Dore, Gustave (1832-83) Assets (2601 in total)

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The education of the Gant Gargantua child: he learns to play the des. Illustration by Gustave Dore for the work of Francois Rabelais.
The education of the Gant Gargantua child: he learns to play the des. Illustration by Gustave Dore for the work of Francois Rabelais.

PCT4277068: The education of the Gant Gargantua child: he learns to play the des. Illustration by Gustave Dore for the work of Francois Rabelais., Dore, Gustave (1832-83) / Bridgeman Images

Pantagruel surrounds cows - in “” Gargantua”” by Rabelais, ill. Gustave Doré, 1873
Pantagruel surrounds cows - in “” Gargantua”” by Rabelais, ill. Gustave Doré, 1873

LSE4096519: Pantagruel surrounds cows - in “” Gargantua”” by Rabelais, ill. Gustave Doré, 1873, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy, Purgatorio, Canto 24: The gluttonous souls crying out beneath the tree - by Dante Alighieri, 1885
The Divine Comedy, Purgatorio, Canto 24: The gluttonous souls crying out beneath the tree - by Dante Alighieri, 1885

XEE4145473: The Divine Comedy, Purgatorio, Canto 24: The gluttonous souls crying out beneath the tree - by Dante Alighieri, 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy, Inferno, Canto 5: Minos judges the transgressions and dispatches the souls - by Dante Alighieri, 1885
The Divine Comedy, Inferno, Canto 5: Minos judges the transgressions and dispatches the souls - by Dante Alighieri, 1885

XEE4145743: The Divine Comedy, Inferno, Canto 5: Minos judges the transgressions and dispatches the souls - by Dante Alighieri, 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy, Paradiso, Canto 26: St. John examines Dante concerning love - by Dante Alighieri, 1885
The Divine Comedy, Paradiso, Canto 26: St. John examines Dante concerning love - by Dante Alighieri, 1885

XEE4145329: The Divine Comedy, Paradiso, Canto 26: St. John examines Dante concerning love - by Dante Alighieri, 1885, Dore, Gustave (1832-83) / Bridgeman Images

Palm players at the Luxembourg Garden in Paris in 1868 (engraving)
Palm players at the Luxembourg Garden in Paris in 1868 (engraving)

XEE4149340: Palm players at the Luxembourg Garden in Paris in 1868 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Paris - Bois de Boulogne, 1868 (engraving)
Paris - Bois de Boulogne, 1868 (engraving)

XEE4149352: Paris - Bois de Boulogne, 1868 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for
Illustration for

XEE4149616: Illustration for "Don Quixote" by Miguel de Cervantes, 1869 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore (1832-1883) for Edgar Allan Poe's short story “” The Raven”” (The Raven). This series was completed by Dore in 1883, the year of his death and is therefore one of his most recent works -
Illustration by Gustave Dore (1832-1883) for Edgar Allan Poe's short story “” The Raven”” (The Raven). This series was completed by Dore in 1883, the year of his death and is therefore one of his most recent works -

PCT4285019: Illustration by Gustave Dore (1832-1883) for Edgar Allan Poe's short story “” The Raven”” (The Raven). This series was completed by Dore in 1883, the year of his death and is therefore one of his most recent works -, Dore, Gustave (1832-83) / Bridgeman Images

Jesus preaches to the crowd, 19th century (engraving)
Jesus preaches to the crowd, 19th century (engraving)

XEE4163411: Jesus preaches to the crowd, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for
Illustration for

XEE4156166: Illustration for "Don Quixote de la Mancha" written by Miguel Cervantes, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Saint Louis taken prisoner in Mansoura, during the 7th Crusade in 1250, 19th century (engraving)
Saint Louis taken prisoner in Mansoura, during the 7th Crusade in 1250, 19th century (engraving)

XEE4160114: Saint Louis taken prisoner in Mansoura, during the 7th Crusade in 1250, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Agar and son Ismael  in the desert after being hunted by Abraham, 19th century (engraving)
Agar and son Ismael  in the desert after being hunted by Abraham, 19th century (engraving)

XEE4160426: Agar and son Ismael in the desert after being hunted by Abraham, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

La Belle Au Bois Dormant; Sleeping Beauty (engraving)
La Belle Au Bois Dormant; Sleeping Beauty (engraving)

LLM5989844: La Belle Au Bois Dormant; Sleeping Beauty (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Sketches Humorous and Grotesque by Gustave Dore (engraving)
Sketches Humorous and Grotesque by Gustave Dore (engraving)

LLM6011946: Sketches Humorous and Grotesque by Gustave Dore (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Roland fights the sea monster, 19th century (engraving)
Roland fights the sea monster, 19th century (engraving)

PCT6646948: Roland fights the sea monster, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Struggle between Christianity and Muslim forces, Battle scene, Crusades (engraving)
Struggle between Christianity and Muslim forces, Battle scene, Crusades (engraving)

TRK3514696: Struggle between Christianity and Muslim forces, Battle scene, Crusades (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Jesus in the temple, engraving by Doré. - Bible
Jesus in the temple, engraving by Doré. - Bible

XLF3779868: Jesus in the temple, engraving by Doré. - Bible, Dore, Gustave (1832-83) / Bridgeman Images

Paradise Lost, by Milton: The serpent approaches.
Paradise Lost, by Milton: The serpent approaches.

