Bayard, Emile Antoine (1837-91) Assets (222 in total)
Results
PCT4295352: Portrait of English tourist by Emile Bayard - tourism in the 19th century - illustration of the book “” Moors and Characters of Peoples””, edition 1884 -, Bayard, Emile Antoine (1837-91) / Bridgeman Images
PCT4296606: Young Soko monkey in Africa. Engraving by Emile Bayard (1837-1891) illustrating the last stories of explorer David Livingstone, (1866-1873) - French edition Hachette 1879 - Young soko monkey, drawing by Emile Bayard from The Last Journals of David Livingstone -, Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4330018: The peasants in the vicinity of Pisino (Croatia), gather for the sale of their farm products on the market: poultry, piglets..., engraving after a drawing by Emile Bayard illustrating the journey in Istria and Dalmatia, in 1874, by Charles Yriarte, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4329477: Fiances and peasants of the Romanian frontiers, engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4331249: The collection of putty, a white resin of lentis, during the summer season, is the basis of the manufacture of an anisee brandy, drawing by Emile Bayard, to illustrate the story “Chio Island” (Eastern Turkey), in 1877, by Dr. A. Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4332083: Pending the audience of the sultan, a group of men, women, urban, rural, bourgeois and beggars in the streets of Fes (Fez), the sultan grants a hearing three times a week to anyone who requests it for a favor or obtain justice, etched by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, directed by Edouard Charton, 1879, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4332234: Les blanchisseuses au Chorillo, Panama, engraving after a drawing by E.Bayard, to illustrate the story Exploration at the isthms of Panama and Darien, by A. Reclus, lieutenant of ship, from 1876 to 1878, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4332491: The three conductors (or sovas), princes of Dombe (Angola), and their suite of musicians and courtier, coming to meet the explorer S.Pinto. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4332513: Troop of young girls carrying baskets filled with food for the supply of S.Pinto and his men. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4333778: Portrait of Ziba Khanoum, Persian princess. Engraving by E.Bayard, after a photograph, to illustrate the story “” Persia, Chaldee and Susiane”” in 1881-1882, by Jane Dieulafoy (nee Magre, 1851-1916), archeologist and writer, academic officer. Published in the Tour du monde, 2nd semester 1883, edited by Edouard Charton (1807-1890), Hachette edition, Paris., Bayard, Emile Antoine (1837-91) / Bridgeman Images
CHT233789: A meal during the bronze age, illustration from 'L'Homme Primitif' by Louis Figuier (1819-94) published by Hachette, 1870 (engraving) (b/w photo), Bayard, Emile Antoine (1837-91) / Bridgeman Images
LZT1013378: L'Ivrogne and His Wife, Jean De La Fontaine. 19th Century Engraving. Man, Men, Barrels, Bottle, Candle, Table, Hat, Sleeping, Liszt Gourmet Archive, Bayard, Emile Antoine (1837-91) / Bridgeman Images
LZT1013400: Party in the Pays De Cocagne, in the Land of Plenty, 19th century (lithograph), Bayard, Emile Antoine (1837-91) / Bridgeman Images
DGC909598: La fête chez Thérèse, 19th Century (b/w engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images
DGC909615: La mort de Fantine - Illustration from Les Misérables,19th Century (b/w engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images
JLJ4678628: Rosine in "The Barber of Seville", 1876 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images
XRH1737515: Cafe Tatar Francaucasie 1864 1865 (drawing), Bayard, Emile Antoine (1837-91) / Bridgeman Images
PCT4277496: View of the Alps: old chalet at the foot of a cliff with cows grazing (pasture). Illustration by Emile Bayard (detail) for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881., Bayard, Emile Antoine (1837-91) / Bridgeman Images
PCT4291414: Illustration by Emile Bayard for the novel by Hector Malot “” Sans Famille “”: Remi sings with Monsieur Vitalis, travelling artist - street musician, saltimbank - Edition Hetzel 1880 -, Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4329867: Mounza, king of the Mombuttous (tribe of Sudan), headdress of a bun covered with a cylindrical top cap adorned with parrot feathers, a crescent-shaped copper plate attached to the forehead, around the neck, a collar of copper slats and on his arms and dowels are fasteners many copper rings and cylinders, as a scepter, he branched the cemeterre of his tribe, a species of copperate sickle; next to his throne, 2 gueridons loads of cola nuts (kola), dried bananas and cassava porridge, etched after the drawing of Emile Bayard, illustrating a voyage to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “” Round the world”” 1874, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4329950: A sailor of the expedition, who recuperated convolvus (edible aquatic plant that spreads on the surface of the water), is seized at the elbow by a crocodile; he owes his survival only to the intervention of his comrades, etching by Emile Bayard illustrating an expedition in Central Africa, for the suppression of the black trade, from 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4329965: The exchange of blood between King Rionga and Sir Baker, after drinking a large amount of banana cider and spending a night watching and young, the ceremony takes place, each in turn they cut their forearms and drink a drop of blood, then Rionga Vakil is proclaimed new king of Ounyoro (Eastern Sudan), engraving after a drawing by Emile Bayard, illustrating an armed expedition in Central Africa, for the suppression of the black trade, from 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4330124: A leopard leaps on a man and bites him cruelly on his back, in the vicinity of Bambare (Congo), engraving after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4329422: Rixe on the heights that dominate Tong-hay (or Tong hay), one of the members of the expedition that left on the heights of the city to draw by nature, is followed by a crowd of curious, who declare a general fight, each wishing to see as closely as possible the works of the cartoonist, engraving after the drawing of Emile Bayard, to illustrate the journey of exploration in Indochina by Francis Garnier, lieutenant of ship, in 1866-1868, published in “Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4331185: Sir Henri Morton Stanley (1841-1904) in the midst of the bathers of the Karagoue region (Cameroon), who plunge into the hot and medical water basin of the Mtagata gorge, drawing by Emile Bayard, to illustrate the story “Through the Mysterious Continent”, a journey made between 1874-1877, by Sir H.M. Stanley. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4331198: Sir Henri Morton Stanley (1841-1904) and Franck Pock, his exploration companion, decident a pile or face of the itinerary of their journey, drawing by Emile Bayard, to illustrate the story “Through the Mysterious Continent”” (Equatorial Africa), a voyage carried out between 1874-1877, by Sir H.M. Stanley. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4332601: Negres and negresses of the Sahara, on the banks of the Oued Rihr. Engraving by E.Bayard, to illustrate the Algerian Sahara, by V.Largeau, in 1874-1878, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
JAB4120672: The restaurant's rating, 1866 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images
JAB4120842: Village of warlike termites (termitiere), Africa. Engraving 1897, Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4094133: Meeting between Sir Henry Morton Stanley (1841-1904) and David Livingstone (1813-1873), drawing by Emile Bayard - in “" Le Tour du Monde "”, first semester 1873., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4111076: Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Antonio in “The wedding of Figaro””, Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4111084: Bazile in “The Barber of Seville”written by Beaumarchais, 1876 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4111101: Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Fanchette in “The Wedding of Figaro”, Bayard, Emile Antoine (1837-91) / Bridgeman Images
