Bayard, Emile Antoine (1837-91) Assets (222 in total)

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Femmes de Boukhara (Uzbekistan), working on their work to spun, engraving after a drawing by Emile Bayard, to illustrate Basile Vereschaguine's journey into Central Asia in 1867-1868, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Femmes de Boukhara (Uzbekistan), working on their work to spun, engraving after a drawing by Emile Bayard, to illustrate Basile Vereschaguine's journey into Central Asia in 1867-1868, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329413: Femmes de Boukhara (Uzbekistan), working on their work to spun, engraving after a drawing by Emile Bayard, to illustrate Basile Vereschaguine's journey into Central Asia in 1867-1868, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Mother Carey's drunkenness hymn singers gathered at the entrance of an Ohio whisky bar to fight the bloom of alcoholism. Emile Bayard's drawing to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Mother Carey's drunkenness hymn singers gathered at the entrance of an Ohio whisky bar to fight the bloom of alcoholism. Emile Bayard's drawing to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330475: Mother Carey's drunkenness hymn singers gathered at the entrance of an Ohio whisky bar to fight the bloom of alcoholism. Emile Bayard's drawing to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Large canoe of the Arouhouimi, loaded with 40 standing paddlers and twenty warriors in arms, on the Livingstone River (Congo), drawing by Emile Bayard, to illustrate the story “Through the Mysterious Continent””, voyage made between 1874-1877, by Sir H.M. Stanley. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
Large canoe of the Arouhouimi, loaded with 40 standing paddlers and twenty warriors in arms, on the Livingstone River (Congo), drawing by Emile Bayard, to illustrate the story “Through the Mysterious Continent””, voyage made between 1874-1877, by Sir H.M. Stanley. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331184: Large canoe of the Arouhouimi, loaded with 40 standing paddlers and twenty warriors in arms, on the Livingstone River (Congo), drawing by Emile Bayard, to illustrate the story “Through the Mysterious Continent””, voyage made between 1874-1877, by Sir H.M. Stanley. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The Leproux Quest in Chio, drawing by Emile Bayard, to illustrate the story “The island of Chio” (Eastern Turkey), in 1877, by Dr. A.Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
The Leproux Quest in Chio, drawing by Emile Bayard, to illustrate the story “The island of Chio” (Eastern Turkey), in 1877, by Dr. A.Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331233: The Leproux Quest in Chio, drawing by Emile Bayard, to illustrate the story “The island of Chio” (Eastern Turkey), in 1877, by Dr. A.Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The passage of the river Lovoi (or river of the devil) (Katanga region, Congo) by the expedition, drawing by Emile Bayard, to illustrate the journey through Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1873 to 1876, by British commander V.L.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
The passage of the river Lovoi (or river of the devil) (Katanga region, Congo) by the expedition, drawing by Emile Bayard, to illustrate the journey through Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1873 to 1876, by British commander V.L.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4331040: The passage of the river Lovoi (or river of the devil) (Katanga region, Congo) by the expedition, drawing by Emile Bayard, to illustrate the journey through Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1873 to 1876, by British commander V.L.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The insolent carriers of the expedition put to the chain, drawing by Emile Bayard, to illustrate the story: Across Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
The insolent carriers of the expedition put to the chain, drawing by Emile Bayard, to illustrate the story: Across Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4330933: The insolent carriers of the expedition put to the chain, drawing by Emile Bayard, to illustrate the story: Across Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Portrait of Jane Dieulafoy (nee Magre, 1851-1916), archeologist and writer, on her horse, in travel dress. Engraving by E.Bayard, from a photograph, to illustrate the story “Persia, Chaldee and Susiane” in 1881-82, by Jane Dieulafoy, an academic officer. Published in the Tour du monde, 2nd semester 1883, edited by Edouard Charton (1807-1890), Hachette edition, Paris.
Portrait of Jane Dieulafoy (nee Magre, 1851-1916), archeologist and writer, on her horse, in travel dress. Engraving by E.Bayard, from a photograph, to illustrate the story “Persia, Chaldee and Susiane” in 1881-82, by Jane Dieulafoy, an academic officer. Published in the Tour du monde, 2nd semester 1883, edited by Edouard Charton (1807-1890), Hachette edition, Paris.

