Massard, Leopold (1812-1889) Assets (368 in total)

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French crossbowman, 13th century. He wears a salad or sallet helmet, and a jaque (shirt) made of armoured deer skin (leather reinforced with wire). He carries a sword and crossbow, and wears long pointed shoes (cracows or foals). Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
French crossbowman, 13th century. He wears a salad or sallet helmet, and a jaque (shirt) made of armoured deer skin (leather reinforced with wire). He carries a sword and crossbow, and wears long pointed shoes (cracows or foals). Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4674323: French crossbowman, 13th century. He wears a salad or sallet helmet, and a jaque (shirt) made of armoured deer skin (leather reinforced with wire). He carries a sword and crossbow, and wears long pointed shoes (cracows or foals). Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

John V, Duke of Brittany, Count of Montfort, 1339-1399. He wears a chaperon or turban, short robe of violet velvet lined with squirrel fur, stockings and shoes of black linen. From a miniature in a Froissart manuscript in the Royal Library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
John V, Duke of Brittany, Count of Montfort, 1339-1399. He wears a chaperon or turban, short robe of violet velvet lined with squirrel fur, stockings and shoes of black linen. From a miniature in a Froissart manuscript in the Royal Library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673419: John V, Duke of Brittany, Count of Montfort, 1339-1399. He wears a chaperon or turban, short robe of violet velvet lined with squirrel fur, stockings and shoes of black linen. From a miniature in a Froissart manuscript in the Royal Library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Charles I, Duke of Bourbon and Auvergne, son of Jean I and Marie de Berry, 1401-1456. He wears a long scarlet coat over a pourpoint with fleur-de-lis and pink hose. Handcoloured lithograph by Leopold Massard after a figure in Roger de Gaignieres' portfolio VI 22 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Charles I, Duke of Bourbon and Auvergne, son of Jean I and Marie de Berry, 1401-1456. He wears a long scarlet coat over a pourpoint with fleur-de-lis and pink hose. Handcoloured lithograph by Leopold Massard after a figure in Roger de Gaignieres' portfolio VI 22 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570528: Charles I, Duke of Bourbon and Auvergne, son of Jean I and Marie de Berry, 1401-1456. He wears a long scarlet coat over a pourpoint with fleur-de-lis and pink hose. Handcoloured lithograph by Leopold Massard after a figure in Roger de Gaignieres' portfolio VI 22 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

Marguerite de Navarre, Marguerite de Valois, Margaret of France, daughter of King Francis I of France 1523-1574. Handcoloured lithograph by Leopold Massard after a portrait in Roger de Gaignieres' portfolios from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Marguerite de Navarre, Marguerite de Valois, Margaret of France, daughter of King Francis I of France 1523-1574. Handcoloured lithograph by Leopold Massard after a portrait in Roger de Gaignieres' portfolios from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4571090: Marguerite de Navarre, Marguerite de Valois, Margaret of France, daughter of King Francis I of France 1523-1574. Handcoloured lithograph by Leopold Massard after a portrait in Roger de Gaignieres' portfolios from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

Agnes of Savoy, countess of Longueville, 1445-1508. Handcoloured lithograph by Gautiere after an illustration by Alphone Leroy from a portrait in Roger de Gaignieres' portfolios from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Agnes of Savoy, countess of Longueville, 1445-1508. Handcoloured lithograph by Gautiere after an illustration by Alphone Leroy from a portrait in Roger de Gaignieres' portfolios from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570842: Agnes of Savoy, countess of Longueville, 1445-1508. Handcoloured lithograph by Gautiere after an illustration by Alphone Leroy from a portrait in Roger de Gaignieres' portfolios from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

