Bayard, Emile Antoine (1837-91) Assets (222 in total)

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The peasants in the vicinity of Pisino (Croatia), gather for the sale of their farm products on the market: poultry, piglets..., engraving after a drawing by Emile Bayard illustrating the journey in Istria and Dalmatia, in 1874, by Charles Yriarte, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The peasants in the vicinity of Pisino (Croatia), gather for the sale of their farm products on the market: poultry, piglets..., engraving after a drawing by Emile Bayard illustrating the journey in Istria and Dalmatia, in 1874, by Charles Yriarte, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330018: The peasants in the vicinity of Pisino (Croatia), gather for the sale of their farm products on the market: poultry, piglets..., engraving after a drawing by Emile Bayard illustrating the journey in Istria and Dalmatia, in 1874, by Charles Yriarte, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The three conductors (or sovas), princes of Dombe (Angola), and their suite of musicians and courtier, coming to meet the explorer S.Pinto. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
The three conductors (or sovas), princes of Dombe (Angola), and their suite of musicians and courtier, coming to meet the explorer S.Pinto. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332491: The three conductors (or sovas), princes of Dombe (Angola), and their suite of musicians and courtier, coming to meet the explorer S.Pinto. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Troop of young girls carrying baskets filled with food for the supply of S.Pinto and his men. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
Troop of young girls carrying baskets filled with food for the supply of S.Pinto and his men. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332513: Troop of young girls carrying baskets filled with food for the supply of S.Pinto and his men. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The collection of putty, a white resin of lentis, during the summer season, is the basis of the manufacture of an anisee brandy, drawing by Emile Bayard, to illustrate the story “Chio Island” (Eastern Turkey), in 1877, by Dr. A. Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
The collection of putty, a white resin of lentis, during the summer season, is the basis of the manufacture of an anisee brandy, drawing by Emile Bayard, to illustrate the story “Chio Island” (Eastern Turkey), in 1877, by Dr. A. Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331249: The collection of putty, a white resin of lentis, during the summer season, is the basis of the manufacture of an anisee brandy, drawing by Emile Bayard, to illustrate the story “Chio Island” (Eastern Turkey), in 1877, by Dr. A. Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

illustration of Jules Verne's novel “” Around the Moon””, drawing by Emile Bayard, Hetzel edition/Voyages extraordinaire 1870. Inside the projectile, astronauts Michel Ardan and Captain Nichols revive President Barbicane who fainted when the lunar shell was launched.
illustration of Jules Verne's novel “” Around the Moon””, drawing by Emile Bayard, Hetzel edition/Voyages extraordinaire 1870. Inside the projectile, astronauts Michel Ardan and Captain Nichols revive President Barbicane who fainted when the lunar shell was launched.

PCT4259482: illustration of Jules Verne's novel “” Around the Moon””, drawing by Emile Bayard, Hetzel edition/Voyages extraordinaire 1870. Inside the projectile, astronauts Michel Ardan and Captain Nichols revive President Barbicane who fainted when the lunar shell was launched., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Discovered by a bakery oven and preserved bread in ash during the excavations of 1864 in Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Discovered by a bakery oven and preserved bread in ash during the excavations of 1864 in Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325313: Discovered by a bakery oven and preserved bread in ash during the excavations of 1864 in Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The Way of Heaven, drawing by E.Bayard, based on a painting from a pagoda to Tien Tsin, illustrating the journey from Shanghai to Moscow, from 1859 to 1862, by M.de Bourboulon, Minister of France in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The Way of Heaven, drawing by E.Bayard, based on a painting from a pagoda to Tien Tsin, illustrating the journey from Shanghai to Moscow, from 1859 to 1862, by M.de Bourboulon, Minister of France in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325214: The Way of Heaven, drawing by E.Bayard, based on a painting from a pagoda to Tien Tsin, illustrating the journey from Shanghai to Moscow, from 1859 to 1862, by M.de Bourboulon, Minister of France in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Young Soko monkey in Africa. Engraving by Emile Bayard (1837-1891) illustrating the last stories of explorer David Livingstone, (1866-1873) - French edition Hachette 1879 - Young soko monkey, drawing by Emile Bayard from The Last Journals of David Livingstone -
Young Soko monkey in Africa. Engraving by Emile Bayard (1837-1891) illustrating the last stories of explorer David Livingstone, (1866-1873) - French edition Hachette 1879 - Young soko monkey, drawing by Emile Bayard from The Last Journals of David Livingstone -

