Bayard, Emile Antoine (1837-91) Assets (222 in total)

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Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Joli-Coeur (pretty heart), the scholar monkey of Monsieur Vitalis's troupe, travelling artist - street musician, saltibank - Hetzel Edition 1880 -
Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Joli-Coeur (pretty heart), the scholar monkey of Monsieur Vitalis's troupe, travelling artist - street musician, saltibank - Hetzel Edition 1880 -

PCT4291286: Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Joli-Coeur (pretty heart), the scholar monkey of Monsieur Vitalis's troupe, travelling artist - street musician, saltibank - Hetzel Edition 1880 -, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Henry Morton (1841-1904) and David Livingstone (1813-1873), meeting in Ujiji on November 10, 1871, 1873 (engraving)
Henry Morton (1841-1904) and David Livingstone (1813-1873), meeting in Ujiji on November 10, 1871, 1873 (engraving)

JLJ4682497: Henry Morton (1841-1904) and David Livingstone (1813-1873), meeting in Ujiji on November 10, 1871, 1873 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Young girls of Grand-Bassam (Grand Bassam) (former capital of the Ivory Coast), styling herself, engraving after Emile Bayard's drawing, illustrating the voyage to the African Coast in 1868, by Vice Admiral Fleuriot de Langles, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Young girls of Grand-Bassam (Grand Bassam) (former capital of the Ivory Coast), styling herself, engraving after Emile Bayard's drawing, illustrating the voyage to the African Coast in 1868, by Vice Admiral Fleuriot de Langles, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329573: Young girls of Grand-Bassam (Grand Bassam) (former capital of the Ivory Coast), styling herself, engraving after Emile Bayard's drawing, illustrating the voyage to the African Coast in 1868, by Vice Admiral Fleuriot de Langles, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Mother Carey's drunkenness hymn singers gathered at the entrance of an Ohio whisky bar to fight the bloom of alcoholism. Emile Bayard's drawing to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Mother Carey's drunkenness hymn singers gathered at the entrance of an Ohio whisky bar to fight the bloom of alcoholism. Emile Bayard's drawing to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330475: Mother Carey's drunkenness hymn singers gathered at the entrance of an Ohio whisky bar to fight the bloom of alcoholism. Emile Bayard's drawing to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “Le tour du monde”” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The insolent carriers of the expedition put to the chain, drawing by Emile Bayard, to illustrate the story: Across Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
The insolent carriers of the expedition put to the chain, drawing by Emile Bayard, to illustrate the story: Across Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4330933: The insolent carriers of the expedition put to the chain, drawing by Emile Bayard, to illustrate the story: Across Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1872 to 1876, by Lieutenant V.H.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The passage of the river Lovoi (or river of the devil) (Katanga region, Congo) by the expedition, drawing by Emile Bayard, to illustrate the journey through Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1873 to 1876, by British commander V.L.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
The passage of the river Lovoi (or river of the devil) (Katanga region, Congo) by the expedition, drawing by Emile Bayard, to illustrate the journey through Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1873 to 1876, by British commander V.L.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4331040: The passage of the river Lovoi (or river of the devil) (Katanga region, Congo) by the expedition, drawing by Emile Bayard, to illustrate the journey through Africa, from Zanzibar (Tanzania) to Benguela (Angola), from 1873 to 1876, by British commander V.L.Cameron. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Large canoe of the Arouhouimi, loaded with 40 standing paddlers and twenty warriors in arms, on the Livingstone River (Congo), drawing by Emile Bayard, to illustrate the story “Through the Mysterious Continent””, voyage made between 1874-1877, by Sir H.M. Stanley. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
Large canoe of the Arouhouimi, loaded with 40 standing paddlers and twenty warriors in arms, on the Livingstone River (Congo), drawing by Emile Bayard, to illustrate the story “Through the Mysterious Continent””, voyage made between 1874-1877, by Sir H.M. Stanley. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331184: Large canoe of the Arouhouimi, loaded with 40 standing paddlers and twenty warriors in arms, on the Livingstone River (Congo), drawing by Emile Bayard, to illustrate the story “Through the Mysterious Continent””, voyage made between 1874-1877, by Sir H.M. Stanley. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The Leproux Quest in Chio, drawing by Emile Bayard, to illustrate the story “The island of Chio” (Eastern Turkey), in 1877, by Dr. A.Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
The Leproux Quest in Chio, drawing by Emile Bayard, to illustrate the story “The island of Chio” (Eastern Turkey), in 1877, by Dr. A.Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331233: The Leproux Quest in Chio, drawing by Emile Bayard, to illustrate the story “The island of Chio” (Eastern Turkey), in 1877, by Dr. A.Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Un jardin à Fes, engraving by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.
Un jardin à Fes, engraving by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.

