Bayard, Emile Antoine (1837-91) Assets (222 in total)

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Suzanne in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876
Suzanne in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876

LSE4106349: Suzanne in “” Le mariage de Figaro”” - in “” Oeuvres complètes de Beaumarchais””, drawings by Emile Bayard, ed. Laplace Sanchez & cie, Paris, 1876, Bayard, Emile Antoine (1837-91) / Bridgeman Images

illustration of in Oeuvres de Nicolas Boileau, Paris 1873, Laplace Sanchez and Cie editeurs (engraving)
illustration of in Oeuvres de Nicolas Boileau, Paris 1873, Laplace Sanchez and Cie editeurs (engraving)

LSE4076835: illustration of in Oeuvres de Nicolas Boileau, Paris 1873, Laplace Sanchez and Cie editeurs (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Portrait of the author, on his mount, wearing his travel costume, engraving after a drawing by Emile Bayard illustrating the story on the desert of Acatama and Caracoles (South America), by engineer A.Bresson, in 1870-1874, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Portrait of the author, on his mount, wearing his travel costume, engraving after a drawing by Emile Bayard illustrating the story on the desert of Acatama and Caracoles (South America), by engineer A.Bresson, in 1870-1874, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330053: Portrait of the author, on his mount, wearing his travel costume, engraving after a drawing by Emile Bayard illustrating the story on the desert of Acatama and Caracoles (South America), by engineer A.Bresson, in 1870-1874, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The cortege of Cassemmbe's wife passes before Livingstone who salutes her, engraved after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The cortege of Cassemmbe's wife passes before Livingstone who salutes her, engraved after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330119: The cortege of Cassemmbe's wife passes before Livingstone who salutes her, engraved after a drawing by Emile Bayard, illustrating David Livingstone's last diary (1813-1873), in 1866-1873, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Inside the home of Jose d'Anchieta, Africa's first zoological explorer, filled with books, various instruments, cameras, telescopes, stuffed animals, medical bottles and surgical boxes, plants, clothing, pele mele firearms. On his doorstep, men and women busy peeling birds and preparing mammals. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
Inside the home of Jose d'Anchieta, Africa's first zoological explorer, filled with books, various instruments, cameras, telescopes, stuffed animals, medical bottles and surgical boxes, plants, clothing, pele mele firearms. On his doorstep, men and women busy peeling birds and preparing mammals. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332512: Inside the home of Jose d'Anchieta, Africa's first zoological explorer, filled with books, various instruments, cameras, telescopes, stuffed animals, medical bottles and surgical boxes, plants, clothing, pele mele firearms. On his doorstep, men and women busy peeling birds and preparing mammals. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Major Serpa Pinto fired at the village chief or stopped because he demanded even more brandy in exchange for his hospitality. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
Major Serpa Pinto fired at the village chief or stopped because he demanded even more brandy in exchange for his hospitality. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332514: Major Serpa Pinto fired at the village chief or stopped because he demanded even more brandy in exchange for his hospitality. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Amadifou, king of Assinie (Comptoir francais de Côte d'Ivoire) surrounds his court and his musicians, circa 1868, engraving after the drawing by Emile Bayard, illustrating the voyage to the Côte d'Afrique, in 1868, by Vice Admiral Fleuriot de Langles, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Amadifou, king of Assinie (Comptoir francais de Côte d'Ivoire) surrounds his court and his musicians, circa 1868, engraving after the drawing by Emile Bayard, illustrating the voyage to the Côte d'Afrique, in 1868, by Vice Admiral Fleuriot de Langles, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329584: Amadifou, king of Assinie (Comptoir francais de Côte d'Ivoire) surrounds his court and his musicians, circa 1868, engraving after the drawing by Emile Bayard, illustrating the voyage to the Côte d'Afrique, in 1868, by Vice Admiral Fleuriot de Langles, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Two old Eskimal women, wearing the costume of Greenland women, leather boots up to the knees, short sealskin panties and a tunic-shaped skin that falls back in front and behind, in the vicinity of Lichtenau, engraved after Emile Bayard's drawing, illustrating the voyage of the ships La Germania and La Hansa to the North Pole, in 1869-1870, by Captain Hegemann, published in “Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Two old Eskimal women, wearing the costume of Greenland women, leather boots up to the knees, short sealskin panties and a tunic-shaped skin that falls back in front and behind, in the vicinity of Lichtenau, engraved after Emile Bayard's drawing, illustrating the voyage of the ships La Germania and La Hansa to the North Pole, in 1869-1870, by Captain Hegemann, published in “Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329596: Two old Eskimal women, wearing the costume of Greenland women, leather boots up to the knees, short sealskin panties and a tunic-shaped skin that falls back in front and behind, in the vicinity of Lichtenau, engraved after Emile Bayard's drawing, illustrating the voyage of the ships La Germania and La Hansa to the North Pole, in 1869-1870, by Captain Hegemann, published in “Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The arrival of Kabba Rega, king of the Ounyoro (eastern Sudan) and the chiefs of his court, to Sir Baker's camp for an official visit, engraved after a drawing by Emile Bayard, illustrating an expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.
The arrival of Kabba Rega, king of the Ounyoro (eastern Sudan) and the chiefs of his court, to Sir Baker's camp for an official visit, engraved after a drawing by Emile Bayard, illustrating an expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329959: The arrival of Kabba Rega, king of the Ounyoro (eastern Sudan) and the chiefs of his court, to Sir Baker's camp for an official visit, engraved after a drawing by Emile Bayard, illustrating an expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Poor and rich Kyrgyz women. Engraving by Emile Bayard, to illustrate travel impressions from Orenburg to Samarkand, by Marie de Ujfalvy-Bourdon, between 1876 and 1878, in the Tour du monde, directed by Edouard Charton, 1879, Paris. Selva Collection.
Poor and rich Kyrgyz women. Engraving by Emile Bayard, to illustrate travel impressions from Orenburg to Samarkand, by Marie de Ujfalvy-Bourdon, between 1876 and 1878, in the Tour du monde, directed by Edouard Charton, 1879, Paris. Selva Collection.

