Bayard, Emile Antoine (1837-91) Assets (222 in total)

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The guide and interpreter of the expedition, Chutun Dzamba, 58 years old, crouched on his camel, he continually mumbled prayers, drawing by Emile Bayard to illustrate the voyage to Mongolia and the land of the Tangutes from 1870 to 1873, by the lieutenant colonel of Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
The guide and interpreter of the expedition, Chutun Dzamba, 58 years old, crouched on his camel, he continually mumbled prayers, drawing by Emile Bayard to illustrate the voyage to Mongolia and the land of the Tangutes from 1870 to 1873, by the lieutenant colonel of Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4331068: The guide and interpreter of the expedition, Chutun Dzamba, 58 years old, crouched on his camel, he continually mumbled prayers, drawing by Emile Bayard to illustrate the voyage to Mongolia and the land of the Tangutes from 1870 to 1873, by the lieutenant colonel of Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Deroute of the expedition in front of the charge of a buffalo, drawing by Emile Bayard, to illustrate the story: Across Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
Deroute of the expedition in front of the charge of a buffalo, drawing by Emile Bayard, to illustrate the story: Across Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4330920: Deroute of the expedition in front of the charge of a buffalo, drawing by Emile Bayard, to illustrate the story: Across Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The Sova Mavanda (king), surrounded by his men who psalmodify a monotonous song, dancing in front of the major. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
The Sova Mavanda (king), surrounded by his men who psalmodify a monotonous song, dancing in front of the major. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332530: The Sova Mavanda (king), surrounded by his men who psalmodify a monotonous song, dancing in front of the major. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Hostel courtyard in Chiang Ping Cheou. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Hostel courtyard in Chiang Ping Cheou. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325193: Hostel courtyard in Chiang Ping Cheou. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

A Mongolian emigrant camel, carrying provisions, various utensils, carpets, blankets and wood of the tent frame, as well as young children in hanging baskets. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
A Mongolian emigrant camel, carrying provisions, various utensils, carpets, blankets and wood of the tent frame, as well as young children in hanging baskets. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325212: A Mongolian emigrant camel, carrying provisions, various utensils, carpets, blankets and wood of the tent frame, as well as young children in hanging baskets. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Members of Stanley's expedition: Edward Pocock, Francis Pocock and Frederick Barker. 1887 (engraving)
Members of Stanley's expedition: Edward Pocock, Francis Pocock and Frederick Barker. 1887 (engraving)

TRK7133685: Members of Stanley's expedition: Edward Pocock, Francis Pocock and Frederick Barker. 1887 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

A Peasant Girl, Brittany, 1887
A Peasant Girl, Brittany, 1887

RUS68447: A Peasant Girl, Brittany, 1887, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Washerwomen in America (engraving) (b/w photo)
Washerwomen in America (engraving) (b/w photo)

CHT214791: Washerwomen in America (engraving) (b/w photo), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Miss Tinne with her House Staff, Algiers, illustration from 'Le Tour du Monde', 1871 (litho)
Miss Tinne with her House Staff, Algiers, illustration from 'Le Tour du Monde', 1871 (litho)

CHT498382: Miss Tinne with her House Staff, Algiers, illustration from 'Le Tour du Monde', 1871 (litho), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Engraving (by Emile Bayard) of Jules Verne's book “” Around the Moon”” (Hetzel edition/Voyages extraordinaire 1870): the Earth passing by the moon
Engraving (by Emile Bayard) of Jules Verne's book “” Around the Moon”” (Hetzel edition/Voyages extraordinaire 1870): the Earth passing by the moon

PCT4258081: Engraving (by Emile Bayard) of Jules Verne's book “” Around the Moon”” (Hetzel edition/Voyages extraordinaire 1870): the Earth passing by the moon, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Illustration of Jules Verne's novel “Around the Moon””, drawing by Emile Bayard, Hetzel edition/Voyages extraordinaire 1870. This illustration highlights the relationship of inspiration between the two novels “lunar”” by Jules Verne and the two albums by Tintin made by Hergé, “Objectif Lune” and “On a Marché sur la Lune”. In E. Bayard's drawing, we see the whimsical astronaut Michel Ardan (a character created by Verne based on his friend, photographer Nadar), imagining himself joyfully fooling on the projetile launched towards the Moon during an outing into space. A situation close to the inadvertent exit of Captain Haddock drunk on the rocket, in Tintin's adventures.
Illustration of Jules Verne's novel “Around the Moon””, drawing by Emile Bayard, Hetzel edition/Voyages extraordinaire 1870. This illustration highlights the relationship of inspiration between the two novels “lunar”” by Jules Verne and the two albums by Tintin made by Hergé, “Objectif Lune” and “On a Marché sur la Lune”. In E. Bayard's drawing, we see the whimsical astronaut Michel Ardan (a character created by Verne based on his friend, photographer Nadar), imagining himself joyfully fooling on the projetile launched towards the Moon during an outing into space. A situation close to the inadvertent exit of Captain Haddock drunk on the rocket, in Tintin's adventures.

