Dore, Gustave (1832-83) Assets (2601 in total)

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Gustave Dore Bible: Samson destroying the Philistines with the jawbone of an ass (engraving)
Gustave Dore Bible: Samson destroying the Philistines with the jawbone of an ass (engraving)

LLM5221447: Gustave Dore Bible: Samson destroying the Philistines with the jawbone of an ass (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: The Angel appearing to Balaam (engraving)
Gustave Dore Bible: The Angel appearing to Balaam (engraving)

LLM5221465: Gustave Dore Bible: The Angel appearing to Balaam (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: Moses striking the rock in Horeb (engraving)
Gustave Dore Bible: Moses striking the rock in Horeb (engraving)

LLM5221472: Gustave Dore Bible: Moses striking the rock in Horeb (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: The plague of darkness (engraving)
Gustave Dore Bible: The plague of darkness (engraving)

LLM5221476: Gustave Dore Bible: The plague of darkness (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: The confusion of tongues (engraving)
Gustave Dore Bible: The confusion of tongues (engraving)

LLM5221498: Gustave Dore Bible: The confusion of tongues (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: Abraham journeying into the Land of Canaan (engraving)
Gustave Dore Bible: Abraham journeying into the Land of Canaan (engraving)

LLM5221499: Gustave Dore Bible: Abraham journeying into the Land of Canaan (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore Bible: S Peter and S John at the beautiful gate (engraving)
Gustave Dore Bible: S Peter and S John at the beautiful gate (engraving)

LLM5221521: Gustave Dore Bible: S Peter and S John at the beautiful gate (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Milton's Paradise Lost, Book VI, lines 410-412 (engraving)
Illustration by Gustave Dore for Milton's Paradise Lost, Book VI, lines 410-412 (engraving)

LLM5222988: Illustration by Gustave Dore for Milton's Paradise Lost, Book VI, lines 410-412 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Milton's Paradise Lost, Book VII, lines 417, 418 (engraving)
Illustration by Gustave Dore for Milton's Paradise Lost, Book VII, lines 417, 418 (engraving)

LLM5222995: Illustration by Gustave Dore for Milton's Paradise Lost, Book VII, lines 417, 418 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Milton's Paradise Lost, Book X, lines 99-101 (engraving)
Illustration by Gustave Dore for Milton's Paradise Lost, Book X, lines 99-101 (engraving)

LLM5223002: Illustration by Gustave Dore for Milton's Paradise Lost, Book X, lines 99-101 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Milton's Paradise Lost, Book IX, lines 1121-1123 (engraving)
Illustration by Gustave Dore for Milton's Paradise Lost, Book IX, lines 1121-1123 (engraving)

LLM5223003: Illustration by Gustave Dore for Milton's Paradise Lost, Book IX, lines 1121-1123 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Milton's Paradise Lost, Book XI, lines 208-210 (engraving)
Illustration by Gustave Dore for Milton's Paradise Lost, Book XI, lines 208-210 (engraving)

LLM5223008: Illustration by Gustave Dore for Milton's Paradise Lost, Book XI, lines 208-210 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Milton's Paradise Lost, Book XII, line 645 (engraving)
Illustration by Gustave Dore for Milton's Paradise Lost, Book XII, line 645 (engraving)

LLM5223018: Illustration by Gustave Dore for Milton's Paradise Lost, Book XII, line 645 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Milton's Paradise Lost, Book I, lines 221, 222 (engraving)
Illustration by Gustave Dore for Milton's Paradise Lost, Book I, lines 221, 222 (engraving)

LLM5222962: Illustration by Gustave Dore for Milton's Paradise Lost, Book I, lines 221, 222 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Milton's Paradise Lost, Book II, line 628 (engraving)
Illustration by Gustave Dore for Milton's Paradise Lost, Book II, line 628 (engraving)

LLM5222969: Illustration by Gustave Dore for Milton's Paradise Lost, Book II, line 628 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Milton's Paradise Lost, Book IV, lines 1014, 1015 (engraving)
Illustration by Gustave Dore for Milton's Paradise Lost, Book IV, lines 1014, 1015 (engraving)

LLM5222980: Illustration by Gustave Dore for Milton's Paradise Lost, Book IV, lines 1014, 1015 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore for Milton's Paradise Lost, Book V, lines 309, 310 (engraving)
Illustration by Gustave Dore for Milton's Paradise Lost, Book V, lines 309, 310 (engraving)

LLM5222982: Illustration by Gustave Dore for Milton's Paradise Lost, Book V, lines 309, 310 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Second voyage: Sindbat discovers a valley with diamonds, but which is unfortunately occupied by giant snakes. He will take refuge in a cave where he will close the entrance with a rock to get out of reach of the monsters.
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Second voyage: Sindbat discovers a valley with diamonds, but which is unfortunately occupied by giant snakes. He will take refuge in a cave where he will close the entrance with a rock to get out of reach of the monsters.

