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Henriette de Coligny (1618-73) Countess of La Suze, 1642 (pencil on paper)
Henriette de Coligny (1618-73) Countess of La Suze, 1642 (pencil on paper)

XIR189512: Henriette de Coligny (1618-73) Countess of La Suze, 1642 (pencil on paper), Dumonstier, or Dumoustier, Daniel (1574-1646) / Bridgeman Images

ID: XIR189512

Henriette de Coligny (1618-73) Countess of La Suze, 1642 (pencil on paper)

Dumonstier, or Dumoustier, Daniel (1574-1646)

Begging no Robbery: i.e. Voluntary Contribution, or John Bull escaping a Forced Loan, published by Hannah Humphrey in 1796 (hand-coloured etching)
Begging no Robbery: i.e. Voluntary Contribution, or John Bull escaping a Forced Loan, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO190480: Begging no Robbery: i.e. Voluntary Contribution, or John Bull escaping a Forced Loan, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190480

Begging no Robbery: i.e. Voluntary Contribution, or John Bull escaping a Forced Loan, published by Hannah Humphrey in 1796 (hand-coloured etching)

Gillray, James (1757-1815)

Young Girls at the Well (oil on canvas)
Young Girls at the Well (oil on canvas)

EDI190538: Young Girls at the Well (oil on canvas), Pedersen, Viggo (1854-1926) / Bridgeman Images

ID: EDI190538

Young Girls at the Well (oil on canvas)

Pedersen, Viggo (1854-1926)

Design for a Monkey Cabinet, c.1876 (watercolour & pencil on paper)
Design for a Monkey Cabinet, c.1876 (watercolour & pencil on paper)

STC190637: Design for a Monkey Cabinet, c.1876 (watercolour & pencil on paper), Godwin, Edward William (1833-86) / Bridgeman Images

ID: STC190637

Design for a Monkey Cabinet, c.1876 (watercolour & pencil on paper)

Godwin, Edward William (1833-86)

Prophet, 1423-36 (painted marble) (see also 192530)
Prophet, 1423-36 (painted marble) (see also 192530)

BAT192526: Prophet, 1423-36 (painted marble) (see also 192530), Nanni di Bartolo (il Rosso) (fl.1419-51) / Bridgeman Images

ID: BAT192526

Prophet, 1423-36 (painted marble) (see also 192530)

Nanni di Bartolo (il Rosso) (fl.1419-51)

The Times, Anno 1783, published by William Humphrey (hand-coloured etching)
The Times, Anno 1783, published by William Humphrey (hand-coloured etching)

NCO193100: The Times, Anno 1783, published by William Humphrey (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO193100

The Times, Anno 1783, published by William Humphrey (hand-coloured etching)

Gillray, James (1757-1815)

The Theatrical War, published by S.W. Fores in 1787 (etching)
The Theatrical War, published by S.W. Fores in 1787 (etching)

NCO193125: The Theatrical War, published by S.W. Fores in 1787 (etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO193125

The Theatrical War, published by S.W. Fores in 1787 (etching)

Gillray, James (1757-1815)

A hint to Young Officers, published by Hannah Humphrey in 1804 (hand-coloured etching)
A hint to Young Officers, published by Hannah Humphrey in 1804 (hand-coloured etching)

NCO193117: A hint to Young Officers, published by Hannah Humphrey in 1804 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO193117

A hint to Young Officers, published by Hannah Humphrey in 1804 (hand-coloured etching)

Gillray, James (1757-1815)

Netsuke, depicting Tobosaku emerging from the peach of immortality, c.1830-60 (ivory)
Netsuke, depicting Tobosaku emerging from the peach of immortality, c.1830-60 (ivory)

PFR194415: Netsuke, depicting Tobosaku emerging from the peach of immortality, c.1830-60 (ivory), Utagawa Sadanobu (1809-79) / Bridgeman Images

ID: PFR194415

Netsuke, depicting Tobosaku emerging from the peach of immortality, c.1830-60 (ivory)

Utagawa Sadanobu (1809-79)

The Lion's Share, published by Hannah Humphrey in 1797 (hand-coloured etching)
The Lion's Share, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO193179: The Lion's Share, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO193179

The Lion's Share, published by Hannah Humphrey in 1797 (hand-coloured etching)

Gillray, James (1757-1815)

