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A month-going bodenstanduhr with equation of time and full calendar, 1806 (mahogany case)
A month-going bodenstanduhr with equation of time and full calendar, 1806 (mahogany case)

CH5954174: A month-going bodenstanduhr with equation of time and full calendar, 1806 (mahogany case), Austrian School, (19th century) / Bridgeman Images

Internal Revenue Bureau Chemist G.F. Beyer, 14 January 1920 (b/w photo)
Internal Revenue Bureau Chemist G.F. Beyer, 14 January 1920 (b/w photo)

XOS5954278: Internal Revenue Bureau Chemist G.F. Beyer, 14 January 1920 (b/w photo), American Photographer, (20th century) / Bridgeman Images

Mrs. Mabel Willebrandt at the White House, 18 February 1925 (b/w photo)
Mrs. Mabel Willebrandt at the White House, 18 February 1925 (b/w photo)

XOS5954280: Mrs. Mabel Willebrandt at the White House, 18 February 1925 (b/w photo), American Photographer, (20th century) / Bridgeman Images

Prohibition Unit (Cow Shoes), 28 June 1924 (b/w photo)
Prohibition Unit (Cow Shoes), 28 June 1924 (b/w photo)

XOS5954283: Prohibition Unit (Cow Shoes), 28 June 1924 (b/w photo), American Photographer, (20th century) / Bridgeman Images

Man cutting up a bootlegger's keg during prohibition era, 1918-28 (b/w photo)
Man cutting up a bootlegger's keg during prohibition era, 1918-28 (b/w photo)

XOS5954286: Man cutting up a bootlegger's keg during prohibition era, 1918-28 (b/w photo), American Photographer, (20th century) / Bridgeman Images

Virgil's Eclogues, Georgics, Aeneid, Milan, 1417 (ink on vellum)
Virgil's Eclogues, Georgics, Aeneid, Milan, 1417 (ink on vellum)

CH5955407: Virgil's Eclogues, Georgics, Aeneid, Milan, 1417 (ink on vellum), Italian School, (15th century) / Bridgeman Images

Cathedral of San Cataldo, Chapel of the SS Sacramento, altar of C. and V. Ferrara; A. Fellina on drawing by G. Fulchignone, balustrade, Taranto, Puglia (photo)
Cathedral of San Cataldo, Chapel of the SS Sacramento, altar of C. and V. Ferrara; A. Fellina on drawing by G. Fulchignone, balustrade, Taranto, Puglia (photo)

RTG5962388: Cathedral of San Cataldo, Chapel of the SS Sacramento, altar of C. and V. Ferrara; A. Fellina on drawing by G. Fulchignone, balustrade, Taranto, Puglia (photo) / Bridgeman Images

Cathedral of San Cataldo, Chapel of the SS Sacramento, altar of C. and V. Ferrara; A. Fellina on drawing by G. Fulchignone, balustrade, Taranto, Puglia (photo)
Cathedral of San Cataldo, Chapel of the SS Sacramento, altar of C. and V. Ferrara; A. Fellina on drawing by G. Fulchignone, balustrade, Taranto, Puglia (photo)

RTG5962390: Cathedral of San Cataldo, Chapel of the SS Sacramento, altar of C. and V. Ferrara; A. Fellina on drawing by G. Fulchignone, balustrade, Taranto, Puglia (photo) / Bridgeman Images

Necropolis of Via Marche, archaic burials, Taranto, Apulia (photo)
Necropolis of Via Marche, archaic burials, Taranto, Apulia (photo)

RTG5962392: Necropolis of Via Marche, archaic burials, Taranto, Apulia (photo) / Bridgeman Images

Necropolis of Via Marche, tomb a Camera (partially rebuilt), Taranto, Puglia (photo)
Necropolis of Via Marche, tomb a Camera (partially rebuilt), Taranto, Puglia (photo)

RTG5962394: Necropolis of Via Marche, tomb a Camera (partially rebuilt), Taranto, Puglia (photo) / Bridgeman Images

Necropolis of Via Marche, tomb a Camera (partially rebuilt), Taranto, Puglia (photo)
Necropolis of Via Marche, tomb a Camera (partially rebuilt), Taranto, Puglia (photo)

RTG5962397: Necropolis of Via Marche, tomb a Camera (partially rebuilt), Taranto, Puglia (photo) / Bridgeman Images

Crypt of the Redeemer, fresco with St. Basil, detail, Taranto, Apulia (photo)
Crypt of the Redeemer, fresco with St. Basil, detail, Taranto, Apulia (photo)

RTG5962402: Crypt of the Redeemer, fresco with St. Basil, detail, Taranto, Apulia (photo) / Bridgeman Images

Church of SS Salvatore, interior, Altar of S. Giuseppe da Copertino, Poggiardo, Lecce, Puglia (photo)
Church of SS Salvatore, interior, Altar of S. Giuseppe da Copertino, Poggiardo, Lecce, Puglia (photo)

RTG5962408: Church of SS Salvatore, interior, Altar of S. Giuseppe da Copertino, Poggiardo, Lecce, Puglia (photo) / Bridgeman Images

Dipamkara Jataka. China, Xinjiang. End of the 6th — beginning of the 7th century. Element of a portable altar, wood.
Dipamkara Jataka. China, Xinjiang. End of the 6th — beginning of the 7th century. Element of a portable altar, wood.

