Bayard, Emile Antoine (1837-91) Assets (225 in total)

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Fruitier, a merchant itinerant of fresh fruit, with his transport hood and portable scale on his back, in Roustchouk (Romania), engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Fruitier, a merchant itinerant of fresh fruit, with his transport hood and portable scale on his back, in Roustchouk (Romania), engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329499: Fruitier, a merchant itinerant of fresh fruit, with his transport hood and portable scale on his back, in Roustchouk (Romania), engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Types de pionniers, de bouviers et d'indians de Benton (Montana), engraving after the drawing by Emile Bayard, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Types de pionniers, de bouviers et d'indians de Benton (Montana), engraving after the drawing by Emile Bayard, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329675: Types de pionniers, de bouviers et d'indians de Benton (Montana), engraving after the drawing by Emile Bayard, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The rat killer in Pekin. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The rat killer in Pekin. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325183: The rat killer in Pekin. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Hostel courtyard in Chiang Ping Cheou. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Hostel courtyard in Chiang Ping Cheou. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325193: Hostel courtyard in Chiang Ping Cheou. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

A Mongolian emigrant camel, carrying provisions, various utensils, carpets, blankets and wood of the tent frame, as well as young children in hanging baskets. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
A Mongolian emigrant camel, carrying provisions, various utensils, carpets, blankets and wood of the tent frame, as well as young children in hanging baskets. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325212: A Mongolian emigrant camel, carrying provisions, various utensils, carpets, blankets and wood of the tent frame, as well as young children in hanging baskets. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Reassembly of empty wagons during the excavations of 1864 at Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Reassembly of empty wagons during the excavations of 1864 at Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325298: Reassembly of empty wagons during the excavations of 1864 at Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The excavations of 1864 in Pompei, under the direction of Inspector Fiorelli, drawing by Emile Bayard (1837-1891), to illustrate The text of Marc Monnier (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The excavations of 1864 in Pompei, under the direction of Inspector Fiorelli, drawing by Emile Bayard (1837-1891), to illustrate The text of Marc Monnier (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325303: The excavations of 1864 in Pompei, under the direction of Inspector Fiorelli, drawing by Emile Bayard (1837-1891), to illustrate The text of Marc Monnier (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Deroute of the expedition in front of the charge of a buffalo, drawing by Emile Bayard, to illustrate the story: Across Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
Deroute of the expedition in front of the charge of a buffalo, drawing by Emile Bayard, to illustrate the story: Across Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4330920: Deroute of the expedition in front of the charge of a buffalo, drawing by Emile Bayard, to illustrate the story: Across Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Wild yak hunting scene, drawing by Emile Bayard to illustrate the journey to Mongolia and the land of the Tangoutes from 1870 to 1873, by Lieutenant Colonel Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
Wild yak hunting scene, drawing by Emile Bayard to illustrate the journey to Mongolia and the land of the Tangoutes from 1870 to 1873, by Lieutenant Colonel Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4331064: Wild yak hunting scene, drawing by Emile Bayard to illustrate the journey to Mongolia and the land of the Tangoutes from 1870 to 1873, by Lieutenant Colonel Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The arrival of Hamis' fiancee to the village of Hara (Zambia), califourchon on a man's shoulder, accompanied by a dozen followers each carrying a small basket of provisions on his head, etched after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” The tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The arrival of Hamis' fiancee to the village of Hara (Zambia), califourchon on a man's shoulder, accompanied by a dozen followers each carrying a small basket of provisions on his head, etched after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” The tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330115: The arrival of Hamis' fiancee to the village of Hara (Zambia), califourchon on a man's shoulder, accompanied by a dozen followers each carrying a small basket of provisions on his head, etched after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” The tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Members of Stanley's expedition: Edward Pocock, Francis Pocock and Frederick Barker. 1887 (engraving)
Members of Stanley's expedition: Edward Pocock, Francis Pocock and Frederick Barker. 1887 (engraving)