PCT4296606: Young Soko monkey in Africa. Engraving by Emile Bayard (1837-1891) illustrating the last stories of explorer David Livingstone, (1866-1873) - French edition Hachette 1879 - Young soko monkey, drawing by Emile Bayard from The Last Journals of David Livingstone -, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Portrait of English tourist by Emile Bayard - tourism in the 19th century - illustration of the book “” Moors and Characters of Peoples””, edition 1884 -
Portrait of English tourist by Emile Bayard - tourism in the 19th century - illustration of the book “” Moors and Characters of Peoples””, edition 1884 -

PCT4295352: Portrait of English tourist by Emile Bayard - tourism in the 19th century - illustration of the book “” Moors and Characters of Peoples””, edition 1884 -, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Fiances and peasants of the Romanian frontiers, engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Fiances and peasants of the Romanian frontiers, engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329477: Fiances and peasants of the Romanian frontiers, engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

View of the Alps: forest, lake, peaks. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881.
View of the Alps: forest, lake, peaks. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881.

PCT4277466: View of the Alps: forest, lake, peaks. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Suzanne in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876
Suzanne in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876

LSE4106329: Suzanne in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Figaro in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876
Figaro in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876

LSE4106341: Figaro in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Les Miserables
Les Miserables

XLA3748786: Les Miserables, Bayard, Emile Antoine (1837-91) / Bridgeman Images

A meal during the bronze age, illustration from 'L'Homme Primitif' by Louis Figuier (1819-94) published by Hachette, 1870 (engraving) (b/w photo)
A meal during the bronze age, illustration from 'L'Homme Primitif' by Louis Figuier (1819-94) published by Hachette, 1870 (engraving) (b/w photo)

CHT233789: A meal during the bronze age, illustration from 'L'Homme Primitif' by Louis Figuier (1819-94) published by Hachette, 1870 (engraving) (b/w photo), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Sans famille d Hector Malot Illustration by Emile Bayard Around 1900
Sans famille d Hector Malot Illustration by Emile Bayard Around 1900

GEG2726290: Sans famille d Hector Malot Illustration by Emile Bayard Around 1900, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Fete Champetre, 1878 (oil on canvas)
Fete Champetre, 1878 (oil on canvas)

CH989279: Fete Champetre, 1878 (oil on canvas), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Rosine in
Rosine in

JLJ4678628: Rosine in "The Barber of Seville", 1876 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Jeunesse,  Les Chansons des Rues et des Bois, 19th Century (b/w engraving)
Jeunesse,  Les Chansons des Rues et des Bois, 19th Century (b/w engraving)

DGC909609: Jeunesse, Les Chansons des Rues et des Bois, 19th Century (b/w engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Figaro in “Le barbier de Seville” in the “Oeuvres completes de Beaumarchais”, ed. Laplace Sanchez & cie, Paris, 1876 (engraving)
Figaro in “Le barbier de Seville” in the “Oeuvres completes de Beaumarchais”, ed. Laplace Sanchez & cie, Paris, 1876 (engraving)

LSE4106342: Figaro in “Le barbier de Seville” in the “Oeuvres completes de Beaumarchais”, ed. Laplace Sanchez & cie, Paris, 1876 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Antonio in “The wedding of Figaro””
Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Antonio in “The wedding of Figaro””

LSE4111076: Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Antonio in “The wedding of Figaro””, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Bazile in “The Barber of Seville”written by Beaumarchais, 1876 (engraving)
Bazile in “The Barber of Seville”written by Beaumarchais, 1876 (engraving)

LSE4111084: Bazile in “The Barber of Seville”written by Beaumarchais, 1876 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Fanchette in “The Wedding of Figaro”
Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Fanchette in “The Wedding of Figaro”

LSE4111101: Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Fanchette in “The Wedding of Figaro”, Bayard, Emile Antoine (1837-91) / Bridgeman Images

The restaurant's rating, 1866 (engraving)
The restaurant's rating, 1866 (engraving)

JAB4120672: The restaurant's rating, 1866 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Village of warlike termites (termitiere), Africa. Engraving 1897
Village of warlike termites (termitiere), Africa. Engraving 1897

JAB4120842: Village of warlike termites (termitiere), Africa. Engraving 1897, Bayard, Emile Antoine (1837-91) / Bridgeman Images

