Bayard, Emile Antoine (1837-91) Assets (222 in total)

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The guide and interpreter of the expedition, Chutun Dzamba, 58 years old, crouched on his camel, he continually mumbled prayers, drawing by Emile Bayard to illustrate the voyage to Mongolia and the land of the Tangutes from 1870 to 1873, by the lieutenant colonel of Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
The guide and interpreter of the expedition, Chutun Dzamba, 58 years old, crouched on his camel, he continually mumbled prayers, drawing by Emile Bayard to illustrate the voyage to Mongolia and the land of the Tangutes from 1870 to 1873, by the lieutenant colonel of Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4331068: The guide and interpreter of the expedition, Chutun Dzamba, 58 years old, crouched on his camel, he continually mumbled prayers, drawing by Emile Bayard to illustrate the voyage to Mongolia and the land of the Tangutes from 1870 to 1873, by the lieutenant colonel of Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The rat killer in Pekin. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The rat killer in Pekin. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325183: The rat killer in Pekin. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Hostel courtyard in Chiang Ping Cheou. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Hostel courtyard in Chiang Ping Cheou. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325193: Hostel courtyard in Chiang Ping Cheou. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

A Mongolian emigrant camel, carrying provisions, various utensils, carpets, blankets and wood of the tent frame, as well as young children in hanging baskets. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
A Mongolian emigrant camel, carrying provisions, various utensils, carpets, blankets and wood of the tent frame, as well as young children in hanging baskets. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325212: A Mongolian emigrant camel, carrying provisions, various utensils, carpets, blankets and wood of the tent frame, as well as young children in hanging baskets. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Reassembly of empty wagons during the excavations of 1864 at Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Reassembly of empty wagons during the excavations of 1864 at Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325298: Reassembly of empty wagons during the excavations of 1864 at Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The excavations of 1864 in Pompei, under the direction of Inspector Fiorelli, drawing by Emile Bayard (1837-1891), to illustrate The text of Marc Monnier (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The excavations of 1864 in Pompei, under the direction of Inspector Fiorelli, drawing by Emile Bayard (1837-1891), to illustrate The text of Marc Monnier (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325303: The excavations of 1864 in Pompei, under the direction of Inspector Fiorelli, drawing by Emile Bayard (1837-1891), to illustrate The text of Marc Monnier (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The Sova Mavanda (king), surrounded by his men who psalmodify a monotonous song, dancing in front of the major. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
The Sova Mavanda (king), surrounded by his men who psalmodify a monotonous song, dancing in front of the major. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332530: The Sova Mavanda (king), surrounded by his men who psalmodify a monotonous song, dancing in front of the major. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Colette in “Colin and Colette”
Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Colette in “Colin and Colette”

LSE4111093: Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Colette in “Colin and Colette”, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Complete work by Beaumarchais (1732-1799) by Edouard Fournie, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving)
Complete work by Beaumarchais (1732-1799) by Edouard Fournie, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving)

LSE4111106: Complete work by Beaumarchais (1732-1799) by Edouard Fournie, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Complete work by Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving)
Complete work by Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving)

LSE4111114: Complete work by Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Members of Stanley's expedition: Edward Pocock, Francis Pocock and Frederick Barker. 1887 (engraving)
Members of Stanley's expedition: Edward Pocock, Francis Pocock and Frederick Barker. 1887 (engraving)

TRK7133685: Members of Stanley's expedition: Edward Pocock, Francis Pocock and Frederick Barker. 1887 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Les Miserables
Les Miserables

XLA3748773: Les Miserables, Bayard, Emile Antoine (1837-91) / Bridgeman Images

The Christening, 1863 (oil on canvas)
The Christening, 1863 (oil on canvas)

CH827374: The Christening, 1863 (oil on canvas), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Bazile, from the opera 'The Barber of Seville', by Gioachino Rossini (1792-1868) (engraving)
Bazile, from the opera 'The Barber of Seville', by Gioachino Rossini (1792-1868) (engraving)

XJL379453: Bazile, from the opera 'The Barber of Seville', by Gioachino Rossini (1792-1868) (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Durbar of the Maharajah of Dholpur, 1878 (litho)
Durbar of the Maharajah of Dholpur, 1878 (litho)

