Dore, Gustave (1832-83) Assets (2599 in total)

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J'ai vu dans l'America... plank XI - Illustration by Gustave Dore (1832-1883), for La legende du Jeif wandering by Pierre Dupont, edition Librairie du magasin picturesque, Paris 1862
J'ai vu dans l'America... plank XI - Illustration by Gustave Dore (1832-1883), for La legende du Jeif wandering by Pierre Dupont, edition Librairie du magasin picturesque, Paris 1862

LSE4089580: J'ai vu dans l'America... plank XI - Illustration by Gustave Dore (1832-1883), for La legende du Jeif wandering by Pierre Dupont, edition Librairie du magasin picturesque, Paris 1862, Dore, Gustave (1832-83) / Bridgeman Images

Sanuto presents to Pope John XXII the maps of Orient - engraving by Gustave Doré, 19th century
Sanuto presents to Pope John XXII the maps of Orient - engraving by Gustave Doré, 19th century

LSE4096512: Sanuto presents to Pope John XXII the maps of Orient - engraving by Gustave Doré, 19th century, Dore, Gustave (1832-83) / Bridgeman Images

A ball game in the Choctaws Indians - engraving by Gustave Doré, 1854
A ball game in the Choctaws Indians - engraving by Gustave Doré, 1854

LSE4089343: A ball game in the Choctaws Indians - engraving by Gustave Doré, 1854, Dore, Gustave (1832-83) / Bridgeman Images

Detail of the Arcade of the Alcazar in Seville - by Doré, in “” Tour du Monde””, 2nd sem. 1866.
Detail of the Arcade of the Alcazar in Seville - by Doré, in “” Tour du Monde””, 2nd sem. 1866.

LSE4092857: Detail of the Arcade of the Alcazar in Seville - by Doré, in “” Tour du Monde””, 2nd sem. 1866., Dore, Gustave (1832-83) / Bridgeman Images

Family of the faubourg of Macarena in Seville - dess. by Gustave Doré, in “” Le Tour du monde””, 2nd week 1865.
Family of the faubourg of Macarena in Seville - dess. by Gustave Doré, in “” Le Tour du monde””, 2nd week 1865.

LSE4093627: Family of the faubourg of Macarena in Seville - dess. by Gustave Doré, in “” Le Tour du monde””, 2nd week 1865., Dore, Gustave (1832-83) / Bridgeman Images

Jesus guerit les malades - Jesus healing the sick - - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Jesus guerit les malades - Jesus healing the sick - - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4163356: Jesus guerit les malades - Jesus healing the sick - - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote by Miguel de Cervantes (1547-1616) illustrated by Gustave Dore (1832-1883) - Engraving In “” The Illustrous Journal””, 1869 - “” Don Quixote” by Miguel de Cervantes (1547-1616) illustrated by Gustave Dore (1832-1883) - Engraving from “” Le Journal Illustrous”, 1869
Don Quixote by Miguel de Cervantes (1547-1616) illustrated by Gustave Dore (1832-1883) - Engraving In “” The Illustrous Journal””, 1869 - “” Don Quixote” by Miguel de Cervantes (1547-1616) illustrated by Gustave Dore (1832-1883) - Engraving from “” Le Journal Illustrous”, 1869

XEE4149616: Don Quixote by Miguel de Cervantes (1547-1616) illustrated by Gustave Dore (1832-1883) - Engraving In “” The Illustrous Journal””, 1869 - “” Don Quixote” by Miguel de Cervantes (1547-1616) illustrated by Gustave Dore (1832-1883) - Engraving from “” Le Journal Illustrous”, 1869, Dore, Gustave (1832-83) / Bridgeman Images

Elisee curses the youths of Bethel - The Children of Bethel Destroyed by Bears - Elijah curses the youths of Bethel - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Elisee curses the youths of Bethel - The Children of Bethel Destroyed by Bears - Elijah curses the youths of Bethel - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4162488: Elisee curses the youths of Bethel - The Children of Bethel Destroyed by Bears - Elijah curses the youths of Bethel - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Warehousing in the City - from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) - illustrations by Gustave Dore - 1872 -
Warehousing in the City - from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) - illustrations by Gustave Dore - 1872 -

XEE4161737: Warehousing in the City - from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) - illustrations by Gustave Dore - 1872 -, Dore, Gustave (1832-83) / Bridgeman Images

Portrait of Rabelais - illustration from 'Gargantua and Pantagruel', by Francois Rabelais - engraving by Gustave Dore (1832-1883)
Portrait of Rabelais - illustration from 'Gargantua and Pantagruel', by Francois Rabelais - engraving by Gustave Dore (1832-1883)

XEE4162087: Portrait of Rabelais - illustration from 'Gargantua and Pantagruel', by Francois Rabelais - engraving by Gustave Dore (1832-1883), Dore, Gustave (1832-83) / Bridgeman Images

Pantagruel tests his spirits against the Parisian scientists - illustration from 'Gargantua and Pantagruel', by Francois Rabelais - engraving by Gustave Dore (1832-1883)
Pantagruel tests his spirits against the Parisian scientists - illustration from 'Gargantua and Pantagruel', by Francois Rabelais - engraving by Gustave Dore (1832-1883)

