Massard, Leopold (1812-1889) Assets (368 in total)

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French longbowman, 14th century. He wears a helmet called a capelline, a hauberk of scale armour, jaque of buffalo or deerskin, gauntlets, and carries a longbow and quiver of arrows. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
French longbowman, 14th century. He wears a helmet called a capelline, a hauberk of scale armour, jaque of buffalo or deerskin, gauntlets, and carries a longbow and quiver of arrows. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673668: French longbowman, 14th century. He wears a helmet called a capelline, a hauberk of scale armour, jaque of buffalo or deerskin, gauntlets, and carries a longbow and quiver of arrows. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

French soldier, 14th century. He wears a helmet, a hauberk of scale armour, jaque of buffalo or deerskin, and carries a lance and panier (large buckler or shield). Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
French soldier, 14th century. He wears a helmet, a hauberk of scale armour, jaque of buffalo or deerskin, and carries a lance and panier (large buckler or shield). Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673713: French soldier, 14th century. He wears a helmet, a hauberk of scale armour, jaque of buffalo or deerskin, and carries a lance and panier (large buckler or shield). Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Sceptre, sword and hand of justice of Charlemagne. The gold sceptre is decorated pearls, rubies and sapphires, a fleur de liys and figure of the king. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Sceptre, sword and hand of justice of Charlemagne. The gold sceptre is decorated pearls, rubies and sapphires, a fleur de liys and figure of the king. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673793: Sceptre, sword and hand of justice of Charlemagne. The gold sceptre is decorated pearls, rubies and sapphires, a fleur de liys and figure of the king. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Henry V the Great, Count of Luxembourg and La Roche (Henri V de Luxembourg, known as Le Blond, 1216-1281). He wears a coat of arms tunic (silver, red lion rampant) over a suit of steel armour. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Henry V the Great, Count of Luxembourg and La Roche (Henri V de Luxembourg, known as Le Blond, 1216-1281). He wears a coat of arms tunic (silver, red lion rampant) over a suit of steel armour. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4674355: Henry V the Great, Count of Luxembourg and La Roche (Henri V de Luxembourg, known as Le Blond, 1216-1281). He wears a coat of arms tunic (silver, red lion rampant) over a suit of steel armour. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Louis IX, King of France (Saint Louis), 1215-1270. He wears his court dress: chapel (bonnet) over short hair, a furlined simar over doublet, gold chain and medallion (Ordre de la Cosse de Genet, Order of the Broom-Pod?) He holds a hawk on his left hand, and a baton in his right. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Louis IX, King of France (Saint Louis), 1215-1270. He wears his court dress: chapel (bonnet) over short hair, a furlined simar over doublet, gold chain and medallion (Ordre de la Cosse de Genet, Order of the Broom-Pod?) He holds a hawk on his left hand, and a baton in his right. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4674111: Louis IX, King of France (Saint Louis), 1215-1270. He wears his court dress: chapel (bonnet) over short hair, a furlined simar over doublet, gold chain and medallion (Ordre de la Cosse de Genet, Order of the Broom-Pod?) He holds a hawk on his left hand, and a baton in his right. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Henri II Clement, Lord of Metz (Henri II Clement, seigneur of Mez et d'Argentan) marshal of France, died 1265. Holding the oriflame, battle standard of the King of France. He wears a suit of chainmail, a tunic with white cross, spurs, and sword. Taken from a stained glass window in Notre-Dame de Chartres, showing a knight receiving the oriflame from Saint Denis. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Henri II Clement, Lord of Metz (Henri II Clement, seigneur of Mez et d'Argentan) marshal of France, died 1265. Holding the oriflame, battle standard of the King of France. He wears a suit of chainmail, a tunic with white cross, spurs, and sword. Taken from a stained glass window in Notre-Dame de Chartres, showing a knight receiving the oriflame from Saint Denis. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4674116: Henri II Clement, Lord of Metz (Henri II Clement, seigneur of Mez et d'Argentan) marshal of France, died 1265. Holding the oriflame, battle standard of the King of France. He wears a suit of chainmail, a tunic with white cross, spurs, and sword. Taken from a stained glass window in Notre-Dame de Chartres, showing a knight receiving the oriflame from Saint Denis. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Mace-bearer or sergeant at arms, 14th century. He wears a type of turban called a chaperon, red leotaucorps (shirt), short furlined wool doublet with puff sleeves, red stockings, black cracows or foals. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Mace-bearer or sergeant at arms, 14th century. He wears a type of turban called a chaperon, red leotaucorps (shirt), short furlined wool doublet with puff sleeves, red stockings, black cracows or foals. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673360: Mace-bearer or sergeant at arms, 14th century. He wears a type of turban called a chaperon, red leotaucorps (shirt), short furlined wool doublet with puff sleeves, red stockings, black cracows or foals. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Agnes de Loisy, wife of Jean Chastelain de Terote, died 1358. She wears a hat with large ear pieces and veil, coat of arms (argent, lion azure) lined with ermine, over red damask embroidered robe. From her tomb in Orcamp Abbey. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Agnes de Loisy, wife of Jean Chastelain de Terote, died 1358. She wears a hat with large ear pieces and veil, coat of arms (argent, lion azure) lined with ermine, over red damask embroidered robe. From her tomb in Orcamp Abbey. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673391: Agnes de Loisy, wife of Jean Chastelain de Terote, died 1358. She wears a hat with large ear pieces and veil, coat of arms (argent, lion azure) lined with ermine, over red damask embroidered robe. From her tomb in Orcamp Abbey. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

