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Window depicting the Life of Joseph, from the apse (stained glass)
Window depicting the Life of Joseph, from the apse (stained glass)

XIR189598: Window depicting the Life of Joseph, from the apse (stained glass), French School, (13th century) / Bridgeman Images

Mrs Rebecca Howse, known as 'Mother Goose of Oxford', published by Hannah Humphrey in 1807 (hand-coloured etching)
Mrs Rebecca Howse, known as 'Mother Goose of Oxford', published by Hannah Humphrey in 1807 (hand-coloured etching)

NCO189744: Mrs Rebecca Howse, known as 'Mother Goose of Oxford', published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Salute, or The Parade, published by Hannah Humphrey in 1797 (hand-coloured etching)
The Salute, or The Parade, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO189779: The Salute, or The Parade, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

New Pantheon of Democratic Mythology, published by Hannah Humphrey in 1799 (hand-coloured etching)
New Pantheon of Democratic Mythology, published by Hannah Humphrey in 1799 (hand-coloured etching)

NCO189799: New Pantheon of Democratic Mythology, published by Hannah Humphrey in 1799 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Henriette de Coligny (1618-73) Countess of La Suze, 1642 (pencil on paper)
Henriette de Coligny (1618-73) Countess of La Suze, 1642 (pencil on paper)

XIR189512: Henriette de Coligny (1618-73) Countess of La Suze, 1642 (pencil on paper), Dumonstier, or Dumoustier, Daniel (1574-1646) / Bridgeman Images

Begging no Robbery: i.e. Voluntary Contribution, or John Bull escaping a Forced Loan, published by Hannah Humphrey in 1796 (hand-coloured etching)
Begging no Robbery: i.e. Voluntary Contribution, or John Bull escaping a Forced Loan, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO190480: Begging no Robbery: i.e. Voluntary Contribution, or John Bull escaping a Forced Loan, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Young Girls at the Well (oil on canvas)
Young Girls at the Well (oil on canvas)

EDI190538: Young Girls at the Well (oil on canvas), Pedersen, Viggo (1854-1926) / Bridgeman Images

Design for a Monkey Cabinet, c.1876 (watercolour & pencil on paper)
Design for a Monkey Cabinet, c.1876 (watercolour & pencil on paper)

STC190637: Design for a Monkey Cabinet, c.1876 (watercolour & pencil on paper), Godwin, Edward William (1833-86) / Bridgeman Images

Prophet, 1423-36 (painted marble) (see also 192530)
Prophet, 1423-36 (painted marble) (see also 192530)

BAT192526: Prophet, 1423-36 (painted marble) (see also 192530), Nanni di Bartolo (il Rosso) (fl.1419-51) / Bridgeman Images

The Times, Anno 1783, published by William Humphrey (hand-coloured etching)
The Times, Anno 1783, published by William Humphrey (hand-coloured etching)

NCO193100: The Times, Anno 1783, published by William Humphrey (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Theatrical War, published by S.W. Fores in 1787 (etching)
The Theatrical War, published by S.W. Fores in 1787 (etching)

NCO193125: The Theatrical War, published by S.W. Fores in 1787 (etching), Gillray, James (1757-1815) / Bridgeman Images

A hint to Young Officers, published by Hannah Humphrey in 1804 (hand-coloured etching)
A hint to Young Officers, published by Hannah Humphrey in 1804 (hand-coloured etching)

NCO193117: A hint to Young Officers, published by Hannah Humphrey in 1804 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Netsuke, depicting Tobosaku emerging from the peach of immortality, c.1830-60 (ivory)
Netsuke, depicting Tobosaku emerging from the peach of immortality, c.1830-60 (ivory)

PFR194415: Netsuke, depicting Tobosaku emerging from the peach of immortality, c.1830-60 (ivory), Utagawa Sadanobu (1809-79) / Bridgeman Images

The Lion's Share, published by Hannah Humphrey in 1797 (hand-coloured etching)
The Lion's Share, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO193179: The Lion's Share, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Doll, from 'L'Estampe Moderne', published Paris 1897-99 (colour litho)
The Doll, from 'L'Estampe Moderne', published Paris 1897-99 (colour litho)

STC193261: The Doll, from 'L'Estampe Moderne', published Paris 1897-99 (colour litho), Delorme, Marguerite Anne Rose (1876-1946) / Bridgeman Images

The Kiss, from 'L'Estampe Moderne', published Paris 1898-99, 1898 (colour litho)
The Kiss, from 'L'Estampe Moderne', published Paris 1898-99, 1898 (colour litho)

STC194678: The Kiss, from 'L'Estampe Moderne', published Paris 1898-99, 1898 (colour litho), Prouve, Victor Emile (1858-1943) / Bridgeman Images

The Great Reception of Alexander I (1777-1825) in the Kremlin on 15th August 1816 (oil on canvas)
The Great Reception of Alexander I (1777-1825) in the Kremlin on 15th August 1816 (oil on canvas)

XAB194905: The Great Reception of Alexander I (1777-1825) in the Kremlin on 15th August 1816 (oil on canvas), Lavrov, I.A. (fl.1816) / Bridgeman Images

Crusoe Appears before the Ship's Captain, illustration for 'Robinson Crusoe' by Daniel Defoe (1660-1731) (colour litho)
Crusoe Appears before the Ship's Captain, illustration for 'Robinson Crusoe' by Daniel Defoe (1660-1731) (colour litho)

IL193471: Crusoe Appears before the Ship's Captain, illustration for 'Robinson Crusoe' by Daniel Defoe (1660-1731) (colour litho), Davie, Howard (fl.1914-44) / Bridgeman Images