Pierre de Courtenay (ca. 1165-1219) or Peter II of Courtenay, Emperor of Constantinople. He wears a helm, suit of chainmail, sleeveless tunic, and is mounted on a white horse. He holds the oriflame and escutcheon with his blazon (coat of arms): three red roundels on a gold field with blue label. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Pierre de Courtenay (ca. 1165-1219) or Peter II of Courtenay, Emperor of Constantinople. He wears a helm, suit of chainmail, sleeveless tunic, and is mounted on a white horse. He holds the oriflame and escutcheon with his blazon (coat of arms): three red roundels on a gold field with blue label. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4674183: Pierre de Courtenay (ca. 1165-1219) or Peter II of Courtenay, Emperor of Constantinople. He wears a helm, suit of chainmail, sleeveless tunic, and is mounted on a white horse. He holds the oriflame and escutcheon with his blazon (coat of arms): three red roundels on a gold field with blue label. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Saint Odo of Cluny, second abbot of Cluny, 879. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Saint Odo of Cluny, second abbot of Cluny, 879. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673795: Saint Odo of Cluny, second abbot of Cluny, 879. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Bourgeois woman of Bordeaux, 14th century. She wears the distinctive two-point tall bonnet of the area, and a simple fitted dress over a yellow robe. From the Gaignieres collection. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Bourgeois woman of Bordeaux, 14th century. She wears the distinctive two-point tall bonnet of the area, and a simple fitted dress over a yellow robe. From the Gaignieres collection. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673691: Bourgeois woman of Bordeaux, 14th century. She wears the distinctive two-point tall bonnet of the area, and a simple fitted dress over a yellow robe. From the Gaignieres collection. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Portrait of Louis de la Tremoille - Count of Joigny.
Portrait of Louis de la Tremoille - Count of Joigny.

GIA4779192: Portrait of Louis de la Tremoille - Count of Joigny., Massard, Leopold (1812-1889) / Bridgeman Images

Portrait of Philip III the Good (1396-1467), Duke of Burgundy engraving of 1830
Portrait of Philip III the Good (1396-1467), Duke of Burgundy engraving of 1830

GIA4753154: Portrait of Philip III the Good (1396-1467), Duke of Burgundy engraving of 1830, Massard, Leopold (1812-1889) / Bridgeman Images

Portrait of Marguerite de France (1523 - 1574), daughter of Francois I and Claude de France. Engraving from 1830
Portrait of Marguerite de France (1523 - 1574), daughter of Francois I and Claude de France. Engraving from 1830

GIA4745901: Portrait of Marguerite de France (1523 - 1574), daughter of Francois I and Claude de France. Engraving from 1830, Massard, Leopold (1812-1889) / Bridgeman Images

Portrait of Louis XI (1423 - 1483), King of France.
Portrait of Louis XI (1423 - 1483), King of France.

GIA4766340: Portrait of Louis XI (1423 - 1483), King of France., Massard, Leopold (1812-1889) / Bridgeman Images

Portrait of Charles the Bold (1433-1477), Duke of Burgundy. Engraving of 1830
Portrait of Charles the Bold (1433-1477), Duke of Burgundy. Engraving of 1830

GIA4745908: Portrait of Charles the Bold (1433-1477), Duke of Burgundy. Engraving of 1830, Massard, Leopold (1812-1889) / Bridgeman Images

Portrait of Charlotte de Savoy 1445 -1483 Queen of France from 1461 to 1483 Bride to Louis XI (Le Prudent) in 1451 engraving of 1830
Portrait of Charlotte de Savoy 1445 -1483 Queen of France from 1461 to 1483 Bride to Louis XI (Le Prudent) in 1451 engraving of 1830

GIA4750787: Portrait of Charlotte de Savoy 1445 -1483 Queen of France from 1461 to 1483 Bride to Louis XI (Le Prudent) in 1451 engraving of 1830, Massard, Leopold (1812-1889) / Bridgeman Images

John II of Valois, Duke of Alençon (1409-1476). Command the royal army accompanied by Jeanne d'Arc and release the course of the Loire upstream of Orléans. Engraving from 1830.
John II of Valois, Duke of Alençon (1409-1476). Command the royal army accompanied by Jeanne d'Arc and release the course of the Loire upstream of Orléans. Engraving from 1830.