LSE4332079: Un jardin à Fes, engraving by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Femmes de Boukhara (Uzbekistan), working on their work to spun, engraving after a drawing by Emile Bayard, to illustrate Basile Vereschaguine's journey into Central Asia in 1867-1868, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Femmes de Boukhara (Uzbekistan), working on their work to spun, engraving after a drawing by Emile Bayard, to illustrate Basile Vereschaguine's journey into Central Asia in 1867-1868, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329413: Femmes de Boukhara (Uzbekistan), working on their work to spun, engraving after a drawing by Emile Bayard, to illustrate Basile Vereschaguine's journey into Central Asia in 1867-1868, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Village in the Alps. Murren, in the Bernese Oberland, altitude 1630 meters. Shepherd keeping his herd of goats and sheep (sheep). Illustration by Emile Bayard for Albert Dupaigne's book “Les Montagnes”, edition Mame 1881.
Village in the Alps. Murren, in the Bernese Oberland, altitude 1630 meters. Shepherd keeping his herd of goats and sheep (sheep). Illustration by Emile Bayard for Albert Dupaigne's book “Les Montagnes”, edition Mame 1881.

PCT4277409: Village in the Alps. Murren, in the Bernese Oberland, altitude 1630 meters. Shepherd keeping his herd of goats and sheep (sheep). Illustration by Emile Bayard for Albert Dupaigne's book “Les Montagnes”, edition Mame 1881., Bayard, Emile Antoine (1837-91) / Bridgeman Images

View of the Swiss Alps. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881.
View of the Swiss Alps. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881.

PCT4277480: View of the Swiss Alps. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Second Empire 1852 to 1870 - capture of Malakoff 8 September 1855 - victory of Solferino 24 June 1859 - Emile Ollivier, Baron Haussmann, Napoleon III, Imperator Eugenia, Pope Pius 9, Marechal Niel, Victor Emmanuel (Victor Emmanuel) (Vittorio Emanuele) II of Italy, Archduke Maximilian of Austria, Victor Hugo, Cavour, Bismarck, - Plate 80 of the book published under the direction of Gustave Gautherot, professor at the Institut Catholique de Paris: Histoire de France illustrated with 88 paintings in 5 colours, Maison de la Bonne Presse, 5 rue Bayard in Paris, 1935.
Second Empire 1852 to 1870 - capture of Malakoff 8 September 1855 - victory of Solferino 24 June 1859 - Emile Ollivier, Baron Haussmann, Napoleon III, Imperator Eugenia, Pope Pius 9, Marechal Niel, Victor Emmanuel (Victor Emmanuel) (Vittorio Emanuele) II of Italy, Archduke Maximilian of Austria, Victor Hugo, Cavour, Bismarck, - Plate 80 of the book published under the direction of Gustave Gautherot, professor at the Institut Catholique de Paris: Histoire de France illustrated with 88 paintings in 5 colours, Maison de la Bonne Presse, 5 rue Bayard in Paris, 1935.

