Dore, Gustave (1832-83) Assets (2601 in total)

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Puss in Boots, The Fairy Realm, story, by Gustave Dore, 1862.
Puss in Boots, The Fairy Realm, story, by Gustave Dore, 1862.

HLR3262672: Puss in Boots, The Fairy Realm, story, by Gustave Dore, 1862., Dore, Gustave (1832-83) / Bridgeman Images

La liberté, engraving by Gustave Doré, 19th century
La liberté, engraving by Gustave Doré, 19th century

LSE4083525: La liberté, engraving by Gustave Doré, 19th century, Dore, Gustave (1832-83) / Bridgeman Images

Oxford and Cambridge boat race  by Doré
Oxford and Cambridge boat race  by Doré

XLF3782106: Oxford and Cambridge boat race by Doré, Dore, Gustave (1832-83) / Bridgeman Images

Under the Trees Regent's Park   by Doré
Under the Trees Regent's Park   by Doré

XLF3782108: Under the Trees Regent's Park by Doré, Dore, Gustave (1832-83) / Bridgeman Images

An opera box at
An opera box at

XLF3793556: An opera box at, Dore, Gustave (1832-83) / Bridgeman Images

Oxford and Cambridge boat
Oxford and Cambridge boat

XLF3793566: Oxford and Cambridge boat, Dore, Gustave (1832-83) / Bridgeman Images

Under the Trees Regent's
Under the Trees Regent's

XLF3793570: Under the Trees Regent's, Dore, Gustave (1832-83) / Bridgeman Images

Escorting Guenever from Cameliard, from 'Stories of the Days of King Arthur' by Charles Henry Hanson, pub.1898 (engraving)
Escorting Guenever from Cameliard, from 'Stories of the Days of King Arthur' by Charles Henry Hanson, pub.1898 (engraving)

STC3587725: Escorting Guenever from Cameliard, from 'Stories of the Days of King Arthur' by Charles Henry Hanson, pub.1898 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Dante and Virgil meet Giant Anthee, illustrated by Gustave Dore, 1861 (engraving)
Dante and Virgil meet Giant Anthee, illustrated by Gustave Dore, 1861 (engraving)

ELD4831538: Dante and Virgil meet Giant Anthee, illustrated by Gustave Dore, 1861 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Jesus Christ chases the merchants of the Temple. Illustration of Gustave Doré.
Jesus Christ chases the merchants of the Temple. Illustration of Gustave Doré.

GIA4763020: Jesus Christ chases the merchants of the Temple. Illustration of Gustave Doré., Dore, Gustave (1832-83) / Bridgeman Images

Richard Lion Heart delivers the city of Joppé - engraving by Gustave Doré, 19th centuryHard Lion Heart delivers the city of Joppé - engraving by Gustave Doré, 19th century
Richard Lion Heart delivers the city of Joppé - engraving by Gustave Doré, 19th centuryHard Lion Heart delivers the city of Joppé - engraving by Gustave Doré, 19th century

LSE4105013: Richard Lion Heart delivers the city of Joppé - engraving by Gustave Doré, 19th centuryHard Lion Heart delivers the city of Joppé - engraving by Gustave Doré, 19th century, Dore, Gustave (1832-83) / Bridgeman Images

Pantagruel - de Rabelais, by Gustave Doré, 1873
Pantagruel - de Rabelais, by Gustave Doré, 1873

LSE4096504: Pantagruel - de Rabelais, by Gustave Doré, 1873, Dore, Gustave (1832-83) / Bridgeman Images

Richard, using reprisals, had the captives executed - engraving by Gustave Doré, 19th century
Richard, using reprisals, had the captives executed - engraving by Gustave Doré, 19th century

LSE4104416: Richard, using reprisals, had the captives executed - engraving by Gustave Doré, 19th century, Dore, Gustave (1832-83) / Bridgeman Images

Scene of bullfighting: the triumph of Teresa Bolsi, Andalusian torrera, saluting the assembly that acclaim him in Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
Scene of bullfighting: the triumph of Teresa Bolsi, Andalusian torrera, saluting the assembly that acclaim him in Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326317: Scene of bullfighting: the triumph of Teresa Bolsi, Andalusian torrera, saluting the assembly that acclaim him in Seville. Sketch taken on the live by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The baratero weapon of the navaja, demanding the barato, tribute that he arrogates on the amount of clandestine games. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The baratero weapon of the navaja, demanding the barato, tribute that he arrogates on the amount of clandestine games. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325637: The baratero weapon of the navaja, demanding the barato, tribute that he arrogates on the amount of clandestine games. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

