Dore, Gustave (1832-83) Assets (2601 in total)

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Don Quixote beaten in the middle of a group of merchants - The mule maker had taken a taste of the game - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Don Quixote beaten in the middle of a group of merchants - The mule maker had taken a taste of the game - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156177: Don Quixote beaten in the middle of a group of merchants - The mule maker had taken a taste of the game - from “Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

One of the fugitives, Gines de Passamont, steals the donkey from Sancho Panza during the sleep of the two travellers - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
One of the fugitives, Gines de Passamont, steals the donkey from Sancho Panza during the sleep of the two travellers - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156222: One of the fugitives, Gines de Passamont, steals the donkey from Sancho Panza during the sleep of the two travellers - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Sancho Panza finds his master, always in penitence - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Sancho Panza finds his master, always in penitence - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156244: Sancho Panza finds his master, always in penitence - from “” Don Quixote de la Mancha”” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Arrivee de Don Quixote at the wedding of Camache - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore
Arrivee de Don Quixote at the wedding of Camache - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore

XEE4156288: Arrivee de Don Quixote at the wedding of Camache - from “Don Quixote de la Mancha” by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Second voyage: Sindbat discovers a valley with diamonds, but which is unfortunately occupied by giant snakes. He will take refuge in a cave where he will close the entrance with a rock to get out of reach of the monsters.
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Second voyage: Sindbat discovers a valley with diamonds, but which is unfortunately occupied by giant snakes. He will take refuge in a cave where he will close the entrance with a rock to get out of reach of the monsters.

PCT4278292: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - edition Maxwell 1865 - Second voyage: Sindbat discovers a valley with diamonds, but which is unfortunately occupied by giant snakes. He will take refuge in a cave where he will close the entrance with a rock to get out of reach of the monsters., Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - First voyage: Sindbad, abandoned in the middle of the sea by his companions, reached an island and met in a cave the palefreniers of King Miihrage
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - First voyage: Sindbad, abandoned in the middle of the sea by his companions, reached an island and met in a cave the palefreniers of King Miihrage

PCT4278407: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore - Maxwell edition 1865 - First voyage: Sindbad, abandoned in the middle of the sea by his companions, reached an island and met in a cave the palefreniers of King Miihrage, Dore, Gustave (1832-83) / Bridgeman Images

The Ingenious Hidalgo Don Quixote de la Mancha (Quixotte - Quijote) by Miguel de Cervantes (1547-1616): the knight has the sad figure made cabrioles “” putting naked certain things that Sancho, in order not to see them, hasten to turn around, satisfied to be able to testify that his master is perfectly crazy”. Gustave Dore (1832- 1883).
The Ingenious Hidalgo Don Quixote de la Mancha (Quixotte - Quijote) by Miguel de Cervantes (1547-1616): the knight has the sad figure made cabrioles “” putting naked certain things that Sancho, in order not to see them, hasten to turn around, satisfied to be able to testify that his master is perfectly crazy”. Gustave Dore (1832- 1883).

PCT4279477: The Ingenious Hidalgo Don Quixote de la Mancha (Quixotte - Quijote) by Miguel de Cervantes (1547-1616): the knight has the sad figure made cabrioles “” putting naked certain things that Sancho, in order not to see them, hasten to turn around, satisfied to be able to testify that his master is perfectly crazy”. Gustave Dore (1832- 1883)., Dore, Gustave (1832-83) / Bridgeman Images

Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Sixth voyage: To the court of the king of Serendib
Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Sixth voyage: To the court of the king of Serendib

PCT4278376: Sindbad the sailor (Sinbad) - tale of the thousand and one (1001) nights - illustration by Gustave Dore (detail) - Maxwell edition 1865 - Sixth voyage: To the court of the king of Serendib, Dore, Gustave (1832-83) / Bridgeman Images

Gant Gargantua's education: as a child, he learns to read with his preceptor. Illustration by Gustave Dore for the work of Francois Rabelais.
Gant Gargantua's education: as a child, he learns to read with his preceptor. Illustration by Gustave Dore for the work of Francois Rabelais.

PCT4277083: Gant Gargantua's education: as a child, he learns to read with his preceptor. Illustration by Gustave Dore for the work of Francois Rabelais., Dore, Gustave (1832-83) / Bridgeman Images

Sully (Maximilian of Bethune, Baron de Rosny, Duke of Sully, 1560-1641), French Protestant statesman, counsellor, friend and minister of finance of Henry IV - Engraving by Gustave Dore.
Sully (Maximilian of Bethune, Baron de Rosny, Duke of Sully, 1560-1641), French Protestant statesman, counsellor, friend and minister of finance of Henry IV - Engraving by Gustave Dore.

