Dore, Gustave (1832-83) Assets (2601 in total)

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View of the printing machine gallery, 19th century (engraving)
View of the printing machine gallery, 19th century (engraving)

JLJ4679609: View of the printing machine gallery, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

All their lives were employed not by laws, statutes or rules, but according to their will and frank will, after Gargantua (1534) by François Rabelais (1483 - 1553). Engraved by Gustave Dore (1832-1883).
All their lives were employed not by laws, statutes or rules, but according to their will and frank will, after Gargantua (1534) by François Rabelais (1483 - 1553). Engraved by Gustave Dore (1832-1883).

GIA4733056: All their lives were employed not by laws, statutes or rules, but according to their will and frank will, after Gargantua (1534) by François Rabelais (1483 - 1553). Engraved by Gustave Dore (1832-1883)., Dore, Gustave (1832-83) / Bridgeman Images

Illustration for
Illustration for

XEE4156246: Illustration for "Don Quixote de la Mancha" written by Miguel Cervantes, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for 'Gargantua and Pantagruel', by Francois Rabelais, 1854 (engraving)
Illustration for 'Gargantua and Pantagruel', by Francois Rabelais, 1854 (engraving)

XEE4162390: Illustration for 'Gargantua and Pantagruel', by Francois Rabelais, 1854 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Cover of Theophile Gautier's book “Le Capitaine Fracasse”, illustrated by Gustave Dore, edition Charpentier late 19th century.
Cover of Theophile Gautier's book “Le Capitaine Fracasse”, illustrated by Gustave Dore, edition Charpentier late 19th century.

PCT4271621: Cover of Theophile Gautier's book “Le Capitaine Fracasse”, illustrated by Gustave Dore, edition Charpentier late 19th century., Dore, Gustave (1832-83) / Bridgeman Images

Leandre just smashed a guitar on Matamore's head, illustration for
Leandre just smashed a guitar on Matamore's head, illustration for

PCT4271572: Leandre just smashed a guitar on Matamore's head, illustration for "Captain Fracass", 1863 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

La “Breche de Roland”, mountain split by Durandal, l'epee du heros: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees”” by Hippolyte Taine, Hachette 1860.
La “Breche de Roland”, mountain split by Durandal, l'epee du heros: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees”” by Hippolyte Taine, Hachette 1860.

PCT4262562: La “Breche de Roland”, mountain split by Durandal, l'epee du heros: engraving by Gustave Dore illustrating the book “” Voyage aux Pyrenees”” by Hippolyte Taine, Hachette 1860., Dore, Gustave (1832-83) / Bridgeman Images

The Feeding of the 4000. coloured engraving.
The Feeding of the 4000. coloured engraving.

TRK3025482: The Feeding of the 4000. coloured engraving., Dore, Gustave (1832-83) / Bridgeman Images

A sale (inn) in Estremadure, which welcomes workers and travellers as well as various pets or not, you can drink on the common jug suspended from the beams or individually and you can also eat a soup always on the fire. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
A sale (inn) in Estremadure, which welcomes workers and travellers as well as various pets or not, you can drink on the common jug suspended from the beams or individually and you can also eat a soup always on the fire. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328444: A sale (inn) in Estremadure, which welcomes workers and travellers as well as various pets or not, you can drink on the common jug suspended from the beams or individually and you can also eat a soup always on the fire. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy, Purgatorio, Canto 23: Dante recognizes the shade of Forese among the gluttons - by Dante Alighieri, 1885
The Divine Comedy, Purgatorio, Canto 23: Dante recognizes the shade of Forese among the gluttons - by Dante Alighieri, 1885

XEE4145481: The Divine Comedy, Purgatorio, Canto 23: Dante recognizes the shade of Forese among the gluttons - by Dante Alighieri, 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy, Inferno, Canto 33: Ugolino in the cell with his four dead sons - by Dante Alighieri, 1885
The Divine Comedy, Inferno, Canto 33: Ugolino in the cell with his four dead sons - by Dante Alighieri, 1885

XEE4145574: The Divine Comedy, Inferno, Canto 33: Ugolino in the cell with his four dead sons - by Dante Alighieri, 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy, Inferno, Canto 1: The panther at the beginning of the ascent - by Dante Alighieri, 1885 (engraving)
The Divine Comedy, Inferno, Canto 1: The panther at the beginning of the ascent - by Dante Alighieri, 1885 (engraving)

XEE4145772: The Divine Comedy, Inferno, Canto 1: The panther at the beginning of the ascent - by Dante Alighieri, 1885 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy, Paradiso, Canto 16: The soul of Cacciaguida speaks of Florence - by Dante Alighieri, 1885
The Divine Comedy, Paradiso, Canto 16: The soul of Cacciaguida speaks of Florence - by Dante Alighieri, 1885

XEE4145418: The Divine Comedy, Paradiso, Canto 16: The soul of Cacciaguida speaks of Florence - by Dante Alighieri, 1885, Dore, Gustave (1832-83) / Bridgeman Images

Saint Louis arrives in front of Damietta, 19th century (engraving)
Saint Louis arrives in front of Damietta, 19th century (engraving)

XEE4160118: Saint Louis arrives in front of Damietta, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Daniel in the Den of Lions, 19th century (engraving)
Daniel in the Den of Lions, 19th century (engraving)

XEE4160172: Daniel in the Den of Lions, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Noah Driving Ham Away, 19th century (engraving)
Noah Driving Ham Away, 19th century (engraving)