SYC5951609: Dipamkara Jataka. China, Xinjiang. End of the 6th — beginning of the 7th century. Element of a portable altar, wood., Chinese School (7th century) / Bridgeman Images

The big start. Indonesia, Java, Borodurur. End of the 19th century (original of the 8th and 9th century). Plaster molding.
The big start. Indonesia, Java, Borodurur. End of the 19th century (original of the 8th and 9th century). Plaster molding.

SYC5951619: The big start. Indonesia, Java, Borodurur. End of the 19th century (original of the 8th and 9th century). Plaster molding., Indonesian, (9th century) / Bridgeman Images

The archery test. Indonesia, Java, Boroduru. End of the 19th century (original of the 8th and 9th century). Plaster molding.
The archery test. Indonesia, Java, Boroduru. End of the 19th century (original of the 8th and 9th century). Plaster molding.

SYC5951620: The archery test. Indonesia, Java, Boroduru. End of the 19th century (original of the 8th and 9th century). Plaster molding., Indonesian School, (19th century) / Bridgeman Images

Contest to get the hand of Yashodhara. China, Gansu Province. Tang Dynasty, second half of the 9th. Light colours on silk.
Contest to get the hand of Yashodhara. China, Gansu Province. Tang Dynasty, second half of the 9th. Light colours on silk.

SYC5951622: Contest to get the hand of Yashodhara. China, Gansu Province. Tang Dynasty, second half of the 9th. Light colours on silk., Chinese School, (9th century) / Bridgeman Images

The big start. Pakistan, Swat Valley, Nimogram site. Art of Gandhara, 1st and 3rd. Shale.
The big start. Pakistan, Swat Valley, Nimogram site. Art of Gandhara, 1st and 3rd. Shale.

SYC5951623: The big start. Pakistan, Swat Valley, Nimogram site. Art of Gandhara, 1st and 3rd. Shale., Pakistani School, (3rd century) / Bridgeman Images

Shakyamuni ascetic. Japan, Edo period, 19th century. Wood carved, gilding and lacquer.
Shakyamuni ascetic. Japan, Edo period, 19th century. Wood carved, gilding and lacquer.

SYC5951629: Shakyamuni ascetic. Japan, Edo period, 19th century. Wood carved, gilding and lacquer., Japanese School, (19th century) / Bridgeman Images

Buddha making the gesture of argumentation (vitarkamudra). Cambodia, Preangkorian Khmer Art, 7th-8th. Gres.
Buddha making the gesture of argumentation (vitarkamudra). Cambodia, Preangkorian Khmer Art, 7th-8th. Gres.

SYC5951634: Buddha making the gesture of argumentation (vitarkamudra). Cambodia, Preangkorian Khmer Art, 7th-8th. Gres., Cambodian School, (8th century) / Bridgeman Images

Monks. Pakistan, Peshawar region. Art of Gandhara, 1st and 3rd. Shale.
Monks. Pakistan, Peshawar region. Art of Gandhara, 1st and 3rd. Shale.

SYC5951648: Monks. Pakistan, Peshawar region. Art of Gandhara, 1st and 3rd. Shale., Pakistani School, (3rd century) / Bridgeman Images

Ananda, disciple of the Shakyamuni Buddha. North China, Sui Dynasty, late 6th — early 7th century. Marble with traces of polychrome.
Ananda, disciple of the Shakyamuni Buddha. North China, Sui Dynasty, late 6th — early 7th century. Marble with traces of polychrome.

SYC5951660: Ananda, disciple of the Shakyamuni Buddha. North China, Sui Dynasty, late 6th — early 7th century. Marble with traces of polychrome., Chinese School, (6th century) / Bridgeman Images

Arhat. Korea, Choson Period, 19th century. Colours on paper.
Arhat. Korea, Choson Period, 19th century. Colours on paper.

SYC5951680: Arhat. Korea, Choson Period, 19th century. Colours on paper., Korean School, (19th century) / Bridgeman Images

Portrait of an arhat. China, Qing Dynasty, after 1764. Jade, gold, ink from China.
Portrait of an arhat. China, Qing Dynasty, after 1764. Jade, gold, ink from China.