PCT4259807: Illustration of Jules Verne's novel “Around the Moon””, drawing by Emile Bayard, Hetzel edition/Voyages extraordinaire 1870. This illustration highlights the relationship of inspiration between the two novels “lunar”” by Jules Verne and the two albums by Tintin made by Hergé, “Objectif Lune” and “On a Marché sur la Lune”. In E. Bayard's drawing, we see the whimsical astronaut Michel Ardan (a character created by Verne based on his friend, photographer Nadar), imagining himself joyfully fooling on the projetile launched towards the Moon during an outing into space. A situation close to the inadvertent exit of Captain Haddock drunk on the rocket, in Tintin's adventures., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Attack of Zimbiso in search of Livingstone 1871-1872 (drawing)
Attack of Zimbiso in search of Livingstone 1871-1872 (drawing)

XRH1735077: Attack of Zimbiso in search of Livingstone 1871-1872 (drawing), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Les Châtiments, 19th Century (b/w engraving)
Les Châtiments, 19th Century (b/w engraving)

DGC909589: Les Châtiments, 19th Century (b/w engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Marie Antoinette locked up in the Conciergerie prison in Paris, 1793 (engraving)
Marie Antoinette locked up in the Conciergerie prison in Paris, 1793 (engraving)

ELD4835336: Marie Antoinette locked up in the Conciergerie prison in Paris, 1793 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Crusade against the Albigeois - Siege of Toulouse, 25 June 1218. Simon de Montfort's brother has just been injured by an arrow, Simon de Montfort himself is going to be killed by a ball of catapult throws, it is said, by one of the women of Toulouse who is seen on this illustration throwing stones on the army of the Croises from the ramparts. Engraving by Emile Bayard after Burgun, circa 1880, from Henri Martin's History of France.
Crusade against the Albigeois - Siege of Toulouse, 25 June 1218. Simon de Montfort's brother has just been injured by an arrow, Simon de Montfort himself is going to be killed by a ball of catapult throws, it is said, by one of the women of Toulouse who is seen on this illustration throwing stones on the army of the Croises from the ramparts. Engraving by Emile Bayard after Burgun, circa 1880, from Henri Martin's History of France.

PCT4270350: Crusade against the Albigeois - Siege of Toulouse, 25 June 1218. Simon de Montfort's brother has just been injured by an arrow, Simon de Montfort himself is going to be killed by a ball of catapult throws, it is said, by one of the women of Toulouse who is seen on this illustration throwing stones on the army of the Croises from the ramparts. Engraving by Emile Bayard after Burgun, circa 1880, from Henri Martin's History of France., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Engraving illustrating a late 19th century edition of the novel by Jacques-Henri Bernardin de Saint Pierre (Jacques Henri Bernardin de Saint-Pierre): Paul et Virginie. Birds come to land without fear near the young couple of lovers in the forest. Drawing by Dessenne or Emile Bayard.
Engraving illustrating a late 19th century edition of the novel by Jacques-Henri Bernardin de Saint Pierre (Jacques Henri Bernardin de Saint-Pierre): Paul et Virginie. Birds come to land without fear near the young couple of lovers in the forest. Drawing by Dessenne or Emile Bayard.

PCT4273374: Engraving illustrating a late 19th century edition of the novel by Jacques-Henri Bernardin de Saint Pierre (Jacques Henri Bernardin de Saint-Pierre): Paul et Virginie. Birds come to land without fear near the young couple of lovers in the forest. Drawing by Dessenne or Emile Bayard., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Mountain summit called Pierre a Voir near the baths of Saxon in Valais, Swiss Alps. Illustration by Emile Bayard for Albert Dupaigne's book “Les Montagnes”, edition Mame 1881.
Mountain summit called Pierre a Voir near the baths of Saxon in Valais, Swiss Alps. Illustration by Emile Bayard for Albert Dupaigne's book “Les Montagnes”, edition Mame 1881.

