Bayard, Emile Antoine (1837-91) Assets (223 in total)
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LSE4331068: The guide and interpreter of the expedition, Chutun Dzamba, 58 years old, crouched on his camel, he continually mumbled prayers, drawing by Emile Bayard to illustrate the voyage to Mongolia and the land of the Tangutes from 1870 to 1873, by the lieutenant colonel of Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4329499: Fruitier, a merchant itinerant of fresh fruit, with his transport hood and portable scale on his back, in Roustchouk (Romania), engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4329675: Types de pionniers, de bouviers et d'indians de Benton (Montana), engraving after the drawing by Emile Bayard, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4330115: The arrival of Hamis' fiancee to the village of Hara (Zambia), califourchon on a man's shoulder, accompanied by a dozen followers each carrying a small basket of provisions on his head, etched after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” The tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4330920: Deroute of the expedition in front of the charge of a buffalo, drawing by Emile Bayard, to illustrate the story: Across Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4331064: Wild yak hunting scene, drawing by Emile Bayard to illustrate the journey to Mongolia and the land of the Tangoutes from 1870 to 1873, by Lieutenant Colonel Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
PCT4291290: Illustration of Emile Bayard for Hector Malot's novel “” Sans Famille “”: in Toulouse, Monsieur Vitalis, unworthy, is arrested by a police officer in front of Remi and his friends, the learned animals of the troupe: Joli-Coeur (pretty heart), the monkey and the three dogs Capi, Zerbino and Dolce - street musician, saltimbank - Edition Hetzel 1880 - Yeah., Bayard, Emile Antoine (1837-91) / Bridgeman Images
PCT4291493: Frontispice by Emile Bayard for the Hetzel 1880 edition of Hector Malot's novel “” Sans Famille “”: The writer at his working table imagines his characters and the weft of his book - Remi and the members of the troupe of Monsieur Vitalis, travelling artist - next to the author stands the dog Capi -, Bayard, Emile Antoine (1837-91) / Bridgeman Images
PCT4291418: Illustration by Emile Bayard for the novel by Hector Malot “” Without Family “”: Remi leaves with Monsieur Vitalis, travelling artist and his learned animals the three dogs Capi, Zerbino and Dolce - Edition Hetzel 1880 -, Bayard, Emile Antoine (1837-91) / Bridgeman Images
PCT4267405: Victor Hugo: Les Miserables. Gavroche, kid from Paris. Illustration by Emile Bayard., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LIT389146: Durbar of the Maharajah of Dholpur, 1878 (litho), Bayard, Emile Antoine (1837-91) / Bridgeman Images
ELD4835336: Marie Antoinette locked up in the Conciergerie prison in Paris, 1793 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images
GIA4766904: The Emperor (ras) Theodoros of Abyssinia surrounded by his lions. engraving from the half of the 19th century. Illustration by Emile Bayard., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4106333: Bartholo in “” Le barbier de Seville”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876, Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4106349: Suzanne in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876, Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4076835: illustration of in Oeuvres de Nicolas Boileau, Paris 1873, Laplace Sanchez and Cie editeurs (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4111115: Bartholo in the Barbier de Seville in Ovre complet de Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving) Here Bartholo in Le barbier de Seville, Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4111096: Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Suzanne in “The Wedding of Figaro”, Bayard, Emile Antoine (1837-91) / Bridgeman Images
PCT4270350: Crusade against the Albigeois - Siege of Toulouse, 25 June 1218. Simon de Montfort's brother has just been injured by an arrow, Simon de Montfort himself is going to be killed by a ball of catapult throws, it is said, by one of the women of Toulouse who is seen on this illustration throwing stones on the army of the Croises from the ramparts. Engraving by Emile Bayard after Burgun, circa 1880, from Henri Martin's History of France., Bayard, Emile Antoine (1837-91) / Bridgeman Images