The sail wheelbarrow, locomotion system used in northern China, drawing by E.Bayard, illustrating the journey from Shanghai to Moscow, 1859 to 1862, by M.de Bourboulon, French minister in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The sail wheelbarrow, locomotion system used in northern China, drawing by E.Bayard, illustrating the journey from Shanghai to Moscow, 1859 to 1862, by M.de Bourboulon, French minister in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325225: The sail wheelbarrow, locomotion system used in northern China, drawing by E.Bayard, illustrating the journey from Shanghai to Moscow, 1859 to 1862, by M.de Bourboulon, French minister in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The blacksmiths, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating the voyage of discovery in Africa, from 1860 to 1863 of Captain Speke. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The blacksmiths, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating the voyage of discovery in Africa, from 1860 to 1863 of Captain Speke. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325257: The blacksmiths, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating the voyage of discovery in Africa, from 1860 to 1863 of Captain Speke. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

A sorcerer engages in magical operations on a slaughtered beef in Uganda, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
A sorcerer engages in magical operations on a slaughtered beef in Uganda, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325291: A sorcerer engages in magical operations on a slaughtered beef in Uganda, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Sir Henri Morton Stanley (1841-1904) in the midst of the bathers of the Karagoue region (Cameroon), who plunge into the hot and medical water basin of the Mtagata gorge, drawing by Emile Bayard, to illustrate the story “Through the Mysterious Continent”, a journey made between 1874-1877, by Sir H.M. Stanley. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
Sir Henri Morton Stanley (1841-1904) in the midst of the bathers of the Karagoue region (Cameroon), who plunge into the hot and medical water basin of the Mtagata gorge, drawing by Emile Bayard, to illustrate the story “Through the Mysterious Continent”, a journey made between 1874-1877, by Sir H.M. Stanley. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331185: Sir Henri Morton Stanley (1841-1904) in the midst of the bathers of the Karagoue region (Cameroon), who plunge into the hot and medical water basin of the Mtagata gorge, drawing by Emile Bayard, to illustrate the story “Through the Mysterious Continent”, a journey made between 1874-1877, by Sir H.M. Stanley. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Sir Henri Morton Stanley (1841-1904) and Franck Pock, his exploration companion, decident a pile or face of the itinerary of their journey, drawing by Emile Bayard, to illustrate the story “Through the Mysterious Continent”” (Equatorial Africa), a voyage carried out between 1874-1877, by Sir H.M. Stanley. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
Sir Henri Morton Stanley (1841-1904) and Franck Pock, his exploration companion, decident a pile or face of the itinerary of their journey, drawing by Emile Bayard, to illustrate the story “Through the Mysterious Continent”” (Equatorial Africa), a voyage carried out between 1874-1877, by Sir H.M. Stanley. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331198: Sir Henri Morton Stanley (1841-1904) and Franck Pock, his exploration companion, decident a pile or face of the itinerary of their journey, drawing by Emile Bayard, to illustrate the story “Through the Mysterious Continent”” (Equatorial Africa), a voyage carried out between 1874-1877, by Sir H.M. Stanley. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