PCT4277434: Mountain summit called Pierre a Voir near the baths of Saxon in Valais, Swiss Alps. Illustration by Emile Bayard for Albert Dupaigne's book “Les Montagnes”, edition Mame 1881., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Alps: the jodel or depart herds (cows, goats) towards the pastures. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881.
Alps: the jodel or depart herds (cows, goats) towards the pastures. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881.

PCT4277459: Alps: the jodel or depart herds (cows, goats) towards the pastures. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Victor Hugo “The Miserables”, “The Last Gorgee of the Chalice”. Illustration by Emile Bayard. The former forcat Jean Valjean became old with Cosette and Marius. Engraving of the edition Ollendorff 1906.
Victor Hugo “The Miserables”, “The Last Gorgee of the Chalice”. Illustration by Emile Bayard. The former forcat Jean Valjean became old with Cosette and Marius. Engraving of the edition Ollendorff 1906.

PCT4274624: Victor Hugo “The Miserables”, “The Last Gorgee of the Chalice”. Illustration by Emile Bayard. The former forcat Jean Valjean became old with Cosette and Marius. Engraving of the edition Ollendorff 1906., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Two old Eskimal women, wearing the costume of Greenland women, leather boots up to the knees, short sealskin panties and a tunic-shaped skin that falls back in front and behind, in the vicinity of Lichtenau, engraved after Emile Bayard's drawing, illustrating the voyage of the ships La Germania and La Hansa to the North Pole, in 1869-1870, by Captain Hegemann, published in “Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Two old Eskimal women, wearing the costume of Greenland women, leather boots up to the knees, short sealskin panties and a tunic-shaped skin that falls back in front and behind, in the vicinity of Lichtenau, engraved after Emile Bayard's drawing, illustrating the voyage of the ships La Germania and La Hansa to the North Pole, in 1869-1870, by Captain Hegemann, published in “Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329596: Two old Eskimal women, wearing the costume of Greenland women, leather boots up to the knees, short sealskin panties and a tunic-shaped skin that falls back in front and behind, in the vicinity of Lichtenau, engraved after Emile Bayard's drawing, illustrating the voyage of the ships La Germania and La Hansa to the North Pole, in 1869-1870, by Captain Hegemann, published in “Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The arrival of Kabba Rega, king of the Ounyoro (eastern Sudan) and the chiefs of his court, to Sir Baker's camp for an official visit, engraved after a drawing by Emile Bayard, illustrating an expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.
The arrival of Kabba Rega, king of the Ounyoro (eastern Sudan) and the chiefs of his court, to Sir Baker's camp for an official visit, engraved after a drawing by Emile Bayard, illustrating an expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329959: The arrival of Kabba Rega, king of the Ounyoro (eastern Sudan) and the chiefs of his court, to Sir Baker's camp for an official visit, engraved after a drawing by Emile Bayard, illustrating an expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Portrait of the author, on his mount, wearing his travel costume, engraving after a drawing by Emile Bayard illustrating the story on the desert of Acatama and Caracoles (South America), by engineer A.Bresson, in 1870-1874, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Portrait of the author, on his mount, wearing his travel costume, engraving after a drawing by Emile Bayard illustrating the story on the desert of Acatama and Caracoles (South America), by engineer A.Bresson, in 1870-1874, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330053: Portrait of the author, on his mount, wearing his travel costume, engraving after a drawing by Emile Bayard illustrating the story on the desert of Acatama and Caracoles (South America), by engineer A.Bresson, in 1870-1874, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The cortege of Cassemmbe's wife passes before Livingstone who salutes her, engraved after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The cortege of Cassemmbe's wife passes before Livingstone who salutes her, engraved after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330119: The cortege of Cassemmbe's wife passes before Livingstone who salutes her, engraved after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