PCT4276294: Second Empire 1852 to 1870 - capture of Malakoff 8 September 1855 - victory of Solferino 24 June 1859 - Emile Ollivier, Baron Haussmann, Napoleon III, Imperator Eugenia, Pope Pius 9, Marechal Niel, Victor Emmanuel (Victor Emmanuel) (Vittorio Emanuele) II of Italy, Archduke Maximilian of Austria, Victor Hugo, Cavour, Bismarck, - Plate 80 of the book published under the direction of Gustave Gautherot, professor at the Institut Catholique de Paris: Histoire de France illustrated with 88 paintings in 5 colours, Maison de la Bonne Presse, 5 rue Bayard in Paris, 1935., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Portrait of Jane Dieulafoy (nee Magre, 1851-1916), archeologist and writer, on her horse, in travel dress. Engraving by E.Bayard, from a photograph, to illustrate the story “Persia, Chaldee and Susiane” in 1881-82, by Jane Dieulafoy, an academic officer. Published in the Tour du monde, 2nd semester 1883, edited by Edouard Charton (1807-1890), Hachette edition, Paris.
Portrait of Jane Dieulafoy (nee Magre, 1851-1916), archeologist and writer, on her horse, in travel dress. Engraving by E.Bayard, from a photograph, to illustrate the story “Persia, Chaldee and Susiane” in 1881-82, by Jane Dieulafoy, an academic officer. Published in the Tour du monde, 2nd semester 1883, edited by Edouard Charton (1807-1890), Hachette edition, Paris.

LSE4333771: Portrait of Jane Dieulafoy (nee Magre, 1851-1916), archeologist and writer, on her horse, in travel dress. Engraving by E.Bayard, from a photograph, to illustrate the story “Persia, Chaldee and Susiane” in 1881-82, by Jane Dieulafoy, an academic officer. Published in the Tour du monde, 2nd semester 1883, edited by Edouard Charton (1807-1890), Hachette edition, Paris., Bayard, Emile Antoine (1837-91) / Bridgeman Images

A water carrier woman in Eritrea 1867 (Engraving)
A water carrier woman in Eritrea 1867 (Engraving)

JAB7141239: A water carrier woman in Eritrea 1867 (Engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

The mermaid, 1866 (engraving)
The mermaid, 1866 (engraving)

JAB7147160: The mermaid, 1866 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Les Miserables
Les Miserables

XLA3748789: Les Miserables, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Les Miserables
Les Miserables

XLA3748795: Les Miserables, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Colette in “Colin and Colette”
Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Colette in “Colin and Colette”

LSE4111093: Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Colette in “Colin and Colette”, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Complete work by Beaumarchais (1732-1799) by Edouard Fournie, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving)
Complete work by Beaumarchais (1732-1799) by Edouard Fournie, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving)

LSE4111106: Complete work by Beaumarchais (1732-1799) by Edouard Fournie, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Complete work by Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving)
Complete work by Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving)

LSE4111114: Complete work by Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Engraving (by Emile Bayard) of Jules Verne's book “” Around the Moon”” (Hetzel edition/Voyages extraordinaire 1870): the Earth passing by the moon
Engraving (by Emile Bayard) of Jules Verne's book “” Around the Moon”” (Hetzel edition/Voyages extraordinaire 1870): the Earth passing by the moon

PCT4258081: Engraving (by Emile Bayard) of Jules Verne's book “” Around the Moon”” (Hetzel edition/Voyages extraordinaire 1870): the Earth passing by the moon, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Illustration of Jules Verne's novel “Around the Moon””, drawing by Emile Bayard, Hetzel edition/Voyages extraordinaire 1870. This illustration highlights the relationship of inspiration between the two novels “lunar”” by Jules Verne and the two albums by Tintin made by Hergé, “Objectif Lune” and “On a Marché sur la Lune”. In E. Bayard's drawing, we see the whimsical astronaut Michel Ardan (a character created by Verne based on his friend, photographer Nadar), imagining himself joyfully fooling on the projetile launched towards the Moon during an outing into space. A situation close to the inadvertent exit of Captain Haddock drunk on the rocket, in Tintin's adventures.
Illustration of Jules Verne's novel “Around the Moon””, drawing by Emile Bayard, Hetzel edition/Voyages extraordinaire 1870. This illustration highlights the relationship of inspiration between the two novels “lunar”” by Jules Verne and the two albums by Tintin made by Hergé, “Objectif Lune” and “On a Marché sur la Lune”. In E. Bayard's drawing, we see the whimsical astronaut Michel Ardan (a character created by Verne based on his friend, photographer Nadar), imagining himself joyfully fooling on the projetile launched towards the Moon during an outing into space. A situation close to the inadvertent exit of Captain Haddock drunk on the rocket, in Tintin's adventures.