LIT389146: Durbar of the Maharajah of Dholpur, 1878 (litho), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Les Affiches - illustration from Histoire d’un crime, 19th Century (b/w engraving)
Les Affiches - illustration from Histoire d’un crime, 19th Century (b/w engraving)

DGC909655: Les Affiches - illustration from Histoire d’un crime, 19th Century (b/w engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Les Châtiments, 19th Century (b/w engraving)
Les Châtiments, 19th Century (b/w engraving)

DGC909589: Les Châtiments, 19th Century (b/w engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Attack of Zimbiso in search of Livingstone 1871-1872 (drawing)
Attack of Zimbiso in search of Livingstone 1871-1872 (drawing)

XRH1735077: Attack of Zimbiso in search of Livingstone 1871-1872 (drawing), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Engraving (by Emile Bayard) of Jules Verne's book Around the Moon (Hetzel edition/Voyages extraordinaire 1870): “” the moon personified with a young woman's body... suffering from a colic! “”
Engraving (by Emile Bayard) of Jules Verne's book Around the Moon (Hetzel edition/Voyages extraordinaire 1870): “” the moon personified with a young woman's body... suffering from a colic! “”

PCT4258195: Engraving (by Emile Bayard) of Jules Verne's book Around the Moon (Hetzel edition/Voyages extraordinaire 1870): “” the moon personified with a young woman's body... suffering from a colic! “”, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Sorghum drummers, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's journey of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Sorghum drummers, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's journey of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325245: Sorghum drummers, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's journey of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The court orchestra, in the Karague (west of Lake Victoria, present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The court orchestra, in the Karague (west of Lake Victoria, present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325266: The court orchestra, in the Karague (west of Lake Victoria, present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The ceremony of the drums for the rise of the new moon, at the head of the tribe Rumanika, in Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The ceremony of the drums for the rise of the new moon, at the head of the tribe Rumanika, in Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325270: The ceremony of the drums for the rise of the new moon, at the head of the tribe Rumanika, in Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Degustation of the pombe (alcoholic beverage by fermentation), in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Degustation of the pombe (alcoholic beverage by fermentation), in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325273: Degustation of the pombe (alcoholic beverage by fermentation), in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

L'trouge au pombe (alcoholic beverage by fermentation), a way of refreshing oneself at the courtyard in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
L'trouge au pombe (alcoholic beverage by fermentation), a way of refreshing oneself at the courtyard in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325279: L'trouge au pombe (alcoholic beverage by fermentation), a way of refreshing oneself at the courtyard in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The meal of the soldiers of the guard of the King of Uganda, M'Tesa, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The meal of the soldiers of the guard of the King of Uganda, M'Tesa, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325282: The meal of the soldiers of the guard of the King of Uganda, M'Tesa, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Preparation of ivory, for a Turkish trader, Uganda, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Preparation of ivory, for a Turkish trader, Uganda, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325290: Preparation of ivory, for a Turkish trader, Uganda, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The swing of Neo-Zelandan warriors in the Isthmus of Auckland, drawing by Emile Bayard (1837-1891), to illustrate Ferdinand de Hochstetter's journey to New Zealand from 1858 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The swing of Neo-Zelandan warriors in the Isthmus of Auckland, drawing by Emile Bayard (1837-1891), to illustrate Ferdinand de Hochstetter's journey to New Zealand from 1858 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325462: The swing of Neo-Zelandan warriors in the Isthmus of Auckland, drawing by Emile Bayard (1837-1891), to illustrate Ferdinand de Hochstetter's journey to New Zealand from 1858 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Engraving illustrating a late 19th century edition of the novel by Jacques-Henri Bernardin de Saint Pierre (Jacques Henri Bernardin de Saint-Pierre): Paul et Virginie. Birds come to land without fear near the young couple of lovers in the forest. Drawing by Dessenne or Emile Bayard.
Engraving illustrating a late 19th century edition of the novel by Jacques-Henri Bernardin de Saint Pierre (Jacques Henri Bernardin de Saint-Pierre): Paul et Virginie. Birds come to land without fear near the young couple of lovers in the forest. Drawing by Dessenne or Emile Bayard.

