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EVC5964635: APPLAUSE, from left, director Rouben Mamoulian, Joan Peers, Helen Morgan, on-set, 1929 / Bridgeman Images
ID: EVC5964635
APPLAUSE, from left, director Rouben Mamoulian, Joan Peers, Helen Morgan, on-set, 1929
EVC5964638: APACHE RIFLES, Audie Murphy, 1964 / Bridgeman Images
ID: EVC5964638
APACHE RIFLES, Audie Murphy, 1964
EVC5964645: APPOINTMENT WITH DANGER, Alan Ladd, 1951 / Bridgeman Images
ID: EVC5964645
APPOINTMENT WITH DANGER, Alan Ladd, 1951
EVC5964648: APPOINTMENT WITH DANGER, from left, Alan Ladd, Jan Sterling, 1951 / Bridgeman Images
ID: EVC5964648
APPOINTMENT WITH DANGER, from left, Alan Ladd, Jan Sterling, 1951
EVC5964649: APPOINTMENT WITH DANGER, Phyllis Calvert (right) visited by husband Peter Murray-Hill on set, 1950 / Bridgeman Images
ID: EVC5964649
APPOINTMENT WITH DANGER, Phyllis Calvert (right) visited by husband Peter Murray-Hill on set, 1950
EVC5964656: ARABESQUE, Sophia Loren, 1966 / Bridgeman Images
ID: EVC5964656
ARABESQUE, Sophia Loren, 1966
EVC5964658: ARABESQUE, Sophia Loren, 1966 / Bridgeman Images
ID: EVC5964658
EVC5964663: Arabesque by Stanley Donen, 1966 / Bridgeman Images
ID: EVC5964663
Arabesque by Stanley Donen, 1966
EVC5964665: Arabesque by Stanley Donen, 1966 / Bridgeman Images
ID: EVC5964665
EVC5964670: THE ARNELO AFFAIR, from left, John Hodiak, Joan Woodbury, 1947 / Bridgeman Images
ID: EVC5964670
THE ARNELO AFFAIR, from left, John Hodiak, Joan Woodbury, 1947
EVC5964677: ARSENIC AND OLD LACE, from left: Priscilla Lane, Cary Grant, 1944 / Bridgeman Images
ID: EVC5964677
ARSENIC AND OLD LACE, from left: Priscilla Lane, Cary Grant, 1944
EVC5964683: ARTISTS AND MODELS, from left, Shirley MacLaine, Jerry Lewis, 1955 / Bridgeman Images
ID: EVC5964683
ARTISTS AND MODELS, from left, Shirley MacLaine, Jerry Lewis, 1955
EVC5964686: Armed and Dangerous by Mark L. Lester, 1986 / Bridgeman Images
ID: EVC5964686
Armed and Dangerous by Mark L. Lester, 1986
EVC5964694: ARE HUSBANDS NECESSARY?, from left, Patricia Morison, Ray Milland, Leif Erickson, 1942 / Bridgeman Images
ID: EVC5964694
ARE HUSBANDS NECESSARY?, from left, Patricia Morison, Ray Milland, Leif Erickson, 1942
EVC5964702: ARCTIC MANHUNT, from left: Mikel Conrad, Carol Thurston, 1949 / Bridgeman Images
ID: EVC5964702
ARCTIC MANHUNT, from left: Mikel Conrad, Carol Thurston, 1949
EVC5964704: ARISE, MY LOVE, from left: Ray Milland, Claudette Colbert, director Mitchell Leisen on set, 1940 / Bridgeman Images
ID: EVC5964704
ARISE, MY LOVE, from left: Ray Milland, Claudette Colbert, director Mitchell Leisen on set, 1940
EVC5964707: ARABIAN NIGHTS, John Qualen wardrobe test, 1942 / Bridgeman Images
ID: EVC5964707
ARABIAN NIGHTS, John Qualen wardrobe test, 1942
EVC5964708: ARABIAN NIGHTS, Jon Hall wardrobe test, 1942 / Bridgeman Images
ID: EVC5964708
ARABIAN NIGHTS, Jon Hall wardrobe test, 1942
EVC5964710: ARABIAN NIGHTS, Maria Montez, 1942 / Bridgeman Images
ID: EVC5964710