John the Good, John II, King of France, 1319-1364. He wears a simple blue robe lined with fur, white skullcap, red shoes. From a portrait in Sainte-Chapelle, Paris. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
John the Good, John II, King of France, 1319-1364. He wears a simple blue robe lined with fur, white skullcap, red shoes. From a portrait in Sainte-Chapelle, Paris. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673480: John the Good, John II, King of France, 1319-1364. He wears a simple blue robe lined with fur, white skullcap, red shoes. From a portrait in Sainte-Chapelle, Paris. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Charles V, King of France, military costume, 1338-1380. He wears a crown, chainmail hauberk, buffalo-hide leotard tunic, plate armour greaves and thighs, gauntlets, belt and sword. From a painting in the Basilica of Saint-Denis. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Charles V, King of France, military costume, 1338-1380. He wears a crown, chainmail hauberk, buffalo-hide leotard tunic, plate armour greaves and thighs, gauntlets, belt and sword. From a painting in the Basilica of Saint-Denis. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673551: Charles V, King of France, military costume, 1338-1380. He wears a crown, chainmail hauberk, buffalo-hide leotard tunic, plate armour greaves and thighs, gauntlets, belt and sword. From a painting in the Basilica of Saint-Denis. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Louis II, Duke of Bourbon, Count of Clermont, 1337-1410. He wears a gold diadem, coat of arms robe, azure, gold fleurs de liys, red band, lined with ermine. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Louis II, Duke of Bourbon, Count of Clermont, 1337-1410. He wears a gold diadem, coat of arms robe, azure, gold fleurs de liys, red band, lined with ermine. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673583: Louis II, Duke of Bourbon, Count of Clermont, 1337-1410. He wears a gold diadem, coat of arms robe, azure, gold fleurs de liys, red band, lined with ermine. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Jean de Bourbon, Lord of Rochefort, c.1325-1375. Baszard son of Peter I. He wears a white soutine with quarter blazon (azure, gold fleurs de liys, red band) over a red velvet hooded robe. From a book of homages to the Count of Clermont, folio 57. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Jean de Bourbon, Lord of Rochefort, c.1325-1375. Baszard son of Peter I. He wears a white soutine with quarter blazon (azure, gold fleurs de liys, red band) over a red velvet hooded robe. From a book of homages to the Count of Clermont, folio 57. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673640: Jean de Bourbon, Lord of Rochefort, c.1325-1375. Baszard son of Peter I. He wears a white soutine with quarter blazon (azure, gold fleurs de liys, red band) over a red velvet hooded robe. From a book of homages to the Count of Clermont, folio 57. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Costume of a English page, 14th century. He wears a plumed velvet toque, green surcoat, leotard in different colours, and dagger (misericorde). From the Gaignieres collection. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Costume of a English page, 14th century. He wears a plumed velvet toque, green surcoat, leotard in different colours, and dagger (misericorde). From the Gaignieres collection. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673642: Costume of a English page, 14th century. He wears a plumed velvet toque, green surcoat, leotard in different colours, and dagger (misericorde). From the Gaignieres collection. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Ultragotha (Ultragothe), Queen of the Franks, wife to Childebert I, 6th century. She wears a crown over her long hair, a tunic with sleeves, a type of chlamys cape tied at the shoulder with laces, and wears an escarcelle (purse) hanging from her belt. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Ultragotha (Ultragothe), Queen of the Franks, wife to Childebert I, 6th century. She wears a crown over her long hair, a tunic with sleeves, a type of chlamys cape tied at the shoulder with laces, and wears an escarcelle (purse) hanging from her belt. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673246: Ultragotha (Ultragothe), Queen of the Franks, wife to Childebert I, 6th century. She wears a crown over her long hair, a tunic with sleeves, a type of chlamys cape tied at the shoulder with laces, and wears an escarcelle (purse) hanging from her belt. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Philip, Count of Artois (Philippe d'Artois), died of his wounds after the Battle of Furnes, 1265-1298. He wears a hooded chainmail hauberk, sleeveless tunic, and carries the escutcheon with his coat of arms: gold fleurs de liys on a blue field, red label with three gold castles on each point. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Philip, Count of Artois (Philippe d'Artois), died of his wounds after the Battle of Furnes, 1265-1298. He wears a hooded chainmail hauberk, sleeveless tunic, and carries the escutcheon with his coat of arms: gold fleurs de liys on a blue field, red label with three gold castles on each point. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673298: Philip, Count of Artois (Philippe d'Artois), died of his wounds after the Battle of Furnes, 1265-1298. He wears a hooded chainmail hauberk, sleeveless tunic, and carries the escutcheon with his coat of arms: gold fleurs de liys on a blue field, red label with three gold castles on each point. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