PCT4259807: Illustration of Jules Verne's novel “Around the Moon””, drawing by Emile Bayard, Hetzel edition/Voyages extraordinaire 1870. This illustration highlights the relationship of inspiration between the two novels “lunar”” by Jules Verne and the two albums by Tintin made by Hergé, “Objectif Lune” and “On a Marché sur la Lune”. In E. Bayard's drawing, we see the whimsical astronaut Michel Ardan (a character created by Verne based on his friend, photographer Nadar), imagining himself joyfully fooling on the projetile launched towards the Moon during an outing into space. A situation close to the inadvertent exit of Captain Haddock drunk on the rocket, in Tintin's adventures., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Frontispice by Emile Bayard for the Hetzel 1880 edition of Hector Malot's novel “” Sans Famille “”: The writer at his working table imagines his characters and the weft of his book - Remi and the members of the troupe of Monsieur Vitalis, travelling artist - next to the author stands the dog Capi -
Frontispice by Emile Bayard for the Hetzel 1880 edition of Hector Malot's novel “” Sans Famille “”: The writer at his working table imagines his characters and the weft of his book - Remi and the members of the troupe of Monsieur Vitalis, travelling artist - next to the author stands the dog Capi -

PCT4291493: Frontispice by Emile Bayard for the Hetzel 1880 edition of Hector Malot's novel “” Sans Famille “”: The writer at his working table imagines his characters and the weft of his book - Remi and the members of the troupe of Monsieur Vitalis, travelling artist - next to the author stands the dog Capi -, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Illustration of Emile Bayard for Hector Malot's novel “” Sans Famille “”: in Toulouse, Monsieur Vitalis, unworthy, is arrested by a police officer in front of Remi and his friends, the learned animals of the troupe: Joli-Coeur (pretty heart), the monkey and the three dogs Capi, Zerbino and Dolce - street musician, saltimbank - Edition Hetzel 1880 - Yeah.
Illustration of Emile Bayard for Hector Malot's novel “” Sans Famille “”: in Toulouse, Monsieur Vitalis, unworthy, is arrested by a police officer in front of Remi and his friends, the learned animals of the troupe: Joli-Coeur (pretty heart), the monkey and the three dogs Capi, Zerbino and Dolce - street musician, saltimbank - Edition Hetzel 1880 - Yeah.

PCT4291290: Illustration of Emile Bayard for Hector Malot's novel “” Sans Famille “”: in Toulouse, Monsieur Vitalis, unworthy, is arrested by a police officer in front of Remi and his friends, the learned animals of the troupe: Joli-Coeur (pretty heart), the monkey and the three dogs Capi, Zerbino and Dolce - street musician, saltimbank - Edition Hetzel 1880 - Yeah., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Illustration by Emile Bayard for the novel by Hector Malot “” Without Family “”: Remi leaves with Monsieur Vitalis, travelling artist and his learned animals the three dogs Capi, Zerbino and Dolce - Edition Hetzel 1880 -
Illustration by Emile Bayard for the novel by Hector Malot “” Without Family “”: Remi leaves with Monsieur Vitalis, travelling artist and his learned animals the three dogs Capi, Zerbino and Dolce - Edition Hetzel 1880 -

PCT4291418: Illustration by Emile Bayard for the novel by Hector Malot “” Without Family “”: Remi leaves with Monsieur Vitalis, travelling artist and his learned animals the three dogs Capi, Zerbino and Dolce - Edition Hetzel 1880 -, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Young woman looking after an old man dying in his bed, under a crucifix hanging from the wall. The dying man holds his last recommendations (will) by hand. Detail of an engraving by Emile Bayard illustrating Jules Sandeau's book “Mademoiselle de la Seigliere”, Hetzel edition 1884.
Young woman looking after an old man dying in his bed, under a crucifix hanging from the wall. The dying man holds his last recommendations (will) by hand. Detail of an engraving by Emile Bayard illustrating Jules Sandeau's book “Mademoiselle de la Seigliere”, Hetzel edition 1884.