LSE4333771: Portrait of Jane Dieulafoy (nee Magre, 1851-1916), archeologist and writer, on her horse, in travel dress. Engraving by E.Bayard, from a photograph, to illustrate the story “Persia, Chaldee and Susiane” in 1881-82, by Jane Dieulafoy, an academic officer. Published in the Tour du monde, 2nd semester 1883, edited by Edouard Charton (1807-1890), Hachette edition, Paris., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Portrait of the British lieutenant and explorer Verney Lovett Cameron (1844-1894)
Portrait of the British lieutenant and explorer Verney Lovett Cameron (1844-1894)

LSE4109845: Portrait of the British lieutenant and explorer Verney Lovett Cameron (1844-1894), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Sans famille d Hector Malot Illustration by Emile Bayard Around 1900
Sans famille d Hector Malot Illustration by Emile Bayard Around 1900

GEG2726292: Sans famille d Hector Malot Illustration by Emile Bayard Around 1900, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Begearss in “The guilty mother”
Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Begearss in “The guilty mother”

LSE4111082: Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Begearss in “The guilty mother”, Bayard, Emile Antoine (1837-91) / Bridgeman Images

, Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Jean Beast in “” Jean Beast at the Fair””
, Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Jean Beast in “” Jean Beast at the Fair””

LSE4111098: , Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Jean Beast in “” Jean Beast at the Fair””, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Complete work by Beaumarchais (1732-1799) by Edouard Fournier.Ed. Laplace, Sanchez et Cie, Paris 1876 9engraving)
Complete work by Beaumarchais (1732-1799) by Edouard Fournier.Ed. Laplace, Sanchez et Cie, Paris 1876 9engraving)

LSE4111111: Complete work by Beaumarchais (1732-1799) by Edouard Fournier.Ed. Laplace, Sanchez et Cie, Paris 1876 9engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

A water carrier woman in Eritrea 1867 (Engraving)
A water carrier woman in Eritrea 1867 (Engraving)

JAB7141239: A water carrier woman in Eritrea 1867 (Engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

The mermaid, 1866 (engraving)
The mermaid, 1866 (engraving)

JAB7147160: The mermaid, 1866 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Washerwomen in America (engraving) (b/w photo)
Washerwomen in America (engraving) (b/w photo)

CHT214791: Washerwomen in America (engraving) (b/w photo), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Miss Tinne with her House Staff, Algiers, illustration from 'Le Tour du Monde', 1871 (litho)
Miss Tinne with her House Staff, Algiers, illustration from 'Le Tour du Monde', 1871 (litho)

CHT498382: Miss Tinne with her House Staff, Algiers, illustration from 'Le Tour du Monde', 1871 (litho), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Cathinelle - by Bayard, early 20th century
Cathinelle - by Bayard, early 20th century

LSE4080595: Cathinelle - by Bayard, early 20th century, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Scenes of inoculation in the laboratory of the Normal School in 1886 (drawing)
Scenes of inoculation in the laboratory of the Normal School in 1886 (drawing)

LSE4077202: Scenes of inoculation in the laboratory of the Normal School in 1886 (drawing), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Victor Hugo: Les Miserables. Gavroche, kid from Paris. Illustration by Emile Bayard.
Victor Hugo: Les Miserables. Gavroche, kid from Paris. Illustration by Emile Bayard.

PCT4267405: Victor Hugo: Les Miserables. Gavroche, kid from Paris. Illustration by Emile Bayard., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Victor Hugo “” Les Miserables””: Jean Valjean, who became rich under the name of Monsieur Madeleine, is doing good around him. But his enemy police inspector Javert suspects his identity and ends up arresting him, while Fantine (Cosette's mother) dies. Valjean and Javert, engraving by Emile Bayard.
Victor Hugo “” Les Miserables””: Jean Valjean, who became rich under the name of Monsieur Madeleine, is doing good around him. But his enemy police inspector Javert suspects his identity and ends up arresting him, while Fantine (Cosette's mother) dies. Valjean and Javert, engraving by Emile Bayard.