XEE4162151: Pantagruel tests his spirits against the Parisian scientists - illustration from 'Gargantua and Pantagruel', by Francois Rabelais - engraving by Gustave Dore (1832-1883), Dore, Gustave (1832-83) / Bridgeman Images

Saint Bernard de Clairvaux (San Bernardo di Chiaravalle, Bernard de Fontaine 1090-1153) preaching the second Crusade in the presence of King Louis VII and Queen Alienor of Aquitaine and Abbe Suger (Suger de Saint Denis, 1080-1151), in Vezelay in Burgundy on 31 March 1146 (St Bernard Preaching the Second Crusade in Vezelay, 31st March 1146 - engraving by Gustave Dore - from History of the Crusades by Joseph-Francois Michaud
Saint Bernard de Clairvaux (San Bernardo di Chiaravalle, Bernard de Fontaine 1090-1153) preaching the second Crusade in the presence of King Louis VII and Queen Alienor of Aquitaine and Abbe Suger (Suger de Saint Denis, 1080-1151), in Vezelay in Burgundy on 31 March 1146 (St Bernard Preaching the Second Crusade in Vezelay, 31st March 1146 - engraving by Gustave Dore - from History of the Crusades by Joseph-Francois Michaud

XEE4160122: Saint Bernard de Clairvaux (San Bernardo di Chiaravalle, Bernard de Fontaine 1090-1153) preaching the second Crusade in the presence of King Louis VII and Queen Alienor of Aquitaine and Abbe Suger (Suger de Saint Denis, 1080-1151), in Vezelay in Burgundy on 31 March 1146 (St Bernard Preaching the Second Crusade in Vezelay, 31st March 1146 - engraving by Gustave Dore - from History of the Crusades by Joseph-Francois Michaud, Dore, Gustave (1832-83) / Bridgeman Images

Noe sends a dove to the earth - Noah sends forth the dove from the Ark, engraving by Gustave Dore (1832-1883)
Noe sends a dove to the earth - Noah sends forth the dove from the Ark, engraving by Gustave Dore (1832-1883)

XEE4160164: Noe sends a dove to the earth - Noah sends forth the dove from the Ark, engraving by Gustave Dore (1832-1883), Dore, Gustave (1832-83) / Bridgeman Images

Sarah's Death is 127 years old - The Burial of Abraham's Wife, Sarah - - engraving by Gustave Dore - later colouring
Sarah's Death is 127 years old - The Burial of Abraham's Wife, Sarah - - engraving by Gustave Dore - later colouring

XEE4160176: Sarah's Death is 127 years old - The Burial of Abraham's Wife, Sarah - - engraving by Gustave Dore - later colouring, Dore, Gustave (1832-83) / Bridgeman Images

Jesus with the Doctors in the Temple - Jesus at the Temple among the Doctors - engraving by Gustave Dore (1832-1883) - later colouring
Jesus with the Doctors in the Temple - Jesus at the Temple among the Doctors - engraving by Gustave Dore (1832-1883) - later colouring

XEE4160184: Jesus with the Doctors in the Temple - Jesus at the Temple among the Doctors - engraving by Gustave Dore (1832-1883) - later colouring, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 23: The poets escape the demons of the fifth bolgia - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 23: The poets escape the demons of the fifth bolgia - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145638: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 23: The poets escape the demons of the fifth bolgia - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 2: The celestial pilot lands the boat - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 2: The celestial pilot lands the boat - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145554: The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 2: The celestial pilot lands the boat - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 34: Virgil and Dante ascend to the upper world - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 34: Virgil and Dante ascend to the upper world - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145567: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 34: Virgil and Dante ascend to the upper world - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote wounded - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote wounded - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4155836: Don Quixote wounded - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote thought he was benefiting from the hospitality of a lord, refused to pay the hotelier - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote thought he was benefiting from the hospitality of a lord, refused to pay the hotelier - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156200: Don Quixote thought he was benefiting from the hospitality of a lord, refused to pay the hotelier - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Return from the land of Canaan - The return of Josue and Caleb with a huge bunch of grapes from the land of Canaan (Promised Land) - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Return from the land of Canaan - The return of Josue and Caleb with a huge bunch of grapes from the land of Canaan (Promised Land) - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160468: Return from the land of Canaan - The return of Josue and Caleb with a huge bunch of grapes from the land of Canaan (Promised Land) - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Death of Absalom (Avshalom) - The death of Absalom (or Avshalom, Absalon). After the defeat against his father's troops, Absalon remained suspended by the branches of a tree fleeing the battlefield - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
Death of Absalom (Avshalom) - The death of Absalom (or Avshalom, Absalon). After the defeat against his father's troops, Absalon remained suspended by the branches of a tree fleeing the battlefield - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4161051: Death of Absalom (Avshalom) - The death of Absalom (or Avshalom, Absalon). After the defeat against his father's troops, Absalon remained suspended by the branches of a tree fleeing the battlefield - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

The prophet Daniel - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
The prophet Daniel - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4161109: The prophet Daniel - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

