Bayard, Emile Antoine (1837-91) Assets (223 in total)

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The passage of the river Lovoi (or river of the devil) (Katanga region, Congo) by the expedition, drawing by Emile Bayard, to illustrate the journey through Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1873 to 1876, by British commander V.L.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
The passage of the river Lovoi (or river of the devil) (Katanga region, Congo) by the expedition, drawing by Emile Bayard, to illustrate the journey through Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1873 to 1876, by British commander V.L.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4331040: The passage of the river Lovoi (or river of the devil) (Katanga region, Congo) by the expedition, drawing by Emile Bayard, to illustrate the journey through Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1873 to 1876, by British commander V.L.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Portrait of Jane Dieulafoy (nee Magre, 1851-1916), archeologist and writer, on her horse, in travel dress. Engraving by E.Bayard, from a photograph, to illustrate the story “Persia, Chaldee and Susiane” in 1881-82, by Jane Dieulafoy, an academic officer. Published in the Tour du monde, 2nd semester 1883, edited by Edouard Charton (1807-1890), Hachette edition, Paris.
Portrait of Jane Dieulafoy (nee Magre, 1851-1916), archeologist and writer, on her horse, in travel dress. Engraving by E.Bayard, from a photograph, to illustrate the story “Persia, Chaldee and Susiane” in 1881-82, by Jane Dieulafoy, an academic officer. Published in the Tour du monde, 2nd semester 1883, edited by Edouard Charton (1807-1890), Hachette edition, Paris.

LSE4333771: Portrait of Jane Dieulafoy (nee Magre, 1851-1916), archeologist and writer, on her horse, in travel dress. Engraving by E.Bayard, from a photograph, to illustrate the story “Persia, Chaldee and Susiane” in 1881-82, by Jane Dieulafoy, an academic officer. Published in the Tour du monde, 2nd semester 1883, edited by Edouard Charton (1807-1890), Hachette edition, Paris., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Portrait of the British lieutenant and explorer Verney Lovett Cameron (1844-1894)
Portrait of the British lieutenant and explorer Verney Lovett Cameron (1844-1894)

LSE4109845: Portrait of the British lieutenant and explorer Verney Lovett Cameron (1844-1894), Bayard, Emile Antoine (1837-91) / Bridgeman Images

, Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Jean Beast in “” Jean Beast at the Fair””
, Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Jean Beast in “” Jean Beast at the Fair””

LSE4111098: , Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Jean Beast in “” Jean Beast at the Fair””, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Complete work by Beaumarchais (1732-1799) by Edouard Fournier.Ed. Laplace, Sanchez et Cie, Paris 1876 9engraving)
Complete work by Beaumarchais (1732-1799) by Edouard Fournier.Ed. Laplace, Sanchez et Cie, Paris 1876 9engraving)

LSE4111111: Complete work by Beaumarchais (1732-1799) by Edouard Fournier.Ed. Laplace, Sanchez et Cie, Paris 1876 9engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Henry Morton (1841-1904) and David Livingstone (1813-1873), meeting in Ujiji on November 10, 1871, 1873 (engraving)
Henry Morton (1841-1904) and David Livingstone (1813-1873), meeting in Ujiji on November 10, 1871, 1873 (engraving)

JLJ4682497: Henry Morton (1841-1904) and David Livingstone (1813-1873), meeting in Ujiji on November 10, 1871, 1873 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Emperor Charlemagne watching the arrival of Norman ships on the French coast - Viking ships and warriors - drakkar, Scandinavian navigation, Nordic invasion - engraving by Emile Bayard illustrating “The history of popular France by Henri Martin, 19th century.
Emperor Charlemagne watching the arrival of Norman ships on the French coast - Viking ships and warriors - drakkar, Scandinavian navigation, Nordic invasion - engraving by Emile Bayard illustrating “The history of popular France by Henri Martin, 19th century.

PCT4290756: Emperor Charlemagne watching the arrival of Norman ships on the French coast - Viking ships and warriors - drakkar, Scandinavian navigation, Nordic invasion - engraving by Emile Bayard illustrating “The history of popular France by Henri Martin, 19th century., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Joli-Coeur (pretty heart), the sick scientist monkey is examined by a doctor (auscult by a doctor who takes the chicken from him) in the presence of Remi and Monsieur Vitalis - Hetzel edition 1880 -
Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Joli-Coeur (pretty heart), the sick scientist monkey is examined by a doctor (auscult by a doctor who takes the chicken from him) in the presence of Remi and Monsieur Vitalis - Hetzel edition 1880 -