The Doll, from 'L'Estampe Moderne', published Paris 1897-99 (colour litho)
The Doll, from 'L'Estampe Moderne', published Paris 1897-99 (colour litho)

STC193261: The Doll, from 'L'Estampe Moderne', published Paris 1897-99 (colour litho), Delorme, Marguerite Anne Rose (1876-1946) / Bridgeman Images

ID: STC193261

The Doll, from 'L'Estampe Moderne', published Paris 1897-99 (colour litho)

Delorme, Marguerite Anne Rose (1876-1946)

The Kiss, from 'L'Estampe Moderne', published Paris 1898-99, 1898 (colour litho)
The Kiss, from 'L'Estampe Moderne', published Paris 1898-99, 1898 (colour litho)

STC194678: The Kiss, from 'L'Estampe Moderne', published Paris 1898-99, 1898 (colour litho), Prouve, Victor Emile (1858-1943) / Bridgeman Images

ID: STC194678

The Kiss, from 'L'Estampe Moderne', published Paris 1898-99, 1898 (colour litho)

Prouve, Victor Emile (1858-1943)

The Great Reception of Alexander I (1777-1825) in the Kremlin on 15th August 1816 (oil on canvas)
The Great Reception of Alexander I (1777-1825) in the Kremlin on 15th August 1816 (oil on canvas)

XAB194905: The Great Reception of Alexander I (1777-1825) in the Kremlin on 15th August 1816 (oil on canvas), Lavrov, I.A. (fl.1816) / Bridgeman Images

ID: XAB194905

The Great Reception of Alexander I (1777-1825) in the Kremlin on 15th August 1816 (oil on canvas)

Lavrov, I.A. (fl.1816)

Crusoe Appears before the Ship's Captain, illustration for 'Robinson Crusoe' by Daniel Defoe (1660-1731) (colour litho)
Crusoe Appears before the Ship's Captain, illustration for 'Robinson Crusoe' by Daniel Defoe (1660-1731) (colour litho)

IL193471: Crusoe Appears before the Ship's Captain, illustration for 'Robinson Crusoe' by Daniel Defoe (1660-1731) (colour litho), Davie, Howard (fl.1914-44) / Bridgeman Images

ID: IL193471

Crusoe Appears before the Ship's Captain, illustration for 'Robinson Crusoe' by Daniel Defoe (1660-1731) (colour litho)

Davie, Howard (fl.1914-44)

Pendant in the form of a fish with bifid tail, holding a lotus flower in its mouth, Yuan Dynasty (stoneware)
Pendant in the form of a fish with bifid tail, holding a lotus flower in its mouth, Yuan Dynasty (stoneware)

PFR193602: Pendant in the form of a fish with bifid tail, holding a lotus flower in its mouth, Yuan Dynasty (stoneware), Chinese School / Bridgeman Images

ID: PFR193602

Pendant in the form of a fish with bifid tail, holding a lotus flower in its mouth, Yuan Dynasty (stoneware)

Chinese School

Openwork pomander box and cover, 17th or 18th century (celadon stoneware)
Openwork pomander box and cover, 17th or 18th century (celadon stoneware)

PFR193610: Openwork pomander box and cover, 17th or 18th century (celadon stoneware), Chinese School / Bridgeman Images

ID: PFR193610

Openwork pomander box and cover, 17th or 18th century (celadon stoneware)

Chinese School

Netsuke of a horse-faced, dome-headed man, probably Osaka, c.1800-20 (ivory) (see 193634 for front view)
Netsuke of a horse-faced, dome-headed man, probably Osaka, c.1800-20 (ivory) (see 193634 for front view)

PFR193635: Netsuke of a horse-faced, dome-headed man, probably Osaka, c.1800-20 (ivory) (see 193634 for front view), Japanese School, (19th century) / Bridgeman Images

ID: PFR193635

Netsuke of a horse-faced, dome-headed man, probably Osaka, c.1800-20 (ivory) (see 193634 for front view)

Japanese School, (19th century)

Double kam lychee or melons on a leafy branch with diaper cross-hatched skin (stoneware)
Double kam lychee or melons on a leafy branch with diaper cross-hatched skin (stoneware)

PFR193607: Double kam lychee or melons on a leafy branch with diaper cross-hatched skin (stoneware), Chinese School, (18th century) / Bridgeman Images