LSE4331947: Poor and rich Kyrgyz women. Engraving by Emile Bayard, to illustrate travel impressions from Orenburg to Samarkand, by Marie de Ujfalvy-Bourdon, between 1876 and 1878, in the Tour du monde, directed by Edouard Charton, 1879, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Lunch at the minister of war, headdress of a turban, facing the author of the story, arriving by the court, a row of servants carrying the dishes of the meal, engraving by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.
Lunch at the minister of war, headdress of a turban, facing the author of the story, arriving by the court, a row of servants carrying the dishes of the meal, engraving by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.

LSE4332075: Lunch at the minister of war, headdress of a turban, facing the author of the story, arriving by the court, a row of servants carrying the dishes of the meal, engraving by Emile Bayard, to illustrate the story of Morocco by Edmondo de Amicis, in 1875, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Illustration for
Illustration for

XEE4150096: Illustration for "Les Miserables" (Fantine), 1862 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Chief of the CREEKS Indians, from the South East of the United States.
Chief of the CREEKS Indians, from the South East of the United States.

JAB4121397: Chief of the CREEKS Indians, from the South East of the United States., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Suzanne in “The Wedding of Figaro”
Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Suzanne in “The Wedding of Figaro”

LSE4111096: Complete work by Beaumarchais (1732-1799) by Edouard Fournier. drawing by Emile Bayard. Ed. Laplace, Sanchez et Cie, Paris 1876. This is Suzanne in “The Wedding of Figaro”, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Bartholo in the Barbier de Seville in Ovre complet de Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving) Here Bartholo in Le barbier de Seville
Bartholo in the Barbier de Seville in Ovre complet de Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving) Here Bartholo in Le barbier de Seville

LSE4111115: Bartholo in the Barbier de Seville in Ovre complet de Beaumarchais (1732-1799) by Edouard Fournier, Ed. Laplace, Sanchez et Cie, Paris 1876 (engraving) Here Bartholo in Le barbier de Seville, Bayard, Emile Antoine (1837-91) / Bridgeman Images

The Emperor (ras) Theodoros of Abyssinia surrounded by his lions. engraving from the half of the 19th century. Illustration by Emile Bayard.
The Emperor (ras) Theodoros of Abyssinia surrounded by his lions. engraving from the half of the 19th century. Illustration by Emile Bayard.