PCT4267565: Victor Hugo “” Les Miserables””: Jean Valjean, who became rich under the name of Monsieur Madeleine, is doing good around him. But his enemy police inspector Javert suspects his identity and ends up arresting him, while Fantine (Cosette's mother) dies. Valjean and Javert, engraving by Emile Bayard., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Illustration of Emile Bayard for Hector Malot's novel “” Sans Famille “”: in Toulouse, Monsieur Vitalis, unworthy, is arrested by a police officer in front of Remi and his friends, the learned animals of the troupe: Joli-Coeur (pretty heart), the monkey and the three dogs Capi, Zerbino and Dolce - street musician, saltimbank - Edition Hetzel 1880 - Yeah.
Illustration of Emile Bayard for Hector Malot's novel “” Sans Famille “”: in Toulouse, Monsieur Vitalis, unworthy, is arrested by a police officer in front of Remi and his friends, the learned animals of the troupe: Joli-Coeur (pretty heart), the monkey and the three dogs Capi, Zerbino and Dolce - street musician, saltimbank - Edition Hetzel 1880 - Yeah.

PCT4291290: Illustration of Emile Bayard for Hector Malot's novel “” Sans Famille “”: in Toulouse, Monsieur Vitalis, unworthy, is arrested by a police officer in front of Remi and his friends, the learned animals of the troupe: Joli-Coeur (pretty heart), the monkey and the three dogs Capi, Zerbino and Dolce - street musician, saltimbank - Edition Hetzel 1880 - Yeah., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Illustration by Emile Bayard for the novel by Hector Malot “” Without Family “”: Remi leaves with Monsieur Vitalis, travelling artist and his learned animals the three dogs Capi, Zerbino and Dolce - Edition Hetzel 1880 -
Illustration by Emile Bayard for the novel by Hector Malot “” Without Family “”: Remi leaves with Monsieur Vitalis, travelling artist and his learned animals the three dogs Capi, Zerbino and Dolce - Edition Hetzel 1880 -

PCT4291418: Illustration by Emile Bayard for the novel by Hector Malot “” Without Family “”: Remi leaves with Monsieur Vitalis, travelling artist and his learned animals the three dogs Capi, Zerbino and Dolce - Edition Hetzel 1880 -, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Frontispice by Emile Bayard for the Hetzel 1880 edition of Hector Malot's novel “” Sans Famille “”: The writer at his working table imagines his characters and the weft of his book - Remi and the members of the troupe of Monsieur Vitalis, travelling artist - next to the author stands the dog Capi -
Frontispice by Emile Bayard for the Hetzel 1880 edition of Hector Malot's novel “” Sans Famille “”: The writer at his working table imagines his characters and the weft of his book - Remi and the members of the troupe of Monsieur Vitalis, travelling artist - next to the author stands the dog Capi -

PCT4291493: Frontispice by Emile Bayard for the Hetzel 1880 edition of Hector Malot's novel “” Sans Famille “”: The writer at his working table imagines his characters and the weft of his book - Remi and the members of the troupe of Monsieur Vitalis, travelling artist - next to the author stands the dog Capi -, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Young woman looking after an old man dying in his bed, under a crucifix hanging from the wall. The dying man holds his last recommendations (will) by hand. Detail of an engraving by Emile Bayard illustrating Jules Sandeau's book “Mademoiselle de la Seigliere”, Hetzel edition 1884.
Young woman looking after an old man dying in his bed, under a crucifix hanging from the wall. The dying man holds his last recommendations (will) by hand. Detail of an engraving by Emile Bayard illustrating Jules Sandeau's book “Mademoiselle de la Seigliere”, Hetzel edition 1884.