ID: PFR193607

Double kam lychee or melons on a leafy branch with diaper cross-hatched skin (stoneware)

Chinese School, (18th century)

Signature on the reverse of a netsuke, Kyoto, c.1750-60 (ivory) (reverse of 193623)
Signature on the reverse of a netsuke, Kyoto, c.1750-60 (ivory) (reverse of 193623)

PFR193624: Signature on the reverse of a netsuke, Kyoto, c.1750-60 (ivory) (reverse of 193623), Yoshinaga, Koyoken (fl.1750-60) / Bridgeman Images

ID: PFR193624

Signature on the reverse of a netsuke, Kyoto, c.1750-60 (ivory) (reverse of 193623)

Yoshinaga, Koyoken (fl.1750-60)

Netsuke of a Futen cloud-ghost, Osaka, c.1750-80 (wood) (see also 193632)
Netsuke of a Futen cloud-ghost, Osaka, c.1750-80 (wood) (see also 193632)

PFR193631: Netsuke of a Futen cloud-ghost, Osaka, c.1750-80 (wood) (see also 193632), Shumemaru, Unjuto (fl.1750-80) / Bridgeman Images

ID: PFR193631

Netsuke of a Futen cloud-ghost, Osaka, c.1750-80 (wood) (see also 193632)

Shumemaru, Unjuto (fl.1750-80)

Venus Attired by the Graces, published by Hannah Humphrey in 1800 (hand-coloured etching)
Venus Attired by the Graces, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO189798: Venus Attired by the Graces, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO189798

Venus Attired by the Graces, published by Hannah Humphrey in 1800 (hand-coloured etching)

Gillray, James (1757-1815)

Brigade Major, published by Hannah Humphrey in 1797 (hand-coloured etching)
Brigade Major, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO190165: Brigade Major, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190165

Brigade Major, published by Hannah Humphrey in 1797 (hand-coloured etching)

Gillray, James (1757-1815)

A Calm, published by Hannah Humphrey in 1810 (hand-coloured etching)
A Calm, published by Hannah Humphrey in 1810 (hand-coloured etching)

NCO190191: A Calm, published by Hannah Humphrey in 1810 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190191

A Calm, published by Hannah Humphrey in 1810 (hand-coloured etching)

Gillray, James (1757-1815)

The Legacy, published by W. Holland in 1786 (hand-coloured etching)
The Legacy, published by W. Holland in 1786 (hand-coloured etching)

NCO190401: The Legacy, published by W. Holland in 1786 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190401

The Legacy, published by W. Holland in 1786 (hand-coloured etching)

Gillray, James (1757-1815)

The Nativity (champleve enamel on copper)
The Nativity (champleve enamel on copper)

EDI193041: The Nativity (champleve enamel on copper), French School, (15th century) / Bridgeman Images

ID: EDI193041

The Nativity (champleve enamel on copper)

French School, (15th century)

Netsuke, depicting the immortal Handaka Sonja, c.1730-60 (ivory) (for front view see 194402)
Netsuke, depicting the immortal Handaka Sonja, c.1730-60 (ivory) (for front view see 194402)

PFR194403: Netsuke, depicting the immortal Handaka Sonja, c.1730-60 (ivory) (for front view see 194402), Japanese School, (18th century) / Bridgeman Images

ID: PFR194403

Netsuke, depicting the immortal Handaka Sonja, c.1730-60 (ivory) (for front view see 194402)

Japanese School, (18th century)

Two Female Saints (oil on panel)
Two Female Saints (oil on panel)

BRN189680: Two Female Saints (oil on panel), German School, (14th century) / Bridgeman Images

ID: BRN189680

Two Female Saints (oil on panel)

German School, (14th century)

Portrait of George Digby (1612-77), from 'Lodge's British Portraits', 1823 (litho)
Portrait of George Digby (1612-77), from 'Lodge's British Portraits', 1823 (litho)

KWE178273: Portrait of George Digby (1612-77), from 'Lodge's British Portraits', 1823 (litho), English School, (19th century) / Bridgeman Images

ID: KWE178273

Portrait of George Digby (1612-77), from 'Lodge's British Portraits', 1823 (litho)

English School, (19th century)

Albenga, Gulf of Genoa, 1890 (w/c on paper)
Albenga, Gulf of Genoa, 1890 (w/c on paper)

