Dore, Gustave (1832-83) Assets (2601 in total)

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Billingsgate - Early Morning, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by A. Doms, 1872 (engraving)
Billingsgate - Early Morning, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by A. Doms, 1872 (engraving)

STC377530: Billingsgate - Early Morning, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by A. Doms, 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

A Riverside Street, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by Charles Laplante (d.1903) pub. 1872 (engraving)
A Riverside Street, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by Charles Laplante (d.1903) pub. 1872 (engraving)

STC377533: A Riverside Street, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by Charles Laplante (d.1903) pub. 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Bernard of Carinthia surprised by Turkish raids, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)
Bernard of Carinthia surprised by Turkish raids, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)

KWE219421: Bernard of Carinthia surprised by Turkish raids, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho), Dore, Gustave (1832-83) / Bridgeman Images

Portrait of Charles Philipon (1806-62), c.1860 (oil on canvas)
Portrait of Charles Philipon (1806-62), c.1860 (oil on canvas)

XIR209535: Portrait of Charles Philipon (1806-62), c.1860 (oil on canvas), Dore, Gustave (1832-83) / Bridgeman Images

Gypsy Caves, Sacro Monte, Granada, Spain, from 'Spanish Pictures' by the Reverend Samuel Manning, published in 1870 (engraving)
Gypsy Caves, Sacro Monte, Granada, Spain, from 'Spanish Pictures' by the Reverend Samuel Manning, published in 1870 (engraving)

KWE268380: Gypsy Caves, Sacro Monte, Granada, Spain, from 'Spanish Pictures' by the Reverend Samuel Manning, published in 1870 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Monument to Alexandre Dumas Pere, the readers, 1883 (detail) (stone & bronze)
Monument to Alexandre Dumas Pere, the readers, 1883 (detail) (stone & bronze)

XIR287762: Monument to Alexandre Dumas Pere, the readers, 1883 (detail) (stone & bronze), Dore, Gustave (1832-83) / Bridgeman Images

Giant Pantagruel and his companions visit the monastery of the Freres Fredons, on the island of Esclots - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book
Giant Pantagruel and his companions visit the monastery of the Freres Fredons, on the island of Esclots - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book

PCT4282223: Giant Pantagruel and his companions visit the monastery of the Freres Fredons, on the island of Esclots - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book, Dore, Gustave (1832-83) / Bridgeman Images

Death vision: the fourth rider of the apocalypse - “” we saw a pale horse; the one who mounted it was Death. Hell followed him” - Illustration by Gustave Dore (1832-1883) for The Bible (1866) -
Death vision: the fourth rider of the apocalypse - “” we saw a pale horse; the one who mounted it was Death. Hell followed him” - Illustration by Gustave Dore (1832-1883) for The Bible (1866) -

PCT4285050: Death vision: the fourth rider of the apocalypse - “” we saw a pale horse; the one who mounted it was Death. Hell followed him” - Illustration by Gustave Dore (1832-1883) for The Bible (1866) -, Dore, Gustave (1832-83) / Bridgeman Images

The wolf became shepherd: fable by Jean de la Fontaine illustree by Gustave Dore - The wolf turned shepherd -
The wolf became shepherd: fable by Jean de la Fontaine illustree by Gustave Dore - The wolf turned shepherd -

PCT4288737: The wolf became shepherd: fable by Jean de la Fontaine illustree by Gustave Dore - The wolf turned shepherd -, Dore, Gustave (1832-83) / Bridgeman Images

The snake is heading to Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection
The snake is heading to Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

PCT4285144: The snake is heading to Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

Adam and Eve are hunting from Paradise. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection
Adam and Eve are hunting from Paradise. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

PCT4285150: Adam and Eve are hunting from Paradise. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

The fall of angels (the angels dechus) Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection
The fall of angels (the angels dechus) Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

PCT4285108: The fall of angels (the angels dechus) Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

Lucifer (Satan, dechu angel, fell from heaven to Earth) reflected by perverting Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection
Lucifer (Satan, dechu angel, fell from heaven to Earth) reflected by perverting Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

PCT4285126: Lucifer (Satan, dechu angel, fell from heaven to Earth) reflected by perverting Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

The snake is heading to Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674) - Temptation - Fishing - Engraving from 1866. Private Collection
The snake is heading to Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674) - Temptation - Fishing - Engraving from 1866. Private Collection