TRK7133685: Members of Stanley's expedition: Edward Pocock, Francis Pocock and Frederick Barker. 1887 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Miss Tinne with her House Staff, Algiers, illustration from 'Le Tour du Monde', 1871 (litho)
Miss Tinne with her House Staff, Algiers, illustration from 'Le Tour du Monde', 1871 (litho)

CHT498382: Miss Tinne with her House Staff, Algiers, illustration from 'Le Tour du Monde', 1871 (litho), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Washerwomen in America (engraving) (b/w photo)
Washerwomen in America (engraving) (b/w photo)

CHT214791: Washerwomen in America (engraving) (b/w photo), Bayard, Emile Antoine (1837-91) / Bridgeman Images

A Peasant Girl, Brittany, 1887
A Peasant Girl, Brittany, 1887

RUS68447: A Peasant Girl, Brittany, 1887, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Les Miserables
Les Miserables

XLA3748789: Les Miserables, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Les Miserables
Les Miserables

XLA3748795: Les Miserables, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Les Châtiments, 19th Century (b/w engraving)
Les Châtiments, 19th Century (b/w engraving)

DGC909589: Les Châtiments, 19th Century (b/w engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Les Affiches - illustration from Histoire d’un crime, 19th Century (b/w engraving)
Les Affiches - illustration from Histoire d’un crime, 19th Century (b/w engraving)

DGC909655: Les Affiches - illustration from Histoire d’un crime, 19th Century (b/w engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Durbar of the Maharajah of Dholpur, 1878 (litho)
Durbar of the Maharajah of Dholpur, 1878 (litho)

LIT389146: Durbar of the Maharajah of Dholpur, 1878 (litho), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Bazile, from the opera 'The Barber of Seville', by Gioachino Rossini (1792-1868) (engraving)
Bazile, from the opera 'The Barber of Seville', by Gioachino Rossini (1792-1868) (engraving)

XJL379453: Bazile, from the opera 'The Barber of Seville', by Gioachino Rossini (1792-1868) (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Attack of Zimbiso in search of Livingstone 1871-1872 (drawing)
Attack of Zimbiso in search of Livingstone 1871-1872 (drawing)

XRH1735077: Attack of Zimbiso in search of Livingstone 1871-1872 (drawing), Bayard, Emile Antoine (1837-91) / Bridgeman Images

The Emperor (ras) Theodoros of Abyssinia surrounded by his lions. engraving from the half of the 19th century. Illustration by Emile Bayard.
The Emperor (ras) Theodoros of Abyssinia surrounded by his lions. engraving from the half of the 19th century. Illustration by Emile Bayard.

GIA4766904: The Emperor (ras) Theodoros of Abyssinia surrounded by his lions. engraving from the half of the 19th century. Illustration by Emile Bayard., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Marie Antoinette locked up in the Conciergerie prison in Paris, 1793 (engraving)
Marie Antoinette locked up in the Conciergerie prison in Paris, 1793 (engraving)

ELD4835336: Marie Antoinette locked up in the Conciergerie prison in Paris, 1793 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Poor and rich Kyrgyz women. Engraving by Emile Bayard, to illustrate travel impressions from Orenburg to Samarkand, by Marie de Ujfalvy-Bourdon, between 1876 and 1878, in the Tour du monde, directed by Edouard Charton, 1879, Paris. Selva Collection.
Poor and rich Kyrgyz women. Engraving by Emile Bayard, to illustrate travel impressions from Orenburg to Samarkand, by Marie de Ujfalvy-Bourdon, between 1876 and 1878, in the Tour du monde, directed by Edouard Charton, 1879, Paris. Selva Collection.

LSE4331947: Poor and rich Kyrgyz women. Engraving by Emile Bayard, to illustrate travel impressions from Orenburg to Samarkand, by Marie de Ujfalvy-Bourdon, between 1876 and 1878, in the Tour du monde, directed by Edouard Charton, 1879, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Lunch at the minister of war, headdress of a turban, facing the author of the story, arriving by the court, a row of servants carrying the dishes of the meal, engraving by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.
Lunch at the minister of war, headdress of a turban, facing the author of the story, arriving by the court, a row of servants carrying the dishes of the meal, engraving by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.

