Bayard, Emile Antoine (1837-91) Assets (223 in total)
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LSE4332491: The three conductors (or sovas), princes of Dombe (Angola), and their suite of musicians and courtier, coming to meet the explorer S.Pinto. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4332513: Troop of young girls carrying baskets filled with food for the supply of S.Pinto and his men. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4333778: Portrait of Ziba Khanoum, Persian princess. Engraving by E.Bayard, after a photograph, to illustrate the story “” Persia, Chaldee and Susiane”” in 1881-1882, by Jane Dieulafoy (nee Magre, 1851-1916), archeologist and writer, academic officer. Published in the Tour du monde, 2nd semester 1883, edited by Edouard Charton (1807-1890), Hachette edition, Paris., Bayard, Emile Antoine (1837-91) / Bridgeman Images
GIA4760123: The Count of Almaviva, character of the Barber of Seville de Beaumarchais (1732 - 1799) created in 1773., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4111090: Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Brid'Oison in “The Wedding of Figaro”, Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4106341: Figaro in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876, Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4111078: Rosine in “The Barber of Seville” written by Beaumarchais, 1876 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images
XEE4150078: Jean Valjean Closes the Eyes of Dead Fantine - Illustration by Emile Bayard (1837-1891) for “The Miserables - First Part: Fantine” by Victor Hugo (1802-1885) 1862, Bayard, Emile Antoine (1837-91) / Bridgeman Images
PCT4277466: View of the Alps: forest, lake, peaks. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881., Bayard, Emile Antoine (1837-91) / Bridgeman Images
XEE4149349: Portrait of Gustave Hippolyte (Gustave-Hippolyte) Roger (1815-1879), French tenor - drawing by Emile Bayard, Bayard, Emile Antoine (1837-91) / Bridgeman Images
PCT4291411: Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Remi sings with the harp while his friends dance, the learned animals of the troupe of Monsieur Vitalis, travelling artist - the two dogs Capi and Dolce - street musician, saltibank - Edition Hetzel 1880 -, Bayard, Emile Antoine (1837-91) / Bridgeman Images
PCT4295352: Portrait of English tourist by Emile Bayard - tourism in the 19th century - illustration of the book “” Moors and Characters of Peoples””, edition 1884 -, Bayard, Emile Antoine (1837-91) / Bridgeman Images
PCT4296606: Young Soko monkey in Africa. Engraving by Emile Bayard (1837-1891) illustrating the last stories of explorer David Livingstone, (1866-1873) - French edition Hachette 1879 - Young soko monkey, drawing by Emile Bayard from The Last Journals of David Livingstone -, Bayard, Emile Antoine (1837-91) / Bridgeman Images
GEG2726290: Sans famille d Hector Malot Illustration by Emile Bayard Around 1900, Bayard, Emile Antoine (1837-91) / Bridgeman Images
DGC909609: Jeunesse, Les Chansons des Rues et des Bois, 19th Century (b/w engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images
LLM967899: Nets of the White Ants, Termites (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images
XRH1737515: Cafe Tatar Francaucasie 1864 1865 (drawing), Bayard, Emile Antoine (1837-91) / Bridgeman Images
XRH1718831: ROGER BACON Scientist and scholar Date: 1214 - 1294 Source: Engraving by Emile Bayard after Lacoste Jeunet, Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4111076: Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Antonio in “The wedding of Figaro””, Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4106342: Figaro in “Le barbier de Seville” in the “Oeuvres completes de Beaumarchais”, ed. Laplace Sanchez & cie, Paris, 1876 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4111101: Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Fanchette in “The Wedding of Figaro”, Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4111084: Bazile in “The Barber of Seville”written by Beaumarchais, 1876 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4325257: The blacksmiths, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating the voyage of discovery in Africa, from 1860 to 1863 of Captain Speke. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4325291: A sorcerer engages in magical operations on a slaughtered beef in Uganda, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4325225: The sail wheelbarrow, locomotion system used in northern China, drawing by E.Bayard, illustrating the journey from Shanghai to Moscow, 1859 to 1862, by M.de Bourboulon, French minister in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4332601: Negres and negresses of the Sahara, on the banks of the Oued Rihr. Engraving by E.Bayard, to illustrate the Algerian Sahara, by V.Largeau, in 1874-1878, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4330124: A leopard leaps on a man and bites him cruelly on his back, in the vicinity of Bambare (Congo), engraving after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4331185: Sir Henri Morton Stanley (1841-1904) in the midst of the bathers of the Karagoue region (Cameroon), who plunge into the hot and medical water basin of the Mtagata gorge, drawing by Emile Bayard, to illustrate the story “Through the Mysterious Continent”, a journey made between 1874-1877, by Sir H.M. Stanley. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4331198: Sir Henri Morton Stanley (1841-1904) and Franck Pock, his exploration companion, decident a pile or face of the itinerary of their journey, drawing by Emile Bayard, to illustrate the story “Through the Mysterious Continent”” (Equatorial Africa), a voyage carried out between 1874-1877, by Sir H.M. Stanley. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4329867: Mounza, king of the Mombuttous (tribe of Sudan), headdress of a bun covered with a cylindrical top cap adorned with parrot feathers, a crescent-shaped copper plate attached to the forehead, around the neck, a collar of copper slats and on his arms and dowels are fasteners many copper rings and cylinders, as a scepter, he branched the cemeterre of his tribe, a species of copperate sickle; next to his throne, 2 gueridons loads of cola nuts (kola), dried bananas and cassava porridge, etched after the drawing of Emile Bayard, illustrating a voyage to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “” Round the world”” 1874, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4329950: A sailor of the expedition, who recuperated convolvus (edible aquatic plant that spreads on the surface of the water), is seized at the elbow by a crocodile; he owes his survival only to the intervention of his comrades, etching by Emile Bayard illustrating an expedition in Central Africa, for the suppression of the black trade, from 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4329965: The exchange of blood between King Rionga and Sir Baker, after drinking a large amount of banana cider and spending a night watching and young, the ceremony takes place, each in turn they cut their forearms and drink a drop of blood, then Rionga Vakil is proclaimed new king of Ounyoro (Eastern Sudan), engraving after a drawing by Emile Bayard, illustrating an armed expedition in Central Africa, for the suppression of the black trade, from 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images