PCT4285148: The snake is heading to Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674) - Temptation - Fishing - Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore (1832-1883) for Ernest Lepine's book “La legende de Croquemitaine”” (1863) - In front of this image of fighting with the sword against a gigantic araignee, one cannot help but think of the battle of Frodo and Aragne in Tolkien's “Lord of the Rings” -
Illustration by Gustave Dore (1832-1883) for Ernest Lepine's book “La legende de Croquemitaine”” (1863) - In front of this image of fighting with the sword against a gigantic araignee, one cannot help but think of the battle of Frodo and Aragne in Tolkien's “Lord of the Rings” -

PCT4285061: Illustration by Gustave Dore (1832-1883) for Ernest Lepine's book “La legende de Croquemitaine”” (1863) - In front of this image of fighting with the sword against a gigantic araignee, one cannot help but think of the battle of Frodo and Aragne in Tolkien's “Lord of the Rings” -, Dore, Gustave (1832-83) / Bridgeman Images

Hunting on the river Teoghe, tributary of the Ngami. Hippo harpoon. Engraving by Gustave Dore illustrating “” les aventures et chasse du voyageur Charles-Jean Anderson dans l'Afrique Australe”, published in the journal “” Le tour du monde”, a new journal of voyages under the direction of Edouard Charton, 1860.
Hunting on the river Teoghe, tributary of the Ngami. Hippo harpoon. Engraving by Gustave Dore illustrating “” les aventures et chasse du voyageur Charles-Jean Anderson dans l'Afrique Australe”, published in the journal “” Le tour du monde”, a new journal of voyages under the direction of Edouard Charton, 1860.

PCT4273773: Hunting on the river Teoghe, tributary of the Ngami. Hippo harpoon. Engraving by Gustave Dore illustrating “” les aventures et chasse du voyageur Charles-Jean Anderson dans l'Afrique Australe”, published in the journal “” Le tour du monde”, a new journal of voyages under the direction of Edouard Charton, 1860., Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267152: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267163: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and Sancho Panca (Panza) in the sky, between the moon and the stars, riding the wooden horse Clavilegne. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.
Don Quixote and Sancho Panca (Panza) in the sky, between the moon and the stars, riding the wooden horse Clavilegne. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.

PCT4266999: Don Quixote and Sancho Panca (Panza) in the sky, between the moon and the stars, riding the wooden horse Clavilegne. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan., Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267159: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

In the fourth circle of Hell, under which Pluto (Hades) presides, the Avares and the Prodigans carry and roll heavy burdens (rocks), colliding with anger. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Tutto l'oro ch 'e sotto la Luna/O che gia fu, di question' anime stanche/Non poterebble farne posar una. (All gold that is or was ever under the moon could not give a moment of rest to one of these tired souls”, song 7. v. 64, 65 & 66.
In the fourth circle of Hell, under which Pluto (Hades) presides, the Avares and the Prodigans carry and roll heavy burdens (rocks), colliding with anger. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Tutto l'oro ch 'e sotto la Luna/O che gia fu, di question' anime stanche/Non poterebble farne posar una. (All gold that is or was ever under the moon could not give a moment of rest to one of these tired souls”, song 7. v. 64, 65 & 66.

PCT4265339: In the fourth circle of Hell, under which Pluto (Hades) presides, the Avares and the Prodigans carry and roll heavy burdens (rocks), colliding with anger. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Tutto l'oro ch 'e sotto la Luna/O che gia fu, di question' anime stanche/Non poterebble farne posar una. (All gold that is or was ever under the moon could not give a moment of rest to one of these tired souls”, song 7. v. 64, 65 & 66., Dore, Gustave (1832-83) / Bridgeman Images

Richard Lion Heart delivers the city of Joppé - engraving by Gustave Doré, 19th centuryHard Lion Heart delivers the city of Joppé - engraving by Gustave Doré, 19th century
Richard Lion Heart delivers the city of Joppé - engraving by Gustave Doré, 19th centuryHard Lion Heart delivers the city of Joppé - engraving by Gustave Doré, 19th century

LSE4105013: Richard Lion Heart delivers the city of Joppé - engraving by Gustave Doré, 19th centuryHard Lion Heart delivers the city of Joppé - engraving by Gustave Doré, 19th century, Dore, Gustave (1832-83) / Bridgeman Images

Richard, using reprisals, had the captives executed - engraving by Gustave Doré, 19th century
Richard, using reprisals, had the captives executed - engraving by Gustave Doré, 19th century

LSE4104416: Richard, using reprisals, had the captives executed - engraving by Gustave Doré, 19th century, Dore, Gustave (1832-83) / Bridgeman Images

