Bayard, Emile Antoine (1837-91) Assets (222 in total)

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Complete work by Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving)
Complete work by Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving)

LSE4111114: Complete work by Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Illustration of Emile Bayard for Hector Malot's novel “” Sans Famille “”: in Toulouse, Monsieur Vitalis, unworthy, is arrested by a police officer in front of Remi and his friends, the learned animals of the troupe: Joli-Coeur (pretty heart), the monkey and the three dogs Capi, Zerbino and Dolce - street musician, saltimbank - Edition Hetzel 1880 - Yeah.
Illustration of Emile Bayard for Hector Malot's novel “” Sans Famille “”: in Toulouse, Monsieur Vitalis, unworthy, is arrested by a police officer in front of Remi and his friends, the learned animals of the troupe: Joli-Coeur (pretty heart), the monkey and the three dogs Capi, Zerbino and Dolce - street musician, saltimbank - Edition Hetzel 1880 - Yeah.

PCT4291290: Illustration of Emile Bayard for Hector Malot's novel “” Sans Famille “”: in Toulouse, Monsieur Vitalis, unworthy, is arrested by a police officer in front of Remi and his friends, the learned animals of the troupe: Joli-Coeur (pretty heart), the monkey and the three dogs Capi, Zerbino and Dolce - street musician, saltimbank - Edition Hetzel 1880 - Yeah., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Illustration by Emile Bayard for the novel by Hector Malot “” Without Family “”: Remi leaves with Monsieur Vitalis, travelling artist and his learned animals the three dogs Capi, Zerbino and Dolce - Edition Hetzel 1880 -
Illustration by Emile Bayard for the novel by Hector Malot “” Without Family “”: Remi leaves with Monsieur Vitalis, travelling artist and his learned animals the three dogs Capi, Zerbino and Dolce - Edition Hetzel 1880 -

PCT4291418: Illustration by Emile Bayard for the novel by Hector Malot “” Without Family “”: Remi leaves with Monsieur Vitalis, travelling artist and his learned animals the three dogs Capi, Zerbino and Dolce - Edition Hetzel 1880 -, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Frontispice by Emile Bayard for the Hetzel 1880 edition of Hector Malot's novel “” Sans Famille “”: The writer at his working table imagines his characters and the weft of his book - Remi and the members of the troupe of Monsieur Vitalis, travelling artist - next to the author stands the dog Capi -
Frontispice by Emile Bayard for the Hetzel 1880 edition of Hector Malot's novel “” Sans Famille “”: The writer at his working table imagines his characters and the weft of his book - Remi and the members of the troupe of Monsieur Vitalis, travelling artist - next to the author stands the dog Capi -

PCT4291493: Frontispice by Emile Bayard for the Hetzel 1880 edition of Hector Malot's novel “” Sans Famille “”: The writer at his working table imagines his characters and the weft of his book - Remi and the members of the troupe of Monsieur Vitalis, travelling artist - next to the author stands the dog Capi -, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Young woman looking after an old man dying in his bed, under a crucifix hanging from the wall. The dying man holds his last recommendations (will) by hand. Detail of an engraving by Emile Bayard illustrating Jules Sandeau's book “Mademoiselle de la Seigliere”, Hetzel edition 1884.
Young woman looking after an old man dying in his bed, under a crucifix hanging from the wall. The dying man holds his last recommendations (will) by hand. Detail of an engraving by Emile Bayard illustrating Jules Sandeau's book “Mademoiselle de la Seigliere”, Hetzel edition 1884.

PCT4267216: Young woman looking after an old man dying in his bed, under a crucifix hanging from the wall. The dying man holds his last recommendations (will) by hand. Detail of an engraving by Emile Bayard illustrating Jules Sandeau's book “Mademoiselle de la Seigliere”, Hetzel edition 1884., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Victor Hugo: Les Miserables. Gavroche, kid from Paris. Illustration by Emile Bayard.
Victor Hugo: Les Miserables. Gavroche, kid from Paris. Illustration by Emile Bayard.

