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Scene from Tam O'Shanter by Robert Burns (1759-96) (etching)
Scene from Tam O'Shanter by Robert Burns (1759-96) (etching)

STC205083: Scene from Tam O'Shanter by Robert Burns (1759-96) (etching), Lucas, Richard Cockle (1800-83) / Bridgeman Images

ID: STC205083

Scene from Tam O'Shanter by Robert Burns (1759-96) (etching)

Lucas, Richard Cockle (1800-83)

A seraph, detail from the crozier of William of Wykeham (c.1320-1404) (silver gilt & champleve enamel) (see 205100-32)
A seraph, detail from the crozier of William of Wykeham (c.1320-1404) (silver gilt & champleve enamel) (see 205100-32)

NCO205117: A seraph, detail from the crozier of William of Wykeham (c.1320-1404) (silver gilt & champleve enamel) (see 205100-32), English School, (14th century) / Bridgeman Images

ID: NCO205117

A seraph, detail from the crozier of William of Wykeham (c.1320-1404) (silver gilt & champleve enamel) (see 205100-32)

English School, (14th century)

Carisbrook, from 'The Isle of Wight Illustrated, in a Series of Coloured Views', engraved by P. Roberts, published 1846 (aquatint)
Carisbrook, from 'The Isle of Wight Illustrated, in a Series of Coloured Views', engraved by P. Roberts, published 1846 (aquatint)

STC214434: Carisbrook, from 'The Isle of Wight Illustrated, in a Series of Coloured Views', engraved by P. Roberts, published 1846 (aquatint), Calvert, Frederick (fl.1827-52) (after) / Bridgeman Images

ID: STC214434

Carisbrook, from 'The Isle of Wight Illustrated, in a Series of Coloured Views', engraved by P. Roberts, published 1846 (aquatint)

Calvert, Frederick (fl.1827-52) (after)

The Provost's prison, rue de la Tannerie, Paris, after a woodcut in 'Praxis Rerum Civilium' by Joose de Damhouder (1507-81) published Antwerp, 1556 (litho) (b/w photo)
The Provost's prison, rue de la Tannerie, Paris, after a woodcut in 'Praxis Rerum Civilium' by Joose de Damhouder (1507-81) published Antwerp, 1556 (litho) (b/w photo)

STC214475: The Provost's prison, rue de la Tannerie, Paris, after a woodcut in 'Praxis Rerum Civilium' by Joose de Damhouder (1507-81) published Antwerp, 1556 (litho) (b/w photo), French School, (16th century) (after) / Bridgeman Images

ID: STC214475

The Provost's prison, rue de la Tannerie, Paris, after a woodcut in 'Praxis Rerum Civilium' by Joose de Damhouder (1507-81) published Antwerp, 1556 (litho) (b/w photo)

French School, (16th century) (after)

Landscape, 1889 (oil on canvas)
Landscape, 1889 (oil on canvas)

BIA214534: Landscape, 1889 (oil on canvas), Twachtman, John Henry (1853-1902) / Bridgeman Images

ID: BIA214534

Landscape, 1889 (oil on canvas)

Twachtman, John Henry (1853-1902)

French Beach, 1884 (oil on board)
French Beach, 1884 (oil on board)

BIA214564: French Beach, 1884 (oil on board), Smillie, George Henry (1840-1921) / Bridgeman Images

ID: BIA214564

French Beach, 1884 (oil on board)

Smillie, George Henry (1840-1921)

Images of God Almighty and of the Trinity from the Cathedral of the Assumption, Moscow, plate 14 from 'The Character of the Russians and a Detailed History of Moscow', published 1823 (colour aquatint)
Images of God Almighty and of the Trinity from the Cathedral of the Assumption, Moscow, plate 14 from 'The Character of the Russians and a Detailed History of Moscow', published 1823 (colour aquatint)

STC214696: Images of God Almighty and of the Trinity from the Cathedral of the Assumption, Moscow, plate 14 from 'The Character of the Russians and a Detailed History of Moscow', published 1823 (colour aquatint), Lyall, Dr. Robert (fl.1823) / Bridgeman Images

ID: STC214696

Images of God Almighty and of the Trinity from the Cathedral of the Assumption, Moscow, plate 14 from 'The Character of the Russians and a Detailed History of Moscow', published 1823 (colour aquatint)

Lyall, Dr. Robert (fl.1823)

Dancers on Christmas Night punished for their impiety, after a woodcut from 'Liber Chronicarum Mundi', published Nuremburg, 1493 (litho) (b/w photo)
Dancers on Christmas Night punished for their impiety, after a woodcut from 'Liber Chronicarum Mundi', published Nuremburg, 1493 (litho) (b/w photo)

