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2497570 Search Results

View of the Salon (photo)
View of the Salon (photo)

XIR192447: View of the Salon (photo), Brongniart, Alexandre Theodore (1739-1813) / Bridgeman Images

ID: XIR192447

View of the Salon (photo)

Brongniart, Alexandre Theodore (1739-1813)

A Quiet Read (oil on canvas)
A Quiet Read (oil on canvas)

PFA191109: A Quiet Read (oil on canvas), Manton, G. Grenville (1855-1932) / Bridgeman Images

ID: PFA191109

A Quiet Read (oil on canvas)

Manton, G. Grenville (1855-1932)

Fisherfolk - Isle of Wight (oil on canvas)
Fisherfolk - Isle of Wight (oil on canvas)

PFA191151: Fisherfolk - Isle of Wight (oil on canvas), Shayer, William (1811-92) / Bridgeman Images

ID: PFA191151

Fisherfolk - Isle of Wight (oil on canvas)

Shayer, William (1811-92)

A Morning Ride, etched by James Gillray (1756-1815) published by Hannah Humphrey in 1804 (hand-coloured etching)
A Morning Ride, etched by James Gillray (1756-1815) published by Hannah Humphrey in 1804 (hand-coloured etching)

NCO191242: A Morning Ride, etched by James Gillray (1756-1815) published by Hannah Humphrey in 1804 (hand-coloured etching), English School, (19th century) (after) / Bridgeman Images

ID: NCO191242

A Morning Ride, etched by James Gillray (1756-1815) published by Hannah Humphrey in 1804 (hand-coloured etching)

English School, (19th century) (after)

A Lyoness, published by Hannah Humphrey in 1801 (etching with aquatint)
A Lyoness, published by Hannah Humphrey in 1801 (etching with aquatint)

NCO191282: A Lyoness, published by Hannah Humphrey in 1801 (etching with aquatint), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO191282

A Lyoness, published by Hannah Humphrey in 1801 (etching with aquatint)

Gillray, James (1757-1815)

Pandy Mill, Bettys-y-Coed (oil on canvas)
Pandy Mill, Bettys-y-Coed (oil on canvas)

PFA191118: Pandy Mill, Bettys-y-Coed (oil on canvas), Watts, Frederick Waters (1800-62) / Bridgeman Images

ID: PFA191118

Pandy Mill, Bettys-y-Coed (oil on canvas)

Watts, Frederick Waters (1800-62)

The Funeral Procession of Broad-Bottom, published by Hannah Humphrey in 1807 (hand-coloured etching)
The Funeral Procession of Broad-Bottom, published by Hannah Humphrey in 1807 (hand-coloured etching)

NCO191215: The Funeral Procession of Broad-Bottom, published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO191215

The Funeral Procession of Broad-Bottom, published by Hannah Humphrey in 1807 (hand-coloured etching)

Gillray, James (1757-1815)

Hounds Throwing Off, etched by James Gillray (1756-1815) published by Hannah Humphrey in 1800 (hand-coloured etching) (see also 191238)
Hounds Throwing Off, etched by James Gillray (1756-1815) published by Hannah Humphrey in 1800 (hand-coloured etching) (see also 191238)

NCO191237: Hounds Throwing Off, etched by James Gillray (1756-1815) published by Hannah Humphrey in 1800 (hand-coloured etching) (see also 191238), North, Brownlow (1741-1820) (after) / Bridgeman Images

ID: NCO191237

Hounds Throwing Off, etched by James Gillray (1756-1815) published by Hannah Humphrey in 1800 (hand-coloured etching) (see also 191238)

North, Brownlow (1741-1820) (after)

Pity the Sorrows of a Poor Old Man, published by Hannah Humphrey in 1796 (hand-coloured etching)
Pity the Sorrows of a Poor Old Man, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO191291: Pity the Sorrows of a Poor Old Man, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO191291

Pity the Sorrows of a Poor Old Man, published by Hannah Humphrey in 1796 (hand-coloured etching)

Gillray, James (1757-1815)

Le Marche a Falaise (oil on canvas)
Le Marche a Falaise (oil on canvas)