STC179009: Albenga, Gulf of Genoa, 1890 (w/c on paper), Fahey, Edward Henry (1844-1907) / Bridgeman Images

ID: STC179009

Albenga, Gulf of Genoa, 1890 (w/c on paper)

Fahey, Edward Henry (1844-1907)

Portrait of John Hamilton (1532-1604), from 'Lodge's British Portraits', 1823 (litho)
Portrait of John Hamilton (1532-1604), from 'Lodge's British Portraits', 1823 (litho)

KWE178295: Portrait of John Hamilton (1532-1604), from 'Lodge's British Portraits', 1823 (litho), English School, (19th century) / Bridgeman Images

ID: KWE178295

Portrait of John Hamilton (1532-1604), from 'Lodge's British Portraits', 1823 (litho)

English School, (19th century)

Male figure with long robe, from Susa, Iran, 4th-6th century AD (bone)
Male figure with long robe, from Susa, Iran, 4th-6th century AD (bone)

BOO179134: Male figure with long robe, from Susa, Iran, 4th-6th century AD (bone), Sasanian School / Bridgeman Images

ID: BOO179134

Male figure with long robe, from Susa, Iran, 4th-6th century AD (bone)

Sasanian School

Portrait of Thomas Radcliffe (c.1525-83) 3rd Earl of Sussex, from 'Lodge's British Portraits', 1823 (litho)
Portrait of Thomas Radcliffe (c.1525-83) 3rd Earl of Sussex, from 'Lodge's British Portraits', 1823 (litho)

KWE179297: Portrait of Thomas Radcliffe (c.1525-83) 3rd Earl of Sussex, from 'Lodge's British Portraits', 1823 (litho), Mor, Anthonis van Dashorst (Antonio Moro) (c.1519-1576/77) (after) / Bridgeman Images

ID: KWE179297

Portrait of Thomas Radcliffe (c.1525-83) 3rd Earl of Sussex, from 'Lodge's British Portraits', 1823 (litho)

Mor, Anthonis van Dashorst (Antonio Moro) (c.1519-1576/77) (after)

Portrait of Matthias Lutken (1652-1722), 1718 (oil on canvas) (see also 179059)
Portrait of Matthias Lutken (1652-1722), 1718 (oil on canvas) (see also 179059)

XKH179058: Portrait of Matthias Lutken (1652-1722), 1718 (oil on canvas) (see also 179059), Paulsen, Anton (fl.1718-48) / Bridgeman Images

ID: XKH179058

Portrait of Matthias Lutken (1652-1722), 1718 (oil on canvas) (see also 179059)

Paulsen, Anton (fl.1718-48)

Hanging oil lamp in the shape of an African's head, from Belkis (now Zeugma), Turkey (bronze)
Hanging oil lamp in the shape of an African's head, from Belkis (now Zeugma), Turkey (bronze)

AAP168416: Hanging oil lamp in the shape of an African's head, from Belkis (now Zeugma), Turkey (bronze), Roman / Bridgeman Images

ID: AAP168416

Hanging oil lamp in the shape of an African's head, from Belkis (now Zeugma), Turkey (bronze)

Roman

The Lookout (colour litho)
The Lookout (colour litho)

STC169233: The Lookout (colour litho), Russian School, (19th century) / Bridgeman Images

ID: STC169233

The Lookout (colour litho)

Russian School, (19th century)

Portrait of Sir Humphry Davy (1778-1829), from 'The Life of Sir Humphry Davy' by John Ayton Paris, engraved by W.H. Worthington, 1831 (engraving)
Portrait of Sir Humphry Davy (1778-1829), from 'The Life of Sir Humphry Davy' by John Ayton Paris, engraved by W.H. Worthington, 1831 (engraving)

TRI168501: Portrait of Sir Humphry Davy (1778-1829), from 'The Life of Sir Humphry Davy' by John Ayton Paris, engraved by W.H. Worthington, 1831 (engraving), Lawrence, Thomas (1769-1830) (after) / Bridgeman Images

ID: TRI168501

Portrait of Sir Humphry Davy (1778-1829), from 'The Life of Sir Humphry Davy' by John Ayton Paris, engraved by W.H. Worthington, 1831 (engraving)

Lawrence, Thomas (1769-1830) (after)


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