Dore, Gustave (1832-83) Assets (2603 in total)

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Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Sixth voyage: To the court of the king of Serendib
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Sixth voyage: To the court of the king of Serendib

PCT4278376: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Sixth voyage: To the court of the king of Serendib, Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - First voyage: Sindbad, abandoned in the middle of the sea by his companions, reached an island and met in a cave the palefreniers of King Miihrage
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - First voyage: Sindbad, abandoned in the middle of the sea by his companions, reached an island and met in a cave the palefreniers of King Miihrage

PCT4278407: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - First voyage: Sindbad, abandoned in the middle of the sea by his companions, reached an island and met in a cave the palefreniers of King Miihrage, Dore, Gustave (1832-83) / Bridgeman Images

The Ingenious Hidalgo Don Quixote de la Mancha (Quixotte - Quijote) by Miguel de Cervantes (1547-1616): the knight has the sad figure made cabrioles “” putting naked certain things that Sancho, in order not to see them, hasten to turn around, satisfied to be able to testify that his master is perfectly crazy”. Gustave Dore (1832- 1883).
The Ingenious Hidalgo Don Quixote de la Mancha (Quixotte - Quijote) by Miguel de Cervantes (1547-1616): the knight has the sad figure made cabrioles “” putting naked certain things that Sancho, in order not to see them, hasten to turn around, satisfied to be able to testify that his master is perfectly crazy”. Gustave Dore (1832- 1883).

PCT4279477: The Ingenious Hidalgo Don Quixote de la Mancha (Quixotte - Quijote) by Miguel de Cervantes (1547-1616): the knight has the sad figure made cabrioles “” putting naked certain things that Sancho, in order not to see them, hasten to turn around, satisfied to be able to testify that his master is perfectly crazy”. Gustave Dore (1832- 1883)., Dore, Gustave (1832-83) / Bridgeman Images

In the fourth circle of Hell, under which Pluto (Hades) presides, the Avares and the Prodigans carry and roll heavy burdens (rocks), colliding with anger. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Tutto l'oro ch 'e sotto la Luna/O che gia fu, di question' anime stanche/Non poterebble farne posar una. (All gold that is or was ever under the moon could not give a moment of rest to one of these tired souls”, song 7. v. 64, 65 & 66.
In the fourth circle of Hell, under which Pluto (Hades) presides, the Avares and the Prodigans carry and roll heavy burdens (rocks), colliding with anger. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Tutto l'oro ch 'e sotto la Luna/O che gia fu, di question' anime stanche/Non poterebble farne posar una. (All gold that is or was ever under the moon could not give a moment of rest to one of these tired souls”, song 7. v. 64, 65 & 66.

PCT4265339: In the fourth circle of Hell, under which Pluto (Hades) presides, the Avares and the Prodigans carry and roll heavy burdens (rocks), colliding with anger. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Tutto l'oro ch 'e sotto la Luna/O che gia fu, di question' anime stanche/Non poterebble farne posar una. (All gold that is or was ever under the moon could not give a moment of rest to one of these tired souls”, song 7. v. 64, 65 & 66., Dore, Gustave (1832-83) / Bridgeman Images

Engraving by Gustave Dore around 1850: evocation of an apocalyptic deluge combining biblical tradition (one can see in the distance the ark of Noe on the sea) and the beginning of scientific knowledge (various monstrous animals failed on the mountain, prefiguring the dinosaurs).
Engraving by Gustave Dore around 1850: evocation of an apocalyptic deluge combining biblical tradition (one can see in the distance the ark of Noe on the sea) and the beginning of scientific knowledge (various monstrous animals failed on the mountain, prefiguring the dinosaurs).

PCT4262427: Engraving by Gustave Dore around 1850: evocation of an apocalyptic deluge combining biblical tradition (one can see in the distance the ark of Noe on the sea) and the beginning of scientific knowledge (various monstrous animals failed on the mountain, prefiguring the dinosaurs)., Dore, Gustave (1832-83) / Bridgeman Images

Waterfall of Cirque de Gavarnie seen from the inn: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees”” by Hippolyte Taine, Hachette 1860.
Waterfall of Cirque de Gavarnie seen from the inn: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees”” by Hippolyte Taine, Hachette 1860.