English noble couple hunting with falcons, 13th century. He wears a crown, long green robe, gauntlets and long cracows or foals. She wears her hair tied with pearls, green hood and red robe, and holds a falcon on her gauntlet. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
English noble couple hunting with falcons, 13th century. He wears a crown, long green robe, gauntlets and long cracows or foals. She wears her hair tied with pearls, green hood and red robe, and holds a falcon on her gauntlet. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673300: English noble couple hunting with falcons, 13th century. He wears a crown, long green robe, gauntlets and long cracows or foals. She wears her hair tied with pearls, green hood and red robe, and holds a falcon on her gauntlet. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Philip III, Count of Evreux and King of Navarre, 1306-1343. He wears a crown, chainmail hauberk, tunic with coat of arms, spurs, and holds a sword. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Philip III, Count of Evreux and King of Navarre, 1306-1343. He wears a crown, chainmail hauberk, tunic with coat of arms, spurs, and holds a sword. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673324: Philip III, Count of Evreux and King of Navarre, 1306-1343. He wears a crown, chainmail hauberk, tunic with coat of arms, spurs, and holds a sword. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Lord in the court of Jean le Bon, 14th century. He wears a tall hat with plume, embroidered damask robe with full sleeves and green border, long cracows or foals. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Lord in the court of Jean le Bon, 14th century. He wears a tall hat with plume, embroidered damask robe with full sleeves and green border, long cracows or foals. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673518: Lord in the court of Jean le Bon, 14th century. He wears a tall hat with plume, embroidered damask robe with full sleeves and green border, long cracows or foals. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

French crossbowman, 14th century. He wears a helmet, cuirasset, skirt of cups, belt, stockings and knee pieces, and aims his crossbow at a target. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
French crossbowman, 14th century. He wears a helmet, cuirasset, skirt of cups, belt, stockings and knee pieces, and aims his crossbow at a target. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673575: French crossbowman, 14th century. He wears a helmet, cuirasset, skirt of cups, belt, stockings and knee pieces, and aims his crossbow at a target. From a print in the Gaignieres collection at the Bibliotheque du Roi. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