PCT4276304: The Third Republique and its presidents from 1871 to 1913 - the Commune of 1871 - Monsignor Darbois, Archeveque of Paris, was executed, shooted with other hostages on 28 May 1871 - sitting of 16 June 1871 in the House of Deputes: “Here is the liberator of the territory”, wrote Gambetta, by nominating Mr. Thiers - federee woman and federe in uniform (the troops of the commune) - Felix Faure, Sadi-Carnot (Sadi Carnot), marechal of Mac-Mahon (Mac Mahon), Adolphe Thiers, Jules Grevy, Jean Casimir-Perrier (Casimir Perrier), Emile Loubet, Armand Fallieres - Planche 82 of the book published under the direction of Gustave Gautherot, professor at the Institut at the Institut Catholique de Paris: of 88 paintings in 5 colors, Maison de la Bonne Presse, 5 rue Bayard in Paris, 1935., Bayard, Emile Antoine (1837-91) / Bridgeman Images
PCT4288191: A feast in the antiquila: a feast in the old Liguria - evocation of the founding of Marseille, 600 BC: On the day of the arrival of the Greek sailors, the head of the Nams organizes a meal during which his daughter Gyptis must choose his wife by holding him a cup. The Greeks were invited to join the banquet and the young leader of them, Protis, was chosen, thus sealing the foundation of a new city - phoceens - Massilia - anonymous 19th century engraving -, Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4325270: The ceremony of the drums for the rise of the new moon, at the head of the tribe Rumanika, in Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4329584: Amadifou, king of Assinie (Comptoir francais de Côte d'Ivoire) surrounds his court and his musicians, circa 1868, engraving after the drawing by Emile Bayard, illustrating the voyage to the Côte d'Afrique, in 1868, by Vice Admiral Fleuriot de Langles, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4330119: The cortege of Cassemmbe's wife passes before Livingstone who salutes her, engraved after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4329596: Two old Eskimal women, wearing the costume of Greenland women, leather boots up to the knees, short sealskin panties and a tunic-shaped skin that falls back in front and behind, in the vicinity of Lichtenau, engraved after Emile Bayard's drawing, illustrating the voyage of the ships La Germania and La Hansa to the North Pole, in 1869-1870, by Captain Hegemann, published in “Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4329390: A caravanserail in the village of Old Tashkent (or Tashkend), capital of Russian Turkestan, engraved after a drawing by Emile Bayard, to illustrate Basile Vereschagin's journey to Central Asia in 1867-1868, published in “Le tour du monde” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4329959: The arrival of Kabba Rega, king of the Ounyoro (eastern Sudan) and the chiefs of his court, to Sir Baker's camp for an official visit, engraved after a drawing by Emile Bayard, illustrating an expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4330053: Portrait of the author, on his mount, wearing his travel costume, engraving after a drawing by Emile Bayard illustrating the story on the desert of Acatama and Caracoles (South America), by engineer A.Bresson, in 1870-1874, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4325462: The swing of Neo-Zelandan warriors in the Isthmus of Auckland, drawing by Emile Bayard (1837-1891), to illustrate Ferdinand de Hochstetter's journey to New Zealand from 1858 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4332512: Inside the home of Jose d'Anchieta, Africa's first zoological explorer, filled with books, various instruments, cameras, telescopes, stuffed animals, medical bottles and surgical boxes, plants, clothing, pele mele firearms. On his doorstep, men and women busy peeling birds and preparing mammals. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4332075: Lunch at the minister of war, headdress of a turban, facing the author of the story, arriving by the court, a row of servants carrying the dishes of the meal, engraving by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4332514: Major Serpa Pinto fired at the village chief or stopped because he demanded even more brandy in exchange for his hospitality. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4331947: Poor and rich Kyrgyz women. Engraving by Emile Bayard, to illustrate travel impressions from Orenburg to Samarkand, by Marie de Ujfalvy-Bourdon, between 1876 and 1878, in the Tour du monde, directed by Edouard Charton, 1879, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images