PCT4267216: Young woman looking after an old man dying in his bed, under a crucifix hanging from the wall. The dying man holds his last recommendations (will) by hand. Detail of an engraving by Emile Bayard illustrating Jules Sandeau's book “Mademoiselle de la Seigliere”, Hetzel edition 1884., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Victor Hugo: Les Miserables. Gavroche, kid from Paris. Illustration by Emile Bayard.
Victor Hugo: Les Miserables. Gavroche, kid from Paris. Illustration by Emile Bayard.

PCT4267405: Victor Hugo: Les Miserables. Gavroche, kid from Paris. Illustration by Emile Bayard., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Victor Hugo “” Les Miserables””: Jean Valjean, who became rich under the name of Monsieur Madeleine, is doing good around him. But his enemy police inspector Javert suspects his identity and ends up arresting him, while Fantine (Cosette's mother) dies. Valjean and Javert, engraving by Emile Bayard.
Victor Hugo “” Les Miserables””: Jean Valjean, who became rich under the name of Monsieur Madeleine, is doing good around him. But his enemy police inspector Javert suspects his identity and ends up arresting him, while Fantine (Cosette's mother) dies. Valjean and Javert, engraving by Emile Bayard.

PCT4267565: Victor Hugo “” Les Miserables””: Jean Valjean, who became rich under the name of Monsieur Madeleine, is doing good around him. But his enemy police inspector Javert suspects his identity and ends up arresting him, while Fantine (Cosette's mother) dies. Valjean and Javert, engraving by Emile Bayard., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Cathinelle - by Bayard, early 20th century
Cathinelle - by Bayard, early 20th century

LSE4080595: Cathinelle - by Bayard, early 20th century, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Scenes of inoculation in the laboratory of the Normal School in 1886 (drawing)
Scenes of inoculation in the laboratory of the Normal School in 1886 (drawing)

LSE4077202: Scenes of inoculation in the laboratory of the Normal School in 1886 (drawing), Bayard, Emile Antoine (1837-91) / Bridgeman Images

The arrival of Hamis' fiancee to the village of Hara (Zambia), califourchon on a man's shoulder, accompanied by a dozen followers each carrying a small basket of provisions on his head, etched after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” The tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The arrival of Hamis' fiancee to the village of Hara (Zambia), califourchon on a man's shoulder, accompanied by a dozen followers each carrying a small basket of provisions on his head, etched after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” The tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330115: The arrival of Hamis' fiancee to the village of Hara (Zambia), califourchon on a man's shoulder, accompanied by a dozen followers each carrying a small basket of provisions on his head, etched after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” The tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The Sova Mavanda (king), surrounded by his men who psalmodify a monotonous song, dancing in front of the major. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
The Sova Mavanda (king), surrounded by his men who psalmodify a monotonous song, dancing in front of the major. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332530: The Sova Mavanda (king), surrounded by his men who psalmodify a monotonous song, dancing in front of the major. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Fruitier, a merchant itinerant of fresh fruit, with his transport hood and portable scale on his back, in Roustchouk (Romania), engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Fruitier, a merchant itinerant of fresh fruit, with his transport hood and portable scale on his back, in Roustchouk (Romania), engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329499: Fruitier, a merchant itinerant of fresh fruit, with his transport hood and portable scale on his back, in Roustchouk (Romania), engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Types de pionniers, de bouviers et d'indians de Benton (Montana), engraving after the drawing by Emile Bayard, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Types de pionniers, de bouviers et d'indians de Benton (Montana), engraving after the drawing by Emile Bayard, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329675: Types de pionniers, de bouviers et d'indians de Benton (Montana), engraving after the drawing by Emile Bayard, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The rat killer in Pekin. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The rat killer in Pekin. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325183: The rat killer in Pekin. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images


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