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Chinese bridges, stone arch bridges over a river and rope bridge over a gorge. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Chinese bridges, stone arch bridges over a river and rope bridge over a gorge. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4622620: Chinese bridges, stone arch bridges over a river and rope bridge over a gorge. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4622620

Chinese bridges, stone arch bridges over a river and rope bridge over a gorge. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

Allegorical depiction of Asia reclining on a bed, with a garland of flowers, and a bowl of incense smoking. Handcoloured copperplate engraving by Luigi Giarre after an illustration by Andrea Appiani from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Allegorical depiction of Asia reclining on a bed, with a garland of flowers, and a bowl of incense smoking. Handcoloured copperplate engraving by Luigi Giarre after an illustration by Andrea Appiani from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4622635: Allegorical depiction of Asia reclining on a bed, with a garland of flowers, and a bowl of incense smoking. Handcoloured copperplate engraving by Luigi Giarre after an illustration by Andrea Appiani from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4622635

Allegorical depiction of Asia reclining on a bed, with a garland of flowers, and a bowl of incense smoking. Handcoloured copperplate engraving by Luigi Giarre after an illustration by Andrea Appiani from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Wall, fortress and bridge at Peking (Beijing), China. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Wall, fortress and bridge at Peking (Beijing), China. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4622639: Wall, fortress and bridge at Peking (Beijing), China. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4622639

Wall, fortress and bridge at Peking (Beijing), China. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

Scene from a Peking opera dramatic performance. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Scene from a Peking opera dramatic performance. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4622687: Scene from a Peking opera dramatic performance. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4622687

Scene from a Peking opera dramatic performance. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

Queen Elizabeth I of England making her speech at Tilbury before the defeat of the Spanish Armada, 1588. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Queen Elizabeth I of England making her speech at Tilbury before the defeat of the Spanish Armada, 1588. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4622896: Queen Elizabeth I of England making her speech at Tilbury before the defeat of the Spanish Armada, 1588. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

ID: FLO4622896

Queen Elizabeth I of England making her speech at Tilbury before the defeat of the Spanish Armada, 1588. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

Giant's Causeway, County Antrim, Northern Ireland, early 19th century. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Giant's Causeway, County Antrim, Northern Ireland, early 19th century. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4622943: Giant's Causeway, County Antrim, Northern Ireland, early 19th century. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

ID: FLO4622943

Giant's Causeway, County Antrim, Northern Ireland, early 19th century. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

Wulfstan II or Lupus, Archbishop of York, 11th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Wulfstan II or Lupus, Archbishop of York, 11th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4622973: Wulfstan II or Lupus, Archbishop of York, 11th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

ID: FLO4622973

Wulfstan II or Lupus, Archbishop of York, 11th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

Views of the cities of Copenhagen, Denmark, and Segeberg, Germany. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Views of the cities of Copenhagen, Denmark, and Segeberg, Germany. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4623219: Views of the cities of Copenhagen, Denmark, and Segeberg, Germany. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

ID: FLO4623219

Views of the cities of Copenhagen, Denmark, and Segeberg, Germany. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

William the Conqueror's fleet of battleships, 11th century, 1847 (engraving)
William the Conqueror's fleet of battleships, 11th century, 1847 (engraving)

FLO4623242: William the Conqueror's fleet of battleships, 11th century, 1847 (engraving), Italian School, (19th century) / Bridgeman Images

ID: FLO4623242

William the Conqueror's fleet of battleships, 11th century, 1847 (engraving)

Italian School, (19th century)

Soldiers and weapons from the Bayeux Tapestry. Men in plate and chainmail armour armed with mace, lance, sword and shield. Handcoloured copperplate engraving by Verico after Giuseppe Bramati from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.
Soldiers and weapons from the Bayeux Tapestry. Men in plate and chainmail armour armed with mace, lance, sword and shield. Handcoloured copperplate engraving by Verico after Giuseppe Bramati from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.

FLO4623304: Soldiers and weapons from the Bayeux Tapestry. Men in plate and chainmail armour armed with mace, lance, sword and shield. Handcoloured copperplate engraving by Verico after Giuseppe Bramati from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844. / Bridgeman Images

ID: FLO4623304

Soldiers and weapons from the Bayeux Tapestry. Men in plate and chainmail armour armed with mace, lance, sword and shield. Handcoloured copperplate engraving by Verico after Giuseppe Bramati from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.