One night in a relay in Jaen. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
One night in a relay in Jaen. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325635: One night in a relay in Jaen. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

A serenade in the moonlight, in the streets of Cordoba, the lover, guitar in his hand, speaks in a low voice to his fiancee through a wire mesh window, recites poems or sings a song to him. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
A serenade in the moonlight, in the streets of Cordoba, the lover, guitar in his hand, speaks in a low voice to his fiancee through a wire mesh window, recites poems or sings a song to him. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326328: A serenade in the moonlight, in the streets of Cordoba, the lover, guitar in his hand, speaks in a low voice to his fiancee through a wire mesh window, recites poems or sings a song to him. Drawing by Gustave Dore (1832-1883). Engraving to illustrate the voyage in Spain, in 1862 by Charles Davillier and Gustave Dore, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

Extract from the Gospel of St. Matthew. Jesus Christ preaches before the crowd of his disciples. Engraving of the 19th century.
Extract from the Gospel of St. Matthew. Jesus Christ preaches before the crowd of his disciples. Engraving of the 19th century.

GIA4733360: Extract from the Gospel of St. Matthew. Jesus Christ preaches before the crowd of his disciples. Engraving of the 19th century., Dore, Gustave (1832-83) / Bridgeman Images

The prediction of St. Paul to Ephese. Jews who were engaged in exorcism burn the books. Illustration by Gustave Dore, 1882 (engraving)
The prediction of St. Paul to Ephese. Jews who were engaged in exorcism burn the books. Illustration by Gustave Dore, 1882 (engraving)

ELD4831298: The prediction of St. Paul to Ephese. Jews who were engaged in exorcism burn the books. Illustration by Gustave Dore, 1882 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Engraving by Gustave Dore around 1850: evocation of an apocalyptic deluge combining biblical tradition (one can see in the distance the ark of Noe on the sea) and the beginning of scientific knowledge (various monstrous animals failed on the mountain, prefiguring the dinosaurs).
Engraving by Gustave Dore around 1850: evocation of an apocalyptic deluge combining biblical tradition (one can see in the distance the ark of Noe on the sea) and the beginning of scientific knowledge (various monstrous animals failed on the mountain, prefiguring the dinosaurs).

PCT4262427: Engraving by Gustave Dore around 1850: evocation of an apocalyptic deluge combining biblical tradition (one can see in the distance the ark of Noe on the sea) and the beginning of scientific knowledge (various monstrous animals failed on the mountain, prefiguring the dinosaurs)., Dore, Gustave (1832-83) / Bridgeman Images

Sully (Maximilian of Bethune, Baron de Rosny, Duke of Sully, 1560-1641), French Protestant statesman, counsellor, friend and minister of finance of Henry IV - Engraving by Gustave Dore.
Sully (Maximilian of Bethune, Baron de Rosny, Duke of Sully, 1560-1641), French Protestant statesman, counsellor, friend and minister of finance of Henry IV - Engraving by Gustave Dore.

PCT4262585: Sully (Maximilian of Bethune, Baron de Rosny, Duke of Sully, 1560-1641), French Protestant statesman, counsellor, friend and minister of finance of Henry IV - Engraving by Gustave Dore., Dore, Gustave (1832-83) / Bridgeman Images

In the fourth circle of Hell, under which Pluto (Hades) presides, the Avares and the Prodigans carry and roll heavy burdens (rocks), colliding with anger. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Tutto l'oro ch 'e sotto la Luna/O che gia fu, di question' anime stanche/Non poterebble farne posar una. (All gold that is or was ever under the moon could not give a moment of rest to one of these tired souls”, song 7. v. 64, 65 & 66.
In the fourth circle of Hell, under which Pluto (Hades) presides, the Avares and the Prodigans carry and roll heavy burdens (rocks), colliding with anger. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Tutto l'oro ch 'e sotto la Luna/O che gia fu, di question' anime stanche/Non poterebble farne posar una. (All gold that is or was ever under the moon could not give a moment of rest to one of these tired souls”, song 7. v. 64, 65 & 66.