PCT4262560: Waterfall of Cirque de Gavarnie seen from the inn: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees”” by Hippolyte Taine, Hachette 1860., Dore, Gustave (1832-83) / Bridgeman Images

Sully (Maximilian of Bethune, Baron de Rosny, Duke of Sully, 1560-1641), French Protestant statesman, counsellor, friend and minister of finance of Henry IV - Engraving by Gustave Dore.
Sully (Maximilian of Bethune, Baron de Rosny, Duke of Sully, 1560-1641), French Protestant statesman, counsellor, friend and minister of finance of Henry IV - Engraving by Gustave Dore.

PCT4262585: Sully (Maximilian of Bethune, Baron de Rosny, Duke of Sully, 1560-1641), French Protestant statesman, counsellor, friend and minister of finance of Henry IV - Engraving by Gustave Dore., Dore, Gustave (1832-83) / Bridgeman Images

Hunting on the river Teoghe, tributary of the Ngami. Hippo harpoon. Engraving by Gustave Dore illustrating “” les aventures et chasse du voyageur Charles-Jean Anderson dans l'Afrique Australe”, published in the journal “” Le tour du monde”, a new journal of voyages under the direction of Edouard Charton, 1860.
Hunting on the river Teoghe, tributary of the Ngami. Hippo harpoon. Engraving by Gustave Dore illustrating “” les aventures et chasse du voyageur Charles-Jean Anderson dans l'Afrique Australe”, published in the journal “” Le tour du monde”, a new journal of voyages under the direction of Edouard Charton, 1860.

PCT4273773: Hunting on the river Teoghe, tributary of the Ngami. Hippo harpoon. Engraving by Gustave Dore illustrating “” les aventures et chasse du voyageur Charles-Jean Anderson dans l'Afrique Australe”, published in the journal “” Le tour du monde”, a new journal of voyages under the direction of Edouard Charton, 1860., Dore, Gustave (1832-83) / Bridgeman Images

Giant Pantagruel and his companions visit the monastery of the Freres Fredons, on the island of Esclots - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book
Giant Pantagruel and his companions visit the monastery of the Freres Fredons, on the island of Esclots - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book

PCT4282223: Giant Pantagruel and his companions visit the monastery of the Freres Fredons, on the island of Esclots - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book, Dore, Gustave (1832-83) / Bridgeman Images

The Knights of the Round Table in the Forest of Broceliande - in “” Viviane”” by Alfred Tennyson, illustration by G. Doré, 1868
The Knights of the Round Table in the Forest of Broceliande - in “” Viviane”” by Alfred Tennyson, illustration by G. Doré, 1868

LSE4094946: The Knights of the Round Table in the Forest of Broceliande - in “” Viviane”” by Alfred Tennyson, illustration by G. Doré, 1868, Dore, Gustave (1832-83) / Bridgeman Images

Pantagruel - de Rabelais, by Gustave Doré, 1873
Pantagruel - de Rabelais, by Gustave Doré, 1873

LSE4096504: Pantagruel - de Rabelais, by Gustave Doré, 1873, Dore, Gustave (1832-83) / Bridgeman Images

Merlin and Viviane in the Brocéliande Forest - in “” Viviane”” by Alfred Tennyson, illustration by G. Doré, 1868
Merlin and Viviane in the Brocéliande Forest - in “” Viviane”” by Alfred Tennyson, illustration by G. Doré, 1868

LSE4096522: Merlin and Viviane in the Brocéliande Forest - in “” Viviane”” by Alfred Tennyson, illustration by G. Doré, 1868, Dore, Gustave (1832-83) / Bridgeman Images

Saladin (1138-1193) (Salah al Din Yusuf al-Ayyubi (al Ayyubi) at the head of his troops against the crossings - engraving by Gustave Dore, 19th century
Saladin (1138-1193) (Salah al Din Yusuf al-Ayyubi (al Ayyubi) at the head of his troops against the crossings - engraving by Gustave Dore, 19th century

LSE4096526: Saladin (1138-1193) (Salah al Din Yusuf al-Ayyubi (al Ayyubi) at the head of his troops against the crossings - engraving by Gustave Dore, 19th century, Dore, Gustave (1832-83) / Bridgeman Images

La liberté, engraving by Gustave Doré, 19th century
La liberté, engraving by Gustave Doré, 19th century

LSE4083525: La liberté, engraving by Gustave Doré, 19th century, Dore, Gustave (1832-83) / Bridgeman Images

