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Portrait of Alfred, Lord Tennyson (1809-92), c.1889-91 (b/w photo)
Portrait of Alfred, Lord Tennyson (1809-92), c.1889-91 (b/w photo)

STC192023: Portrait of Alfred, Lord Tennyson (1809-92), c.1889-91 (b/w photo), Myers, Eveleen (1856-1937) / Bridgeman Images

ID: STC192023

Portrait of Alfred, Lord Tennyson (1809-92), c.1889-91 (b/w photo)

Myers, Eveleen (1856-1937)

St. Cecilia, published by Hannah Humphrey in 1782 (hand-coloured etching)
St. Cecilia, published by Hannah Humphrey in 1782 (hand-coloured etching)

NCO191707: St. Cecilia, published by Hannah Humphrey in 1782 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO191707

St. Cecilia, published by Hannah Humphrey in 1782 (hand-coloured etching)

Gillray, James (1757-1815)

The Esplanade, published by Hannah Humphrey in 1797 (hand-coloured etching)
The Esplanade, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO191716: The Esplanade, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO191716

The Esplanade, published by Hannah Humphrey in 1797 (hand-coloured etching)

Gillray, James (1757-1815)

Les Membres du Conseil des Cinq Cents, plate 3 of 'French Habits', published by Hannah Humphrey in 1798 (coloured etching)
Les Membres du Conseil des Cinq Cents, plate 3 of 'French Habits', published by Hannah Humphrey in 1798 (coloured etching)

NCO191736: Les Membres du Conseil des Cinq Cents, plate 3 of 'French Habits', published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO191736

Les Membres du Conseil des Cinq Cents, plate 3 of 'French Habits', published by Hannah Humphrey in 1798 (coloured etching)

Gillray, James (1757-1815)

Army map of the Kurija Dere area of Gallipoli, found in the papers of Robert C. Bragg (1891-1915)
Army map of the Kurija Dere area of Gallipoli, found in the papers of Robert C. Bragg (1891-1915)

TRI190097: Army map of the Kurija Dere area of Gallipoli, found in the papers of Robert C. Bragg (1891-1915), English School, (20th century) / Bridgeman Images

ID: TRI190097

Army map of the Kurija Dere area of Gallipoli, found in the papers of Robert C. Bragg (1891-1915)

English School, (20th century)

View of Southwark Bridge and the River Thames from Bankside, with two derricks in the foreground, 1827 (pencil on paper)
View of Southwark Bridge and the River Thames from Bankside, with two derricks in the foreground, 1827 (pencil on paper)

GHL190755: View of Southwark Bridge and the River Thames from Bankside, with two derricks in the foreground, 1827 (pencil on paper), Cooke, Edward William (1811-80) / Bridgeman Images

ID: GHL190755

View of Southwark Bridge and the River Thames from Bankside, with two derricks in the foreground, 1827 (pencil on paper)

Cooke, Edward William (1811-80)

Two Moorhens on the Water (oil on board)
Two Moorhens on the Water (oil on board)

AGN191119: Two Moorhens on the Water (oil on board), Constable, John (1776-1837) / Bridgeman Images

ID: AGN191119

Two Moorhens on the Water (oil on board)

Constable, John (1776-1837)

The Blackberry Thorn, 1874 (oil on canvas)
The Blackberry Thorn, 1874 (oil on canvas)

PFA191168: The Blackberry Thorn, 1874 (oil on canvas), Burr, John (1831-93) / Bridgeman Images

ID: PFA191168

The Blackberry Thorn, 1874 (oil on canvas)

Burr, John (1831-93)

The Guardian Angel, published by Hannah Humphrey in 1805 (hand-coloured etching)
The Guardian Angel, published by Hannah Humphrey in 1805 (hand-coloured etching)

NCO191295: The Guardian Angel, published by Hannah Humphrey in 1805 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO191295

The Guardian Angel, published by Hannah Humphrey in 1805 (hand-coloured etching)

Gillray, James (1757-1815)

Coming in at the Death, etched by James Gillray (1757-1815) published by Hannah Humphrey in 1800 (hand-coloured etching)
Coming in at the Death, etched by James Gillray (1757-1815) published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO191723: Coming in at the Death, etched by James Gillray (1757-1815) published by Hannah Humphrey in 1800 (hand-coloured etching), North, Brownlow (1741-1820) (after) / Bridgeman Images