PCT4278292: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Second voyage: Sindbat discovers a valley with diamonds, but which is unfortunately occupied by giant snakes. He will take refuge in a cave where he will close the entrance with a rock to get out of reach of the monsters., Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Sixth voyage: To the court of the king of Serendib
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Sixth voyage: To the court of the king of Serendib

PCT4278376: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Sixth voyage: To the court of the king of Serendib, Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - First voyage: Sindbad, abandoned in the middle of the sea by his companions, reached an island and met in a cave the palefreniers of King Miihrage
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - First voyage: Sindbad, abandoned in the middle of the sea by his companions, reached an island and met in a cave the palefreniers of King Miihrage

PCT4278407: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - First voyage: Sindbad, abandoned in the middle of the sea by his companions, reached an island and met in a cave the palefreniers of King Miihrage, Dore, Gustave (1832-83) / Bridgeman Images

Giant Pantagruel and his companions visit the monastery of the Freres Fredons, on the island of Esclots - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book
Giant Pantagruel and his companions visit the monastery of the Freres Fredons, on the island of Esclots - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book

PCT4282223: Giant Pantagruel and his companions visit the monastery of the Freres Fredons, on the island of Esclots - illustration by Gustave Dore for complete works by Francois Rabelais - Fifth Book, Dore, Gustave (1832-83) / Bridgeman Images

The Ingenious Hidalgo Don Quixote de la Mancha (Quixotte - Quijote) by Miguel de Cervantes (1547-1616): the knight has the sad figure made cabrioles “” putting naked certain things that Sancho, in order not to see them, hasten to turn around, satisfied to be able to testify that his master is perfectly crazy”. Gustave Dore (1832- 1883).
The Ingenious Hidalgo Don Quixote de la Mancha (Quixotte - Quijote) by Miguel de Cervantes (1547-1616): the knight has the sad figure made cabrioles “” putting naked certain things that Sancho, in order not to see them, hasten to turn around, satisfied to be able to testify that his master is perfectly crazy”. Gustave Dore (1832- 1883).

PCT4279477: The Ingenious Hidalgo Don Quixote de la Mancha (Quixotte - Quijote) by Miguel de Cervantes (1547-1616): the knight has the sad figure made cabrioles “” putting naked certain things that Sancho, in order not to see them, hasten to turn around, satisfied to be able to testify that his master is perfectly crazy”. Gustave Dore (1832- 1883)., Dore, Gustave (1832-83) / Bridgeman Images

Engraving by Gustave Dore around 1850: evocation of an apocalyptic deluge combining biblical tradition (one can see in the distance the ark of Noe on the sea) and the beginning of scientific knowledge (various monstrous animals failed on the mountain, prefiguring the dinosaurs).
Engraving by Gustave Dore around 1850: evocation of an apocalyptic deluge combining biblical tradition (one can see in the distance the ark of Noe on the sea) and the beginning of scientific knowledge (various monstrous animals failed on the mountain, prefiguring the dinosaurs).

PCT4262427: Engraving by Gustave Dore around 1850: evocation of an apocalyptic deluge combining biblical tradition (one can see in the distance the ark of Noe on the sea) and the beginning of scientific knowledge (various monstrous animals failed on the mountain, prefiguring the dinosaurs)., Dore, Gustave (1832-83) / Bridgeman Images

Waterfall of Cirque de Gavarnie seen from the inn: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees”” by Hippolyte Taine, Hachette 1860.
Waterfall of Cirque de Gavarnie seen from the inn: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees”” by Hippolyte Taine, Hachette 1860.

PCT4262560: Waterfall of Cirque de Gavarnie seen from the inn: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees”” by Hippolyte Taine, Hachette 1860., Dore, Gustave (1832-83) / Bridgeman Images

Sully (Maximilian of Bethune, Baron de Rosny, Duke of Sully, 1560-1641), French Protestant statesman, counsellor, friend and minister of finance of Henry IV - Engraving by Gustave Dore.
Sully (Maximilian of Bethune, Baron de Rosny, Duke of Sully, 1560-1641), French Protestant statesman, counsellor, friend and minister of finance of Henry IV - Engraving by Gustave Dore.