The old man holding a purse and his stick walking in a hostile landscape is surmounted by an angel waving a spee of fire, Plate VII - Illustration by Gustave Dore (1832-1883), for La legende du Jew wandering by Pierre Dupont, Edition Librairie du magasin picturesque, Paris 1862
The old man holding a purse and his stick walking in a hostile landscape is surmounted by an angel waving a spee of fire, Plate VII - Illustration by Gustave Dore (1832-1883), for La legende du Jew wandering by Pierre Dupont, Edition Librairie du magasin picturesque, Paris 1862

LSE4089569: The old man holding a purse and his stick walking in a hostile landscape is surmounted by an angel waving a spee of fire, Plate VII - Illustration by Gustave Dore (1832-1883), for La legende du Jew wandering by Pierre Dupont, Edition Librairie du magasin picturesque, Paris 1862, Dore, Gustave (1832-83) / Bridgeman Images

Je traverse les mers... planche X - Illustration by Gustave Dore (1832-1883), for La legende du Jeif wandering by Pierre Dupont, edition Librairie du magasin picturesque, Paris 1862
Je traverse les mers... planche X - Illustration by Gustave Dore (1832-1883), for La legende du Jeif wandering by Pierre Dupont, edition Librairie du magasin picturesque, Paris 1862

LSE4089576: Je traverse les mers... planche X - Illustration by Gustave Dore (1832-1883), for La legende du Jeif wandering by Pierre Dupont, edition Librairie du magasin picturesque, Paris 1862, Dore, Gustave (1832-83) / Bridgeman Images

The castle of fear - illustration of fear by Gustave Doré, engraving, 1874
The castle of fear - illustration of fear by Gustave Doré, engraving, 1874

LSE4085997: The castle of fear - illustration of fear by Gustave Doré, engraving, 1874, Dore, Gustave (1832-83) / Bridgeman Images

Boabdil leaves Granada - Abu Abd Allah Mohammed, aka El Chico (Muhammad XII) (1459-1533) the last Arab King of Granada, illustration from 'Stories of the Crusades' by J-F. Michaud, 1877 - The last of the Moorish kings Boabdil - Muhammad XII AZ-Zughbi leaves Granada, 1492 - engraving by Gustave Dore, in “” HISTORY of the CROUSADES”” 1877
Boabdil leaves Granada - Abu Abd Allah Mohammed, aka El Chico (Muhammad XII) (1459-1533) the last Arab King of Granada, illustration from 'Stories of the Crusades' by J-F. Michaud, 1877 - The last of the Moorish kings Boabdil - Muhammad XII AZ-Zughbi leaves Granada, 1492 - engraving by Gustave Dore, in “” HISTORY of the CROUSADES”” 1877

XEE4152083: Boabdil leaves Granada - Abu Abd Allah Mohammed, aka El Chico (Muhammad XII) (1459-1533) the last Arab King of Granada, illustration from 'Stories of the Crusades' by J-F. Michaud, 1877 - The last of the Moorish kings Boabdil - Muhammad XII AZ-Zughbi leaves Granada, 1492 - engraving by Gustave Dore, in “” HISTORY of the CROUSADES”” 1877, Dore, Gustave (1832-83) / Bridgeman Images

The workmen's train - (Metro) from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) - illustrations by Gustave Dore - 1872 -
The workmen's train - (Metro) from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) - illustrations by Gustave Dore - 1872 -

XEE4155895: The workmen's train - (Metro) from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) - illustrations by Gustave Dore - 1872 -, Dore, Gustave (1832-83) / Bridgeman Images

Captive story. Aagi-Morato, the father of Zoraide, is barque on the shore from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Captive story. Aagi-Morato, the father of Zoraide, is barque on the shore from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156159: Captive story. Aagi-Morato, the father of Zoraide, is barque on the shore from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote beaten in the middle of a group of merchants - The mule maker had taken a taste of the game - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote beaten in the middle of a group of merchants - The mule maker had taken a taste of the game - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156177: Don Quixote beaten in the middle of a group of merchants - The mule maker had taken a taste of the game - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