XEE4160442: Noah Driving Ham Away, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Grasshopper and the Ant, by Gustave Doré, 1832 - 1883, French. Engraving for Fables by Jean De La Fontaine. 1870, Art, Artist, Romanticism, Colour, Color Engraving
The Grasshopper and the Ant, by Gustave Doré, 1832 - 1883, French. Engraving for Fables by Jean De La Fontaine. 1870, Art, Artist, Romanticism, Colour, Color Engraving

LZT1035748: The Grasshopper and the Ant, by Gustave Doré, 1832 - 1883, French. Engraving for Fables by Jean De La Fontaine. 1870, Art, Artist, Romanticism, Colour, Color Engraving, Dore, Gustave (1832-83) / Bridgeman Images

Dante and the Spirit of Forese, by Gustave Doré, 1832 - 1883, French. Engraving for the Purgatorio by Dante, 1870, Art, Artist, Romanticism, Colour, Color Engraving
Dante and the Spirit of Forese, by Gustave Doré, 1832 - 1883, French. Engraving for the Purgatorio by Dante, 1870, Art, Artist, Romanticism, Colour, Color Engraving

LZT1035707: Dante and the Spirit of Forese, by Gustave Doré, 1832 - 1883, French. Engraving for the Purgatorio by Dante, 1870, Art, Artist, Romanticism, Colour, Color Engraving, Dore, Gustave (1832-83) / Bridgeman Images

The Mouth of Hell, by Gustave Dore, 1832 - 1883, French. Engraving for Paradise Lost by Milton. 1870, Art, Artist, Romanticism, Colour, Color Engraving
The Mouth of Hell, by Gustave Dore, 1832 - 1883, French. Engraving for Paradise Lost by Milton. 1870, Art, Artist, Romanticism, Colour, Color Engraving

LZT1035820: The Mouth of Hell, by Gustave Dore, 1832 - 1883, French. Engraving for Paradise Lost by Milton. 1870, Art, Artist, Romanticism, Colour, Color Engraving, Dore, Gustave (1832-83) / Bridgeman Images

The Oyster and Its Claimants
The Oyster and Its Claimants

LZT1035872: The Oyster and Its Claimants, Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 32 : The giant and the harlot in the chariot, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 32 : The giant and the harlot in the chariot, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745637: Purgatorio, Canto 32 : The giant and the harlot in the chariot, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 3 : The company of souls upon the cliff, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 3 : The company of souls upon the cliff, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745668: Purgatorio, Canto 3 : The company of souls upon the cliff, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 13 : The suicides flee the forest, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 13 : The suicides flee the forest, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745701: Inferno, Canto 13 : The suicides flee the forest, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 2 : Dante bows before the angel pilot, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 2 : Dante bows before the angel pilot, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745666: Purgatorio, Canto 2 : Dante bows before the angel pilot, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 33 : Ugolino (Ugolin della Gherardesca) and his sons immured and starving, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 33 : Ugolino (Ugolin della Gherardesca) and his sons immured and starving, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745677: Inferno, Canto 33 : Ugolino (Ugolin della Gherardesca) and his sons immured and starving, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Paradiso, Canto 21  : Blessed Beatrice in the seventh circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Paradiso, Canto 21  : Blessed Beatrice in the seventh circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745618: Paradiso, Canto 21 : Blessed Beatrice in the seventh circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 1 : The poets behold the beauty of Venus in the morning sky, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 1 : The poets behold the beauty of Venus in the morning sky, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745664: Purgatorio, Canto 1 : The poets behold the beauty of Venus in the morning sky, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 13 : The suicides in the forest, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 13 : The suicides in the forest, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745700: Inferno, Canto 13 : The suicides in the forest, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 1 : The lion suddently confronts Dante, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 1 : The lion suddently confronts Dante, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745742: Inferno, Canto 1 : The lion suddently confronts Dante, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Ingenious Hidalgo Don Quixote of La Mancha by Spanish writer Miguel de Cervantes (1547-1616).
The Ingenious Hidalgo Don Quixote of La Mancha by Spanish writer Miguel de Cervantes (1547-1616).

TRK1775164: The Ingenious Hidalgo Don Quixote of La Mancha by Spanish writer Miguel de Cervantes (1547-1616)., Dore, Gustave (1832-83) / Bridgeman Images

Ship in Antartica, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
Ship in Antartica, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)

XJF393828: Ship in Antartica, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inside the Docks, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by Charles Maurand (b.1822) pub. 1872 (engraving)
Inside the Docks, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by Charles Maurand (b.1822) pub. 1872 (engraving)

STC377536: Inside the Docks, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) & engraved by Charles Maurand (b.1822) pub. 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Album of the Siege of Paris, Sentry, Guards (pen & brown ink wash & pencil on paper)
Album of the Siege of Paris, Sentry, Guards (pen & brown ink wash & pencil on paper)

XIR414944: Album of the Siege of Paris, Sentry, Guards (pen & brown ink wash & pencil on paper), Dore, Gustave (1832-83) / Bridgeman Images

Mountainous landscape (oil on canvas)
Mountainous landscape (oil on canvas)

XIR417039: Mountainous landscape (oil on canvas), Dore, Gustave (1832-83) / Bridgeman Images

Poor girl with a child in London (pen and Indian ink on paper)
Poor girl with a child in London (pen and Indian ink on paper)

XIR414919: Poor girl with a child in London (pen and Indian ink on paper), Dore, Gustave (1832-83) / Bridgeman Images

Album of the Siege of Paris, Emigrants (pen & brown ink wash & pencil on paper)
Album of the Siege of Paris, Emigrants (pen & brown ink wash & pencil on paper)

XIR414930: Album of the Siege of Paris, Emigrants (pen & brown ink wash & pencil on paper), Dore, Gustave (1832-83) / Bridgeman Images


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