PCT4273374: Engraving illustrating a late 19th century edition of the novel by Jacques-Henri Bernardin de Saint Pierre (Jacques Henri Bernardin de Saint-Pierre): Paul et Virginie. Birds come to land without fear near the young couple of lovers in the forest. Drawing by Dessenne or Emile Bayard., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The Third Republique and its presidents from 1871 to 1913 - the Commune of 1871 - Monsignor Darbois, Archeveque of Paris, was executed, shooted with other hostages on 28 May 1871 - sitting of 16 June 1871 in the House of Deputes: “Here is the liberator of the territory”, wrote Gambetta, by nominating Mr. Thiers - federee woman and federe in uniform (the troops of the commune) - Felix Faure, Sadi-Carnot (Sadi Carnot), marechal of Mac-Mahon (Mac Mahon), Adolphe Thiers, Jules Grevy, Jean Casimir-Perrier (Casimir Perrier), Emile Loubet, Armand Fallieres - Planche 82 of the book published under the direction of Gustave Gautherot, professor at the Institut at the Institut Catholique de Paris: of 88 paintings in 5 colors, Maison de la Bonne Presse, 5 rue Bayard in Paris, 1935.
The Third Republique and its presidents from 1871 to 1913 - the Commune of 1871 - Monsignor Darbois, Archeveque of Paris, was executed, shooted with other hostages on 28 May 1871 - sitting of 16 June 1871 in the House of Deputes: “Here is the liberator of the territory”, wrote Gambetta, by nominating Mr. Thiers - federee woman and federe in uniform (the troops of the commune) - Felix Faure, Sadi-Carnot (Sadi Carnot), marechal of Mac-Mahon (Mac Mahon), Adolphe Thiers, Jules Grevy, Jean Casimir-Perrier (Casimir Perrier), Emile Loubet, Armand Fallieres - Planche 82 of the book published under the direction of Gustave Gautherot, professor at the Institut at the Institut Catholique de Paris: of 88 paintings in 5 colors, Maison de la Bonne Presse, 5 rue Bayard in Paris, 1935.

PCT4276304: The Third Republique and its presidents from 1871 to 1913 - the Commune of 1871 - Monsignor Darbois, Archeveque of Paris, was executed, shooted with other hostages on 28 May 1871 - sitting of 16 June 1871 in the House of Deputes: “Here is the liberator of the territory”, wrote Gambetta, by nominating Mr. Thiers - federee woman and federe in uniform (the troops of the commune) - Felix Faure, Sadi-Carnot (Sadi Carnot), marechal of Mac-Mahon (Mac Mahon), Adolphe Thiers, Jules Grevy, Jean Casimir-Perrier (Casimir Perrier), Emile Loubet, Armand Fallieres - Planche 82 of the book published under the direction of Gustave Gautherot, professor at the Institut at the Institut Catholique de Paris: of 88 paintings in 5 colors, Maison de la Bonne Presse, 5 rue Bayard in Paris, 1935., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Mountain summit called Pierre a Voir near the baths of Saxon in Valais, Swiss Alps. Illustration by Emile Bayard for Albert Dupaigne's book “Les Montagnes”, edition Mame 1881.
Mountain summit called Pierre a Voir near the baths of Saxon in Valais, Swiss Alps. Illustration by Emile Bayard for Albert Dupaigne's book “Les Montagnes”, edition Mame 1881.

PCT4277434: Mountain summit called Pierre a Voir near the baths of Saxon in Valais, Swiss Alps. Illustration by Emile Bayard for Albert Dupaigne's book “Les Montagnes”, edition Mame 1881., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Alps: the jodel or depart herds (cows, goats) towards the pastures. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881.
Alps: the jodel or depart herds (cows, goats) towards the pastures. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881.