After the assault gives the windmills - “” Misericorde! “” Sancho - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
After the assault gives the windmills - “” Misericorde! “” Sancho - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156182: After the assault gives the windmills - “” Misericorde! “” Sancho - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Sancho Panza, Don Quixote and their mounts after their defeat against the Yangers - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Sancho Panza, Don Quixote and their mounts after their defeat against the Yangers - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156195: Sancho Panza, Don Quixote and their mounts after their defeat against the Yangers - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and Sancho Panza at the beginning of the adventure in a thick and unknown forest - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote and Sancho Panza at the beginning of the adventure in a thick and unknown forest - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156207: Don Quixote and Sancho Panza at the beginning of the adventure in a thick and unknown forest - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote questions the forces about the reasons for their convictions - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote questions the forces about the reasons for their convictions - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156214: Don Quixote questions the forces about the reasons for their convictions - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and Sancho Panza continuing their adventures in a mountainous region, Sierra Morena - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote and Sancho Panza continuing their adventures in a mountainous region, Sierra Morena - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156215: Don Quixote and Sancho Panza continuing their adventures in a mountainous region, Sierra Morena - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

One of the fugitives, Gines de Passamont, steals the donkey from Sancho Panza during the sleep of the two travellers - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
One of the fugitives, Gines de Passamont, steals the donkey from Sancho Panza during the sleep of the two travellers - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156222: One of the fugitives, Gines de Passamont, steals the donkey from Sancho Panza during the sleep of the two travellers - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Appearance of Dorothee in Farmer's Clothes - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Appearance of Dorothee in Farmer's Clothes - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156239: Appearance of Dorothee in Farmer's Clothes - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Sancho Panza finds his master, always in penitence - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Sancho Panza finds his master, always in penitence - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156244: Sancho Panza finds his master, always in penitence - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote goes on mission for Dorothee, accompanied by Sancho Panza, barber, Dorothee, cure and Cardenio - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote goes on mission for Dorothee, accompanied by Sancho Panza, barber, Dorothee, cure and Cardenio - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156251: Don Quixote goes on mission for Dorothee, accompanied by Sancho Panza, barber, Dorothee, cure and Cardenio - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Recite des feats du chevalier Diego Garcia de Paredes - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Recite des feats du chevalier Diego Garcia de Paredes - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156255: Recite des feats du chevalier Diego Garcia de Paredes - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Sancho Panza flies in front of Don Quixote in order to fulfill Merlin's wish and thus disenchanting Dulcinee from Toboso. Don Quixote urges him to moderate his ardors - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Sancho Panza flies in front of Don Quixote in order to fulfill Merlin's wish and thus disenchanting Dulcinee from Toboso. Don Quixote urges him to moderate his ardors - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156274: Sancho Panza flies in front of Don Quixote in order to fulfill Merlin's wish and thus disenchanting Dulcinee from Toboso. Don Quixote urges him to moderate his ardors - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Arrivee de Don Quixote at the wedding of Camache - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Arrivee de Don Quixote at the wedding of Camache - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156288: Arrivee de Don Quixote at the wedding of Camache - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Death vision: the fourth rider of the apocalypse - “” we saw a pale horse; the one who mounted it was Death. Hell followed him” - Illustration by Gustave Dore (1832-1883) for The Bible (1866) -
Death vision: the fourth rider of the apocalypse - “” we saw a pale horse; the one who mounted it was Death. Hell followed him” - Illustration by Gustave Dore (1832-1883) for The Bible (1866) -

PCT4285050: Death vision: the fourth rider of the apocalypse - “” we saw a pale horse; the one who mounted it was Death. Hell followed him” - Illustration by Gustave Dore (1832-1883) for The Bible (1866) -, Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore (1832-1883) for Ernest Lepine's book “La legende de Croquemitaine”” (1863) - In front of this image of fighting with the sword against a gigantic araignee, one cannot help but think of the battle of Frodo and Aragne in Tolkien's “Lord of the Rings” -
Illustration by Gustave Dore (1832-1883) for Ernest Lepine's book “La legende de Croquemitaine”” (1863) - In front of this image of fighting with the sword against a gigantic araignee, one cannot help but think of the battle of Frodo and Aragne in Tolkien's “Lord of the Rings” -

PCT4285061: Illustration by Gustave Dore (1832-1883) for Ernest Lepine's book “La legende de Croquemitaine”” (1863) - In front of this image of fighting with the sword against a gigantic araignee, one cannot help but think of the battle of Frodo and Aragne in Tolkien's “Lord of the Rings” -, Dore, Gustave (1832-83) / Bridgeman Images

Suzanne in the bath: illustration by Gustave Dore (1832-1883) for The Bible, 1866 -
Suzanne in the bath: illustration by Gustave Dore (1832-1883) for The Bible, 1866 -

PCT4285102: Suzanne in the bath: illustration by Gustave Dore (1832-1883) for The Bible, 1866 -, Dore, Gustave (1832-83) / Bridgeman Images


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