PCT4291281: Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Joli-Coeur (pretty heart), the sick scientist monkey is examined by a doctor (auscult by a doctor who takes the chicken from him) in the presence of Remi and Monsieur Vitalis - Hetzel edition 1880 -, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Remi plays with his friends, the learned animals of the troupe of Monsieur Vitalis, travelling artist - Joli-Coeur (pretty heart), the monkey and the three dogs Capi, Zerbino and Dolce - street musician, saltimbank - Edition Hetzel 1880 -
Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Remi plays with his friends, the learned animals of the troupe of Monsieur Vitalis, travelling artist - Joli-Coeur (pretty heart), the monkey and the three dogs Capi, Zerbino and Dolce - street musician, saltimbank - Edition Hetzel 1880 -

PCT4291283: Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Remi plays with his friends, the learned animals of the troupe of Monsieur Vitalis, travelling artist - Joli-Coeur (pretty heart), the monkey and the three dogs Capi, Zerbino and Dolce - street musician, saltimbank - Edition Hetzel 1880 -, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Joli-Coeur (pretty heart), the scholar monkey of Monsieur Vitalis's troupe, travelling artist - street musician, saltibank - Hetzel Edition 1880 -
Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Joli-Coeur (pretty heart), the scholar monkey of Monsieur Vitalis's troupe, travelling artist - street musician, saltibank - Hetzel Edition 1880 -

PCT4291286: Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Joli-Coeur (pretty heart), the scholar monkey of Monsieur Vitalis's troupe, travelling artist - street musician, saltibank - Hetzel Edition 1880 -, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Illustration for
Illustration for

PCT4276294: Illustration for "Histoire de France illustrated with 88 paintings in 5 colours", 1935 (print), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Village in the Alps. Murren, in the Bernese Oberland, altitude 1630 meters. Shepherd keeping his herd of goats and sheep (sheep). Illustration by Emile Bayard for Albert Dupaigne's book “Les Montagnes”, edition Mame 1881.
Village in the Alps. Murren, in the Bernese Oberland, altitude 1630 meters. Shepherd keeping his herd of goats and sheep (sheep). Illustration by Emile Bayard for Albert Dupaigne's book “Les Montagnes”, edition Mame 1881.

PCT4277409: Village in the Alps. Murren, in the Bernese Oberland, altitude 1630 meters. Shepherd keeping his herd of goats and sheep (sheep). Illustration by Emile Bayard for Albert Dupaigne's book “Les Montagnes”, edition Mame 1881., Bayard, Emile Antoine (1837-91) / Bridgeman Images

View of the Swiss Alps. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881.
View of the Swiss Alps. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881.

PCT4277480: View of the Swiss Alps. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881., Bayard, Emile Antoine (1837-91) / Bridgeman Images

John Milton, 19th century (engraving)
John Milton, 19th century (engraving)

PVD1690836: John Milton, 19th century (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Sans famille d Hector Malot Illustration by Emile Bayard Around 1900
Sans famille d Hector Malot Illustration by Emile Bayard Around 1900

GEG2726292: Sans famille d Hector Malot Illustration by Emile Bayard Around 1900, Bayard, Emile Antoine (1837-91) / Bridgeman Images

The mermaid, 1866 (engraving)
The mermaid, 1866 (engraving)

JAB7147160: The mermaid, 1866 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

A water carrier woman in Eritrea 1867 (Engraving)
A water carrier woman in Eritrea 1867 (Engraving)

JAB7141239: A water carrier woman in Eritrea 1867 (Engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Miss Tinne with her House Staff, Algiers, illustration from 'Le Tour du Monde', 1871 (litho)
Miss Tinne with her House Staff, Algiers, illustration from 'Le Tour du Monde', 1871 (litho)

CHT498382: Miss Tinne with her House Staff, Algiers, illustration from 'Le Tour du Monde', 1871 (litho), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Washerwomen in America (engraving) (b/w photo)
Washerwomen in America (engraving) (b/w photo)

CHT214791: Washerwomen in America (engraving) (b/w photo), Bayard, Emile Antoine (1837-91) / Bridgeman Images