PCT4267216: Young woman looking after an old man dying in his bed, under a crucifix hanging from the wall. The dying man holds his last recommendations (will) by hand. Detail of an engraving by Emile Bayard illustrating Jules Sandeau's book “Mademoiselle de la Seigliere”, Hetzel edition 1884., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Fruitier, a merchant itinerant of fresh fruit, with his transport hood and portable scale on his back, in Roustchouk (Romania), engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Fruitier, a merchant itinerant of fresh fruit, with his transport hood and portable scale on his back, in Roustchouk (Romania), engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329499: Fruitier, a merchant itinerant of fresh fruit, with his transport hood and portable scale on his back, in Roustchouk (Romania), engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The arrival of Hamis' fiancee to the village of Hara (Zambia), califourchon on a man's shoulder, accompanied by a dozen followers each carrying a small basket of provisions on his head, etched after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” The tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The arrival of Hamis' fiancee to the village of Hara (Zambia), califourchon on a man's shoulder, accompanied by a dozen followers each carrying a small basket of provisions on his head, etched after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” The tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330115: The arrival of Hamis' fiancee to the village of Hara (Zambia), califourchon on a man's shoulder, accompanied by a dozen followers each carrying a small basket of provisions on his head, etched after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” The tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Types de pionniers, de bouviers et d'indians de Benton (Montana), engraving after the drawing by Emile Bayard, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Types de pionniers, de bouviers et d'indians de Benton (Montana), engraving after the drawing by Emile Bayard, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329675: Types de pionniers, de bouviers et d'indians de Benton (Montana), engraving after the drawing by Emile Bayard, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Deroute of the expedition in front of the charge of a buffalo, drawing by Emile Bayard, to illustrate the story: Across Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
Deroute of the expedition in front of the charge of a buffalo, drawing by Emile Bayard, to illustrate the story: Across Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4330920: Deroute of the expedition in front of the charge of a buffalo, drawing by Emile Bayard, to illustrate the story: Across Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Wild yak hunting scene, drawing by Emile Bayard to illustrate the journey to Mongolia and the land of the Tangoutes from 1870 to 1873, by Lieutenant Colonel Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
Wild yak hunting scene, drawing by Emile Bayard to illustrate the journey to Mongolia and the land of the Tangoutes from 1870 to 1873, by Lieutenant Colonel Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4331064: Wild yak hunting scene, drawing by Emile Bayard to illustrate the journey to Mongolia and the land of the Tangoutes from 1870 to 1873, by Lieutenant Colonel Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The guide and interpreter of the expedition, Chutun Dzamba, 58 years old, crouched on his camel, he continually mumbled prayers, drawing by Emile Bayard to illustrate the voyage to Mongolia and the land of the Tangutes from 1870 to 1873, by the lieutenant colonel of Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
The guide and interpreter of the expedition, Chutun Dzamba, 58 years old, crouched on his camel, he continually mumbled prayers, drawing by Emile Bayard to illustrate the voyage to Mongolia and the land of the Tangutes from 1870 to 1873, by the lieutenant colonel of Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4331068: The guide and interpreter of the expedition, Chutun Dzamba, 58 years old, crouched on his camel, he continually mumbled prayers, drawing by Emile Bayard to illustrate the voyage to Mongolia and the land of the Tangutes from 1870 to 1873, by the lieutenant colonel of Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The Sova Mavanda (king), surrounded by his men who psalmodify a monotonous song, dancing in front of the major. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
The Sova Mavanda (king), surrounded by his men who psalmodify a monotonous song, dancing in front of the major. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332530: The Sova Mavanda (king), surrounded by his men who psalmodify a monotonous song, dancing in front of the major. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Reassembly of empty wagons during the excavations of 1864 at Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Reassembly of empty wagons during the excavations of 1864 at Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325298: Reassembly of empty wagons during the excavations of 1864 at Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The excavations of 1864 in Pompei, under the direction of Inspector Fiorelli, drawing by Emile Bayard (1837-1891), to illustrate The text of Marc Monnier (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The excavations of 1864 in Pompei, under the direction of Inspector Fiorelli, drawing by Emile Bayard (1837-1891), to illustrate The text of Marc Monnier (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325303: The excavations of 1864 in Pompei, under the direction of Inspector Fiorelli, drawing by Emile Bayard (1837-1891), to illustrate The text of Marc Monnier (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Hostel courtyard in Chiang Ping Cheou. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Hostel courtyard in Chiang Ping Cheou. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325193: Hostel courtyard in Chiang Ping Cheou. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

A Mongolian emigrant camel, carrying provisions, various utensils, carpets, blankets and wood of the tent frame, as well as young children in hanging baskets. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
A Mongolian emigrant camel, carrying provisions, various utensils, carpets, blankets and wood of the tent frame, as well as young children in hanging baskets. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325212: A Mongolian emigrant camel, carrying provisions, various utensils, carpets, blankets and wood of the tent frame, as well as young children in hanging baskets. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The rat killer in Pekin. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The rat killer in Pekin. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325183: The rat killer in Pekin. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images


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