PCT4265339: In the fourth circle of Hell, under which Pluto (Hades) presides, the Avares and the Prodigans carry and roll heavy burdens (rocks), colliding with anger. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. “” Tutto l'oro ch 'e sotto la Luna/O che gia fu, di question' anime stanche/Non poterebble farne posar una. (All gold that is or was ever under the moon could not give a moment of rest to one of these tired souls”, song 7. v. 64, 65 & 66., Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267163: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267113: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Adam and Eve are hunting from Paradise. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection
Adam and Eve are hunting from Paradise. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

PCT4285150: Adam and Eve are hunting from Paradise. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

The fall of angels (the angels dechus) Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection
The fall of angels (the angels dechus) Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection

PCT4285108: The fall of angels (the angels dechus) Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674). Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

The snake is heading to Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674) - Temptation - Fishing - Engraving from 1866. Private Collection
The snake is heading to Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674) - Temptation - Fishing - Engraving from 1866. Private Collection

PCT4285148: The snake is heading to Adam and Eve. Illustration by Gustave Dore for “Paradise Lost” by John Milton (1608-1674) - Temptation - Fishing - Engraving from 1866. Private Collection, Dore, Gustave (1832-83) / Bridgeman Images

The wolf became shepherd: fable by Jean de la Fontaine illustree by Gustave Dore - The wolf turned shepherd -
The wolf became shepherd: fable by Jean de la Fontaine illustree by Gustave Dore - The wolf turned shepherd -

PCT4288737: The wolf became shepherd: fable by Jean de la Fontaine illustree by Gustave Dore - The wolf turned shepherd -, Dore, Gustave (1832-83) / Bridgeman Images

Merlin and Viviane in the Brocéliande Forest - in “” Viviane”” by Alfred Tennyson, illustration by G. Doré, 1868
Merlin and Viviane in the Brocéliande Forest - in “” Viviane”” by Alfred Tennyson, illustration by G. Doré, 1868

LSE4096522: Merlin and Viviane in the Brocéliande Forest - in “” Viviane”” by Alfred Tennyson, illustration by G. Doré, 1868, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 25: The lustful pass through fire in the seventh circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 25: The lustful pass through fire in the seventh circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145463: The Divine Comedy (La Divina Commedia, La Divine Comedie), Purgatorio, Canto 25: The lustful pass through fire in the seventh circle - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: The she-wolf appears - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: The she-wolf appears - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145769: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: The she-wolf appears - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

The old man holding a purse and his stick walking in a hostile landscape is surmounted by an angel waving a spee of fire, Plate VII - Illustration by Gustave Dore (1832-1883), for La legende du Jew wandering by Pierre Dupont, Edition Librairie du magasin picturesque, Paris 1862
The old man holding a purse and his stick walking in a hostile landscape is surmounted by an angel waving a spee of fire, Plate VII - Illustration by Gustave Dore (1832-1883), for La legende du Jew wandering by Pierre Dupont, Edition Librairie du magasin picturesque, Paris 1862

LSE4089569: The old man holding a purse and his stick walking in a hostile landscape is surmounted by an angel waving a spee of fire, Plate VII - Illustration by Gustave Dore (1832-1883), for La legende du Jew wandering by Pierre Dupont, Edition Librairie du magasin picturesque, Paris 1862, Dore, Gustave (1832-83) / Bridgeman Images

The castle of fear - illustration of fear by Gustave Doré, engraving, 1874
The castle of fear - illustration of fear by Gustave Doré, engraving, 1874

LSE4085997: The castle of fear - illustration of fear by Gustave Doré, engraving, 1874, Dore, Gustave (1832-83) / Bridgeman Images

The Knights of the Round Table in the Forest of Broceliande - in “” Viviane”” by Alfred Tennyson, illustration by G. Doré, 1868
The Knights of the Round Table in the Forest of Broceliande - in “” Viviane”” by Alfred Tennyson, illustration by G. Doré, 1868

LSE4094946: The Knights of the Round Table in the Forest of Broceliande - in “” Viviane”” by Alfred Tennyson, illustration by G. Doré, 1868, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and Sancho Panza at the beginning of the adventure in a thick and unknown forest - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote and Sancho Panza at the beginning of the adventure in a thick and unknown forest - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156207: Don Quixote and Sancho Panza at the beginning of the adventure in a thick and unknown forest - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote questions the forces about the reasons for their convictions - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote questions the forces about the reasons for their convictions - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156214: Don Quixote questions the forces about the reasons for their convictions - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images


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