A caravanserail in the village of Old Tashkent (or Tashkend), capital of Russian Turkestan, engraved after a drawing by Emile Bayard, to illustrate Basile Vereschagin's journey to Central Asia in 1867-1868, published in “Le tour du monde” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A caravanserail in the village of Old Tashkent (or Tashkend), capital of Russian Turkestan, engraved after a drawing by Emile Bayard, to illustrate Basile Vereschagin's journey to Central Asia in 1867-1868, published in “Le tour du monde” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329390: A caravanserail in the village of Old Tashkent (or Tashkend), capital of Russian Turkestan, engraved after a drawing by Emile Bayard, to illustrate Basile Vereschagin's journey to Central Asia in 1867-1868, published in “Le tour du monde” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Amadifou, king of Assinie (Comptoir francais de Côte d'Ivoire) surrounds his court and his musicians, circa 1868, engraving after the drawing by Emile Bayard, illustrating the voyage to the Côte d'Afrique, in 1868, by Vice Admiral Fleuriot de Langles, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Amadifou, king of Assinie (Comptoir francais de Côte d'Ivoire) surrounds his court and his musicians, circa 1868, engraving after the drawing by Emile Bayard, illustrating the voyage to the Côte d'Afrique, in 1868, by Vice Admiral Fleuriot de Langles, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329584: Amadifou, king of Assinie (Comptoir francais de Côte d'Ivoire) surrounds his court and his musicians, circa 1868, engraving after the drawing by Emile Bayard, illustrating the voyage to the Côte d'Afrique, in 1868, by Vice Admiral Fleuriot de Langles, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Poor and rich Kyrgyz women. Engraving by Emile Bayard, to illustrate travel impressions from Orenburg to Samarkand, by Marie de Ujfalvy-Bourdon, between 1876 and 1878, in the Tour du monde, directed by Edouard Charton, 1879, Paris. Selva Collection.
Poor and rich Kyrgyz women. Engraving by Emile Bayard, to illustrate travel impressions from Orenburg to Samarkand, by Marie de Ujfalvy-Bourdon, between 1876 and 1878, in the Tour du monde, directed by Edouard Charton, 1879, Paris. Selva Collection.

LSE4331947: Poor and rich Kyrgyz women. Engraving by Emile Bayard, to illustrate travel impressions from Orenburg to Samarkand, by Marie de Ujfalvy-Bourdon, between 1876 and 1878, in the Tour du monde, directed by Edouard Charton, 1879, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Lunch at the minister of war, headdress of a turban, facing the author of the story, arriving by the court, a row of servants carrying the dishes of the meal, engraving by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.
Lunch at the minister of war, headdress of a turban, facing the author of the story, arriving by the court, a row of servants carrying the dishes of the meal, engraving by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.

LSE4332075: Lunch at the minister of war, headdress of a turban, facing the author of the story, arriving by the court, a row of servants carrying the dishes of the meal, engraving by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Inside the home of Jose d'Anchieta, Africa's first zoological explorer, filled with books, various instruments, cameras, telescopes, stuffed animals, medical bottles and surgical boxes, plants, clothing, pele mele firearms. On his doorstep, men and women busy peeling birds and preparing mammals. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
Inside the home of Jose d'Anchieta, Africa's first zoological explorer, filled with books, various instruments, cameras, telescopes, stuffed animals, medical bottles and surgical boxes, plants, clothing, pele mele firearms. On his doorstep, men and women busy peeling birds and preparing mammals. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332512: Inside the home of Jose d'Anchieta, Africa's first zoological explorer, filled with books, various instruments, cameras, telescopes, stuffed animals, medical bottles and surgical boxes, plants, clothing, pele mele firearms. On his doorstep, men and women busy peeling birds and preparing mammals. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Major Serpa Pinto fired at the village chief or stopped because he demanded even more brandy in exchange for his hospitality. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
Major Serpa Pinto fired at the village chief or stopped because he demanded even more brandy in exchange for his hospitality. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332514: Major Serpa Pinto fired at the village chief or stopped because he demanded even more brandy in exchange for his hospitality. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

A feast in the antiquila: a feast in the old Liguria - evocation of the founding of Marseille, 600 BC: On the day of the arrival of the Greek sailors, the head of the Nams organizes a meal during which his daughter Gyptis must choose his wife by holding him a cup. The Greeks were invited to join the banquet and the young leader of them, Protis, was chosen, thus sealing the foundation of a new city - phoceens - Massilia - anonymous 19th century engraving -
A feast in the antiquila: a feast in the old Liguria - evocation of the founding of Marseille, 600 BC: On the day of the arrival of the Greek sailors, the head of the Nams organizes a meal during which his daughter Gyptis must choose his wife by holding him a cup. The Greeks were invited to join the banquet and the young leader of them, Protis, was chosen, thus sealing the foundation of a new city - phoceens - Massilia - anonymous 19th century engraving -