PCT4262585: Sully (Maximilian of Bethune, Baron de Rosny, Duke of Sully, 1560-1641), French Protestant statesman, counsellor, friend and minister of finance of Henry IV - Engraving by Gustave Dore., Dore, Gustave (1832-83) / Bridgeman Images

Waterfall of Cirque de Gavarnie seen from the inn: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees”” by Hippolyte Taine, Hachette 1860.
Waterfall of Cirque de Gavarnie seen from the inn: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees”” by Hippolyte Taine, Hachette 1860.

PCT4262560: Waterfall of Cirque de Gavarnie seen from the inn: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees”” by Hippolyte Taine, Hachette 1860., Dore, Gustave (1832-83) / Bridgeman Images

Engraving by Gustave Dore around 1850: evocation of an apocalyptic deluge combining biblical tradition (one can see in the distance the ark of Noe on the sea) and the beginning of scientific knowledge (various monstrous animals failed on the mountain, prefiguring the dinosaurs).
Engraving by Gustave Dore around 1850: evocation of an apocalyptic deluge combining biblical tradition (one can see in the distance the ark of Noe on the sea) and the beginning of scientific knowledge (various monstrous animals failed on the mountain, prefiguring the dinosaurs).

PCT4262427: Engraving by Gustave Dore around 1850: evocation of an apocalyptic deluge combining biblical tradition (one can see in the distance the ark of Noe on the sea) and the beginning of scientific knowledge (various monstrous animals failed on the mountain, prefiguring the dinosaurs)., Dore, Gustave (1832-83) / Bridgeman Images

La Coulisse de la Bourse, 1854 (lithograph)
La Coulisse de la Bourse, 1854 (lithograph)

REV3471722: La Coulisse de la Bourse, 1854 (lithograph), Dore, Gustave (1832-83) / Bridgeman Images

The Countryman & Serpent, (Fontaine's Fables)  by Gustave Dore, 1867.
The Countryman & Serpent, (Fontaine's Fables)  by Gustave Dore, 1867.

HLR3262678: The Countryman & Serpent, (Fontaine's Fables) by Gustave Dore, 1867., Dore, Gustave (1832-83) / Bridgeman Images

Dante's Purgatorio- Purgatory. Dante and Pope Adrian V Engraving by Gustav Dore, 1868.
Dante's Purgatorio- Purgatory. Dante and Pope Adrian V Engraving by Gustav Dore, 1868.

HLR3262636: Dante's Purgatorio- Purgatory. Dante and Pope Adrian V Engraving by Gustav Dore, 1868., Dore, Gustave (1832-83) / Bridgeman Images

Puss in Boots, The Fairy Realm, story, by Gustave Dore, 1862.
Puss in Boots, The Fairy Realm, story, by Gustave Dore, 1862.

HLR3262672: Puss in Boots, The Fairy Realm, story, by Gustave Dore, 1862., Dore, Gustave (1832-83) / Bridgeman Images

The Gnarled Monster, legend of Croquemitaine, by Gustave Dore
The Gnarled Monster, legend of Croquemitaine, by Gustave Dore

HLR3262679: The Gnarled Monster, legend of Croquemitaine, by Gustave Dore, Dore, Gustave (1832-83) / Bridgeman Images

Jesus Christ chases the merchants of the Temple. Illustration of Gustave Doré.
Jesus Christ chases the merchants of the Temple. Illustration of Gustave Doré.

GIA4763020: Jesus Christ chases the merchants of the Temple. Illustration of Gustave Doré., Dore, Gustave (1832-83) / Bridgeman Images

Pantagruel - de Rabelais, by Gustave Doré, 1873
Pantagruel - de Rabelais, by Gustave Doré, 1873

LSE4096504: Pantagruel - de Rabelais, by Gustave Doré, 1873, Dore, Gustave (1832-83) / Bridgeman Images

Merlin and Viviane in the Brocéliande Forest - in “” Viviane”” by Alfred Tennyson, illustration by G. Doré, 1868
Merlin and Viviane in the Brocéliande Forest - in “” Viviane”” by Alfred Tennyson, illustration by G. Doré, 1868

LSE4096522: Merlin and Viviane in the Brocéliande Forest - in “” Viviane”” by Alfred Tennyson, illustration by G. Doré, 1868, Dore, Gustave (1832-83) / Bridgeman Images

The castle of fear - illustration of fear by Gustave Doré, engraving, 1874
The castle of fear - illustration of fear by Gustave Doré, engraving, 1874

LSE4085997: The castle of fear - illustration of fear by Gustave Doré, engraving, 1874, Dore, Gustave (1832-83) / Bridgeman Images

La liberté, engraving by Gustave Doré, 19th century
La liberté, engraving by Gustave Doré, 19th century

LSE4083525: La liberté, engraving by Gustave Doré, 19th century, Dore, Gustave (1832-83) / Bridgeman Images