King Charles VIII of France, the Affable, 1470-1498. He wears a black chapel hat and velvet cassock with long sleeves. Handcoloured lithograph after a portrait in the hotel de Soissons in Roger de Gaignieres' portfolio VII 55 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
King Charles VIII of France, the Affable, 1470-1498. He wears a black chapel hat and velvet cassock with long sleeves. Handcoloured lithograph after a portrait in the hotel de Soissons in Roger de Gaignieres' portfolio VII 55 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570830: King Charles VIII of France, the Affable, 1470-1498. He wears a black chapel hat and velvet cassock with long sleeves. Handcoloured lithograph after a portrait in the hotel de Soissons in Roger de Gaignieres' portfolio VII 55 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

Louise of Savoy, Louise de Savoie, Duchess of Angouleme, mother of King Francis I, 1476-1532. Handcoloured lithograph after a miniature in a manuscript in the Bibliotheque Nationale (Nicolas Xavier Willemin II 236) from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Louise of Savoy, Louise de Savoie, Duchess of Angouleme, mother of King Francis I, 1476-1532. Handcoloured lithograph after a miniature in a manuscript in the Bibliotheque Nationale (Nicolas Xavier Willemin II 236) from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4571058: Louise of Savoy, Louise de Savoie, Duchess of Angouleme, mother of King Francis I, 1476-1532. Handcoloured lithograph after a miniature in a manuscript in the Bibliotheque Nationale (Nicolas Xavier Willemin II 236) from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

Portrait of Agnes Sorel (1422-1450) (Lady of Beaute sur Marne) (Beaute-sur-Marne). Favorite of King Charles VII. engraving from 1830
Portrait of Agnes Sorel (1422-1450) (Lady of Beaute sur Marne) (Beaute-sur-Marne). Favorite of King Charles VII. engraving from 1830

GIA4744950: Portrait of Agnes Sorel (1422-1450) (Lady of Beaute sur Marne) (Beaute-sur-Marne). Favorite of King Charles VII. engraving from 1830, Massard, Leopold (1812-1889) / Bridgeman Images

Portrait of John Juvenal des Ursins: From his real name Jouvenel. Born in 1388 (Paris), died in 1473 (Reims, Marne) at the age of 85. He benefited from the following sources of income: Bishop of Beauvais, Archbishop of Reims, Bishop of Laon, clergy, Attorney of the King in Poitiers. engraving of 1830
Portrait of John Juvenal des Ursins: From his real name Jouvenel. Born in 1388 (Paris), died in 1473 (Reims, Marne) at the age of 85. He benefited from the following sources of income: Bishop of Beauvais, Archbishop of Reims, Bishop of Laon, clergy, Attorney of the King in Poitiers. engraving of 1830

GIA4749933: Portrait of John Juvenal des Ursins: From his real name Jouvenel. Born in 1388 (Paris), died in 1473 (Reims, Marne) at the age of 85. He benefited from the following sources of income: Bishop of Beauvais, Archbishop of Reims, Bishop of Laon, clergy, Attorney of the King in Poitiers. engraving of 1830, Massard, Leopold (1812-1889) / Bridgeman Images

Portrait of Alain Chartier.French diplomat and writer (1385 to 1433). Secretary of the future Charles VII.engraving of 1830
Portrait of Alain Chartier.French diplomat and writer (1385 to 1433). Secretary of the future Charles VII.engraving of 1830

GIA4748838: Portrait of Alain Chartier.French diplomat and writer (1385 to 1433). Secretary of the future Charles VII.engraving of 1830, Massard, Leopold (1812-1889) / Bridgeman Images

Portrait of Isabella of Portugal (1397-1472) Duchess of Burgundy wife of Philip the Good. Engraving of 1830
Portrait of Isabella of Portugal (1397-1472) Duchess of Burgundy wife of Philip the Good. Engraving of 1830