SYC5951698: Portrait of an arhat. China, Qing Dynasty, after 1764. Jade, gold, ink from China., Chinese School (18th century) / Bridgeman Images

The sermon on the peak of vultures in Rajagriha. East Tibet, second half of the 19th century. Xylography painted on canvas.
The sermon on the peak of vultures in Rajagriha. East Tibet, second half of the 19th century. Xylography painted on canvas.

SYC5951724: The sermon on the peak of vultures in Rajagriha. East Tibet, second half of the 19th century. Xylography painted on canvas., Tibetan School (19th century) / Bridgeman Images

The descent from the sky of the Thirty-three gods in Samkashya. East Tibet, second half of the 19th century. Xylography painted on canvas.
The descent from the sky of the Thirty-three gods in Samkashya. East Tibet, second half of the 19th century. Xylography painted on canvas.

SYC5951732: The descent from the sky of the Thirty-three gods in Samkashya. East Tibet, second half of the 19th century. Xylography painted on canvas., Tibetan School (19th century) / Bridgeman Images

Skayamuni entering the nirvana. East Tibet, second half of the 19th century. Xylography painted on canvas.
Skayamuni entering the nirvana. East Tibet, second half of the 19th century. Xylography painted on canvas.

SYC5951746: Skayamuni entering the nirvana. East Tibet, second half of the 19th century. Xylography painted on canvas., Tibetan School (19th century) / Bridgeman Images

Buddha. Cambodia, Khmer Angkorian Art, style of Banteay Srei, third quarter of the 10th century. Gres.
Buddha. Cambodia, Khmer Angkorian Art, style of Banteay Srei, third quarter of the 10th century. Gres.

SYC5951765: Buddha. Cambodia, Khmer Angkorian Art, style of Banteay Srei, third quarter of the 10th century. Gres., Cambodian School, (10th century) / Bridgeman Images

Meditating Buddha. North China, Northern Wei Dynasty, first third of the 6th. Limestone.
Meditating Buddha. North China, Northern Wei Dynasty, first third of the 6th. Limestone.

SYC5951775: Meditating Buddha. North China, Northern Wei Dynasty, first third of the 6th. Limestone., Chinese School, (6th century) / Bridgeman Images

Bodhisattva Maitreya. Art of Gandhara, 4th and 5th. Stucco.
Bodhisattva Maitreya. Art of Gandhara, 4th and 5th. Stucco.

SYC5951790: Bodhisattva Maitreya. Art of Gandhara, 4th and 5th. Stucco., Afghan School / Bridgeman Images

Shakyamuni entering the nirvana (Nehan no Shaka). Japan, 19th century. Lacquer and Golden Wood.
Shakyamuni entering the nirvana (Nehan no Shaka). Japan, 19th century. Lacquer and Golden Wood.

SYC5951793: Shakyamuni entering the nirvana (Nehan no Shaka). Japan, 19th century. Lacquer and Golden Wood., Japanese School, (19th century) / Bridgeman Images

Crypt of San Biagio, San Vito dei Normanni, Brindisi, Puglia, Italy (fresco)
Crypt of San Biagio, San Vito dei Normanni, Brindisi, Puglia, Italy (fresco)

RTG5952170: Crypt of San Biagio, San Vito dei Normanni, Brindisi, Puglia, Italy (fresco) / Bridgeman Images

Crypt of San Biagio, San Vito dei Normanni, Brindisi, Puglia, Italy (fresco)
Crypt of San Biagio, San Vito dei Normanni, Brindisi, Puglia, Italy (fresco)

RTG5952175: Crypt of San Biagio, San Vito dei Normanni, Brindisi, Puglia, Italy (fresco) / Bridgeman Images

Crypt of San Biagio, San Vito dei Normanni, Brindisi, Puglia, Italy (fresco)
Crypt of San Biagio, San Vito dei Normanni, Brindisi, Puglia, Italy (fresco)

RTG5952177: Crypt of San Biagio, San Vito dei Normanni, Brindisi, Puglia, Italy (fresco) / Bridgeman Images

Crypt of San Biagio, San Vito dei Normanni, Brindisi, Puglia, Italy (fresco)
Crypt of San Biagio, San Vito dei Normanni, Brindisi, Puglia, Italy (fresco)

RTG5952178: Crypt of San Biagio, San Vito dei Normanni, Brindisi, Puglia, Italy (fresco) / Bridgeman Images

View of the farm near the Crypt of San Biagio, San Vito dei Normanni, Brindisi, Puglia, Italy (photo)
View of the farm near the Crypt of San Biagio, San Vito dei Normanni, Brindisi, Puglia, Italy (photo)

RTG5952191: View of the farm near the Crypt of San Biagio, San Vito dei Normanni, Brindisi, Puglia, Italy (photo) / Bridgeman Images


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