A sailor of the expedition, who recuperated convolvus (edible aquatic plant that spreads on the surface of the water), is seized at the elbow by a crocodile; he owes his survival only to the intervention of his comrades, etching by Emile Bayard illustrating an expedition in Central Africa, for the suppression of the black trade, from 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A sailor of the expedition, who recuperated convolvus (edible aquatic plant that spreads on the surface of the water), is seized at the elbow by a crocodile; he owes his survival only to the intervention of his comrades, etching by Emile Bayard illustrating an expedition in Central Africa, for the suppression of the black trade, from 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329950: A sailor of the expedition, who recuperated convolvus (edible aquatic plant that spreads on the surface of the water), is seized at the elbow by a crocodile; he owes his survival only to the intervention of his comrades, etching by Emile Bayard illustrating an expedition in Central Africa, for the suppression of the black trade, from 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Rixe on the heights that dominate Tong-hay (or Tong hay), one of the members of the expedition that left on the heights of the city to draw by nature, is followed by a crowd of curious, who declare a general fight, each wishing to see as closely as possible the works of the cartoonist, engraving after the drawing of Emile Bayard, to illustrate the journey of exploration in Indochina by Francis Garnier, lieutenant of ship, in 1866-1868, published in “Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Rixe on the heights that dominate Tong-hay (or Tong hay), one of the members of the expedition that left on the heights of the city to draw by nature, is followed by a crowd of curious, who declare a general fight, each wishing to see as closely as possible the works of the cartoonist, engraving after the drawing of Emile Bayard, to illustrate the journey of exploration in Indochina by Francis Garnier, lieutenant of ship, in 1866-1868, published in “Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329422: Rixe on the heights that dominate Tong-hay (or Tong hay), one of the members of the expedition that left on the heights of the city to draw by nature, is followed by a crowd of curious, who declare a general fight, each wishing to see as closely as possible the works of the cartoonist, engraving after the drawing of Emile Bayard, to illustrate the journey of exploration in Indochina by Francis Garnier, lieutenant of ship, in 1866-1868, published in “Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Mounza, king of the Mombuttous (tribe of Sudan), headdress of a bun covered with a cylindrical top cap adorned with parrot feathers, a crescent-shaped copper plate attached to the forehead, around the neck, a collar of copper slats and on his arms and dowels are fasteners many copper rings and cylinders, as a scepter, he branched the cemeterre of his tribe, a species of copperate sickle; next to his throne, 2 gueridons loads of cola nuts (kola), dried bananas and cassava porridge, etched after the drawing of Emile Bayard, illustrating a voyage to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “” Round the world”” 1874, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.
Mounza, king of the Mombuttous (tribe of Sudan), headdress of a bun covered with a cylindrical top cap adorned with parrot feathers, a crescent-shaped copper plate attached to the forehead, around the neck, a collar of copper slats and on his arms and dowels are fasteners many copper rings and cylinders, as a scepter, he branched the cemeterre of his tribe, a species of copperate sickle; next to his throne, 2 gueridons loads of cola nuts (kola), dried bananas and cassava porridge, etched after the drawing of Emile Bayard, illustrating a voyage to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “” Round the world”” 1874, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329867: Mounza, king of the Mombuttous (tribe of Sudan), headdress of a bun covered with a cylindrical top cap adorned with parrot feathers, a crescent-shaped copper plate attached to the forehead, around the neck, a collar of copper slats and on his arms and dowels are fasteners many copper rings and cylinders, as a scepter, he branched the cemeterre of his tribe, a species of copperate sickle; next to his throne, 2 gueridons loads of cola nuts (kola), dried bananas and cassava porridge, etched after the drawing of Emile Bayard, illustrating a voyage to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “” Round the world”” 1874, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The exchange of blood between King Rionga and Sir Baker, after drinking a large amount of banana cider and spending a night watching and young, the ceremony takes place, each in turn they cut their forearms and drink a drop of blood, then Rionga Vakil is proclaimed new king of Ounyoro (Eastern Sudan), engraving after a drawing by Emile Bayard, illustrating an armed expedition in Central Africa, for the suppression of the black trade, from 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The exchange of blood between King Rionga and Sir Baker, after drinking a large amount of banana cider and spending a night watching and young, the ceremony takes place, each in turn they cut their forearms and drink a drop of blood, then Rionga Vakil is proclaimed new king of Ounyoro (Eastern Sudan), engraving after a drawing by Emile Bayard, illustrating an armed expedition in Central Africa, for the suppression of the black trade, from 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329965: The exchange of blood between King Rionga and Sir Baker, after drinking a large amount of banana cider and spending a night watching and young, the ceremony takes place, each in turn they cut their forearms and drink a drop of blood, then Rionga Vakil is proclaimed new king of Ounyoro (Eastern Sudan), engraving after a drawing by Emile Bayard, illustrating an armed expedition in Central Africa, for the suppression of the black trade, from 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

A leopard leaps on a man and bites him cruelly on his back, in the vicinity of Bambare (Congo), engraving after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A leopard leaps on a man and bites him cruelly on his back, in the vicinity of Bambare (Congo), engraving after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330124: A leopard leaps on a man and bites him cruelly on his back, in the vicinity of Bambare (Congo), engraving after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Negres and negresses of the Sahara, on the banks of the Oued Rihr. Engraving by E.Bayard, to illustrate the Algerian Sahara, by V.Largeau, in 1874-1878, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
Negres and negresses of the Sahara, on the banks of the Oued Rihr. Engraving by E.Bayard, to illustrate the Algerian Sahara, by V.Largeau, in 1874-1878, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332601: Negres and negresses of the Sahara, on the banks of the Oued Rihr. Engraving by E.Bayard, to illustrate the Algerian Sahara, by V.Largeau, in 1874-1878, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images


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