GIA4750371: Portrait of Isabella of Portugal (1397-1472) Duchess of Burgundy wife of Philip the Good. Engraving of 1830, Massard, Leopold (1812-1889) / Bridgeman Images

Jean de Montaigu, Vidame du Laonnais, Superintendent of Finance to King Charles V and VI, 1363-1409. Handcoloured lithograph by Leopold Massard after a sculpture in the chapel of Chateau de Marcoussy in Roger de Gaignieres' portfolio V 64 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Jean de Montaigu, Vidame du Laonnais, Superintendent of Finance to King Charles V and VI, 1363-1409. Handcoloured lithograph by Leopold Massard after a sculpture in the chapel of Chateau de Marcoussy in Roger de Gaignieres' portfolio V 64 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570229: Jean de Montaigu, Vidame du Laonnais, Superintendent of Finance to King Charles V and VI, 1363-1409. Handcoloured lithograph by Leopold Massard after a sculpture in the chapel of Chateau de Marcoussy in Roger de Gaignieres' portfolio V 64 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

John I, Count of La Marche, Jean de Bourbon, Comte de Vendome 1344-1393. Handcoloured lithograph by Leopold Massard after a stainless-glass window in the chapel of Vendome, Chartres Cathedral, in Roger de Gaignieres' portfolio V 33 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
John I, Count of La Marche, Jean de Bourbon, Comte de Vendome 1344-1393. Handcoloured lithograph by Leopold Massard after a stainless-glass window in the chapel of Vendome, Chartres Cathedral, in Roger de Gaignieres' portfolio V 33 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570244: John I, Count of La Marche, Jean de Bourbon, Comte de Vendome 1344-1393. Handcoloured lithograph by Leopold Massard after a stainless-glass window in the chapel of Vendome, Chartres Cathedral, in Roger de Gaignieres' portfolio V 33 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

Page or squire, Varlet or damoiseau, to a knight, 15th century France. He wears an embroidered especially, red pourpoint and hose, and holds an epee and shield without coat of arms. Handcoloured lithograph by Leopold Massard after a tarot card by Jacquemin Gringonneur in the Bibliotheque Nationale (Nicolas Xavier Willemin II 176) from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Page or squire, Varlet or damoiseau, to a knight, 15th century France. He wears an embroidered especially, red pourpoint and hose, and holds an epee and shield without coat of arms. Handcoloured lithograph by Leopold Massard after a tarot card by Jacquemin Gringonneur in the Bibliotheque Nationale (Nicolas Xavier Willemin II 176) from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570261: Page or squire, Varlet or damoiseau, to a knight, 15th century France. He wears an embroidered especially, red pourpoint and hose, and holds an epee and shield without coat of arms. Handcoloured lithograph by Leopold Massard after a tarot card by Jacquemin Gringonneur in the Bibliotheque Nationale (Nicolas Xavier Willemin II 176) from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

King Charles II of Navarre, the Evil, Count of Evreux, 1332-1387. Handcoloured lithograph by Leopold Massard after a stainless-glass window in Notre-Dame d'Evreux in Roger de Gaignieres' portfolio V 19 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
King Charles II of Navarre, the Evil, Count of Evreux, 1332-1387. Handcoloured lithograph by Leopold Massard after a stainless-glass window in Notre-Dame d'Evreux in Roger de Gaignieres' portfolio V 19 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570308: King Charles II of Navarre, the Evil, Count of Evreux, 1332-1387. Handcoloured lithograph by Leopold Massard after a stainless-glass window in Notre-Dame d'Evreux in Roger de Gaignieres' portfolio V 19 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

King Charles VII of France, the Victorious, 1852 (engraving)
King Charles VII of France, the Victorious, 1852 (engraving)

FLO4570356: King Charles VII of France, the Victorious, 1852 (engraving), Massard, Leopold (1812-1889) / Bridgeman Images