LSE4332075: Lunch at the minister of war, headdress of a turban, facing the author of the story, arriving by the court, a row of servants carrying the dishes of the meal, engraving by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Inside the home of Jose d'Anchieta, Africa's first zoological explorer, filled with books, various instruments, cameras, telescopes, stuffed animals, medical bottles and surgical boxes, plants, clothing, pele mele firearms. On his doorstep, men and women busy peeling birds and preparing mammals. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
Inside the home of Jose d'Anchieta, Africa's first zoological explorer, filled with books, various instruments, cameras, telescopes, stuffed animals, medical bottles and surgical boxes, plants, clothing, pele mele firearms. On his doorstep, men and women busy peeling birds and preparing mammals. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332512: Inside the home of Jose d'Anchieta, Africa's first zoological explorer, filled with books, various instruments, cameras, telescopes, stuffed animals, medical bottles and surgical boxes, plants, clothing, pele mele firearms. On his doorstep, men and women busy peeling birds and preparing mammals. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Major Serpa Pinto fired at the village chief or stopped because he demanded even more brandy in exchange for his hospitality. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
Major Serpa Pinto fired at the village chief or stopped because he demanded even more brandy in exchange for his hospitality. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332514: Major Serpa Pinto fired at the village chief or stopped because he demanded even more brandy in exchange for his hospitality. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

illustration of in Oeuvres de Nicolas Boileau, Paris 1873, Laplace Sanchez and Cie editeurs (engraving)
illustration of in Oeuvres de Nicolas Boileau, Paris 1873, Laplace Sanchez and Cie editeurs (engraving)

LSE4076835: illustration of in Oeuvres de Nicolas Boileau, Paris 1873, Laplace Sanchez and Cie editeurs (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Bartholo in “” Le barbier de Seville”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876
Bartholo in “” Le barbier de Seville”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876

LSE4106333: Bartholo in “” Le barbier de Seville”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Suzanne in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876
Suzanne in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876

LSE4106349: Suzanne in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876, Bayard, Emile Antoine (1837-91) / Bridgeman Images

The court orchestra, in the Karague (west of Lake Victoria, present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The court orchestra, in the Karague (west of Lake Victoria, present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325266: The court orchestra, in the Karague (west of Lake Victoria, present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Sorghum drummers, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's journey of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Sorghum drummers, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's journey of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325245: Sorghum drummers, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's journey of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The ceremony of the drums for the rise of the new moon, at the head of the tribe Rumanika, in Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The ceremony of the drums for the rise of the new moon, at the head of the tribe Rumanika, in Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325270: The ceremony of the drums for the rise of the new moon, at the head of the tribe Rumanika, in Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

L'trouge au pombe (alcoholic beverage by fermentation), a way of refreshing oneself at the courtyard in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
L'trouge au pombe (alcoholic beverage by fermentation), a way of refreshing oneself at the courtyard in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325279: L'trouge au pombe (alcoholic beverage by fermentation), a way of refreshing oneself at the courtyard in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Preparation of ivory, for a Turkish trader, Uganda, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Preparation of ivory, for a Turkish trader, Uganda, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325290: Preparation of ivory, for a Turkish trader, Uganda, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The swing of Neo-Zelandan warriors in the Isthmus of Auckland, drawing by Emile Bayard (1837-1891), to illustrate Ferdinand de Hochstetter's journey to New Zealand from 1858 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The swing of Neo-Zelandan warriors in the Isthmus of Auckland, drawing by Emile Bayard (1837-1891), to illustrate Ferdinand de Hochstetter's journey to New Zealand from 1858 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325462: The swing of Neo-Zelandan warriors in the Isthmus of Auckland, drawing by Emile Bayard (1837-1891), to illustrate Ferdinand de Hochstetter's journey to New Zealand from 1858 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images


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