PCT4277459: Alps: the jodel or depart herds (cows, goats) towards the pastures. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Victor Hugo “The Miserables”, “The Last Gorgee of the Chalice”. Illustration by Emile Bayard. The former forcat Jean Valjean became old with Cosette and Marius. Engraving of the edition Ollendorff 1906.
Victor Hugo “The Miserables”, “The Last Gorgee of the Chalice”. Illustration by Emile Bayard. The former forcat Jean Valjean became old with Cosette and Marius. Engraving of the edition Ollendorff 1906.

PCT4274624: Victor Hugo “The Miserables”, “The Last Gorgee of the Chalice”. Illustration by Emile Bayard. The former forcat Jean Valjean became old with Cosette and Marius. Engraving of the edition Ollendorff 1906., Bayard, Emile Antoine (1837-91) / Bridgeman Images

A feast in the antiquila: a feast in the old Liguria - evocation of the founding of Marseille, 600 BC: On the day of the arrival of the Greek sailors, the head of the Nams organizes a meal during which his daughter Gyptis must choose his wife by holding him a cup. The Greeks were invited to join the banquet and the young leader of them, Protis, was chosen, thus sealing the foundation of a new city - phoceens - Massilia - anonymous 19th century engraving -
A feast in the antiquila: a feast in the old Liguria - evocation of the founding of Marseille, 600 BC: On the day of the arrival of the Greek sailors, the head of the Nams organizes a meal during which his daughter Gyptis must choose his wife by holding him a cup. The Greeks were invited to join the banquet and the young leader of them, Protis, was chosen, thus sealing the foundation of a new city - phoceens - Massilia - anonymous 19th century engraving -

PCT4288191: A feast in the antiquila: a feast in the old Liguria - evocation of the founding of Marseille, 600 BC: On the day of the arrival of the Greek sailors, the head of the Nams organizes a meal during which his daughter Gyptis must choose his wife by holding him a cup. The Greeks were invited to join the banquet and the young leader of them, Protis, was chosen, thus sealing the foundation of a new city - phoceens - Massilia - anonymous 19th century engraving -, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Crusade against the Albigeois - Siege of Toulouse, 25 June 1218. Simon de Montfort's brother has just been injured by an arrow, Simon de Montfort himself is going to be killed by a ball of catapult throws, it is said, by one of the women of Toulouse who is seen on this illustration throwing stones on the army of the Croises from the ramparts. Engraving by Emile Bayard after Burgun, circa 1880, from Henri Martin's History of France.
Crusade against the Albigeois - Siege of Toulouse, 25 June 1218. Simon de Montfort's brother has just been injured by an arrow, Simon de Montfort himself is going to be killed by a ball of catapult throws, it is said, by one of the women of Toulouse who is seen on this illustration throwing stones on the army of the Croises from the ramparts. Engraving by Emile Bayard after Burgun, circa 1880, from Henri Martin's History of France.

PCT4270350: Crusade against the Albigeois - Siege of Toulouse, 25 June 1218. Simon de Montfort's brother has just been injured by an arrow, Simon de Montfort himself is going to be killed by a ball of catapult throws, it is said, by one of the women of Toulouse who is seen on this illustration throwing stones on the army of the Croises from the ramparts. Engraving by Emile Bayard after Burgun, circa 1880, from Henri Martin's History of France., Bayard, Emile Antoine (1837-91) / Bridgeman Images

A caravanserail in the village of Old Tashkent (or Tashkend), capital of Russian Turkestan, engraved after a drawing by Emile Bayard, to illustrate Basile Vereschagin's journey to Central Asia in 1867-1868, published in “Le tour du monde” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A caravanserail in the village of Old Tashkent (or Tashkend), capital of Russian Turkestan, engraved after a drawing by Emile Bayard, to illustrate Basile Vereschagin's journey to Central Asia in 1867-1868, published in “Le tour du monde” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329390: A caravanserail in the village of Old Tashkent (or Tashkend), capital of Russian Turkestan, engraved after a drawing by Emile Bayard, to illustrate Basile Vereschagin's journey to Central Asia in 1867-1868, published in “Le tour du monde” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Bartholo in “” Le barbier de Seville”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876
Bartholo in “” Le barbier de Seville”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876

LSE4106333: Bartholo in “” Le barbier de Seville”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876, Bayard, Emile Antoine (1837-91) / Bridgeman Images


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