PIA192651: Le Marche a Falaise (oil on canvas), Dufy, Raoul (1877-1953) / Bridgeman Images

ID: PIA192651

Le Marche a Falaise (oil on canvas)

Dufy, Raoul (1877-1953)

Street Scene, Putney, 1949 (oil on canvas)
Street Scene, Putney, 1949 (oil on canvas)

PIA192676: Street Scene, Putney, 1949 (oil on canvas), Weight, Carel (1908-97) / Bridgeman Images

ID: PIA192676

Street Scene, Putney, 1949 (oil on canvas)

Weight, Carel (1908-97)

Pen-Etration, published by Hannah Humphrey in 1799 (hand-coloured etching)
Pen-Etration, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO191717: Pen-Etration, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO191717

Pen-Etration, published by Hannah Humphrey in 1799 (hand-coloured etching)

Gillray, James (1757-1815)

Membre du Directoire Executif, plate 4 of 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)
Membre du Directoire Executif, plate 4 of 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)

NCO191737: Membre du Directoire Executif, plate 4 of 'French Habits' published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO191737

Membre du Directoire Executif, plate 4 of 'French Habits' published by Hannah Humphrey in 1798 (coloured etching)

Gillray, James (1757-1815)

Elongated female figure, possibly Aphrodite (bronze) (see also 53220)
Elongated female figure, possibly Aphrodite (bronze) (see also 53220)

XIR192849: Elongated female figure, possibly Aphrodite (bronze) (see also 53220), Etruscan, (4th century BC) / Bridgeman Images

ID: XIR192849

Elongated female figure, possibly Aphrodite (bronze) (see also 53220)

Etruscan, (4th century BC)

A Proof of the refin'd Feelings of an amiable character, lately a Candidate for a certain ancient City (hand-coloured etching)
A Proof of the refin'd Feelings of an amiable character, lately a Candidate for a certain ancient City (hand-coloured etching)

NCO193101: A Proof of the refin'd Feelings of an amiable character, lately a Candidate for a certain ancient City (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO193101

A Proof of the refin'd Feelings of an amiable character, lately a Candidate for a certain ancient City (hand-coloured etching)

Gillray, James (1757-1815)

Portrait of Alfred, Lord Tennyson (1809-92), c.1889-91 (b/w photo)
Portrait of Alfred, Lord Tennyson (1809-92), c.1889-91 (b/w photo)

STC192023: Portrait of Alfred, Lord Tennyson (1809-92), c.1889-91 (b/w photo), Myers, Eveleen (1856-1937) / Bridgeman Images

ID: STC192023

Portrait of Alfred, Lord Tennyson (1809-92), c.1889-91 (b/w photo)

Myers, Eveleen (1856-1937)

St. Cecilia, published by Hannah Humphrey in 1782 (hand-coloured etching)
St. Cecilia, published by Hannah Humphrey in 1782 (hand-coloured etching)

NCO191707: St. Cecilia, published by Hannah Humphrey in 1782 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO191707

St. Cecilia, published by Hannah Humphrey in 1782 (hand-coloured etching)

Gillray, James (1757-1815)

The Esplanade, published by Hannah Humphrey in 1797 (hand-coloured etching)
The Esplanade, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO191716: The Esplanade, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO191716

The Esplanade, published by Hannah Humphrey in 1797 (hand-coloured etching)

Gillray, James (1757-1815)

Les Membres du Conseil des Cinq Cents, plate 3 of 'French Habits', published by Hannah Humphrey in 1798 (coloured etching)
Les Membres du Conseil des Cinq Cents, plate 3 of 'French Habits', published by Hannah Humphrey in 1798 (coloured etching)

NCO191736: Les Membres du Conseil des Cinq Cents, plate 3 of 'French Habits', published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO191736

Les Membres du Conseil des Cinq Cents, plate 3 of 'French Habits', published by Hannah Humphrey in 1798 (coloured etching)

Gillray, James (1757-1815)