PCT4267405: Victor Hugo: Les Miserables. Gavroche, kid from Paris. Illustration by Emile Bayard., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Engraving (by Emile Bayard) of Jules Verne's book “” Around the Moon”” (Hetzel edition/Voyages extraordinaire 1870): the Earth passing by the moon
Engraving (by Emile Bayard) of Jules Verne's book “” Around the Moon”” (Hetzel edition/Voyages extraordinaire 1870): the Earth passing by the moon

PCT4258081: Engraving (by Emile Bayard) of Jules Verne's book “” Around the Moon”” (Hetzel edition/Voyages extraordinaire 1870): the Earth passing by the moon, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Illustration of Jules Verne's novel “Around the Moon””, drawing by Emile Bayard, Hetzel edition/Voyages extraordinaire 1870. This illustration highlights the relationship of inspiration between the two novels “lunar”” by Jules Verne and the two albums by Tintin made by Hergé, “Objectif Lune” and “On a Marché sur la Lune”. In E. Bayard's drawing, we see the whimsical astronaut Michel Ardan (a character created by Verne based on his friend, photographer Nadar), imagining himself joyfully fooling on the projetile launched towards the Moon during an outing into space. A situation close to the inadvertent exit of Captain Haddock drunk on the rocket, in Tintin's adventures.
Illustration of Jules Verne's novel “Around the Moon””, drawing by Emile Bayard, Hetzel edition/Voyages extraordinaire 1870. This illustration highlights the relationship of inspiration between the two novels “lunar”” by Jules Verne and the two albums by Tintin made by Hergé, “Objectif Lune” and “On a Marché sur la Lune”. In E. Bayard's drawing, we see the whimsical astronaut Michel Ardan (a character created by Verne based on his friend, photographer Nadar), imagining himself joyfully fooling on the projetile launched towards the Moon during an outing into space. A situation close to the inadvertent exit of Captain Haddock drunk on the rocket, in Tintin's adventures.

PCT4259807: Illustration of Jules Verne's novel “Around the Moon””, drawing by Emile Bayard, Hetzel edition/Voyages extraordinaire 1870. This illustration highlights the relationship of inspiration between the two novels “lunar”” by Jules Verne and the two albums by Tintin made by Hergé, “Objectif Lune” and “On a Marché sur la Lune”. In E. Bayard's drawing, we see the whimsical astronaut Michel Ardan (a character created by Verne based on his friend, photographer Nadar), imagining himself joyfully fooling on the projetile launched towards the Moon during an outing into space. A situation close to the inadvertent exit of Captain Haddock drunk on the rocket, in Tintin's adventures., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Members of Stanley's expedition: Edward Pocock, Francis Pocock and Frederick Barker. 1887 (engraving)
Members of Stanley's expedition: Edward Pocock, Francis Pocock and Frederick Barker. 1887 (engraving)

TRK7133685: Members of Stanley's expedition: Edward Pocock, Francis Pocock and Frederick Barker. 1887 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Washerwomen in America (engraving) (b/w photo)
Washerwomen in America (engraving) (b/w photo)

CHT214791: Washerwomen in America (engraving) (b/w photo), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Miss Tinne with her House Staff, Algiers, illustration from 'Le Tour du Monde', 1871 (litho)
Miss Tinne with her House Staff, Algiers, illustration from 'Le Tour du Monde', 1871 (litho)

CHT498382: Miss Tinne with her House Staff, Algiers, illustration from 'Le Tour du Monde', 1871 (litho), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Les Miserables
Les Miserables

XLA3748773: Les Miserables, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Chief of the CREEKS Indians, from the South East of the United States.
Chief of the CREEKS Indians, from the South East of the United States.

JAB4121397: Chief of the CREEKS Indians, from the South East of the United States., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Crusade against the Albigeois - Siege of Toulouse, 25 June 1218. Simon de Montfort's brother has just been injured by an arrow, Simon de Montfort himself is going to be killed by a ball of catapult throws, it is said, by one of the women of Toulouse who is seen on this illustration throwing stones on the army of the Croises from the ramparts. Engraving by Emile Bayard after Burgun, circa 1880, from Henri Martin's History of France.
Crusade against the Albigeois - Siege of Toulouse, 25 June 1218. Simon de Montfort's brother has just been injured by an arrow, Simon de Montfort himself is going to be killed by a ball of catapult throws, it is said, by one of the women of Toulouse who is seen on this illustration throwing stones on the army of the Croises from the ramparts. Engraving by Emile Bayard after Burgun, circa 1880, from Henri Martin's History of France.

