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Bayard, Emile Antoine (1837-91) Assets (225 in total)

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Degustation of the pombe (alcoholic beverage by fermentation), in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Degustation of the pombe (alcoholic beverage by fermentation), in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325273: Degustation of the pombe (alcoholic beverage by fermentation), in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4325273

Degustation of the pombe (alcoholic beverage by fermentation), in the Karague (west of Lake Victoria, in present-day Zimbabwe), drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Bayard, Emile Antoine (1837-91)

The meal of the soldiers of the guard of the King of Uganda, M'Tesa, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The meal of the soldiers of the guard of the King of Uganda, M'Tesa, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325282: The meal of the soldiers of the guard of the King of Uganda, M'Tesa, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4325282

The meal of the soldiers of the guard of the King of Uganda, M'Tesa, drawing by Emile Bayard (1837-1891), illustrating Captain Speke's voyage of discovery in Africa from 1860 to 1863. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

Bayard, Emile Antoine (1837-91)

The arrival of Kabba Rega, king of the Ounyoro (eastern Sudan) and the chiefs of his court, to Sir Baker's camp for an official visit, engraved after a drawing by Emile Bayard, illustrating an expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.
The arrival of Kabba Rega, king of the Ounyoro (eastern Sudan) and the chiefs of his court, to Sir Baker's camp for an official visit, engraved after a drawing by Emile Bayard, illustrating an expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329959: The arrival of Kabba Rega, king of the Ounyoro (eastern Sudan) and the chiefs of his court, to Sir Baker's camp for an official visit, engraved after a drawing by Emile Bayard, illustrating an expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4329959

The arrival of Kabba Rega, king of the Ounyoro (eastern Sudan) and the chiefs of his court, to Sir Baker's camp for an official visit, engraved after a drawing by Emile Bayard, illustrating an expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.

Bayard, Emile Antoine (1837-91)

Portrait of the author, on his mount, wearing his travel costume, engraving after a drawing by Emile Bayard illustrating the story on the desert of Acatama and Caracoles (South America), by engineer A.Bresson, in 1870-1874, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Portrait of the author, on his mount, wearing his travel costume, engraving after a drawing by Emile Bayard illustrating the story on the desert of Acatama and Caracoles (South America), by engineer A.Bresson, in 1870-1874, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330053: Portrait of the author, on his mount, wearing his travel costume, engraving after a drawing by Emile Bayard illustrating the story on the desert of Acatama and Caracoles (South America), by engineer A.Bresson, in 1870-1874, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4330053

Portrait of the author, on his mount, wearing his travel costume, engraving after a drawing by Emile Bayard illustrating the story on the desert of Acatama and Caracoles (South America), by engineer A.Bresson, in 1870-1874, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Bayard, Emile Antoine (1837-91)

The cortege of Cassemmbe's wife passes before Livingstone who salutes her, engraved after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The cortege of Cassemmbe's wife passes before Livingstone who salutes her, engraved after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330119: The cortege of Cassemmbe's wife passes before Livingstone who salutes her, engraved after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4330119

The cortege of Cassemmbe's wife passes before Livingstone who salutes her, engraved after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Bayard, Emile Antoine (1837-91)

Two old Eskimal women, wearing the costume of Greenland women, leather boots up to the knees, short sealskin panties and a tunic-shaped skin that falls back in front and behind, in the vicinity of Lichtenau, engraved after Emile Bayard's drawing, illustrating the voyage of the ships La Germania and La Hansa to the North Pole, in 1869-1870, by Captain Hegemann, published in “Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Two old Eskimal women, wearing the costume of Greenland women, leather boots up to the knees, short sealskin panties and a tunic-shaped skin that falls back in front and behind, in the vicinity of Lichtenau, engraved after Emile Bayard's drawing, illustrating the voyage of the ships La Germania and La Hansa to the North Pole, in 1869-1870, by Captain Hegemann, published in “Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329596: Two old Eskimal women, wearing the costume of Greenland women, leather boots up to the knees, short sealskin panties and a tunic-shaped skin that falls back in front and behind, in the vicinity of Lichtenau, engraved after Emile Bayard's drawing, illustrating the voyage of the ships La Germania and La Hansa to the North Pole, in 1869-1870, by Captain Hegemann, published in “Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4329596