ID: NCO191723

Coming in at the Death, etched by James Gillray (1757-1815) published by Hannah Humphrey in 1800 (hand-coloured etching)

North, Brownlow (1741-1820) (after)

Les Membres du Conseil des Anciens, plate 2 from 'French Habits', published by Hannah Humphrey in 1798 (coloured etching)
Les Membres du Conseil des Anciens, plate 2 from 'French Habits', published by Hannah Humphrey in 1798 (coloured etching)

NCO191735: Les Membres du Conseil des Anciens, plate 2 from 'French Habits', published by Hannah Humphrey in 1798 (coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO191735

Les Membres du Conseil des Anciens, plate 2 from 'French Habits', published by Hannah Humphrey in 1798 (coloured etching)

Gillray, James (1757-1815)

George Brydges Rodney (1718-92) 1st Baron Rodney of Stoke-Rodney, from 'Gallery of Portraits', published in 1833 (engraving)
George Brydges Rodney (1718-92) 1st Baron Rodney of Stoke-Rodney, from 'Gallery of Portraits', published in 1833 (engraving)

KWE189095: George Brydges Rodney (1718-92) 1st Baron Rodney of Stoke-Rodney, from 'Gallery of Portraits', published in 1833 (engraving), English School, (19th century) / Bridgeman Images

ID: KWE189095

George Brydges Rodney (1718-92) 1st Baron Rodney of Stoke-Rodney, from 'Gallery of Portraits', published in 1833 (engraving)

English School, (19th century)

The Punch and Judy Show (oil on canvas)
The Punch and Judy Show (oil on canvas)

OJ189134: The Punch and Judy Show (oil on canvas), Smythe, Edward Robert (1810-99) / Bridgeman Images

ID: OJ189134

The Punch and Judy Show (oil on canvas)

Smythe, Edward Robert (1810-99)

House in Ghent, Belgium, from 'Choix des Monuments, Edifices et Maisons les plus remarquables du Royaume des Pays-Bas' by Pierre Jacques Goetghebuer, published 1827 (aquatint)
House in Ghent, Belgium, from 'Choix des Monuments, Edifices et Maisons les plus remarquables du Royaume des Pays-Bas' by Pierre Jacques Goetghebuer, published 1827 (aquatint)

STC189232: House in Ghent, Belgium, from 'Choix des Monuments, Edifices et Maisons les plus remarquables du Royaume des Pays-Bas' by Pierre Jacques Goetghebuer, published 1827 (aquatint), Goetghebuer, Pierre Jacques (1788-1866) / Bridgeman Images

ID: STC189232

House in Ghent, Belgium, from 'Choix des Monuments, Edifices et Maisons les plus remarquables du Royaume des Pays-Bas' by Pierre Jacques Goetghebuer, published 1827 (aquatint)

Goetghebuer, Pierre Jacques (1788-1866)

Lictors Bearing to Brutus the Bodies of his Sons, 1789 (oil on canvas) (detail of 44247)
Lictors Bearing to Brutus the Bodies of his Sons, 1789 (oil on canvas) (detail of 44247)

BBC188955: Lictors Bearing to Brutus the Bodies of his Sons, 1789 (oil on canvas) (detail of 44247), David, Jacques Louis (1748-1825) / Bridgeman Images

ID: BBC188955

Lictors Bearing to Brutus the Bodies of his Sons, 1789 (oil on canvas) (detail of 44247)

David, Jacques Louis (1748-1825)

On the Gretna Looking Down the River (oil on canvas)
On the Gretna Looking Down the River (oil on canvas)

OJ189132: On the Gretna Looking Down the River (oil on canvas), Halswelle, Keeley (1832-91) / Bridgeman Images

ID: OJ189132

On the Gretna Looking Down the River (oil on canvas)

Halswelle, Keeley (1832-91)

Bolton Abbey (w/c on paper)
Bolton Abbey (w/c on paper)

BBC189179: Bolton Abbey (w/c on paper), Cotman, John Sell (1782-1842) / Bridgeman Images

ID: BBC189179

Bolton Abbey (w/c on paper)

Cotman, John Sell (1782-1842)

Window depicting the Life of Joseph, from the apse (stained glass)
Window depicting the Life of Joseph, from the apse (stained glass)

