of Anno, with a portrait of the author. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4335542

Palabre a Aouabou (Côte d'Ivoire). Signature of the commercial deal at the court of Anno, with a portrait of the author. Engraving by Riou, to illustrate the story “” From Niger to the Gulf of Guinee”” by Captain Louis Gustave Binger (1856-1936), in 1887-1889, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

Riou, Edouard (1833-1900)

An instrument made of bird bone and a way of snuffing among the Indians ouitotos (uitoto), blowing in unison, they simultaneously send the catch. Engraving by Riou, to illustrate the story of Cayenne aux Andes, by Jules Crevaux, doctor of the French navy, in 1878-1879, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
An instrument made of bird bone and a way of snuffing among the Indians ouitotos (uitoto), blowing in unison, they simultaneously send the catch. Engraving by Riou, to illustrate the story of Cayenne aux Andes, by Jules Crevaux, doctor of the French navy, in 1878-1879, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332489: An instrument made of bird bone and a way of snuffing among the Indians ouitotos (uitoto), blowing in unison, they simultaneously send the catch. Engraving by Riou, to illustrate the story of Cayenne aux Andes, by Jules Crevaux, doctor of the French navy, in 1878-1879, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4332489

An instrument made of bird bone and a way of snuffing among the Indians ouitotos (uitoto), blowing in unison, they simultaneously send the catch. Engraving by Riou, to illustrate the story of Cayenne aux Andes, by Jules Crevaux, doctor of the French navy, in 1878-1879, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

Riou, Edouard (1833-1900)

Arrival of the raft of Dr. Crevaux and E. Lejeanne, on the banks bordering the village of Mitouas. Engraving by Riou, to illustrate the voyage of exploration through New Granada and Venezuela, by Doctor Crevaux, first class physician of the navy and E.Lejeanne, marine pharmacist, in 1881, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1882, Paris. Selva Collection.
Arrival of the raft of Dr. Crevaux and E. Lejeanne, on the banks bordering the village of Mitouas. Engraving by Riou, to illustrate the voyage of exploration through New Granada and Venezuela, by Doctor Crevaux, first class physician of the navy and E.Lejeanne, marine pharmacist, in 1881, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1882, Paris. Selva Collection.

LSE4332699: Arrival of the raft of Dr. Crevaux and E. Lejeanne, on the banks bordering the village of Mitouas. Engraving by Riou, to illustrate the voyage of exploration through New Granada and Venezuela, by Doctor Crevaux, first class physician of the navy and E.Lejeanne, marine pharmacist, in 1881, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1882, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4332699

Arrival of the raft of Dr. Crevaux and E. Lejeanne, on the banks bordering the village of Mitouas. Engraving by Riou, to illustrate the voyage of exploration through New Granada and Venezuela, by Doctor Crevaux, first class physician of the navy and E.Lejeanne, marine pharmacist, in 1881, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1882, Paris. Selva Collection.

Riou, Edouard (1833-1900)


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