Two old Eskimal women, wearing the costume of Greenland women, leather boots up to the knees, short sealskin panties and a tunic-shaped skin that falls back in front and behind, in the vicinity of Lichtenau, engraved after Emile Bayard's drawing, illustrating the voyage of the ships La Germania and La Hansa to the North Pole, in 1869-1870, by Captain Hegemann, published in “Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Bayard, Emile Antoine (1837-91)

A caravanserail in the village of Old Tashkent (or Tashkend), capital of Russian Turkestan, engraved after a drawing by Emile Bayard, to illustrate Basile Vereschagin's journey to Central Asia in 1867-1868, published in “Le tour du monde” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A caravanserail in the village of Old Tashkent (or Tashkend), capital of Russian Turkestan, engraved after a drawing by Emile Bayard, to illustrate Basile Vereschagin's journey to Central Asia in 1867-1868, published in “Le tour du monde” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329390: A caravanserail in the village of Old Tashkent (or Tashkend), capital of Russian Turkestan, engraved after a drawing by Emile Bayard, to illustrate Basile Vereschagin's journey to Central Asia in 1867-1868, published in “Le tour du monde” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4329390

A caravanserail in the village of Old Tashkent (or Tashkend), capital of Russian Turkestan, engraved after a drawing by Emile Bayard, to illustrate Basile Vereschagin's journey to Central Asia in 1867-1868, published in “Le tour du monde” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Bayard, Emile Antoine (1837-91)

Amadifou, king of Assinie (Comptoir francais de Côte d'Ivoire) surrounds his court and his musicians, circa 1868, engraving after the drawing by Emile Bayard, illustrating the voyage to the Côte d'Afrique, in 1868, by Vice Admiral Fleuriot de Langles, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Amadifou, king of Assinie (Comptoir francais de Côte d'Ivoire) surrounds his court and his musicians, circa 1868, engraving after the drawing by Emile Bayard, illustrating the voyage to the Côte d'Afrique, in 1868, by Vice Admiral Fleuriot de Langles, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329584: Amadifou, king of Assinie (Comptoir francais de Côte d'Ivoire) surrounds his court and his musicians, circa 1868, engraving after the drawing by Emile Bayard, illustrating the voyage to the Côte d'Afrique, in 1868, by Vice Admiral Fleuriot de Langles, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4329584

Amadifou, king of Assinie (Comptoir francais de Côte d'Ivoire) surrounds his court and his musicians, circa 1868, engraving after the drawing by Emile Bayard, illustrating the voyage to the Côte d'Afrique, in 1868, by Vice Admiral Fleuriot de Langles, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Bayard, Emile Antoine (1837-91)

Illustration for
Illustration for

XEE4150096: Illustration for "Les Miserables" (Fantine), 1862 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: XEE4150096

Illustration for "Les Miserables" (Fantine), 1862 (engraving)

Bayard, Emile Antoine (1837-91)

Engraving illustrating a late 19th century edition of the novel by Jacques-Henri Bernardin de Saint Pierre (Jacques Henri Bernardin de Saint-Pierre): Paul et Virginie. Birds come to land without fear near the young couple of lovers in the forest. Drawing by Dessenne or Emile Bayard.
Engraving illustrating a late 19th century edition of the novel by Jacques-Henri Bernardin de Saint Pierre (Jacques Henri Bernardin de Saint-Pierre): Paul et Virginie. Birds come to land without fear near the young couple of lovers in the forest. Drawing by Dessenne or Emile Bayard.

PCT4273374: Engraving illustrating a late 19th century edition of the novel by Jacques-Henri Bernardin de Saint Pierre (Jacques Henri Bernardin de Saint-Pierre): Paul et Virginie. Birds come to land without fear near the young couple of lovers in the forest. Drawing by Dessenne or Emile Bayard., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: PCT4273374

Engraving illustrating a late 19th century edition of the novel by Jacques-Henri Bernardin de Saint Pierre (Jacques Henri Bernardin de Saint-Pierre): Paul et Virginie. Birds come to land without fear near the young couple of lovers in the forest. Drawing by Dessenne or Emile Bayard.