Army map of the Kurija Dere area of Gallipoli, found in the papers of Robert C. Bragg (1891-1915)
Army map of the Kurija Dere area of Gallipoli, found in the papers of Robert C. Bragg (1891-1915)

TRI190097: Army map of the Kurija Dere area of Gallipoli, found in the papers of Robert C. Bragg (1891-1915), English School, (20th century) / Bridgeman Images

ID: TRI190097

Army map of the Kurija Dere area of Gallipoli, found in the papers of Robert C. Bragg (1891-1915)

English School, (20th century)

View of Southwark Bridge and the River Thames from Bankside, with two derricks in the foreground, 1827 (pencil on paper)
View of Southwark Bridge and the River Thames from Bankside, with two derricks in the foreground, 1827 (pencil on paper)

GHL190755: View of Southwark Bridge and the River Thames from Bankside, with two derricks in the foreground, 1827 (pencil on paper), Cooke, Edward William (1811-80) / Bridgeman Images

ID: GHL190755

View of Southwark Bridge and the River Thames from Bankside, with two derricks in the foreground, 1827 (pencil on paper)

Cooke, Edward William (1811-80)

Two Moorhens on the Water (oil on board)
Two Moorhens on the Water (oil on board)

AGN191119: Two Moorhens on the Water (oil on board), Constable, John (1776-1837) / Bridgeman Images

ID: AGN191119

Two Moorhens on the Water (oil on board)

Constable, John (1776-1837)

The Blackberry Thorn, 1874 (oil on canvas)
The Blackberry Thorn, 1874 (oil on canvas)

PFA191168: The Blackberry Thorn, 1874 (oil on canvas), Burr, John (1831-93) / Bridgeman Images

ID: PFA191168

The Blackberry Thorn, 1874 (oil on canvas)

Burr, John (1831-93)

The Guardian Angel, published by Hannah Humphrey in 1805 (hand-coloured etching)
The Guardian Angel, published by Hannah Humphrey in 1805 (hand-coloured etching)

NCO191295: The Guardian Angel, published by Hannah Humphrey in 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO191295

The Guardian Angel, published by Hannah Humphrey in 1805 (hand-coloured etching)

Gillray, James (1757-1815)

Coming in at the Death, etched by James Gillray (1757-1815) published by Hannah Humphrey in 1800 (hand-coloured etching)
Coming in at the Death, etched by James Gillray (1757-1815) published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO191723: Coming in at the Death, etched by James Gillray (1757-1815) published by Hannah Humphrey in 1800 (hand-coloured etching), North, Brownlow (1741-1820) (after) / Bridgeman Images

ID: NCO191723

Coming in at the Death, etched by James Gillray (1757-1815) published by Hannah Humphrey in 1800 (hand-coloured etching)

North, Brownlow (1741-1820) (after)

Les Membres du Conseil des Anciens, plate 2 from 'French Habits', published by Hannah Humphrey in 1798 (coloured etching)
Les Membres du Conseil des Anciens, plate 2 from 'French Habits', published by Hannah Humphrey in 1798 (coloured etching)

NCO191735: Les Membres du Conseil des Anciens, plate 2 from 'French Habits', published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO191735

Les Membres du Conseil des Anciens, plate 2 from 'French Habits', published by Hannah Humphrey in 1798 (coloured etching)

Gillray, James (1757-1815)

George Brydges Rodney (1718-92) 1st Baron Rodney of Stoke-Rodney, from 'Gallery of Portraits', published in 1833 (engraving)
George Brydges Rodney (1718-92) 1st Baron Rodney of Stoke-Rodney, from 'Gallery of Portraits', published in 1833 (engraving)

KWE189095: George Brydges Rodney (1718-92) 1st Baron Rodney of Stoke-Rodney, from 'Gallery of Portraits', published in 1833 (engraving), English School, (19th century) / Bridgeman Images

ID: KWE189095

George Brydges Rodney (1718-92) 1st Baron Rodney of Stoke-Rodney, from 'Gallery of Portraits', published in 1833 (engraving)

English School, (19th century)

The Punch and Judy Show (oil on canvas)
The Punch and Judy Show (oil on canvas)