PCT4262585: Sully (Maximilian of Bethune, Baron de Rosny, Duke of Sully, 1560-1641), French Protestant statesman, counsellor, friend and minister of finance of Henry IV - Engraving by Gustave Dore., Dore, Gustave (1832-83) / Bridgeman Images

Hunting on the river Teoghe, tributary of the Ngami. Hippo harpoon. Engraving by Gustave Dore illustrating “” les aventures et chasse du voyageur Charles-Jean Anderson dans l'Afrique Australe”, published in the journal “” Le tour du monde”, a new journal of voyages under the direction of Edouard Charton, 1860.
Hunting on the river Teoghe, tributary of the Ngami. Hippo harpoon. Engraving by Gustave Dore illustrating “” les aventures et chasse du voyageur Charles-Jean Anderson dans l'Afrique Australe”, published in the journal “” Le tour du monde”, a new journal of voyages under the direction of Edouard Charton, 1860.

PCT4273773: Hunting on the river Teoghe, tributary of the Ngami. Hippo harpoon. Engraving by Gustave Dore illustrating “” les aventures et chasse du voyageur Charles-Jean Anderson dans l'Afrique Australe”, published in the journal “” Le tour du monde”, a new journal of voyages under the direction of Edouard Charton, 1860., Dore, Gustave (1832-83) / Bridgeman Images

Gant Gargantua's education: as a child, he learns to read with his preceptor. Illustration by Gustave Dore for the work of Francois Rabelais.
Gant Gargantua's education: as a child, he learns to read with his preceptor. Illustration by Gustave Dore for the work of Francois Rabelais.

PCT4277083: Gant Gargantua's education: as a child, he learns to read with his preceptor. Illustration by Gustave Dore for the work of Francois Rabelais., Dore, Gustave (1832-83) / Bridgeman Images

Suzanne in the bath: illustration by Gustave Dore (1832-1883) for The Bible, 1866 -
Suzanne in the bath: illustration by Gustave Dore (1832-1883) for The Bible, 1866 -

PCT4285102: Suzanne in the bath: illustration by Gustave Dore (1832-1883) for The Bible, 1866 -, Dore, Gustave (1832-83) / Bridgeman Images

The fall of angels (the angels dechus) Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection
The fall of angels (the angels dechus) Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

PCT4285108: The fall of angels (the angels dechus) Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

Lucifer (Satan, dechu angel, fell from heaven to Earth) reflected by perverting Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection
Lucifer (Satan, dechu angel, fell from heaven to Earth) reflected by perverting Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

PCT4285126: Lucifer (Satan, dechu angel, fell from heaven to Earth) reflected by perverting Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

The snake is heading to Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection
The snake is heading to Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

PCT4285144: The snake is heading to Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

The snake is heading to Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674) - Temptation - Fishing - Engraving from 1866. Private Collection
The snake is heading to Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674) - Temptation - Fishing - Engraving from 1866. Private Collection

PCT4285148: The snake is heading to Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674) - Temptation - Fishing - Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

Adam and Eve are hunting from Paradise. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection
Adam and Eve are hunting from Paradise. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

PCT4285150: Adam and Eve are hunting from Paradise. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

Death vision: the fourth rider of the apocalypse - “” we saw a pale horse; the one who mounted it was Death. Hell followed him” - Illustration by Gustave Dore (1832-1883) for The Bible (1866) -
Death vision: the fourth rider of the apocalypse - “” we saw a pale horse; the one who mounted it was Death. Hell followed him” - Illustration by Gustave Dore (1832-1883) for The Bible (1866) -

PCT4285050: Death vision: the fourth rider of the apocalypse - “” we saw a pale horse; the one who mounted it was Death. Hell followed him” - Illustration by Gustave Dore (1832-1883) for The Bible (1866) -, Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore (1832-1883) for Ernest Lepine's book “La legende de Croquemitaine”” (1863) - In front of this image of fighting with the sword against a gigantic araignee, one cannot help but think of the battle of Frodo and Aragne in Tolkien's “Lord of the Rings” -
Illustration by Gustave Dore (1832-1883) for Ernest Lepine's book “La legende de Croquemitaine”” (1863) - In front of this image of fighting with the sword against a gigantic araignee, one cannot help but think of the battle of Frodo and Aragne in Tolkien's “Lord of the Rings” -

PCT4285061: Illustration by Gustave Dore (1832-1883) for Ernest Lepine's book “La legende de Croquemitaine”” (1863) - In front of this image of fighting with the sword against a gigantic araignee, one cannot help but think of the battle of Frodo and Aragne in Tolkien's “Lord of the Rings” -, Dore, Gustave (1832-83) / Bridgeman Images

The wolf became shepherd: fable by Jean de la Fontaine illustree by Gustave Dore - The wolf turned shepherd -
The wolf became shepherd: fable by Jean de la Fontaine illustree by Gustave Dore - The wolf turned shepherd -

PCT4288737: The wolf became shepherd: fable by Jean de la Fontaine illustree by Gustave Dore - The wolf turned shepherd -, Dore, Gustave (1832-83) / Bridgeman Images


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