Bayard, Emile Antoine (1837-91)

Crusade against the Albigeois - Siege of Toulouse, 25 June 1218. Simon de Montfort's brother has just been injured by an arrow, Simon de Montfort himself is going to be killed by a ball of catapult throws, it is said, by one of the women of Toulouse who is seen on this illustration throwing stones on the army of the Croises from the ramparts. Engraving by Emile Bayard after Burgun, circa 1880, from Henri Martin's History of France.
Crusade against the Albigeois - Siege of Toulouse, 25 June 1218. Simon de Montfort's brother has just been injured by an arrow, Simon de Montfort himself is going to be killed by a ball of catapult throws, it is said, by one of the women of Toulouse who is seen on this illustration throwing stones on the army of the Croises from the ramparts. Engraving by Emile Bayard after Burgun, circa 1880, from Henri Martin's History of France.

PCT4270350: Crusade against the Albigeois - Siege of Toulouse, 25 June 1218. Simon de Montfort's brother has just been injured by an arrow, Simon de Montfort himself is going to be killed by a ball of catapult throws, it is said, by one of the women of Toulouse who is seen on this illustration throwing stones on the army of the Croises from the ramparts. Engraving by Emile Bayard after Burgun, circa 1880, from Henri Martin's History of France., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: PCT4270350

Crusade against the Albigeois - Siege of Toulouse, 25 June 1218. Simon de Montfort's brother has just been injured by an arrow, Simon de Montfort himself is going to be killed by a ball of catapult throws, it is said, by one of the women of Toulouse who is seen on this illustration throwing stones on the army of the Croises from the ramparts. Engraving by Emile Bayard after Burgun, circa 1880, from Henri Martin's History of France.

Bayard, Emile Antoine (1837-91)

Engraving (by Emile Bayard) of Jules Verne's book Around the Moon (Hetzel edition/Voyages extraordinaire 1870): “” the moon personified with a young woman's body... suffering from a colic! “”
Engraving (by Emile Bayard) of Jules Verne's book Around the Moon (Hetzel edition/Voyages extraordinaire 1870): “” the moon personified with a young woman's body... suffering from a colic! “”

PCT4258195: Engraving (by Emile Bayard) of Jules Verne's book Around the Moon (Hetzel edition/Voyages extraordinaire 1870): “” the moon personified with a young woman's body... suffering from a colic! “”, Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: PCT4258195

Engraving (by Emile Bayard) of Jules Verne's book Around the Moon (Hetzel edition/Voyages extraordinaire 1870): “” the moon personified with a young woman's body... suffering from a colic! “”

Bayard, Emile Antoine (1837-91)

The Third Republique and its presidents from 1871 to 1913 - the Commune of 1871 - Monsignor Darbois, Archeveque of Paris, was executed, shooted with other hostages on 28 May 1871 - sitting of 16 June 1871 in the House of Deputes: “Here is the liberator of the territory”, wrote Gambetta, by nominating Mr. Thiers - federee woman and federe in uniform (the troops of the commune) - Felix Faure, Sadi-Carnot (Sadi Carnot), marechal of Mac-Mahon (Mac Mahon), Adolphe Thiers, Jules Grevy, Jean Casimir-Perrier (Casimir Perrier), Emile Loubet, Armand Fallieres - Planche 82 of the book published under the direction of Gustave Gautherot, professor at the Institut at the Institut Catholique de Paris: of 88 paintings in 5 colors, Maison de la Bonne Presse, 5 rue Bayard in Paris, 1935.
The Third Republique and its presidents from 1871 to 1913 - the Commune of 1871 - Monsignor Darbois, Archeveque of Paris, was executed, shooted with other hostages on 28 May 1871 - sitting of 16 June 1871 in the House of Deputes: “Here is the liberator of the territory”, wrote Gambetta, by nominating Mr. Thiers - federee woman and federe in uniform (the troops of the commune) - Felix Faure, Sadi-Carnot (Sadi Carnot), marechal of Mac-Mahon (Mac Mahon), Adolphe Thiers, Jules Grevy, Jean Casimir-Perrier (Casimir Perrier), Emile Loubet, Armand Fallieres - Planche 82 of the book published under the direction of Gustave Gautherot, professor at the Institut at the Institut Catholique de Paris: of 88 paintings in 5 colors, Maison de la Bonne Presse, 5 rue Bayard in Paris, 1935.