GIA4758495: John II of Valois, Duke of Alençon (1409-1476). Command the royal army accompanied by Jeanne d'Arc and release the course of the Loire upstream of Orléans. Engraving from 1830., Massard, Leopold (1812-1889) / Bridgeman Images

Portrait of Marguerite by Lorraine Vaudémont, Duchess of Alençon (1463 - 1521).
Portrait of Marguerite by Lorraine Vaudémont, Duchess of Alençon (1463 - 1521).

GIA4766393: Portrait of Marguerite by Lorraine Vaudémont, Duchess of Alençon (1463 - 1521)., Massard, Leopold (1812-1889) / Bridgeman Images

Congress of Paris in february 1856 (engraving)
Congress of Paris in february 1856 (engraving)

TAD1756713: Congress of Paris in february 1856 (engraving), Massard, Leopold (1812-1889) / Bridgeman Images

Jean d' Harcourt, count of Aumale and of Mortain, 19th century (litho)
Jean d' Harcourt, count of Aumale and of Mortain, 19th century (litho)

PVD1682867: Jean d' Harcourt, count of Aumale and of Mortain, 19th century (litho), Massard, Leopold (1812-1889) / Bridgeman Images

John III, Count of Astarac, commander in chief to King Charles VII, Jean III comte d'Astarac, d. 1458, 19th century (print0
John III, Count of Astarac, commander in chief to King Charles VII, Jean III comte d'Astarac, d. 1458, 19th century (print0

PVD1680915: John III, Count of Astarac, commander in chief to King Charles VII, Jean III comte d'Astarac, d. 1458, 19th century (print0, Massard, Leopold (1812-1889) / Bridgeman Images

Marguerite of Scotland daughter of king James 1st, 19th century (litho)
Marguerite of Scotland daughter of king James 1st, 19th century (litho)

PVD1689692: Marguerite of Scotland daughter of king James 1st, 19th century (litho), Massard, Leopold (1812-1889) / Bridgeman Images

