Bayard, Emile Antoine (1837-91) Assets (222 in total)
Results
LSE4332079: Un jardin à Fes, engraving by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4329573: Young girls of Grand-Bassam (Grand Bassam) (former capital of the Ivory Coast), styling herself, engraving after Emile Bayard's drawing, illustrating the voyage to the African Coast in 1868, by Vice Admiral Fleuriot de Langles, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4329413: Femmes de Boukhara (Uzbekistan), working on their work to spun, engraving after a drawing by Emile Bayard, to illustrate Basile Vereschaguine's journey into Central Asia in 1867-1868, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4325455: The crossing of the Yenissei River (Russia), drawing by Emile Bayard (1837-1891) to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4076834: Portrait of Nicolas Boileau Despreaux (Boileau-Despreaux) (1636-1711) in "Works of Nicolas Boileau” Paris 1873 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images
JAB7141239: A water carrier woman in Eritrea 1867 (Engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images
PVD1690836: John Milton, 19th century (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images
TRK1775231: King Kamehameha I (1758-1819) and his warriors, 1880 (colour engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4106345: La mère Chaplu dans “” Les députés de la Halle”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876, Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4111082: Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Begearss in “The guilty mother”, Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4111098: , Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Jean Beast in “” Jean Beast at the Fair””, Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4111111: Complete work by Beaumarchais (1732-1799) by Edouard Fournier.Ed. Laplace, Sanchez et Cie, Paris 1876 9engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4109845: Portrait of the British lieutenant and explorer Verney Lovett Cameron (1844-1894), Bayard, Emile Antoine (1837-91) / Bridgeman Images
JLJ4682497: Henry Morton (1841-1904) and David Livingstone (1813-1873), meeting in Ujiji on November 10, 1871, 1873 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images
GEG2726292: Sans famille d Hector Malot Illustration by Emile Bayard Around 1900, Bayard, Emile Antoine (1837-91) / Bridgeman Images
PCT4267216: Young woman looking after an old man dying in his bed, under a crucifix hanging from the wall. The dying man holds his last recommendations (will) by hand. Detail of an engraving by Emile Bayard illustrating Jules Sandeau's book “Mademoiselle de la Seigliere”, Hetzel edition 1884., Bayard, Emile Antoine (1837-91) / Bridgeman Images
PCT4267405: Victor Hugo: Les Miserables. Gavroche, kid from Paris. Illustration by Emile Bayard., Bayard, Emile Antoine (1837-91) / Bridgeman Images
PCT4267565: Victor Hugo “” Les Miserables””: Jean Valjean, who became rich under the name of Monsieur Madeleine, is doing good around him. But his enemy police inspector Javert suspects his identity and ends up arresting him, while Fantine (Cosette's mother) dies. Valjean and Javert, engraving by Emile Bayard., Bayard, Emile Antoine (1837-91) / Bridgeman Images
PCT4291418: Illustration by Emile Bayard for the novel by Hector Malot “” Without Family “”: Remi leaves with Monsieur Vitalis, travelling artist and his learned animals the three dogs Capi, Zerbino and Dolce - Edition Hetzel 1880 -, Bayard, Emile Antoine (1837-91) / Bridgeman Images
PCT4291493: Frontispice by Emile Bayard for the Hetzel 1880 edition of Hector Malot's novel “” Sans Famille “”: The writer at his working table imagines his characters and the weft of his book - Remi and the members of the troupe of Monsieur Vitalis, travelling artist - next to the author stands the dog Capi -, Bayard, Emile Antoine (1837-91) / Bridgeman Images
PCT4291290: Illustration of Emile Bayard for Hector Malot's novel “” Sans Famille “”: in Toulouse, Monsieur Vitalis, unworthy, is arrested by a police officer in front of Remi and his friends, the learned animals of the troupe: Joli-Coeur (pretty heart), the monkey and the three dogs Capi, Zerbino and Dolce - street musician, saltimbank - Edition Hetzel 1880 - Yeah., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4077202: Scenes of inoculation in the laboratory of the Normal School in 1886 (drawing), Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4080595: Cathinelle - by Bayard, early 20th century, Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4111093: Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Colette in “Colin and Colette”, Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4111106: Complete work by Beaumarchais (1732-1799) by Edouard Fournie, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4111114: Complete work by Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4330115: The arrival of Hamis' fiancee to the village of Hara (Zambia), califourchon on a man's shoulder, accompanied by a dozen followers each carrying a small basket of provisions on his head, etched after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” The tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4329675: Types de pionniers, de bouviers et d'indians de Benton (Montana), engraving after the drawing by Emile Bayard, illustrating the voyage from Washington to San Francisco, in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4329499: Fruitier, a merchant itinerant of fresh fruit, with his transport hood and portable scale on his back, in Roustchouk (Romania), engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4325183: The rat killer in Pekin. Drawing by Emile Bayard (1837-1891), to illustrate the journey of Shanghai to Moscow, from 1859 to 1862, by M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4325298: Reassembly of empty wagons during the excavations of 1864 at Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4325303: The excavations of 1864 in Pompei, under the direction of Inspector Fiorelli, drawing by Emile Bayard (1837-1891), to illustrate The text of Marc Monnier (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images
LSE4331064: Wild yak hunting scene, drawing by Emile Bayard to illustrate the journey to Mongolia and the land of the Tangoutes from 1870 to 1873, by Lieutenant Colonel Prjewalski. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images