PCT4276304: The Third Republique and its presidents from 1871 to 1913 - the Commune of 1871 - Monsignor Darbois, Archeveque of Paris, was executed, shooted with other hostages on 28 May 1871 - sitting of 16 June 1871 in the House of Deputes: “Here is the liberator of the territory”, wrote Gambetta, by nominating Mr. Thiers - federee woman and federe in uniform (the troops of the commune) - Felix Faure, Sadi-Carnot (Sadi Carnot), marechal of Mac-Mahon (Mac Mahon), Adolphe Thiers, Jules Grevy, Jean Casimir-Perrier (Casimir Perrier), Emile Loubet, Armand Fallieres - Planche 82 of the book published under the direction of Gustave Gautherot, professor at the Institut at the Institut Catholique de Paris: of 88 paintings in 5 colors, Maison de la Bonne Presse, 5 rue Bayard in Paris, 1935., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: PCT4276304

The Third Republique and its presidents from 1871 to 1913 - the Commune of 1871 - Monsignor Darbois, Archeveque of Paris, was executed, shooted with other hostages on 28 May 1871 - sitting of 16 June 1871 in the House of Deputes: “Here is the liberator of the territory”, wrote Gambetta, by nominating Mr. Thiers - federee woman and federe in uniform (the troops of the commune) - Felix Faure, Sadi-Carnot (Sadi Carnot), marechal of Mac-Mahon (Mac Mahon), Adolphe Thiers, Jules Grevy, Jean Casimir-Perrier (Casimir Perrier), Emile Loubet, Armand Fallieres - Planche 82 of the book published under the direction of Gustave Gautherot, professor at the Institut at the Institut Catholique de Paris: of 88 paintings in 5 colors, Maison de la Bonne Presse, 5 rue Bayard in Paris, 1935.

Bayard, Emile Antoine (1837-91)

A feast in the antiquila: a feast in the old Liguria - evocation of the founding of Marseille, 600 BC: On the day of the arrival of the Greek sailors, the head of the Nams organizes a meal during which his daughter Gyptis must choose his wife by holding him a cup. The Greeks were invited to join the banquet and the young leader of them, Protis, was chosen, thus sealing the foundation of a new city - phoceens - Massilia - anonymous 19th century engraving -
A feast in the antiquila: a feast in the old Liguria - evocation of the founding of Marseille, 600 BC: On the day of the arrival of the Greek sailors, the head of the Nams organizes a meal during which his daughter Gyptis must choose his wife by holding him a cup. The Greeks were invited to join the banquet and the young leader of them, Protis, was chosen, thus sealing the foundation of a new city - phoceens - Massilia - anonymous 19th century engraving -

PCT4288191: A feast in the antiquila: a feast in the old Liguria - evocation of the founding of Marseille, 600 BC: On the day of the arrival of the Greek sailors, the head of the Nams organizes a meal during which his daughter Gyptis must choose his wife by holding him a cup. The Greeks were invited to join the banquet and the young leader of them, Protis, was chosen, thus sealing the foundation of a new city - phoceens - Massilia - anonymous 19th century engraving -, Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: PCT4288191

A feast in the antiquila: a feast in the old Liguria - evocation of the founding of Marseille, 600 BC: On the day of the arrival of the Greek sailors, the head of the Nams organizes a meal during which his daughter Gyptis must choose his wife by holding him a cup. The Greeks were invited to join the banquet and the young leader of them, Protis, was chosen, thus sealing the foundation of a new city - phoceens - Massilia - anonymous 19th century engraving -

Bayard, Emile Antoine (1837-91)

Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Suzanne in “The Wedding of Figaro”
Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Suzanne in “The Wedding of Figaro”

LSE4111096: Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Suzanne in “The Wedding of Figaro”, Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4111096

Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Suzanne in “The Wedding of Figaro”

Bayard, Emile Antoine (1837-91)

Bartholo in the Barbier de Seville in Ovre complet de Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving) Here Bartholo in Le barbier de Seville
Bartholo in the Barbier de Seville in Ovre complet de Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving) Here Bartholo in Le barbier de Seville

LSE4111115: Bartholo in the Barbier de Seville in Ovre complet de Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving) Here Bartholo in Le barbier de Seville, Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4111115

Bartholo in the Barbier de Seville in Ovre complet de Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving) Here Bartholo in Le barbier de Seville

Bayard, Emile Antoine (1837-91)

Victor Hugo “The Miserables”, “The Last Gorgee of the Chalice”. Illustration by Emile Bayard. The former forcat Jean Valjean became old with Cosette and Marius. Engraving of the edition Ollendorff 1906.
Victor Hugo “The Miserables”, “The Last Gorgee of the Chalice”. Illustration by Emile Bayard. The former forcat Jean Valjean became old with Cosette and Marius. Engraving of the edition Ollendorff 1906.

PCT4274624: Victor Hugo “The Miserables”, “The Last Gorgee of the Chalice”. Illustration by Emile Bayard. The former forcat Jean Valjean became old with Cosette and Marius. Engraving of the edition Ollendorff 1906., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: PCT4274624

Victor Hugo “The Miserables”, “The Last Gorgee of the Chalice”. Illustration by Emile Bayard. The former forcat Jean Valjean became old with Cosette and Marius. Engraving of the edition Ollendorff 1906.

Bayard, Emile Antoine (1837-91)

Mountain summit called Pierre a Voir near the baths of Saxon in Valais, Swiss Alps. Illustration by Emile Bayard for Albert Dupaigne's book “Les Montagnes”, edition Mame 1881.
Mountain summit called Pierre a Voir near the baths of Saxon in Valais, Swiss Alps. Illustration by Emile Bayard for Albert Dupaigne's book “Les Montagnes”, edition Mame 1881.

PCT4277434: Mountain summit called Pierre a Voir near the baths of Saxon in Valais, Swiss Alps. Illustration by Emile Bayard for Albert Dupaigne's book “Les Montagnes”, edition Mame 1881., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: PCT4277434

Mountain summit called Pierre a Voir near the baths of Saxon in Valais, Swiss Alps. Illustration by Emile Bayard for Albert Dupaigne's book “Les Montagnes”, edition Mame 1881.

Bayard, Emile Antoine (1837-91)

Alps: the jodel or depart herds (cows, goats) towards the pastures. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881.
Alps: the jodel or depart herds (cows, goats) towards the pastures. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881.

PCT4277459: Alps: the jodel or depart herds (cows, goats) towards the pastures. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: PCT4277459

Alps: the jodel or depart herds (cows, goats) towards the pastures. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881.

Bayard, Emile Antoine (1837-91)

Les Miserables
Les Miserables

XLA3748773: Les Miserables, Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: XLA3748773

Les Miserables

Bayard, Emile Antoine (1837-91)

Chief of the CREEKS Indians, from the South East of the United States.
Chief of the CREEKS Indians, from the South East of the United States.

JAB4121397: Chief of the CREEKS Indians, from the South East of the United States., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: JAB4121397

Chief of the CREEKS Indians, from the South East of the United States.

Bayard, Emile Antoine (1837-91)

A holy man. 1866 (engraving)
A holy man. 1866 (engraving)

JAB7147159: A holy man. 1866 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: JAB7147159

A holy man. 1866 (engraving)

Bayard, Emile Antoine (1837-91)

A meal during the bronze age, illustration from 'L'Homme Primitif' by Louis Figuier (1819-94) published by Hachette, 1870 (engraving) (b/w photo)
A meal during the bronze age, illustration from 'L'Homme Primitif' by Louis Figuier (1819-94) published by Hachette, 1870 (engraving) (b/w photo)

CHT233789: A meal during the bronze age, illustration from 'L'Homme Primitif' by Louis Figuier (1819-94) published by Hachette, 1870 (engraving) (b/w photo), Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: CHT233789