XIR189598: Window depicting the Life of Joseph, from the apse (stained glass), French School, (13th century) / Bridgeman Images

ID: XIR189598

Window depicting the Life of Joseph, from the apse (stained glass)

French School, (13th century)

Mrs Rebecca Howse, known as 'Mother Goose of Oxford', published by Hannah Humphrey in 1807 (hand-coloured etching)
Mrs Rebecca Howse, known as 'Mother Goose of Oxford', published by Hannah Humphrey in 1807 (hand-coloured etching)

NCO189744: Mrs Rebecca Howse, known as 'Mother Goose of Oxford', published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO189744

Mrs Rebecca Howse, known as 'Mother Goose of Oxford', published by Hannah Humphrey in 1807 (hand-coloured etching)

Gillray, James (1757-1815)

The Salute, or The Parade, published by Hannah Humphrey in 1797 (hand-coloured etching)
The Salute, or The Parade, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO189779: The Salute, or The Parade, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO189779

The Salute, or The Parade, published by Hannah Humphrey in 1797 (hand-coloured etching)

Gillray, James (1757-1815)

New Pantheon of Democratic Mythology, published by Hannah Humphrey in 1799 (hand-coloured etching)
New Pantheon of Democratic Mythology, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO189799: New Pantheon of Democratic Mythology, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO189799

New Pantheon of Democratic Mythology, published by Hannah Humphrey in 1799 (hand-coloured etching)

Gillray, James (1757-1815)

Henriette de Coligny (1618-73) Countess of La Suze, 1642 (pencil on paper)
Henriette de Coligny (1618-73) Countess of La Suze, 1642 (pencil on paper)

XIR189512: Henriette de Coligny (1618-73) Countess of La Suze, 1642 (pencil on paper), Dumonstier, or Dumoustier, Daniel (1574-1646) / Bridgeman Images

ID: XIR189512

Henriette de Coligny (1618-73) Countess of La Suze, 1642 (pencil on paper)

Dumonstier, or Dumoustier, Daniel (1574-1646)

Begging no Robbery: i.e. Voluntary Contribution, or John Bull escaping a Forced Loan, published by Hannah Humphrey in 1796 (hand-coloured etching)
Begging no Robbery: i.e. Voluntary Contribution, or John Bull escaping a Forced Loan, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO190480: Begging no Robbery: i.e. Voluntary Contribution, or John Bull escaping a Forced Loan, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO190480

Begging no Robbery: i.e. Voluntary Contribution, or John Bull escaping a Forced Loan, published by Hannah Humphrey in 1796 (hand-coloured etching)

Gillray, James (1757-1815)

Young Girls at the Well (oil on canvas)
Young Girls at the Well (oil on canvas)

EDI190538: Young Girls at the Well (oil on canvas), Pedersen, Viggo (1854-1926) / Bridgeman Images

ID: EDI190538

Young Girls at the Well (oil on canvas)

Pedersen, Viggo (1854-1926)

Design for a Monkey Cabinet, c.1876 (watercolour & pencil on paper)
Design for a Monkey Cabinet, c.1876 (watercolour & pencil on paper)

STC190637: Design for a Monkey Cabinet, c.1876 (watercolour & pencil on paper), Godwin, Edward William (1833-86) / Bridgeman Images

ID: STC190637

Design for a Monkey Cabinet, c.1876 (watercolour & pencil on paper)

Godwin, Edward William (1833-86)

Prophet, 1423-36 (painted marble) (see also 192530)
Prophet, 1423-36 (painted marble) (see also 192530)

BAT192526: Prophet, 1423-36 (painted marble) (see also 192530), Nanni di Bartolo (il Rosso) (fl.1419-51) / Bridgeman Images

ID: BAT192526

Prophet, 1423-36 (painted marble) (see also 192530)

Nanni di Bartolo (il Rosso) (fl.1419-51)

The Times, Anno 1783, published by William Humphrey (hand-coloured etching)
The Times, Anno 1783, published by William Humphrey (hand-coloured etching)

NCO193100: The Times, Anno 1783, published by William Humphrey (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO193100

The Times, Anno 1783, published by William Humphrey (hand-coloured etching)

Gillray, James (1757-1815)

The Theatrical War, published by S.W. Fores in 1787 (etching)
The Theatrical War, published by S.W. Fores in 1787 (etching)

NCO193125: The Theatrical War, published by S.W. Fores in 1787 (etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO193125