A Mongolian emigrant camel, carrying provisions, various utensils, carpets, blankets and wood of the tent frame, as well as young children in hanging baskets. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
A Mongolian emigrant camel, carrying provisions, various utensils, carpets, blankets and wood of the tent frame, as well as young children in hanging baskets. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325212: A Mongolian emigrant camel, carrying provisions, various utensils, carpets, blankets and wood of the tent frame, as well as young children in hanging baskets. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The excavations of 1864 in Pompei, under the direction of Inspector Fiorelli, drawing by Emile Bayard (1837-1891), to illustrate The text of Marc Monnier (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The excavations of 1864 in Pompei, under the direction of Inspector Fiorelli, drawing by Emile Bayard (1837-1891), to illustrate The text of Marc Monnier (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325303: The excavations of 1864 in Pompei, under the direction of Inspector Fiorelli, drawing by Emile Bayard (1837-1891), to illustrate The text of Marc Monnier (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Reassembly of empty wagons during the excavations of 1864 at Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Reassembly of empty wagons during the excavations of 1864 at Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325298: Reassembly of empty wagons during the excavations of 1864 at Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The rat killer in Pekin. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The rat killer in Pekin. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325183: The rat killer in Pekin. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Hostel courtyard in Chiang Ping Cheou. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Hostel courtyard in Chiang Ping Cheou. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325193: Hostel courtyard in Chiang Ping Cheou. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The Sova Mavanda (king), surrounded by his men who psalmodify a monotonous song, dancing in front of the major. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
The Sova Mavanda (king), surrounded by his men who psalmodify a monotonous song, dancing in front of the major. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332530: The Sova Mavanda (king), surrounded by his men who psalmodify a monotonous song, dancing in front of the major. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Wild yak hunting scene, drawing by Emile Bayard to illustrate the journey to Mongolia and the land of the Tangoutes from 1870 to 1873, by Lieutenant Colonel Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
Wild yak hunting scene, drawing by Emile Bayard to illustrate the journey to Mongolia and the land of the Tangoutes from 1870 to 1873, by Lieutenant Colonel Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4331064: Wild yak hunting scene, drawing by Emile Bayard to illustrate the journey to Mongolia and the land of the Tangoutes from 1870 to 1873, by Lieutenant Colonel Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The guide and interpreter of the expedition, Chutun Dzamba, 58 years old, crouched on his camel, he continually mumbled prayers, drawing by Emile Bayard to illustrate the voyage to Mongolia and the land of the Tangutes from 1870 to 1873, by the lieutenant colonel of Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
The guide and interpreter of the expedition, Chutun Dzamba, 58 years old, crouched on his camel, he continually mumbled prayers, drawing by Emile Bayard to illustrate the voyage to Mongolia and the land of the Tangutes from 1870 to 1873, by the lieutenant colonel of Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4331068: The guide and interpreter of the expedition, Chutun Dzamba, 58 years old, crouched on his camel, he continually mumbled prayers, drawing by Emile Bayard to illustrate the voyage to Mongolia and the land of the Tangutes from 1870 to 1873, by the lieutenant colonel of Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Deroute of the expedition in front of the charge of a buffalo, drawing by Emile Bayard, to illustrate the story: Across Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
Deroute of the expedition in front of the charge of a buffalo, drawing by Emile Bayard, to illustrate the story: Across Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4330920: Deroute of the expedition in front of the charge of a buffalo, drawing by Emile Bayard, to illustrate the story: Across Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Fruitier, a merchant itinerant of fresh fruit, with his transport hood and portable scale on his back, in Roustchouk (Romania), engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Fruitier, a merchant itinerant of fresh fruit, with his transport hood and portable scale on his back, in Roustchouk (Romania), engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329499: Fruitier, a merchant itinerant of fresh fruit, with his transport hood and portable scale on his back, in Roustchouk (Romania), engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Types de pionniers, de bouviers et d'indians de Benton (Montana), engraving after the drawing by Emile Bayard, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Types de pionniers, de bouviers et d'indians de Benton (Montana), engraving after the drawing by Emile Bayard, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329675: Types de pionniers, de bouviers et d'indians de Benton (Montana), engraving after the drawing by Emile Bayard, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The arrival of Hamis' fiancee to the village of Hara (Zambia), califourchon on a man's shoulder, accompanied by a dozen followers each carrying a small basket of provisions on his head, etched after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” The tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The arrival of Hamis' fiancee to the village of Hara (Zambia), califourchon on a man's shoulder, accompanied by a dozen followers each carrying a small basket of provisions on his head, etched after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” The tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330115: The arrival of Hamis' fiancee to the village of Hara (Zambia), califourchon on a man's shoulder, accompanied by a dozen followers each carrying a small basket of provisions on his head, etched after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” The tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Cathinelle - by Bayard, early 20th century
Cathinelle - by Bayard, early 20th century

LSE4080595: Cathinelle - by Bayard, early 20th century, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Complete work by Beaumarchais (1732-1799) by Edouard Fournie, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving)
Complete work by Beaumarchais (1732-1799) by Edouard Fournie, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving)

LSE4111106: Complete work by Beaumarchais (1732-1799) by Edouard Fournie, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Colette in “Colin and Colette”
Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Colette in “Colin and Colette”

LSE4111093: Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Colette in “Colin and Colette”, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Complete work by Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving)
Complete work by Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving)

LSE4111114: Complete work by Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Scenes of inoculation in the laboratory of the Normal School in 1886 (drawing)
Scenes of inoculation in the laboratory of the Normal School in 1886 (drawing)

LSE4077202: Scenes of inoculation in the laboratory of the Normal School in 1886 (drawing), Bayard, Emile Antoine (1837-91) / Bridgeman Images


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