A meal during the bronze age, illustration from 'L'Homme Primitif' by Louis Figuier (1819-94) published by Hachette, 1870 (engraving) (b/w photo)

Bayard, Emile Antoine (1837-91)

Portrait of English tourist by Emile Bayard - tourism in the 19th century - illustration of the book “” Moors and Characters of Peoples””, edition 1884 -
Portrait of English tourist by Emile Bayard - tourism in the 19th century - illustration of the book “” Moors and Characters of Peoples””, edition 1884 -

PCT4295352: Portrait of English tourist by Emile Bayard - tourism in the 19th century - illustration of the book “” Moors and Characters of Peoples””, edition 1884 -, Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: PCT4295352

Portrait of English tourist by Emile Bayard - tourism in the 19th century - illustration of the book “” Moors and Characters of Peoples””, edition 1884 -

Bayard, Emile Antoine (1837-91)

Young Soko monkey in Africa. Engraving by Emile Bayard (1837-1891) illustrating the last stories of explorer David Livingstone, (1866-1873) - French edition Hachette 1879 - Young soko monkey, drawing by Emile Bayard from The Last Journals of David Livingstone -
Young Soko monkey in Africa. Engraving by Emile Bayard (1837-1891) illustrating the last stories of explorer David Livingstone, (1866-1873) - French edition Hachette 1879 - Young soko monkey, drawing by Emile Bayard from The Last Journals of David Livingstone -

PCT4296606: Young Soko monkey in Africa. Engraving by Emile Bayard (1837-1891) illustrating the last stories of explorer David Livingstone, (1866-1873) - French edition Hachette 1879 - Young soko monkey, drawing by Emile Bayard from The Last Journals of David Livingstone -, Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: PCT4296606

Young Soko monkey in Africa. Engraving by Emile Bayard (1837-1891) illustrating the last stories of explorer David Livingstone, (1866-1873) - French edition Hachette 1879 - Young soko monkey, drawing by Emile Bayard from The Last Journals of David Livingstone -

Bayard, Emile Antoine (1837-91)

Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Remi sings with the harp while his friends dance, the learned animals of the troupe of Monsieur Vitalis, travelling artist - the two dogs Capi and Dolce - street musician, saltibank - Edition Hetzel 1880 -
Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Remi sings with the harp while his friends dance, the learned animals of the troupe of Monsieur Vitalis, travelling artist - the two dogs Capi and Dolce - street musician, saltibank - Edition Hetzel 1880 -

PCT4291411: Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Remi sings with the harp while his friends dance, the learned animals of the troupe of Monsieur Vitalis, travelling artist - the two dogs Capi and Dolce - street musician, saltibank - Edition Hetzel 1880 -, Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: PCT4291411

Illustration by Emile Bayard for Hector Malot's novel “” Sans Famille “”: Remi sings with the harp while his friends dance, the learned animals of the troupe of Monsieur Vitalis, travelling artist - the two dogs Capi and Dolce - street musician, saltibank - Edition Hetzel 1880 -

Bayard, Emile Antoine (1837-91)

View of the Alps: forest, lake, peaks. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881.
View of the Alps: forest, lake, peaks. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881.

PCT4277466: View of the Alps: forest, lake, peaks. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: PCT4277466

View of the Alps: forest, lake, peaks. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881.

Bayard, Emile Antoine (1837-91)

The Count of Almaviva, character of the Barber of Seville de Beaumarchais (1732 - 1799) created in 1773.
The Count of Almaviva, character of the Barber of Seville de Beaumarchais (1732 - 1799) created in 1773.

GIA4760123: The Count of Almaviva, character of the Barber of Seville de Beaumarchais (1732 - 1799) created in 1773., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: GIA4760123

The Count of Almaviva, character of the Barber of Seville de Beaumarchais (1732 - 1799) created in 1773.