The Theatrical War, published by S.W. Fores in 1787 (etching)

Gillray, James (1757-1815)

A hint to Young Officers, published by Hannah Humphrey in 1804 (hand-coloured etching)
A hint to Young Officers, published by Hannah Humphrey in 1804 (hand-coloured etching)

NCO193117: A hint to Young Officers, published by Hannah Humphrey in 1804 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO193117

A hint to Young Officers, published by Hannah Humphrey in 1804 (hand-coloured etching)

Gillray, James (1757-1815)

Netsuke, depicting Tobosaku emerging from the peach of immortality, c.1830-60 (ivory)
Netsuke, depicting Tobosaku emerging from the peach of immortality, c.1830-60 (ivory)

PFR194415: Netsuke, depicting Tobosaku emerging from the peach of immortality, c.1830-60 (ivory), Utagawa Sadanobu (1809-79) / Bridgeman Images

ID: PFR194415

Netsuke, depicting Tobosaku emerging from the peach of immortality, c.1830-60 (ivory)

Utagawa Sadanobu (1809-79)

The Lion's Share, published by Hannah Humphrey in 1797 (hand-coloured etching)
The Lion's Share, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO193179: The Lion's Share, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO193179

The Lion's Share, published by Hannah Humphrey in 1797 (hand-coloured etching)

Gillray, James (1757-1815)

The Doll, from 'L'Estampe Moderne', published Paris 1897-99 (colour litho)
The Doll, from 'L'Estampe Moderne', published Paris 1897-99 (colour litho)

STC193261: The Doll, from 'L'Estampe Moderne', published Paris 1897-99 (colour litho), Delorme, Marguerite Anne Rose (1876-1946) / Bridgeman Images

ID: STC193261

The Doll, from 'L'Estampe Moderne', published Paris 1897-99 (colour litho)

Delorme, Marguerite Anne Rose (1876-1946)

The Kiss, from 'L'Estampe Moderne', published Paris 1898-99, 1898 (colour litho)
The Kiss, from 'L'Estampe Moderne', published Paris 1898-99, 1898 (colour litho)

STC194678: The Kiss, from 'L'Estampe Moderne', published Paris 1898-99, 1898 (colour litho), Prouve, Victor Emile (1858-1943) / Bridgeman Images

ID: STC194678

The Kiss, from 'L'Estampe Moderne', published Paris 1898-99, 1898 (colour litho)

Prouve, Victor Emile (1858-1943)

The Great Reception of Alexander I (1777-1825) in the Kremlin on 15th August 1816 (oil on canvas)
The Great Reception of Alexander I (1777-1825) in the Kremlin on 15th August 1816 (oil on canvas)

XAB194905: The Great Reception of Alexander I (1777-1825) in the Kremlin on 15th August 1816 (oil on canvas), Lavrov, I.A. (fl.1816) / Bridgeman Images

ID: XAB194905

The Great Reception of Alexander I (1777-1825) in the Kremlin on 15th August 1816 (oil on canvas)

Lavrov, I.A. (fl.1816)

Crusoe Appears before the Ship's Captain, illustration for 'Robinson Crusoe' by Daniel Defoe (1660-1731) (colour litho)
Crusoe Appears before the Ship's Captain, illustration for 'Robinson Crusoe' by Daniel Defoe (1660-1731) (colour litho)

IL193471: Crusoe Appears before the Ship's Captain, illustration for 'Robinson Crusoe' by Daniel Defoe (1660-1731) (colour litho), Davie, Howard (fl.1914-44) / Bridgeman Images

ID: IL193471

Crusoe Appears before the Ship's Captain, illustration for 'Robinson Crusoe' by Daniel Defoe (1660-1731) (colour litho)

Davie, Howard (fl.1914-44)

Pendant in the form of a fish with bifid tail, holding a lotus flower in its mouth, Yuan Dynasty (stoneware)
Pendant in the form of a fish with bifid tail, holding a lotus flower in its mouth, Yuan Dynasty (stoneware)

PFR193602: Pendant in the form of a fish with bifid tail, holding a lotus flower in its mouth, Yuan Dynasty (stoneware), Chinese School / Bridgeman Images

ID: PFR193602

Pendant in the form of a fish with bifid tail, holding a lotus flower in its mouth, Yuan Dynasty (stoneware)

Chinese School


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