Pendant in the form of a fish with bifid tail, holding a lotus flower in its mouth, Yuan Dynasty (stoneware)
Pendant in the form of a fish with bifid tail, holding a lotus flower in its mouth, Yuan Dynasty (stoneware)

PFR193602: Pendant in the form of a fish with bifid tail, holding a lotus flower in its mouth, Yuan Dynasty (stoneware), Chinese School / Bridgeman Images

Openwork pomander box and cover, 17th or 18th century (celadon stoneware)
Openwork pomander box and cover, 17th or 18th century (celadon stoneware)

PFR193610: Openwork pomander box and cover, 17th or 18th century (celadon stoneware), Chinese School / Bridgeman Images

Netsuke of a horse-faced, dome-headed man, probably Osaka, c.1800-20 (ivory) (see 193634 for front view)
Netsuke of a horse-faced, dome-headed man, probably Osaka, c.1800-20 (ivory) (see 193634 for front view)

PFR193635: Netsuke of a horse-faced, dome-headed man, probably Osaka, c.1800-20 (ivory) (see 193634 for front view), Japanese School, (19th century) / Bridgeman Images

Double kam lychee or melons on a leafy branch with diaper cross-hatched skin (stoneware)
Double kam lychee or melons on a leafy branch with diaper cross-hatched skin (stoneware)

PFR193607: Double kam lychee or melons on a leafy branch with diaper cross-hatched skin (stoneware), Chinese School, (18th century) / Bridgeman Images

Signature on the reverse of a netsuke, Kyoto, c.1750-60 (ivory) (reverse of 193623)
Signature on the reverse of a netsuke, Kyoto, c.1750-60 (ivory) (reverse of 193623)

PFR193624: Signature on the reverse of a netsuke, Kyoto, c.1750-60 (ivory) (reverse of 193623), Yoshinaga, Koyoken (fl.1750-60) / Bridgeman Images

Netsuke of a Futen cloud-ghost, Osaka, c.1750-80 (wood) (see also 193632)
Netsuke of a Futen cloud-ghost, Osaka, c.1750-80 (wood) (see also 193632)

PFR193631: Netsuke of a Futen cloud-ghost, Osaka, c.1750-80 (wood) (see also 193632), Shumemaru, Unjuto (fl.1750-80) / Bridgeman Images

Venus Attired by the Graces, published by Hannah Humphrey in 1800 (hand-coloured etching)
Venus Attired by the Graces, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO189798: Venus Attired by the Graces, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

Brigade Major, published by Hannah Humphrey in 1797 (hand-coloured etching)
Brigade Major, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO190165: Brigade Major, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

A Calm, published by Hannah Humphrey in 1810 (hand-coloured etching)
A Calm, published by Hannah Humphrey in 1810 (hand-coloured etching)

NCO190191: A Calm, published by Hannah Humphrey in 1810 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Legacy, published by W. Holland in 1786 (hand-coloured etching)
The Legacy, published by W. Holland in 1786 (hand-coloured etching)

NCO190401: The Legacy, published by W. Holland in 1786 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

The Nativity (champleve enamel on copper)
The Nativity (champleve enamel on copper)

EDI193041: The Nativity (champleve enamel on copper), French School, (15th century) / Bridgeman Images

Netsuke, depicting the immortal Handaka Sonja, c.1730-60 (ivory) (for front view see 194402)
Netsuke, depicting the immortal Handaka Sonja, c.1730-60 (ivory) (for front view see 194402)

PFR194403: Netsuke, depicting the immortal Handaka Sonja, c.1730-60 (ivory) (for front view see 194402), Japanese School, (18th century) / Bridgeman Images

Two Female Saints (oil on panel)
Two Female Saints (oil on panel)

BRN189680: Two Female Saints (oil on panel), German School, (14th century) / Bridgeman Images

Portrait of George Digby (1612-77), from 'Lodge's British Portraits', 1823 (litho)
Portrait of George Digby (1612-77), from 'Lodge's British Portraits', 1823 (litho)

KWE178273: Portrait of George Digby (1612-77), from 'Lodge's British Portraits', 1823 (litho), English School, (19th century) / Bridgeman Images

Albenga, Gulf of Genoa, 1890 (w/c on paper)
Albenga, Gulf of Genoa, 1890 (w/c on paper)

STC179009: Albenga, Gulf of Genoa, 1890 (w/c on paper), Fahey, Edward Henry (1844-1907) / Bridgeman Images

Portrait of John Hamilton (1532-1604), from 'Lodge's British Portraits', 1823 (litho)
Portrait of John Hamilton (1532-1604), from 'Lodge's British Portraits', 1823 (litho)

KWE178295: Portrait of John Hamilton (1532-1604), from 'Lodge's British Portraits', 1823 (litho), English School, (19th century) / Bridgeman Images

Male figure with long robe, from Susa, Iran, 4th-6th century AD (bone)
Male figure with long robe, from Susa, Iran, 4th-6th century AD (bone)

BOO179134: Male figure with long robe, from Susa, Iran, 4th-6th century AD (bone), Sasanian School / Bridgeman Images

Portrait of Thomas Radcliffe (c.1525-83) 3rd Earl of Sussex, from 'Lodge's British Portraits', 1823 (litho)
Portrait of Thomas Radcliffe (c.1525-83) 3rd Earl of Sussex, from 'Lodge's British Portraits', 1823 (litho)

KWE179297: Portrait of Thomas Radcliffe (c.1525-83) 3rd Earl of Sussex, from 'Lodge's British Portraits', 1823 (litho), Mor, Anthonis van Dashorst (Antonio Moro) (c.1519-1576/77) (after) / Bridgeman Images


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