Dore, Gustave (1832-83) Assets (2599 in total)

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A traveller from New Zealanad contemplating the ruins of London (engraving)
A traveller from New Zealanad contemplating the ruins of London (engraving)

LLJ606324: A traveller from New Zealanad contemplating the ruins of London (engraving), Dore, Gustave (1832-83) / Bridgeman Images

A man wearing a top hat while holding two dogs in his hands (engraving)
A man wearing a top hat while holding two dogs in his hands (engraving)

LLJ602243: A man wearing a top hat while holding two dogs in his hands (engraving), Dore, Gustave (1832-83) / Bridgeman Images

A man holding a placard at a protest (engraving)
A man holding a placard at a protest (engraving)

LLJ602274: A man holding a placard at a protest (engraving), Dore, Gustave (1832-83) / Bridgeman Images

General view of the people on the street in the Temple (engraving)
General view of the people on the street in the Temple (engraving)

LLJ587601: General view of the people on the street in the Temple (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Whitechapel (engraving)
Whitechapel (engraving)

LLJ585202: Whitechapel (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Slums In London (engraving)
Slums In London (engraving)

LLJ585217: Slums In London (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Billingsgate (engraving)
Billingsgate (engraving)

LLJ582213: Billingsgate (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Alms giving (engraving)
Alms giving (engraving)

LLM666370: Alms giving (engraving), Dore, Gustave (1832-83) / Bridgeman Images

A Tournament - Beauty the Prize AD1450 (gravure)
A Tournament - Beauty the Prize AD1450 (gravure)

LLM671682: A Tournament - Beauty the Prize AD1450 (gravure), Dore, Gustave (1832-83) / Bridgeman Images

Fashions under
Fashions under

LLM671692: Fashions under "The Directory" 1798. The Incroyables (gravure), Dore, Gustave (1832-83) / Bridgeman Images

After Richelieu's decree against Duelling (gravure)
After Richelieu's decree against Duelling (gravure)

LLM671697: After Richelieu's decree against Duelling (gravure), Dore, Gustave (1832-83) / Bridgeman Images

Paradiso, Canto 31  : The queen of heaven - by  Dante Alighieri (1265-1321) , illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Paradiso, Canto 31  : The queen of heaven - by  Dante Alighieri (1265-1321) , illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745615: Paradiso, Canto 31 : The queen of heaven - by Dante Alighieri (1265-1321) , illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 23 : The poets escape the demons of the fifth bolgia, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 23 : The poets escape the demons of the fifth bolgia, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745690: Inferno, Canto 23 : The poets escape the demons of the fifth bolgia, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 23 : A crucified Pharisee among the hypocrites, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 23 : A crucified Pharisee among the hypocrites, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745692: Inferno, Canto 23 : A crucified Pharisee among the hypocrites, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 7 : The souls of the avaricious and the prodigal forced to roll heavy stones, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 7 : The souls of the avaricious and the prodigal forced to roll heavy stones, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745737: Inferno, Canto 7 : The souls of the avaricious and the prodigal forced to roll heavy stones, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Les Saltimbanks, 1874 (oil on canvas)
Les Saltimbanks, 1874 (oil on canvas)

JLJ4600263: Les Saltimbanks, 1874 (oil on canvas), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for The Old Man and the Three Young Men, from 'Fables' by Jean de La Fontaine (1621-95) (engraving)
Illustration for The Old Man and the Three Young Men, from 'Fables' by Jean de La Fontaine (1621-95) (engraving)

PER190894: Illustration for The Old Man and the Three Young Men, from 'Fables' by Jean de La Fontaine (1621-95) (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Fishing in the mountains (w/c & gouache)
Fishing in the mountains (w/c & gouache)

BRM280018: Fishing in the mountains (w/c & gouache), Dore, Gustave (1832-83) / Bridgeman Images

The Army of Priest Volkmar and Count Emocio attack Merseburg, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)
The Army of Priest Volkmar and Count Emocio attack Merseburg, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)

KWE219448: The Army of Priest Volkmar and Count Emocio attack Merseburg, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho), Dore, Gustave (1832-83) / Bridgeman Images

A Sale at Tattersall's, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Pannemaker, pub. 1872 (engraving)
A Sale at Tattersall's, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Pannemaker, pub. 1872 (engraving)

STC377546: A Sale at Tattersall's, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Pannemaker, pub. 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