Robert, Count of Clermont, (Robert de France or Robert de Clermont) 1256-1318. He wears a scarlet bonnet, a cape in his coat of arms (azure field, gold fleurs de liys, band gules), lined with squirrel fur and decorated with gemstones. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Robert, Count of Clermont, (Robert de France or Robert de Clermont) 1256-1318. He wears a scarlet bonnet, a cape in his coat of arms (azure field, gold fleurs de liys, band gules), lined with squirrel fur and decorated with gemstones. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673309: Robert, Count of Clermont, (Robert de France or Robert de Clermont) 1256-1318. He wears a scarlet bonnet, a cape in his coat of arms (azure field, gold fleurs de liys, band gules), lined with squirrel fur and decorated with gemstones. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Jean de Meung or Mehun, French poet, died 1310 to 1322. He wears the garb of clerics in the early 14th century: red skullcap, furlined long robe with belt, black cracows or poulaines. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Jean de Meung or Mehun, French poet, died 1310 to 1322. He wears the garb of clerics in the early 14th century: red skullcap, furlined long robe with belt, black cracows or poulaines. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673340: Jean de Meung or Mehun, French poet, died 1310 to 1322. He wears the garb of clerics in the early 14th century: red skullcap, furlined long robe with belt, black cracows or poulaines. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Philip VI, King of France, died 1349. He wears a crown, ermine-lined hooded robe with gold fleurs de liys, gold sleeves with ermine cuffs, cracows or foals. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Philip VI, King of France, died 1349. He wears a crown, ermine-lined hooded robe with gold fleurs de liys, gold sleeves with ermine cuffs, cracows or foals. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673415: Philip VI, King of France, died 1349. He wears a crown, ermine-lined hooded robe with gold fleurs de liys, gold sleeves with ermine cuffs, cracows or foals. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Peter Abelard, French philosopher, theologian and logician, c.1079-1142 (Pierre Abelard, Abailard or Abeilard). He wears two tunics in violet and green, and yellow shoes. From a figure in a stainless-glass window in Notre-Dame de Poissy. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Peter Abelard, French philosopher, theologian and logician, c.1079-1142 (Pierre Abelard, Abailard or Abeilard). He wears two tunics in violet and green, and yellow shoes. From a figure in a stainless-glass window in Notre-Dame de Poissy. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673976: Peter Abelard, French philosopher, theologian and logician, c.1079-1142 (Pierre Abelard, Abailard or Abeilard). He wears two tunics in violet and green, and yellow shoes. From a figure in a stainless-glass window in Notre-Dame de Poissy. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Costume of a common man, 12th century. He wears a hat, a hooded short cape, tunic, stockings and boots. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Costume of a common man, 12th century. He wears a hat, a hooded short cape, tunic, stockings and boots. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4674016: Costume of a common man, 12th century. He wears a hat, a hooded short cape, tunic, stockings and boots. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Chilperic I, King of Neustria or Soissons, c.539-584. He wears a crown, a hooded cape or bardocucullus, over two tunics of different lengths. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Chilperic I, King of Neustria or Soissons, c.539-584. He wears a crown, a hooded cape or bardocucullus, over two tunics of different lengths. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673271: Chilperic I, King of Neustria or Soissons, c.539-584. He wears a crown, a hooded cape or bardocucullus, over two tunics of different lengths. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Costumes of two unknown queens of France, copied from Chartres cathedral by Montfaucon. The wear crowns, veils, long tunics with sleeves, and belts. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Costumes of two unknown queens of France, copied from Chartres cathedral by Montfaucon. The wear crowns, veils, long tunics with sleeves, and belts. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673439: Costumes of two unknown queens of France, copied from Chartres cathedral by Montfaucon. The wear crowns, veils, long tunics with sleeves, and belts. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Bourgeois man, 14th century. He wears a blue hat, grey robe lined in cat fur, puff sleeves with arm holes, cracows or foals. By royal decree, ermine and squirrel fur were reserved to the nobility, leaving the bourgeoisie with cat fur. From a miniature in a Froissart manuscript in the Royal Library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Bourgeois man, 14th century. He wears a blue hat, grey robe lined in cat fur, puff sleeves with arm holes, cracows or foals. By royal decree, ermine and squirrel fur were reserved to the nobility, leaving the bourgeoisie with cat fur. From a miniature in a Froissart manuscript in the Royal Library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673475: Bourgeois man, 14th century. He wears a blue hat, grey robe lined in cat fur, puff sleeves with arm holes, cracows or foals. By royal decree, ermine and squirrel fur were reserved to the nobility, leaving the bourgeoisie with cat fur. From a miniature in a Froissart manuscript in the Royal Library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