PCT4288191: A feast in the antiquila: a feast in the old Liguria - evocation of the founding of Marseille, 600 BC: On the day of the arrival of the Greek sailors, the head of the Nams organizes a meal during which his daughter Gyptis must choose his wife by holding him a cup. The Greeks were invited to join the banquet and the young leader of them, Protis, was chosen, thus sealing the foundation of a new city - phoceens - Massilia - anonymous 19th century engraving -, Bayard, Emile Antoine (1837-91) / Bridgeman Images

The Third Republique and its presidents from 1871 to 1913 - the Commune of 1871 - Monsignor Darbois, Archeveque of Paris, was executed, shooted with other hostages on 28 May 1871 - sitting of 16 June 1871 in the House of Deputes: “Here is the liberator of the territory”, wrote Gambetta, by nominating Mr. Thiers - federee woman and federe in uniform (the troops of the commune) - Felix Faure, Sadi-Carnot (Sadi Carnot), marechal of Mac-Mahon (Mac Mahon), Adolphe Thiers, Jules Grevy, Jean Casimir-Perrier (Casimir Perrier), Emile Loubet, Armand Fallieres - Planche 82 of the book published under the direction of Gustave Gautherot, professor at the Institut at the Institut Catholique de Paris: of 88 paintings in 5 colors, Maison de la Bonne Presse, 5 rue Bayard in Paris, 1935.
The Third Republique and its presidents from 1871 to 1913 - the Commune of 1871 - Monsignor Darbois, Archeveque of Paris, was executed, shooted with other hostages on 28 May 1871 - sitting of 16 June 1871 in the House of Deputes: “Here is the liberator of the territory”, wrote Gambetta, by nominating Mr. Thiers - federee woman and federe in uniform (the troops of the commune) - Felix Faure, Sadi-Carnot (Sadi Carnot), marechal of Mac-Mahon (Mac Mahon), Adolphe Thiers, Jules Grevy, Jean Casimir-Perrier (Casimir Perrier), Emile Loubet, Armand Fallieres - Planche 82 of the book published under the direction of Gustave Gautherot, professor at the Institut at the Institut Catholique de Paris: of 88 paintings in 5 colors, Maison de la Bonne Presse, 5 rue Bayard in Paris, 1935.

PCT4276304: The Third Republique and its presidents from 1871 to 1913 - the Commune of 1871 - Monsignor Darbois, Archeveque of Paris, was executed, shooted with other hostages on 28 May 1871 - sitting of 16 June 1871 in the House of Deputes: “Here is the liberator of the territory”, wrote Gambetta, by nominating Mr. Thiers - federee woman and federe in uniform (the troops of the commune) - Felix Faure, Sadi-Carnot (Sadi Carnot), marechal of Mac-Mahon (Mac Mahon), Adolphe Thiers, Jules Grevy, Jean Casimir-Perrier (Casimir Perrier), Emile Loubet, Armand Fallieres - Planche 82 of the book published under the direction of Gustave Gautherot, professor at the Institut at the Institut Catholique de Paris: of 88 paintings in 5 colors, Maison de la Bonne Presse, 5 rue Bayard in Paris, 1935., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The Emperor (ras) Theodoros of Abyssinia surrounded by his lions. engraving from the half of the 19th century. Illustration by Emile Bayard.
The Emperor (ras) Theodoros of Abyssinia surrounded by his lions. engraving from the half of the 19th century. Illustration by Emile Bayard.

GIA4766904: The Emperor (ras) Theodoros of Abyssinia surrounded by his lions. engraving from the half of the 19th century. Illustration by Emile Bayard., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Sorghum drummers, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's journey of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Sorghum drummers, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's journey of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325245: Sorghum drummers, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's journey of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

L'trouge au pombe (alcoholic beverage by fermentation), a way of refreshing oneself at the courtyard in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
L'trouge au pombe (alcoholic beverage by fermentation), a way of refreshing oneself at the courtyard in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325279: L'trouge au pombe (alcoholic beverage by fermentation), a way of refreshing oneself at the courtyard in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The meal of the soldiers of the guard of the King of Uganda, M'Tesa, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The meal of the soldiers of the guard of the King of Uganda, M'Tesa, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325282: The meal of the soldiers of the guard of the King of Uganda, M'Tesa, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The court orchestra, in the Karague (west of Lake Victoria, present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The court orchestra, in the Karague (west of Lake Victoria, present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325266: The court orchestra, in the Karague (west of Lake Victoria, present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images


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