A Riverside Street, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by Charles Laplante (d.1903) pub. 1872 (engraving)
A Riverside Street, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by Charles Laplante (d.1903) pub. 1872 (engraving)

XJF396014: A Riverside Street, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by Charles Laplante (d.1903) pub. 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

A Riverside Street, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by Charles Laplante (d.1903) pub. 1872 (engraving)
A Riverside Street, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by Charles Laplante (d.1903) pub. 1872 (engraving)

XJF396041: A Riverside Street, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by Charles Laplante (d.1903) pub. 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Bride and Groom entering the hall, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
The Bride and Groom entering the hall, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)

XJF393826: The Bride and Groom entering the hall, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

The sailors see in the distance a ghostly ship, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
The sailors see in the distance a ghostly ship, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)

XJF393836: The sailors see in the distance a ghostly ship, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Mariner, surrounded by the dead sailors, suffers anguish of spirit, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
The Mariner, surrounded by the dead sailors, suffers anguish of spirit, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)

XJF393839: The Mariner, surrounded by the dead sailors, suffers anguish of spirit, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

The first vision of his native country by the Mariner, freed from his trance and woken from sleep, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
The first vision of his native country by the Mariner, freed from his trance and woken from sleep, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)

XJF393850: The first vision of his native country by the Mariner, freed from his trance and woken from sleep, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Mariner has been condemned to travel unceasingly from country to country, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
The Mariner has been condemned to travel unceasingly from country to country, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)

XJF393857: The Mariner has been condemned to travel unceasingly from country to country, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

Crowd of onlookers and spectators at the wedding, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
Crowd of onlookers and spectators at the wedding, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)

XJF393859: Crowd of onlookers and spectators at the wedding, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Companions of Ulysses, illustration from 'Fables' by La Fontaine, 1868 (engraving)
The Companions of Ulysses, illustration from 'Fables' by La Fontaine, 1868 (engraving)

DGC308185: The Companions of Ulysses, illustration from 'Fables' by La Fontaine, 1868 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration from 'Gargantua and Pantagruel', by François Rabelais (engraving)
Illustration from 'Gargantua and Pantagruel', by François Rabelais (engraving)

XIR1200165: Illustration from 'Gargantua and Pantagruel', by François Rabelais (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration from 'Gargantua and Pantagruel', by François Rabelais (engraving)
Illustration from 'Gargantua and Pantagruel', by François Rabelais (engraving)

XIR1200166: Illustration from 'Gargantua and Pantagruel', by François Rabelais (engraving), Dore, Gustave (1832-83) / Bridgeman Images

' Orlando Furioso '  by Ludovico Ariosto
' Orlando Furioso '  by Ludovico Ariosto

XLF3781824: ' Orlando Furioso ' by Ludovico Ariosto, Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore illustration of Edgar Allan Poe's
Gustave Dore illustration of Edgar Allan Poe's

EVB2932582: Gustave Dore illustration of Edgar Allan Poe's "The Raven;" presents a vision of death. 1883, Dore, Gustave (1832-83) / Bridgeman Images

Gustave Dore (1832-1883), French illustrator created fantastic but realistically rendered scenes of literature and history. With the support of a staff of wood engravers, he illustrated 90 books. 1860s portrait lithograph photograph by Elliott & Fry
Gustave Dore (1832-1883), French illustrator created fantastic but realistically rendered scenes of literature and history. With the support of a staff of wood engravers, he illustrated 90 books. 1860s portrait lithograph photograph by Elliott & Fry

EVB2934360: Gustave Dore (1832-1883), French illustrator created fantastic but realistically rendered scenes of literature and history. With the support of a staff of wood engravers, he illustrated 90 books. 1860s portrait lithograph photograph by Elliott & Fry, Dore, Gustave (1832-83) / Bridgeman Images

The Rejoicings of Sir Gareth's Marriage, from 'Stories of the Days of King Arthur' by Charles Henry Hanson, pub.1898 (engraving)
The Rejoicings of Sir Gareth's Marriage, from 'Stories of the Days of King Arthur' by Charles Henry Hanson, pub.1898 (engraving)

STC3587820: The Rejoicings of Sir Gareth's Marriage, from 'Stories of the Days of King Arthur' by Charles Henry Hanson, pub.1898 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Victorian London Bridge
Victorian London Bridge

XLF3779038: Victorian London Bridge, Dore, Gustave (1832-83) / Bridgeman Images


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