STC214454: Dancers on Christmas Night punished for their impiety, after a woodcut from 'Liber Chronicarum Mundi', published Nuremburg, 1493 (litho) (b/w photo), Wolgemut or Wolgemuth, Michael (1434-1519) (after) / Bridgeman Images

ID: STC214454

Dancers on Christmas Night punished for their impiety, after a woodcut from 'Liber Chronicarum Mundi', published Nuremburg, 1493 (litho) (b/w photo)

Wolgemut or Wolgemuth, Michael (1434-1519) (after)

Louis Jacques Mande Daguerre (1787-1851)
Louis Jacques Mande Daguerre (1787-1851)

XJL214519: Louis Jacques Mande Daguerre (1787-1851), Grevedon, Henri (1776-1860) / Bridgeman Images

ID: XJL214519

Louis Jacques Mande Daguerre (1787-1851)

Grevedon, Henri (1776-1860)

Landscape, 1865 (oil on canvas)
Landscape, 1865 (oil on canvas)

BIA214557: Landscape, 1865 (oil on canvas), Sonntag, William (1822-1900) / Bridgeman Images

ID: BIA214557

Landscape, 1865 (oil on canvas)

Sonntag, William (1822-1900)

Gun turret on the USS Passiac, designed by Captain John Ericsson, built 1862 (litho) (b/w photo)
Gun turret on the USS Passiac, designed by Captain John Ericsson, built 1862 (litho) (b/w photo)

STC214641: Gun turret on the USS Passiac, designed by Captain John Ericsson, built 1862 (litho) (b/w photo), American School, (19th century) / Bridgeman Images

ID: STC214641

Gun turret on the USS Passiac, designed by Captain John Ericsson, built 1862 (litho) (b/w photo)

American School, (19th century)

Design 20 for 'Ode on a Distant Prospect of Eton College' from 'The Poems of Thomas Gray', published 177-98 (w/c with pen & ink on paper)
Design 20 for 'Ode on a Distant Prospect of Eton College' from 'The Poems of Thomas Gray', published 177-98 (w/c with pen & ink on paper)

XYC215079: Design 20 for 'Ode on a Distant Prospect of Eton College' from 'The Poems of Thomas Gray', published 177-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC215079

Design 20 for 'Ode on a Distant Prospect of Eton College' from 'The Poems of Thomas Gray', published 177-98 (w/c with pen & ink on paper)

Blake, William (1757-1827)

Exterior view, from 'Plans, Sections, and Elevations of the Radcliffe Library', engraved by Pierre Fourdrinier (d.1758) published 1747 (engraving)
Exterior view, from 'Plans, Sections, and Elevations of the Radcliffe Library', engraved by Pierre Fourdrinier (d.1758) published 1747 (engraving)

STC214688: Exterior view, from 'Plans, Sections, and Elevations of the Radcliffe Library', engraved by Pierre Fourdrinier (d.1758) published 1747 (engraving), Gibbs, James (1682-1754) (after) / Bridgeman Images

ID: STC214688

Exterior view, from 'Plans, Sections, and Elevations of the Radcliffe Library', engraved by Pierre Fourdrinier (d.1758) published 1747 (engraving)

Gibbs, James (1682-1754) (after)

Portrait of a member of the Chidbov Family, 1798 (oil on canvas)
Portrait of a member of the Chidbov Family, 1798 (oil on canvas)

CCL214947: Portrait of a member of the Chidbov Family, 1798 (oil on canvas), Borovikovsky, Vladimir Lukich (1757-1825) / Bridgeman Images

ID: CCL214947

Portrait of a member of the Chidbov Family, 1798 (oil on canvas)

Borovikovsky, Vladimir Lukich (1757-1825)

Monument to Nikolai Andreievich Rimsky-Korsakov (1844-1908) (bronze)
Monument to Nikolai Andreievich Rimsky-Korsakov (1844-1908) (bronze)

XJL215063: Monument to Nikolai Andreievich Rimsky-Korsakov (1844-1908) (bronze), Russian School, (20th century) / Bridgeman Images

ID: XJL215063

Monument to Nikolai Andreievich Rimsky-Korsakov (1844-1908) (bronze)

Russian School, (20th century)

A Huntsman taking a Fence (oil on canvas)
A Huntsman taking a Fence (oil on canvas)

MAL215277: A Huntsman taking a Fence (oil on canvas), Marshall, Lambert (1810-70) / Bridgeman Images