Isabelle of Portugal, Duchess of Burgundy, Duchess of Burgundy, third wife of Philippe le Bon, d. 1472. Handcoloured lithograph by Leopold Massard after a miniature in the manuscript Chronicles de Monstrelet (Bernard de Montfaucon III 41) in Roger de Gaignieres' portfolio from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Isabelle of Portugal, Duchess of Burgundy, Duchess of Burgundy, third wife of Philippe le Bon, d. 1472. Handcoloured lithograph by Leopold Massard after a miniature in the manuscript Chronicles de Monstrelet (Bernard de Montfaucon III 41) in Roger de Gaignieres' portfolio from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570376: Isabelle of Portugal, Duchess of Burgundy, Duchess of Burgundy, third wife of Philippe le Bon, d. 1472. Handcoloured lithograph by Leopold Massard after a miniature in the manuscript Chronicles de Monstrelet (Bernard de Montfaucon III 41) in Roger de Gaignieres' portfolio from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

John I, Duke of Bourbon, Duke of Bourbon, Earl of Clermont and Auvergne, 1381-1434. Handcoloured lithograph by Leopold Massard after an Armorial of Auvergne in Roger de Gaignieres' portfolio VI 19 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
John I, Duke of Bourbon, Duke of Bourbon, Earl of Clermont and Auvergne, 1381-1434. Handcoloured lithograph by Leopold Massard after an Armorial of Auvergne in Roger de Gaignieres' portfolio VI 19 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570388: John I, Duke of Bourbon, Duke of Bourbon, Earl of Clermont and Auvergne, 1381-1434. Handcoloured lithograph by Leopold Massard after an Armorial of Auvergne in Roger de Gaignieres' portfolio VI 19 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

Mary of Berry, Marie de Berry, Earl of Clermont and Auvergne, wife of Jean I, Duke of Bourbon, Duke of Bourbon, d. 1434. Handcoloured lithograph by Leopold Massard after an Armorial of Auvergne in Roger de Gaignieres' portfolio VI 19 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Mary of Berry, Marie de Berry, Earl of Clermont and Auvergne, wife of Jean I, Duke of Bourbon, Duke of Bourbon, d. 1434. Handcoloured lithograph by Leopold Massard after an Armorial of Auvergne in Roger de Gaignieres' portfolio VI 19 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570397: Mary of Berry, Marie de Berry, Earl of Clermont and Auvergne, wife of Jean I, Duke of Bourbon, Duke of Bourbon, d. 1434. Handcoloured lithograph by Leopold Massard after an Armorial of Auvergne in Roger de Gaignieres' portfolio VI 19 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

Ferri de Clugny, Cardinal and Bishop of Tournay, d. 1482. Handcoloured lithograph by Leopold Massard after a contemporary painting in Camille Bonnard XI 55 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Ferri de Clugny, Cardinal and Bishop of Tournay, d. 1482. Handcoloured lithograph by Leopold Massard after a contemporary painting in Camille Bonnard XI 55 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570437: Ferri de Clugny, Cardinal and Bishop of Tournay, d. 1482. Handcoloured lithograph by Leopold Massard after a contemporary painting in Camille Bonnard XI 55 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

Isabella Stewart or Isabelle Stuart, Duchess of Brittany, 1852 (litho)
Isabella Stewart or Isabelle Stuart, Duchess of Brittany, 1852 (litho)

FLO4570449: Isabella Stewart or Isabelle Stuart, Duchess of Brittany, 1852 (litho), Massard, Leopold (1812-1889) / Bridgeman Images

Madeleine de France, Countess de Foix, daughter of King Charles VII of France, 1443-1495. She wears a pink robe with long angel-wing sleeves (manche a l'ange), holds a falcon on her gloved left hand and has a spaniel at her feet. Handcoloured lithograph after a contemporary drawing from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Madeleine de France, Countess de Foix, daughter of King Charles VII of France, 1443-1495. She wears a pink robe with long angel-wing sleeves (manche a l'ange), holds a falcon on her gloved left hand and has a spaniel at her feet. Handcoloured lithograph after a contemporary drawing from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570500: Madeleine de France, Countess de Foix, daughter of King Charles VII of France, 1443-1495. She wears a pink robe with long angel-wing sleeves (manche a l'ange), holds a falcon on her gloved left hand and has a spaniel at her feet. Handcoloured lithograph after a contemporary drawing from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images


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