PCT4270350: Crusade against the Albigeois - Siege of Toulouse, 25 June 1218. Simon de Montfort's brother has just been injured by an arrow, Simon de Montfort himself is going to be killed by a ball of catapult throws, it is said, by one of the women of Toulouse who is seen on this illustration throwing stones on the army of the Croises from the ramparts. Engraving by Emile Bayard after Burgun, circa 1880, from Henri Martin's History of France., Bayard, Emile Antoine (1837-91) / Bridgeman Images

A holy man. 1866 (engraving)
A holy man. 1866 (engraving)

JAB7147159: A holy man. 1866 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Sorghum drummers, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's journey of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Sorghum drummers, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's journey of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325245: Sorghum drummers, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's journey of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The court orchestra, in the Karague (west of Lake Victoria, present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The court orchestra, in the Karague (west of Lake Victoria, present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325266: The court orchestra, in the Karague (west of Lake Victoria, present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The ceremony of the drums for the rise of the new moon, at the head of the tribe Rumanika, in Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The ceremony of the drums for the rise of the new moon, at the head of the tribe Rumanika, in Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325270: The ceremony of the drums for the rise of the new moon, at the head of the tribe Rumanika, in Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Degustation of the pombe (alcoholic beverage by fermentation), in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Degustation of the pombe (alcoholic beverage by fermentation), in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325273: Degustation of the pombe (alcoholic beverage by fermentation), in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

L'trouge au pombe (alcoholic beverage by fermentation), a way of refreshing oneself at the courtyard in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
L'trouge au pombe (alcoholic beverage by fermentation), a way of refreshing oneself at the courtyard in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325279: L'trouge au pombe (alcoholic beverage by fermentation), a way of refreshing oneself at the courtyard in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The meal of the soldiers of the guard of the King of Uganda, M'Tesa, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The meal of the soldiers of the guard of the King of Uganda, M'Tesa, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325282: The meal of the soldiers of the guard of the King of Uganda, M'Tesa, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Preparation of ivory, for a Turkish trader, Uganda, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Preparation of ivory, for a Turkish trader, Uganda, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325290: Preparation of ivory, for a Turkish trader, Uganda, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The swing of Neo-Zelandan warriors in the Isthmus of Auckland, drawing by Emile Bayard (1837-1891), to illustrate Ferdinand de Hochstetter's journey to New Zealand from 1858 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The swing of Neo-Zelandan warriors in the Isthmus of Auckland, drawing by Emile Bayard (1837-1891), to illustrate Ferdinand de Hochstetter's journey to New Zealand from 1858 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325462: The swing of Neo-Zelandan warriors in the Isthmus of Auckland, drawing by Emile Bayard (1837-1891), to illustrate Ferdinand de Hochstetter's journey to New Zealand from 1858 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Poor and rich Kyrgyz women. Engraving by Emile Bayard, to illustrate travel impressions from Orenburg to Samarkand, by Marie de Ujfalvy-Bourdon, between 1876 and 1878, in the Tour du monde, directed by Edouard Charton, 1879, Paris. Selva Collection.
Poor and rich Kyrgyz women. Engraving by Emile Bayard, to illustrate travel impressions from Orenburg to Samarkand, by Marie de Ujfalvy-Bourdon, between 1876 and 1878, in the Tour du monde, directed by Edouard Charton, 1879, Paris. Selva Collection.

LSE4331947: Poor and rich Kyrgyz women. Engraving by Emile Bayard, to illustrate travel impressions from Orenburg to Samarkand, by Marie de Ujfalvy-Bourdon, between 1876 and 1878, in the Tour du monde, directed by Edouard Charton, 1879, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Lunch at the minister of war, headdress of a turban, facing the author of the story, arriving by the court, a row of servants carrying the dishes of the meal, engraving by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.
Lunch at the minister of war, headdress of a turban, facing the author of the story, arriving by the court, a row of servants carrying the dishes of the meal, engraving by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.