ID: MAL215277

A Huntsman taking a Fence (oil on canvas)

Marshall, Lambert (1810-70)

Treading the Grape, after a miniature from the calendar of a prayer book (litho) (b/w photo)
Treading the Grape, after a miniature from the calendar of a prayer book (litho) (b/w photo)

STC214447: Treading the Grape, after a miniature from the calendar of a prayer book (litho) (b/w photo), French School, (16th century) (after) / Bridgeman Images

ID: STC214447

Treading the Grape, after a miniature from the calendar of a prayer book (litho) (b/w photo)

French School, (16th century) (after)

Little Brak, King of Kayor, from 'Receuil des Estampes, representant les Rangs et les Dignites, suivant le Costume de toutes les Nations existantes', published 1780 (hand coloured engraving)
Little Brak, King of Kayor, from 'Receuil des Estampes, representant les Rangs et les Dignites, suivant le Costume de toutes les Nations existantes', published 1780 (hand coloured engraving)

STC214419: Little Brak, King of Kayor, from 'Receuil des Estampes, representant les Rangs et les Dignites, suivant le Costume de toutes les Nations existantes', published 1780 (hand coloured engraving), Duflos, Pierre (1742-1816) / Bridgeman Images

ID: STC214419

Little Brak, King of Kayor, from 'Receuil des Estampes, representant les Rangs et les Dignites, suivant le Costume de toutes les Nations existantes', published 1780 (hand coloured engraving)

Duflos, Pierre (1742-1816)

The gipsy who washed his hands in molten lead, after a woodcut in 'Histoires Merveilleuses' by Pierre Boaistuau, published 1560 (litho) (b/w photo)
The gipsy who washed his hands in molten lead, after a woodcut in 'Histoires Merveilleuses' by Pierre Boaistuau, published 1560 (litho) (b/w photo)

STC214482: The gipsy who washed his hands in molten lead, after a woodcut in 'Histoires Merveilleuses' by Pierre Boaistuau, published 1560 (litho) (b/w photo), French School, (16th century) (after) / Bridgeman Images

ID: STC214482

The gipsy who washed his hands in molten lead, after a woodcut in 'Histoires Merveilleuses' by Pierre Boaistuau, published 1560 (litho) (b/w photo)

French School, (16th century) (after)

Portrait of Catherine Ten Broeck, 1719 (oil on canvas)
Portrait of Catherine Ten Broeck, 1719 (oil on canvas)

BIA214563: Portrait of Catherine Ten Broeck, 1719 (oil on canvas), Partridge, Nehemiah (1683-c.1737) / Bridgeman Images

ID: BIA214563

Portrait of Catherine Ten Broeck, 1719 (oil on canvas)

Partridge, Nehemiah (1683-c.1737)

Facade of the Hermitage, 1753-62 (photo) (detail)
Facade of the Hermitage, 1753-62 (photo) (detail)

XJL215060: Facade of the Hermitage, 1753-62 (photo) (detail), Rastrelli, Bartolomeo Franceso (1700-71) / Bridgeman Images

ID: XJL215060

Facade of the Hermitage, 1753-62 (photo) (detail)

Rastrelli, Bartolomeo Franceso (1700-71)

The Wandering Sailor, previously known as 'The Ballad Seller', c.1798 (oil on paper laid on canvas)
The Wandering Sailor, previously known as 'The Ballad Seller', c.1798 (oil on paper laid on canvas)

XYC215069: The Wandering Sailor, previously known as 'The Ballad Seller', c.1798 (oil on paper laid on canvas), Singleton, Henry (1766-1839) / Bridgeman Images

ID: XYC215069

The Wandering Sailor, previously known as 'The Ballad Seller', c.1798 (oil on paper laid on canvas)

Singleton, Henry (1766-1839)

Design 31 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)
Design 31 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

XYC215081: Design 31 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC215081

Design 31 for 'A Long Story' in 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & ink on paper)

Blake, William (1757-1827)

The Entrance Front of Hayley's House at Eartham, 1801 (pen & ink and w/c over graphite on paper)
The Entrance Front of Hayley's House at Eartham, 1801 (pen & ink and w/c over graphite on paper)

XYC215095: The Entrance Front of Hayley's House at Eartham, 1801 (pen & ink and w/c over graphite on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC215095

The Entrance Front of Hayley's House at Eartham, 1801 (pen & ink and w/c over graphite on paper)

Blake, William (1757-1827)

Landscape with Spire, c.1801 (pencil on paper)
Landscape with Spire, c.1801 (pencil on paper)