Boabdil leaves Granada - Abu Abd Allah Mohammed, aka El Chico (Muhammad XII) (1459-1533) the last Arab King of Granada, illustration from 'Stories of the Crusades' by J-F. Michaud, 1877 - The last of the Moorish kings Boabdil - Muhammad XII AZ-Zughbi leaves Granada, 1492 - engraving by Gustave Dore, in “” HISTORY of the CROUSADES”” 1877
Boabdil leaves Granada - Abu Abd Allah Mohammed, aka El Chico (Muhammad XII) (1459-1533) the last Arab King of Granada, illustration from 'Stories of the Crusades' by J-F. Michaud, 1877 - The last of the Moorish kings Boabdil - Muhammad XII AZ-Zughbi leaves Granada, 1492 - engraving by Gustave Dore, in “” HISTORY of the CROUSADES”” 1877

XEE4152083: Boabdil leaves Granada - Abu Abd Allah Mohammed, aka El Chico (Muhammad XII) (1459-1533) the last Arab King of Granada, illustration from 'Stories of the Crusades' by J-F. Michaud, 1877 - The last of the Moorish kings Boabdil - Muhammad XII AZ-Zughbi leaves Granada, 1492 - engraving by Gustave Dore, in “” HISTORY of the CROUSADES”” 1877, Dore, Gustave (1832-83) / Bridgeman Images

The workmen's train - (Metro) from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) - illustrations by Gustave Dore - 1872 -
The workmen's train - (Metro) from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) - illustrations by Gustave Dore - 1872 -

XEE4155895: The workmen's train - (Metro) from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) - illustrations by Gustave Dore - 1872 -, Dore, Gustave (1832-83) / Bridgeman Images

Illustration for
Illustration for

XEE4156182: Illustration for "Don Quixote de la Mancha” by Miguel Cervantes, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Appearance of Dorothee in Farmer's Clothes - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Appearance of Dorothee in Farmer's Clothes - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156239: Appearance of Dorothee in Farmer's Clothes - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Recite des feats du chevalier Diego Garcia de Paredes - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Recite des feats du chevalier Diego Garcia de Paredes - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156255: Recite des feats du chevalier Diego Garcia de Paredes - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Sancho Panza, Don Quixote and their mounts after their defeat against the Yangers - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Sancho Panza, Don Quixote and their mounts after their defeat against the Yangers - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156195: Sancho Panza, Don Quixote and their mounts after their defeat against the Yangers - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and Sancho Panza at the beginning of the adventure in a thick and unknown forest - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote and Sancho Panza at the beginning of the adventure in a thick and unknown forest - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156207: Don Quixote and Sancho Panza at the beginning of the adventure in a thick and unknown forest - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and Sancho Panza continuing their adventures in a mountainous region, Sierra Morena - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote and Sancho Panza continuing their adventures in a mountainous region, Sierra Morena - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156215: Don Quixote and Sancho Panza continuing their adventures in a mountainous region, Sierra Morena - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote goes on mission for Dorothee, accompanied by Sancho Panza, barber, Dorothee, cure and Cardenio - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote goes on mission for Dorothee, accompanied by Sancho Panza, barber, Dorothee, cure and Cardenio - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156251: Don Quixote goes on mission for Dorothee, accompanied by Sancho Panza, barber, Dorothee, cure and Cardenio - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Sancho Panza flies in front of Don Quixote in order to fulfill Merlin's wish and thus disenchanting Dulcinee from Toboso. Don Quixote urges him to moderate his ardors - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Sancho Panza flies in front of Don Quixote in order to fulfill Merlin's wish and thus disenchanting Dulcinee from Toboso. Don Quixote urges him to moderate his ardors - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156274: Sancho Panza flies in front of Don Quixote in order to fulfill Merlin's wish and thus disenchanting Dulcinee from Toboso. Don Quixote urges him to moderate his ardors - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Captive story. Aagi-Morato, the father of Zoraide, is barque on the shore from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Captive story. Aagi-Morato, the father of Zoraide, is barque on the shore from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156159: Captive story. Aagi-Morato, the father of Zoraide, is barque on the shore from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote beaten in the middle of a group of merchants - The mule maker had taken a taste of the game - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote beaten in the middle of a group of merchants - The mule maker had taken a taste of the game - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156177: Don Quixote beaten in the middle of a group of merchants - The mule maker had taken a taste of the game - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

One of the fugitives, Gines de Passamont, steals the donkey from Sancho Panza during the sleep of the two travellers - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
One of the fugitives, Gines de Passamont, steals the donkey from Sancho Panza during the sleep of the two travellers - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156222: One of the fugitives, Gines de Passamont, steals the donkey from Sancho Panza during the sleep of the two travellers - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images


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