Bayard, Emile Antoine (1837-91)

A group of women in front of a bar, forbidden to women, singing hymns to drunks against alcoholism, 1876 (engraving)
A group of women in front of a bar, forbidden to women, singing hymns to drunks against alcoholism, 1876 (engraving)

LSE4087545: A group of women in front of a bar, forbidden to women, singing hymns to drunks against alcoholism, 1876 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4087545

A group of women in front of a bar, forbidden to women, singing hymns to drunks against alcoholism, 1876 (engraving)

Bayard, Emile Antoine (1837-91)

Poetic Art in Artworks by Nicolas Boileau. Illustration E. Bayard. Paris 1873, Laplace Sanchez and Cie editors.
Poetic Art in Artworks by Nicolas Boileau. Illustration E. Bayard. Paris 1873, Laplace Sanchez and Cie editors.

LSE4076833: Poetic Art in Artworks by Nicolas Boileau. Illustration E. Bayard. Paris 1873, Laplace Sanchez and Cie editors., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4076833

Poetic Art in Artworks by Nicolas Boileau. Illustration E. Bayard. Paris 1873, Laplace Sanchez and Cie editors.

Bayard, Emile Antoine (1837-91)

L'Ivrogne and His Wife, Jean De La Fontaine. 19th Century Engraving. Man, Men, Barrels, Bottle, Candle, Table, Hat, Sleeping, Liszt Gourmet Archive
L'Ivrogne and His Wife, Jean De La Fontaine. 19th Century Engraving. Man, Men, Barrels, Bottle, Candle, Table, Hat, Sleeping, Liszt Gourmet Archive

LZT1013378: L'Ivrogne and His Wife, Jean De La Fontaine. 19th Century Engraving. Man, Men, Barrels, Bottle, Candle, Table, Hat, Sleeping, Liszt Gourmet Archive, Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LZT1013378

L'Ivrogne and His Wife, Jean De La Fontaine. 19th Century Engraving. Man, Men, Barrels, Bottle, Candle, Table, Hat, Sleeping, Liszt Gourmet Archive

Bayard, Emile Antoine (1837-91)

Party in the Pays De Cocagne, in the Land of Plenty, 19th century (lithograph)
Party in the Pays De Cocagne, in the Land of Plenty, 19th century (lithograph)

LZT1013400: Party in the Pays De Cocagne, in the Land of Plenty, 19th century (lithograph), Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LZT1013400

Party in the Pays De Cocagne, in the Land of Plenty, 19th century (lithograph)

Bayard, Emile Antoine (1837-91)

La fête chez Thérèse, 19th Century (b/w engraving)
La fête chez Thérèse, 19th Century (b/w engraving)

DGC909598: La fête chez Thérèse, 19th Century (b/w engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: DGC909598

La fête chez Thérèse, 19th Century (b/w engraving)

Bayard, Emile Antoine (1837-91)

La mort de Fantine - Illustration from Les Misérables,19th Century (b/w engraving)
La mort de Fantine - Illustration from Les Misérables,19th Century (b/w engraving)

DGC909615: La mort de Fantine - Illustration from Les Misérables,19th Century (b/w engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: DGC909615

La mort de Fantine - Illustration from Les Misérables,19th Century (b/w engraving)

Bayard, Emile Antoine (1837-91)

Figaro in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876
Figaro in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876

LSE4106341: Figaro in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876, Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4106341

Figaro in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876

Bayard, Emile Antoine (1837-91)

Les blanchisseuses au Chorillo, Panama, engraving after a drawing by E.Bayard, to illustrate the story Exploration at the isthms of Panama and Darien, by A. Reclus, lieutenant of ship, from 1876 to 1878, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection.
Les blanchisseuses au Chorillo, Panama, engraving after a drawing by E.Bayard, to illustrate the story Exploration at the isthms of Panama and Darien, by A. Reclus, lieutenant of ship, from 1876 to 1878, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection.

LSE4332234: Les blanchisseuses au Chorillo, Panama, engraving after a drawing by E.Bayard, to illustrate the story Exploration at the isthms of Panama and Darien, by A. Reclus, lieutenant of ship, from 1876 to 1878, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4332234

Les blanchisseuses au Chorillo, Panama, engraving after a drawing by E.Bayard, to illustrate the story Exploration at the isthms of Panama and Darien, by A. Reclus, lieutenant of ship, from 1876 to 1878, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection.

Bayard, Emile Antoine (1837-91)


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