XYC215094: Landscape with Spire, c.1801 (pencil on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC215094

Landscape with Spire, c.1801 (pencil on paper)

Blake, William (1757-1827)

Moonlight, Puente Genil, Spain (pencil & watercolour on paper)
Moonlight, Puente Genil, Spain (pencil & watercolour on paper)

FLF214570: Moonlight, Puente Genil, Spain (pencil & watercolour on paper), Foweraker, Albert Moulton (1873-1942) / Bridgeman Images

ID: FLF214570

Moonlight, Puente Genil, Spain (pencil & watercolour on paper)

Foweraker, Albert Moulton (1873-1942)

The Palace Hotel car of the Union Pacific Railway, mid-19th century (engraving) (b/w photo)
The Palace Hotel car of the Union Pacific Railway, mid-19th century (engraving) (b/w photo)

STC214665: The Palace Hotel car of the Union Pacific Railway, mid-19th century (engraving) (b/w photo), Waud, Alfred Rudolph (1828-91) (after) / Bridgeman Images

ID: STC214665

The Palace Hotel car of the Union Pacific Railway, mid-19th century (engraving) (b/w photo)

Waud, Alfred Rudolph (1828-91) (after)

Design 4 for 'Ode on the Spring' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & black ink on paper)
Design 4 for 'Ode on the Spring' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & black ink on paper)

XYC215075: Design 4 for 'Ode on the Spring' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & black ink on paper), Blake, William (1757-1827) / Bridgeman Images

ID: XYC215075

Design 4 for 'Ode on the Spring' from 'The Poems of Thomas Gray', published 1797-98 (w/c with pen & black ink on paper)

Blake, William (1757-1827)

November: A Meeting, from the 'Baramasa', Pahari School, from Himachal Pradesh (gouache on paper)
November: A Meeting, from the 'Baramasa', Pahari School, from Himachal Pradesh (gouache on paper)

XIR211795: November: A Meeting, from the 'Baramasa', Pahari School, from Himachal Pradesh (gouache on paper), Indian School, (19th century) / Bridgeman Images

ID: XIR211795

November: A Meeting, from the 'Baramasa', Pahari School, from Himachal Pradesh (gouache on paper)

Indian School, (19th century)

Vera Cruz, Castle and Cemetery (w/c on paper)
Vera Cruz, Castle and Cemetery (w/c on paper)

DHS212714: Vera Cruz, Castle and Cemetery (w/c on paper), American School, (19th century) / Bridgeman Images

ID: DHS212714

Vera Cruz, Castle and Cemetery (w/c on paper)

American School, (19th century)

Exhibition Fairgrounds, Dallas (colour litho)
Exhibition Fairgrounds, Dallas (colour litho)

DHS212785: Exhibition Fairgrounds, Dallas (colour litho), American School, (19th century) / Bridgeman Images

ID: DHS212785

Exhibition Fairgrounds, Dallas (colour litho)

American School, (19th century)

Sanger Bros display, Dallas (b/w photo)
Sanger Bros display, Dallas (b/w photo)

DHS212246: Sanger Bros display, Dallas (b/w photo), American Photographer, (20th century) / Bridgeman Images

ID: DHS212246

Sanger Bros display, Dallas (b/w photo)

American Photographer, (20th century)

La Reunion (b/w photo)
La Reunion (b/w photo)

DHS212254: La Reunion (b/w photo), American Photographer, (20th century) / Bridgeman Images

ID: DHS212254

La Reunion (b/w photo)

American Photographer, (20th century)

Astronomical clock, 1773 (gilded copper)
Astronomical clock, 1773 (gilded copper)

XIR212914: Astronomical clock, 1773 (gilded copper), Janvier, Antide (1751-1835) / Bridgeman Images

ID: XIR212914

Astronomical clock, 1773 (gilded copper)

Janvier, Antide (1751-1835)

R.H.Gaston, 1861 (b/w photo)
R.H.Gaston, 1861 (b/w photo)

DHS212208: R.H.Gaston, 1861 (b/w photo), American Photographer, (19th century) / Bridgeman Images

ID: DHS212208

R.H.Gaston, 1861 (b/w photo)

American Photographer, (19th century)

Moody Compress, Galveston (b/w photo)
Moody Compress, Galveston (b/w photo)

DHS212241: Moody Compress, Galveston (b/w photo), Stark, Henry (fl.1895-96) / Bridgeman Images

ID: DHS212241

Moody Compress, Galveston (b/w photo)

Stark, Henry (fl.1895-96)


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