OJ189134: The Punch and Judy Show (oil on canvas), Smythe, Edward Robert (1810-99) / Bridgeman Images

ID: OJ189134

The Punch and Judy Show (oil on canvas)

Smythe, Edward Robert (1810-99)

House in Ghent, Belgium, from 'Choix des Monuments, Edifices et Maisons les plus remarquables du Royaume des Pays-Bas' by Pierre Jacques Goetghebuer, published 1827 (aquatint)
House in Ghent, Belgium, from 'Choix des Monuments, Edifices et Maisons les plus remarquables du Royaume des Pays-Bas' by Pierre Jacques Goetghebuer, published 1827 (aquatint)

STC189232: House in Ghent, Belgium, from 'Choix des Monuments, Edifices et Maisons les plus remarquables du Royaume des Pays-Bas' by Pierre Jacques Goetghebuer, published 1827 (aquatint), Goetghebuer, Pierre Jacques (1788-1866) / Bridgeman Images

ID: STC189232

House in Ghent, Belgium, from 'Choix des Monuments, Edifices et Maisons les plus remarquables du Royaume des Pays-Bas' by Pierre Jacques Goetghebuer, published 1827 (aquatint)

Goetghebuer, Pierre Jacques (1788-1866)

Lictors Bearing to Brutus the Bodies of his Sons, 1789 (oil on canvas) (detail of 44247)
Lictors Bearing to Brutus the Bodies of his Sons, 1789 (oil on canvas) (detail of 44247)

BBC188955: Lictors Bearing to Brutus the Bodies of his Sons, 1789 (oil on canvas) (detail of 44247), David, Jacques Louis (1748-1825) / Bridgeman Images

ID: BBC188955

Lictors Bearing to Brutus the Bodies of his Sons, 1789 (oil on canvas) (detail of 44247)

David, Jacques Louis (1748-1825)

On the Gretna Looking Down the River (oil on canvas)
On the Gretna Looking Down the River (oil on canvas)

OJ189132: On the Gretna Looking Down the River (oil on canvas), Halswelle, Keeley (1832-91) / Bridgeman Images

ID: OJ189132

On the Gretna Looking Down the River (oil on canvas)

Halswelle, Keeley (1832-91)

Bolton Abbey (w/c on paper)
Bolton Abbey (w/c on paper)

BBC189179: Bolton Abbey (w/c on paper), Cotman, John Sell (1782-1842) / Bridgeman Images

ID: BBC189179

Bolton Abbey (w/c on paper)

Cotman, John Sell (1782-1842)

Window depicting the Life of Joseph, from the apse (stained glass)
Window depicting the Life of Joseph, from the apse (stained glass)

XIR189598: Window depicting the Life of Joseph, from the apse (stained glass), French School, (13th century) / Bridgeman Images

ID: XIR189598

Window depicting the Life of Joseph, from the apse (stained glass)

French School, (13th century)

Mrs Rebecca Howse, known as 'Mother Goose of Oxford', published by Hannah Humphrey in 1807 (hand-coloured etching)
Mrs Rebecca Howse, known as 'Mother Goose of Oxford', published by Hannah Humphrey in 1807 (hand-coloured etching)

NCO189744: Mrs Rebecca Howse, known as 'Mother Goose of Oxford', published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO189744

Mrs Rebecca Howse, known as 'Mother Goose of Oxford', published by Hannah Humphrey in 1807 (hand-coloured etching)

Gillray, James (1757-1815)

The Salute, or The Parade, published by Hannah Humphrey in 1797 (hand-coloured etching)
The Salute, or The Parade, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO189779: The Salute, or The Parade, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO189779

The Salute, or The Parade, published by Hannah Humphrey in 1797 (hand-coloured etching)

Gillray, James (1757-1815)

New Pantheon of Democratic Mythology, published by Hannah Humphrey in 1799 (hand-coloured etching)
New Pantheon of Democratic Mythology, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO189799: New Pantheon of Democratic Mythology, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO189799

New Pantheon of Democratic Mythology, published by Hannah Humphrey in 1799 (hand-coloured etching)

Gillray, James (1757-1815)


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