GIA4766904: The Emperor (ras) Theodoros of Abyssinia surrounded by his lions. engraving from the half of the 19th century. Illustration by Emile Bayard., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Marie Antoinette locked up in the Conciergerie prison in Paris, 1793 (engraving)
Marie Antoinette locked up in the Conciergerie prison in Paris, 1793 (engraving)

ELD4835336: Marie Antoinette locked up in the Conciergerie prison in Paris, 1793 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

A holy man. 1866 (engraving)
A holy man. 1866 (engraving)

JAB7147159: A holy man. 1866 (engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

Les Miserables
Les Miserables

XLA3748786: Les Miserables, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Sans famille d Hector Malot Illustration by Emile Bayard Around 1900
Sans famille d Hector Malot Illustration by Emile Bayard Around 1900

GEG2726290: Sans famille d Hector Malot Illustration by Emile Bayard Around 1900, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Fete Champetre, 1878 (oil on canvas)
Fete Champetre, 1878 (oil on canvas)

CH989279: Fete Champetre, 1878 (oil on canvas), Bayard, Emile Antoine (1837-91) / Bridgeman Images

A meal during the bronze age, illustration from 'L'Homme Primitif' by Louis Figuier (1819-94) published by Hachette, 1870 (engraving) (b/w photo)
A meal during the bronze age, illustration from 'L'Homme Primitif' by Louis Figuier (1819-94) published by Hachette, 1870 (engraving) (b/w photo)

CHT233789: A meal during the bronze age, illustration from 'L'Homme Primitif' by Louis Figuier (1819-94) published by Hachette, 1870 (engraving) (b/w photo), Bayard, Emile Antoine (1837-91) / Bridgeman Images

La fête chez Thérèse, 19th Century (b/w engraving)
La fête chez Thérèse, 19th Century (b/w engraving)

DGC909598: La fête chez Thérèse, 19th Century (b/w engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

La mort de Fantine - Illustration from Les Misérables,19th Century (b/w engraving)
La mort de Fantine - Illustration from Les Misérables,19th Century (b/w engraving)

DGC909615: La mort de Fantine - Illustration from Les Misérables,19th Century (b/w engraving), Bayard, Emile Antoine (1837-91) / Bridgeman Images

L'Ivrogne and His Wife, Jean De La Fontaine. 19th Century Engraving. Man, Men, Barrels, Bottle, Candle, Table, Hat, Sleeping, Liszt Gourmet Archive
L'Ivrogne and His Wife, Jean De La Fontaine. 19th Century Engraving. Man, Men, Barrels, Bottle, Candle, Table, Hat, Sleeping, Liszt Gourmet Archive

LZT1013378: L'Ivrogne and His Wife, Jean De La Fontaine. 19th Century Engraving. Man, Men, Barrels, Bottle, Candle, Table, Hat, Sleeping, Liszt Gourmet Archive, Bayard, Emile Antoine (1837-91) / Bridgeman Images

Party in the Pays De Cocagne, in the Land of Plenty, 19th century (lithograph)
Party in the Pays De Cocagne, in the Land of Plenty, 19th century (lithograph)

LZT1013400: Party in the Pays De Cocagne, in the Land of Plenty, 19th century (lithograph), Bayard, Emile Antoine (1837-91) / Bridgeman Images

illustration of Jules Verne's novel “” Around the Moon””, drawing by Emile Bayard, Hetzel edition/Voyages extraordinaire 1870. Inside the projectile, astronauts Michel Ardan and Captain Nichols revive President Barbicane who fainted when the lunar shell was launched.
illustration of Jules Verne's novel “” Around the Moon””, drawing by Emile Bayard, Hetzel edition/Voyages extraordinaire 1870. Inside the projectile, astronauts Michel Ardan and Captain Nichols revive President Barbicane who fainted when the lunar shell was launched.

PCT4259482: illustration of Jules Verne's novel “” Around the Moon””, drawing by Emile Bayard, Hetzel edition/Voyages extraordinaire 1870. Inside the projectile, astronauts Michel Ardan and Captain Nichols revive President Barbicane who fainted when the lunar shell was launched., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The Way of Heaven, drawing by E.Bayard, based on a painting from a pagoda to Tien Tsin, illustrating the journey from Shanghai to Moscow, from 1859 to 1862, by M.de Bourboulon, Minister of France in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The Way of Heaven, drawing by E.Bayard, based on a painting from a pagoda to Tien Tsin, illustrating the journey from Shanghai to Moscow, from 1859 to 1862, by M.de Bourboulon, Minister of France in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325214: The Way of Heaven, drawing by E.Bayard, based on a painting from a pagoda to Tien Tsin, illustrating the journey from Shanghai to Moscow, from 1859 to 1862, by M.de Bourboulon, Minister of France in China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Discovered by a bakery oven and preserved bread in ash during the excavations of 1864 in Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Discovered by a bakery oven and preserved bread in ash during the excavations of 1864 in Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325313: Discovered by a bakery oven and preserved bread in ash during the excavations of 1864 in Pompei, drawing by Emile Bayard (1837-1891), to illustrate Marc Monnier's text (1829-1885) “” Pompei and the Pompeians””. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

View of the Alps: forest, lake, peaks. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881.
View of the Alps: forest, lake, peaks. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881.