LSE4332075: Lunch at the minister of war, headdress of a turban, facing the author of the story, arriving by the court, a row of servants carrying the dishes of the meal, engraving by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Inside the home of Jose d'Anchieta, Africa's first zoological explorer, filled with books, various instruments, cameras, telescopes, stuffed animals, medical bottles and surgical boxes, plants, clothing, pele mele firearms. On his doorstep, men and women busy peeling birds and preparing mammals. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
Inside the home of Jose d'Anchieta, Africa's first zoological explorer, filled with books, various instruments, cameras, telescopes, stuffed animals, medical bottles and surgical boxes, plants, clothing, pele mele firearms. On his doorstep, men and women busy peeling birds and preparing mammals. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332512: Inside the home of Jose d'Anchieta, Africa's first zoological explorer, filled with books, various instruments, cameras, telescopes, stuffed animals, medical bottles and surgical boxes, plants, clothing, pele mele firearms. On his doorstep, men and women busy peeling birds and preparing mammals. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The arrival of Kabba Rega, king of the Ounyoro (eastern Sudan) and the chiefs of his court, to Sir Baker's camp for an official visit, engraved after a drawing by Emile Bayard, illustrating an expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.
The arrival of Kabba Rega, king of the Ounyoro (eastern Sudan) and the chiefs of his court, to Sir Baker's camp for an official visit, engraved after a drawing by Emile Bayard, illustrating an expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329959: The arrival of Kabba Rega, king of the Ounyoro (eastern Sudan) and the chiefs of his court, to Sir Baker's camp for an official visit, engraved after a drawing by Emile Bayard, illustrating an expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Portrait of the author, on his mount, wearing his travel costume, engraving after a drawing by Emile Bayard illustrating the story on the desert of Acatama and Caracoles (South America), by engineer A.Bresson, in 1870-1874, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Portrait of the author, on his mount, wearing his travel costume, engraving after a drawing by Emile Bayard illustrating the story on the desert of Acatama and Caracoles (South America), by engineer A.Bresson, in 1870-1874, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330053: Portrait of the author, on his mount, wearing his travel costume, engraving after a drawing by Emile Bayard illustrating the story on the desert of Acatama and Caracoles (South America), by engineer A.Bresson, in 1870-1874, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The cortege of Cassemmbe's wife passes before Livingstone who salutes her, engraved after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The cortege of Cassemmbe's wife passes before Livingstone who salutes her, engraved after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330119: The cortege of Cassemmbe's wife passes before Livingstone who salutes her, engraved after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Major Serpa Pinto fired at the village chief or stopped because he demanded even more brandy in exchange for his hospitality. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
Major Serpa Pinto fired at the village chief or stopped because he demanded even more brandy in exchange for his hospitality. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332514: Major Serpa Pinto fired at the village chief or stopped because he demanded even more brandy in exchange for his hospitality. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Bartholo in “” Le barbier de Seville”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876
Bartholo in “” Le barbier de Seville”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876

LSE4106333: Bartholo in “” Le barbier de Seville”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Suzanne in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876
Suzanne in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876

LSE4106349: Suzanne in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Suzanne in “The Wedding of Figaro”
Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Suzanne in “The Wedding of Figaro”

LSE4111096: Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Suzanne in “The Wedding of Figaro”, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Bartholo in the Barbier de Seville in Ovre complet de Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving) Here Bartholo in Le barbier de Seville
Bartholo in the Barbier de Seville in Ovre complet de Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving) Here Bartholo in Le barbier de Seville

LSE4111115: Bartholo in the Barbier de Seville in Ovre complet de Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving) Here Bartholo in Le barbier de Seville, Bayard, Emile Antoine (1837-91) / Bridgeman Images

A caravanserail in the village of Old Tashkent (or Tashkend), capital of Russian Turkestan, engraved after a drawing by Emile Bayard, to illustrate Basile Vereschagin's journey to Central Asia in 1867-1868, published in “Le tour du monde” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A caravanserail in the village of Old Tashkent (or Tashkend), capital of Russian Turkestan, engraved after a drawing by Emile Bayard, to illustrate Basile Vereschagin's journey to Central Asia in 1867-1868, published in “Le tour du monde” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329390: A caravanserail in the village of Old Tashkent (or Tashkend), capital of Russian Turkestan, engraved after a drawing by Emile Bayard, to illustrate Basile Vereschagin's journey to Central Asia in 1867-1868, published in “Le tour du monde” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Amadifou, king of Assinie (Comptoir francais de Côte d'Ivoire) surrounds his court and his musicians, circa 1868, engraving after the drawing by Emile Bayard, illustrating the voyage to the Côte d'Afrique, in 1868, by Vice Admiral Fleuriot de Langles, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Amadifou, king of Assinie (Comptoir francais de Côte d'Ivoire) surrounds his court and his musicians, circa 1868, engraving after the drawing by Emile Bayard, illustrating the voyage to the Côte d'Afrique, in 1868, by Vice Admiral Fleuriot de Langles, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329584: Amadifou, king of Assinie (Comptoir francais de Côte d'Ivoire) surrounds his court and his musicians, circa 1868, engraving after the drawing by Emile Bayard, illustrating the voyage to the Côte d'Afrique, in 1868, by Vice Admiral Fleuriot de Langles, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images


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