ARABIAN NIGHTS, Maria Montez, 1942
EVC5964716: THE ART OF LOVE, Ethel Merman on set, 1965 / Bridgeman Images
ID: EVC5964716
THE ART OF LOVE, Ethel Merman on set, 1965
EVC5964718: ARCH OF TRIUMPH, from left: Charles Boyer vistied by Bing Crosby in costume for THE EMPEROR WALTZ on set, 1948 / Bridgeman Images
ID: EVC5964718
ARCH OF TRIUMPH, from left: Charles Boyer vistied by Bing Crosby in costume for THE EMPEROR WALTZ on set, 1948
EVC5964721: The Arrangement by Elia Kazan, 1969 / Bridgeman Images
ID: EVC5964721
The Arrangement by Elia Kazan, 1969
EVC5964724: The Arrangement by Elia Kazan, 1969 / Bridgeman Images
ID: EVC5964724
EVC5964731: Arrowhead, 1953 (film still) / Bridgeman Images
ID: EVC5964731
Arrowhead, 1953 (film still)
EVC5964427: ANYTHING GOES, from left, Zizi Jeanmaire, Bing Crosby, on-set, 1956 / Bridgeman Images
ID: EVC5964427
ANYTHING GOES, from left, Zizi Jeanmaire, Bing Crosby, on-set, 1956
EVC5964430: ANYTHING GOES, Ethel Merman on set, 1936 / Bridgeman Images
ID: EVC5964430
ANYTHING GOES, Ethel Merman on set, 1936
EVC5964435: ANYTHING GOES, Phil Harris, 1956 / Bridgeman Images
ID: EVC5964435
ANYTHING GOES, Phil Harris, 1956
EVC5964439: ANDY HARDY'S PRIVATE SECRETARY, from left, Mickey Rooney, Kathryn Grayson, 1941 / Bridgeman Images
ID: EVC5964439
ANDY HARDY'S PRIVATE SECRETARY, from left, Mickey Rooney, Kathryn Grayson, 1941
EVC5964441: ANDY HARDY'S BLONDE TROUBLE, from left: Lee Wilde, Mickey Rooney, 1944 / Bridgeman Images
ID: EVC5964441
ANDY HARDY'S BLONDE TROUBLE, from left: Lee Wilde, Mickey Rooney, 1944
EVC5964449: THE ANGRY HILLS, Jocelyn Lane, 1959 / Bridgeman Images
ID: EVC5964449
THE ANGRY HILLS, Jocelyn Lane, 1959
EVC5964454: AN IDEAL HUSBAND, Glynis Johns, 1947 / Bridgeman Images
ID: EVC5964454
AN IDEAL HUSBAND, Glynis Johns, 1947
EVC5964460: ANGELS IN THE OUTFIELD, from left, Janet Leigh, Keenan Wynn, Donna Corcoran, Paul Douglas, 1951 / Bridgeman Images
ID: EVC5964460
ANGELS IN THE OUTFIELD, from left, Janet Leigh, Keenan Wynn, Donna Corcoran, Paul Douglas, 1951
EVC5964461: ANGELS IN THE OUTFIELD, from left, Janet Leigh, Paul Douglas, Donna Corcoran, 1951 / Bridgeman Images
ID: EVC5964461
ANGELS IN THE OUTFIELD, from left, Janet Leigh, Paul Douglas, Donna Corcoran, 1951
EVC5964464: Angels in the Outfield, comedy film directed by Clarence Brown and starring Paul Douglas, Donna Corcoran and Janet Leigh, 1951 (b/w photo) / Bridgeman Images
ID: EVC5964464
Angels in the Outfield, comedy film directed by Clarence Brown and starring Paul Douglas, Donna Corcoran and Janet Leigh, 1951 (b/w photo)
EVC5964465: ANGELS IN THE OUTFIELD, Elizabeth Taylor, left, visits Donna Corcoran and director Clarence Brown, on-set, 1951 / Bridgeman Images
ID: EVC5964465
ANGELS IN THE OUTFIELD, Elizabeth Taylor, left, visits Donna Corcoran and director Clarence Brown, on-set, 1951
EVC5964466: ...And Justice for All by Norman Jewison, 1979 / Bridgeman Images
ID: EVC5964466
...And Justice for All by Norman Jewison, 1979