XLF3779877: Paradise Lost, by Milton: The serpent approaches., Dore, Gustave (1832-83) / Bridgeman Images

Artaxerxes granting liberty to the Jews. - Bible
Artaxerxes granting liberty to the Jews. - Bible

XLF3780042: Artaxerxes granting liberty to the Jews. - Bible, Dore, Gustave (1832-83) / Bridgeman Images

Inside the Docks  by Gustave Doré
Inside the Docks  by Gustave Doré

XLF3789591: Inside the Docks by Gustave Doré, Dore, Gustave (1832-83) / Bridgeman Images

The prophet slain by a lion
The prophet slain by a lion

XLF3790822: The prophet slain by a lion, Dore, Gustave (1832-83) / Bridgeman Images

Jesus and the woman taken in adultery
Jesus and the woman taken in adultery

XLF3790857: Jesus and the woman taken in adultery, Dore, Gustave (1832-83) / Bridgeman Images

The widow's mite
The widow's mite

XLF3790852: The widow's mite, Dore, Gustave (1832-83) / Bridgeman Images

The Countess of the Fountain and her Damsels, from 'Stories of the Days of King Arthur' by Charles Henry Hanson, pub.1898 (engraving)
The Countess of the Fountain and her Damsels, from 'Stories of the Days of King Arthur' by Charles Henry Hanson, pub.1898 (engraving)

STC3587822: The Countess of the Fountain and her Damsels, from 'Stories of the Days of King Arthur' by Charles Henry Hanson, pub.1898 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

'The great heroic singer'
'The great heroic singer'

XLE3769044: 'The great heroic singer', Dore, Gustave (1832-83) / Bridgeman Images

Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)
Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving)

XLA3763817: Illustration for The Divine Comedy - Hell (La Divina Commedia, L'Inferno) by Dante, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Le Vieillard et les trois jeunes hommes
Le Vieillard et les trois jeunes hommes

XLA3758818: Le Vieillard et les trois jeunes hommes, Dore, Gustave (1832-83) / Bridgeman Images

A Friendly Tournament during the Third Crusade in 1189, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)
A Friendly Tournament during the Third Crusade in 1189, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)

KWE219417: A Friendly Tournament during the Third Crusade in 1189, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho), Dore, Gustave (1832-83) / Bridgeman Images

The Battle of Arsuf in 1191, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)
The Battle of Arsuf in 1191, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)

KWE219450: The Battle of Arsuf in 1191, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho), Dore, Gustave (1832-83) / Bridgeman Images

The Charity of the Fishmongers, 19th century (watercolour on paper)
The Charity of the Fishmongers, 19th century (watercolour on paper)

XIR212515: The Charity of the Fishmongers, 19th century (watercolour on paper), Dore, Gustave (1832-83) / Bridgeman Images

Blondin at Shoreditch, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Gauchard, pub. 1872 (engraving)
Blondin at Shoreditch, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Gauchard, pub. 1872 (engraving)

XJF396042: Blondin at Shoreditch, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Gauchard, pub. 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Mariner, condemned to travel unceasingly from country to country, is also condemned to relate his story to people he meets, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
The Mariner, condemned to travel unceasingly from country to country, is also condemned to relate his story to people he meets, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)

XJF393858: The Mariner, condemned to travel unceasingly from country to country, is also condemned to relate his story to people he meets, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

The angelic spirits leave the dead bodies and appear in their own forms of light, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
The angelic spirits leave the dead bodies and appear in their own forms of light, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)

XJF393851: The angelic spirits leave the dead bodies and appear in their own forms of light, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

The first vision of his native country by the Mariner, freed from his trance and woken from sleep, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
The first vision of his native country by the Mariner, freed from his trance and woken from sleep, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)

XJF393850: The first vision of his native country by the Mariner, freed from his trance and woken from sleep, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Finding of King Arthur, illustration from 'Idylls of the King' by Alfred Tennyson (engraving)
The Finding of King Arthur, illustration from 'Idylls of the King' by Alfred Tennyson (engraving)

XJF394287: The Finding of King Arthur, illustration from 'Idylls of the King' by Alfred Tennyson (engraving), Dore, Gustave (1832-83) / Bridgeman Images


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