English soldier in the infantry of a crusading lord, 14th century. He wears a helmet, doublet with puff sleeves and white cross, chainmail cuirasset, and carries a weapon called a fauchard used to defend a gate. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
English soldier in the infantry of a crusading lord, 14th century. He wears a helmet, doublet with puff sleeves and white cross, chainmail cuirasset, and carries a weapon called a fauchard used to defend a gate. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673498: English soldier in the infantry of a crusading lord, 14th century. He wears a helmet, doublet with puff sleeves and white cross, chainmail cuirasset, and carries a weapon called a fauchard used to defend a gate. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Bridal village, 14th century. The bride is accompanied home by her father and her groom, to the sound of rebecs (oboes). She wears a crown and girdle, a rich cape over a bodice and dress, identifying her as a duchess. From the Gaignieres collection. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Bridal village, 14th century. The bride is accompanied home by her father and her groom, to the sound of rebecs (oboes). She wears a crown and girdle, a rich cape over a bodice and dress, identifying her as a duchess. From the Gaignieres collection. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673705: Bridal village, 14th century. The bride is accompanied home by her father and her groom, to the sound of rebecs (oboes). She wears a crown and girdle, a rich cape over a bodice and dress, identifying her as a duchess. From the Gaignieres collection. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Adele of Vermandois, Countess of Flanders, died 978. From the sepulchral monument in the church of Saint-Aubin. She wears a cape over a robe with large sleeves, a guimpe or wimple, and head veil with rolls at the ears. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Adele of Vermandois, Countess of Flanders, died 978. From the sepulchral monument in the church of Saint-Aubin. She wears a cape over a robe with large sleeves, a guimpe or wimple, and head veil with rolls at the ears. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673884: Adele of Vermandois, Countess of Flanders, died 978. From the sepulchral monument in the church of Saint-Aubin. She wears a cape over a robe with large sleeves, a guimpe or wimple, and head veil with rolls at the ears. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Military costume of Villiers, an ordinary French knight, 13th century. He wears a chainmail hauberk, a especially of braided leather, and a short white sleeveless tunic. His legs are protected by armour greaves and spurs. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Military costume of Villiers, an ordinary French knight, 13th century. He wears a chainmail hauberk, a especially of braided leather, and a short white sleeveless tunic. His legs are protected by armour greaves and spurs. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673290: Military costume of Villiers, an ordinary French knight, 13th century. He wears a chainmail hauberk, a especially of braided leather, and a short white sleeveless tunic. His legs are protected by armour greaves and spurs. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Louis I, Duke of Bourbon, 1279-1342. He is shown in ceremonial robes, a cape in the coat of arms of France (gold fleurs de liys on azure, baton gules) lined with ermine. The crown and necklace with gemstones are unusual. From an ancient armorial of Auvergne in the collection of Gaignieres. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Louis I, Duke of Bourbon, 1279-1342. He is shown in ceremonial robes, a cape in the coat of arms of France (gold fleurs de liys on azure, baton gules) lined with ermine. The crown and necklace with gemstones are unusual. From an ancient armorial of Auvergne in the collection of Gaignieres. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673458: Louis I, Duke of Bourbon, 1279-1342. He is shown in ceremonial robes, a cape in the coat of arms of France (gold fleurs de liys on azure, baton gules) lined with ermine. The crown and necklace with gemstones are unusual. From an ancient armorial of Auvergne in the collection of Gaignieres. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

John the Good, John II, King of France, military costume, 1319-1364. He wears a helmet with crown and plume, suit of plate armour, pelisse in gold wool lined with red velvet, and holds a dagger (misericorde). From a miniature in the first volume of Froissart's “” Chronicles,”” manuscript 830, Royal Library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
John the Good, John II, King of France, military costume, 1319-1364. He wears a helmet with crown and plume, suit of plate armour, pelisse in gold wool lined with red velvet, and holds a dagger (misericorde). From a miniature in the first volume of Froissart's “” Chronicles,”” manuscript 830, Royal Library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673483: John the Good, John II, King of France, military costume, 1319-1364. He wears a helmet with crown and plume, suit of plate armour, pelisse in gold wool lined with red velvet, and holds a dagger (misericorde). From a miniature in the first volume of Froissart's “” Chronicles,”” manuscript 830, Royal Library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Charlemagne, King of France, Caroligian Emperor, 742-814. He wears an imperial crown in the oriental style, a short tunic, a chlamys cape, sword, stockings and shoes. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Charlemagne, King of France, Caroligian Emperor, 742-814. He wears an imperial crown in the oriental style, a short tunic, a chlamys cape, sword, stockings and shoes. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673797: Charlemagne, King of France, Caroligian Emperor, 742-814. He wears an imperial crown in the oriental style, a short tunic, a chlamys cape, sword, stockings and shoes. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Funeral rites of a bishop, 10th century. The bishop is laid out in a coffin in in his vestments, mitre, almuce and surplice, with pollinctors and soldier in chainmail and helmet. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Funeral rites of a bishop, 10th century. The bishop is laid out in a coffin in in his vestments, mitre, almuce and surplice, with pollinctors and soldier in chainmail and helmet. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673917: Funeral rites of a bishop, 10th century. The bishop is laid out in a coffin in in his vestments, mitre, almuce and surplice, with pollinctors and soldier in chainmail and helmet. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images


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