St Paul at Ephesus - Saint Paul a Ephese - The Prediction of Saint Paul a Ephese. Jews who were engaged in exorcism burn the books - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””
St Paul at Ephesus - Saint Paul a Ephese - The Prediction of Saint Paul a Ephese. Jews who were engaged in exorcism burn the books - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””

XEE4160900: St Paul at Ephesus - Saint Paul a Ephese - The Prediction of Saint Paul a Ephese. Jews who were engaged in exorcism burn the books - - engraving in “The Bible illustree” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””, Dore, Gustave (1832-83) / Bridgeman Images

Agar (Hagar) and her son Ismail (Ishmael), in the desert after being expelled by Abraham - Agar (Hagar) and son Ismael (Ishmael), in the desert after being hunted by Abraham - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””””””””””
Agar (Hagar) and her son Ismail (Ishmael), in the desert after being expelled by Abraham - Agar (Hagar) and son Ismael (Ishmael), in the desert after being hunted by Abraham - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””””””””””

XEE4160426: Agar (Hagar) and her son Ismail (Ishmael), in the desert after being expelled by Abraham - Agar (Hagar) and son Ismael (Ishmael), in the desert after being hunted by Abraham - engraving in “” The Bible illustree”” by Gustave Dore (1832-1883) - Engraving from “” The Dore Bible””””””””””, Dore, Gustave (1832-83) / Bridgeman Images

Don Quijote and Sancho with the squadron of the braying villagers - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quijote and Sancho with the squadron of the braying villagers - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4157511: Don Quijote and Sancho with the squadron of the braying villagers - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Maese Pedro and the fortune-telling ape - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Maese Pedro and the fortune-telling ape - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4157513: Maese Pedro and the fortune-telling ape - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Dorothee and the barber come to pick up Don Quixote then in penitence - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Dorothee and the barber come to pick up Don Quixote then in penitence - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156247: Dorothee and the barber come to pick up Don Quixote then in penitence - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Evening organized after Don Antonio. Don Quixote discovers without appreciating the pleasures of dance - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Evening organized after Don Antonio. Don Quixote discovers without appreciating the pleasures of dance - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156273: Evening organized after Don Antonio. Don Quixote discovers without appreciating the pleasures of dance - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Prologue: a poor bearer (Hinbad) presents himself before Sindbad, who has become old and rich. The latter will tell his adventures
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Prologue: a poor bearer (Hinbad) presents himself before Sindbad, who has become old and rich. The latter will tell his adventures

PCT4278283: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Prologue: a poor bearer (Hinbad) presents himself before Sindbad, who has become old and rich. The latter will tell his adventures, Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Third voyage: a tempete throws the ship of Sindbad and his companions on an island where they are assaulted by a multitude of tiny and hideous beings (wild dwarves) -
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Third voyage: a tempete throws the ship of Sindbad and his companions on an island where they are assaulted by a multitude of tiny and hideous beings (wild dwarves) -

PCT4278369: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Third voyage: a tempete throws the ship of Sindbad and his companions on an island where they are assaulted by a multitude of tiny and hideous beings (wild dwarves) -, Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Third voyage: Sindbad and his companions sail aboard a raft
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Third voyage: Sindbad and his companions sail aboard a raft

PCT4278377: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Third voyage: Sindbad and his companions sail aboard a raft, Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Seventh and last voyage: the cemetery of the elephants where Sindbad will recover the ivory defenses
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Seventh and last voyage: the cemetery of the elephants where Sindbad will recover the ivory defenses

PCT4278385: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Seventh and last voyage: the cemetery of the elephants where Sindbad will recover the ivory defenses, Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Seventh voyage: Sindbad, perch in a tree, pulls with his bow on elephants
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Seventh voyage: Sindbad, perch in a tree, pulls with his bow on elephants

PCT4278390: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Seventh voyage: Sindbad, perch in a tree, pulls with his bow on elephants, Dore, Gustave (1832-83) / Bridgeman Images

Alcina in her glory (canto 7:11) illustration by Gustave Dore for the poem Orlando furioso by Ludovico Ariosto (1474-1533) 1878
Alcina in her glory (canto 7:11) illustration by Gustave Dore for the poem Orlando furioso by Ludovico Ariosto (1474-1533) 1878

PCT4284115: Alcina in her glory (canto 7:11) illustration by Gustave Dore for the poem Orlando furioso by Ludovico Ariosto (1474-1533) 1878, Dore, Gustave (1832-83) / Bridgeman Images

Alcina and Ruggiero as happy lovers, (canto 7:31) illustration by Gustave Dore for the poem Orlando furioso by Ludovico Ariosto (1474-1533), 1878
Alcina and Ruggiero as happy lovers, (canto 7:31) illustration by Gustave Dore for the poem Orlando furioso by Ludovico Ariosto (1474-1533), 1878

PCT4284135: Alcina and Ruggiero as happy lovers, (canto 7:31) illustration by Gustave Dore for the poem Orlando furioso by Ludovico Ariosto (1474-1533), 1878, Dore, Gustave (1832-83) / Bridgeman Images


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