PCT4277466: View of the Alps: forest, lake, peaks. Illustration by Emile Bayard for the book Les Montagnes d'Albert Dupaigne, edition Mame 1881., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Fiances and peasants of the Romanian frontiers, engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Fiances and peasants of the Romanian frontiers, engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329477: Fiances and peasants of the Romanian frontiers, engraving after the drawing by Emile Bayard, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The peasants in the vicinity of Pisino (Croatia), gather for the sale of their farm products on the market: poultry, piglets..., engraving after a drawing by Emile Bayard illustrating the journey in Istria and Dalmatia, in 1874, by Charles Yriarte, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The peasants in the vicinity of Pisino (Croatia), gather for the sale of their farm products on the market: poultry, piglets..., engraving after a drawing by Emile Bayard illustrating the journey in Istria and Dalmatia, in 1874, by Charles Yriarte, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330018: The peasants in the vicinity of Pisino (Croatia), gather for the sale of their farm products on the market: poultry, piglets..., engraving after a drawing by Emile Bayard illustrating the journey in Istria and Dalmatia, in 1874, by Charles Yriarte, published in “” Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The three conductors (or sovas), princes of Dombe (Angola), and their suite of musicians and courtier, coming to meet the explorer S.Pinto. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
The three conductors (or sovas), princes of Dombe (Angola), and their suite of musicians and courtier, coming to meet the explorer S.Pinto. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332491: The three conductors (or sovas), princes of Dombe (Angola), and their suite of musicians and courtier, coming to meet the explorer S.Pinto. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Troop of young girls carrying baskets filled with food for the supply of S.Pinto and his men. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
Troop of young girls carrying baskets filled with food for the supply of S.Pinto and his men. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332513: Troop of young girls carrying baskets filled with food for the supply of S.Pinto and his men. Engraving by Emile Bayard, to illustrate the story how I've traversed Africa, from the Atlantic Ocean to the Indian Ocean, by Major Serpa Pinto, in 1877-1878, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Portrait of Ziba Khanoum, Persian princess. Engraving by E.Bayard, after a photograph, to illustrate the story “” Persia, Chaldee and Susiane”” in 1881-1882, by Jane Dieulafoy (nee Magre, 1851-1916), archeologist and writer, academic officer. Published in the Tour du monde, 2nd semester 1883, edited by Edouard Charton (1807-1890), Hachette edition, Paris.
Portrait of Ziba Khanoum, Persian princess. Engraving by E.Bayard, after a photograph, to illustrate the story “” Persia, Chaldee and Susiane”” in 1881-1882, by Jane Dieulafoy (nee Magre, 1851-1916), archeologist and writer, academic officer. Published in the Tour du monde, 2nd semester 1883, edited by Edouard Charton (1807-1890), Hachette edition, Paris.

LSE4333778: Portrait of Ziba Khanoum, Persian princess. Engraving by E.Bayard, after a photograph, to illustrate the story “” Persia, Chaldee and Susiane”” in 1881-1882, by Jane Dieulafoy (nee Magre, 1851-1916), archeologist and writer, academic officer. Published in the Tour du monde, 2nd semester 1883, edited by Edouard Charton (1807-1890), Hachette edition, Paris., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The collection of putty, a white resin of lentis, during the summer season, is the basis of the manufacture of an anisee brandy, drawing by Emile Bayard, to illustrate the story “Chio Island” (Eastern Turkey), in 1877, by Dr. A. Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
The collection of putty, a white resin of lentis, during the summer season, is the basis of the manufacture of an anisee brandy, drawing by Emile Bayard, to illustrate the story “Chio Island” (Eastern Turkey), in 1877, by Dr. A. Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331249: The collection of putty, a white resin of lentis, during the summer season, is the basis of the manufacture of an anisee brandy, drawing by Emile Bayard, to illustrate the story “Chio Island” (Eastern Turkey), in 1877, by Dr. A. Testevuide. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images


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