The old man holding a purse and his stick walking in a hostile landscape is surmounted by an angel waving a spee of fire, Plate VII - Illustration by Gustave Dore (1832-1883), for La legende du Jew wandering by Pierre Dupont, Edition Librairie du magasin picturesque, Paris 1862
The old man holding a purse and his stick walking in a hostile landscape is surmounted by an angel waving a spee of fire, Plate VII - Illustration by Gustave Dore (1832-1883), for La legende du Jew wandering by Pierre Dupont, Edition Librairie du magasin picturesque, Paris 1862

LSE4089569: The old man holding a purse and his stick walking in a hostile landscape is surmounted by an angel waving a spee of fire, Plate VII - Illustration by Gustave Dore (1832-1883), for La legende du Jew wandering by Pierre Dupont, Edition Librairie du magasin picturesque, Paris 1862, Dore, Gustave (1832-83) / Bridgeman Images

The Knights of the Round Table in the Forest of Broceliande - in “” Viviane”” by Alfred Tennyson, illustration by G. Doré, 1868
The Knights of the Round Table in the Forest of Broceliande - in “” Viviane”” by Alfred Tennyson, illustration by G. Doré, 1868

LSE4094946: The Knights of the Round Table in the Forest of Broceliande - in “” Viviane”” by Alfred Tennyson, illustration by G. Doré, 1868, Dore, Gustave (1832-83) / Bridgeman Images

Extract from the Gospel of St. Matthew. Jesus Christ preaches before the crowd of his disciples. Engraving of the 19th century.
Extract from the Gospel of St. Matthew. Jesus Christ preaches before the crowd of his disciples. Engraving of the 19th century.

GIA4733360: Extract from the Gospel of St. Matthew. Jesus Christ preaches before the crowd of his disciples. Engraving of the 19th century., Dore, Gustave (1832-83) / Bridgeman Images

The prediction of St. Paul to Ephese. Jews who were engaged in exorcism burn the books. Illustration by Gustave Dore, 1882 (engraving)
The prediction of St. Paul to Ephese. Jews who were engaged in exorcism burn the books. Illustration by Gustave Dore, 1882 (engraving)

ELD4831298: The prediction of St. Paul to Ephese. Jews who were engaged in exorcism burn the books. Illustration by Gustave Dore, 1882 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Dante and Virgil meet Giant Anthee, illustrated by Gustave Dore, 1861 (engraving)
Dante and Virgil meet Giant Anthee, illustrated by Gustave Dore, 1861 (engraving)

ELD4831538: Dante and Virgil meet Giant Anthee, illustrated by Gustave Dore, 1861 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Jacob's Dream. Engraving by Gustave Dore.
Jacob's Dream. Engraving by Gustave Dore.

TRK879934: Jacob's Dream. Engraving by Gustave Dore., Dore, Gustave (1832-83) / Bridgeman Images

Rondibilis, in Pantagruel, 19th century (engraving)
Rondibilis, in Pantagruel, 19th century (engraving)

XIR1200186: Rondibilis, in Pantagruel, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

One of the Apedeltes, illustration from 'Gargantua and Pantagruel', by François Rabelais, 19th century (engraving)
One of the Apedeltes, illustration from 'Gargantua and Pantagruel', by François Rabelais, 19th century (engraving)

XIR1200174: One of the Apedeltes, illustration from 'Gargantua and Pantagruel', by François Rabelais, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The beggar musicians, illustration from 'Gargantua and Pantagruel', by François Rabelais, 19th century (engraving)
The beggar musicians, illustration from 'Gargantua and Pantagruel', by François Rabelais, 19th century (engraving)

XIR1200172: The beggar musicians, illustration from 'Gargantua and Pantagruel', by François Rabelais, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Messire Oudart, in Pantagruel,  19th century (engraving)
Messire Oudart, in Pantagruel,  19th century (engraving)

XIR1200185: Messire Oudart, in Pantagruel, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The astrologer Herr Trippa, illustration from 'Gargantua and Pantagruel', by François Rabelais, 19th century (engraving)
The astrologer Herr Trippa, illustration from 'Gargantua and Pantagruel', by François Rabelais, 19th century (engraving)

XIR1200167: The astrologer Herr Trippa, illustration from 'Gargantua and Pantagruel', by François Rabelais, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

St. Paul's Cathedral and the slums, from 'London, A Pilgrimage', 1872 (engraving)
St. Paul's Cathedral and the slums, from 'London, A Pilgrimage', 1872 (engraving)

XJF394288: St. Paul's Cathedral and the slums, from 'London, A Pilgrimage', 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 33 : Gaddo dies before his father's eyes (Ugolin (Ugolino) della Gherardesca), illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 33 : Gaddo dies before his father's eyes (Ugolin (Ugolino) della Gherardesca), illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745678: Inferno, Canto 33 : Gaddo dies before his father's eyes (Ugolin (Ugolino) della Gherardesca), illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 4 : The innocent souls in Limbo, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 4 : The innocent souls in Limbo, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745726: Inferno, Canto 4 : The innocent souls in Limbo, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images


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