Chatham naval barracks and William Congreve's rockets for the British military used in the Napoleonic Wars from 1804. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Chatham naval barracks and William Congreve's rockets for the British military used in the Napoleonic Wars from 1804. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4622941: Chatham naval barracks and William Congreve's rockets for the British military used in the Napoleonic Wars from 1804. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

ID: FLO4622941

Chatham naval barracks and William Congreve's rockets for the British military used in the Napoleonic Wars from 1804. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

Detail of the interior of Westminster Abbey, 18th century. Handcoloured copperplate drawn and engraved by P. Giarre from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Detail of the interior of Westminster Abbey, 18th century. Handcoloured copperplate drawn and engraved by P. Giarre from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4623022: Detail of the interior of Westminster Abbey, 18th century. Handcoloured copperplate drawn and engraved by P. Giarre from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

ID: FLO4623022

Detail of the interior of Westminster Abbey, 18th century. Handcoloured copperplate drawn and engraved by P. Giarre from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

Plans for a tunnel under the River Thames, with two lanes for horse-drawn carriages and pedestrians, workers excavating the tunnels. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Plans for a tunnel under the River Thames, with two lanes for horse-drawn carriages and pedestrians, workers excavating the tunnels. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4623052: Plans for a tunnel under the River Thames, with two lanes for horse-drawn carriages and pedestrians, workers excavating the tunnels. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

ID: FLO4623052

Plans for a tunnel under the River Thames, with two lanes for horse-drawn carriages and pedestrians, workers excavating the tunnels. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

Parhelie sur Pluto - Artist's view - Parhelie sur Pluto - Artist's view - Artist's view of the icy surface of Pluto and the Sun. When Pluto is at its perihelie, that is to say the closest to the Sun, it has a very fine atmosphere. Some optical phenomena could then occur as here, a parhely
Parhelie sur Pluto - Artist's view - Parhelie sur Pluto - Artist's view - Artist's view of the icy surface of Pluto and the Sun. When Pluto is at its perihelie, that is to say the closest to the Sun, it has a very fine atmosphere. Some optical phenomena could then occur as here, a parhely

PIX4624441: Parhelie sur Pluto - Artist's view - Parhelie sur Pluto - Artist's view - Artist's view of the icy surface of Pluto and the Sun. When Pluto is at its perihelie, that is to say the closest to the Sun, it has a very fine atmosphere. Some optical phenomena could then occur as here, a parhely, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4624441

Parhelie sur Pluto - Artist's view - Parhelie sur Pluto - Artist's view - Artist's view of the icy surface of Pluto and the Sun. When Pluto is at its perihelie, that is to say the closest to the Sun, it has a very fine atmosphere. Some optical phenomena could then occur as here, a parhely

Dixon, Don (b.1951)

Ancient miniatures representing jousts from the Vatican Library. The bottom scene from a English manuscript, Universal Stories Sacred and Profane, 1290, resembles Ariosto's tale of Ullania and the tyrant Marganorre. Handcoloured copperplate engraving by Verico after A. Monticelli from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844
Ancient miniatures representing jousts from the Vatican Library. The bottom scene from a English manuscript, Universal Stories Sacred and Profane, 1290, resembles Ariosto's tale of Ullania and the tyrant Marganorre. Handcoloured copperplate engraving by Verico after A. Monticelli from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844

FLO4623448: Ancient miniatures representing jousts from the Vatican Library. The bottom scene from a English manuscript, Universal Stories Sacred and Profane, 1290, resembles Ariosto's tale of Ullania and the tyrant Marganorre. Handcoloured copperplate engraving by Verico after A. Monticelli from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844 / Bridgeman Images

ID: FLO4623448

Ancient miniatures representing jousts from the Vatican Library. The bottom scene from a English manuscript, Universal Stories Sacred and Profane, 1290, resembles Ariosto's tale of Ullania and the tyrant Marganorre. Handcoloured copperplate engraving by Verico after A. Monticelli from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844

Knights jousting at a medieval tournament, and heraldic crests. Handcoloured copperplate engraving by Verico after Biasioli from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.
Knights jousting at a medieval tournament, and heraldic crests. Handcoloured copperplate engraving by Verico after Biasioli from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.

FLO4623491: Knights jousting at a medieval tournament, and heraldic crests. Handcoloured copperplate engraving by Verico after Biasioli from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844. / Bridgeman Images

ID: FLO4623491

Knights jousting at a medieval tournament, and heraldic crests. Handcoloured copperplate engraving by Verico after Biasioli from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.

Alice meets a knight, from
Alice meets a knight, from

JLJ4623596: Alice meets a knight, from "Through the Looking-Glass" by Lewis Carroll, 20th century (illustration), Maraja, Libico (1912-83) / Bridgeman Images

ID: JLJ4623596

Alice meets a knight, from "Through the Looking-Glass" by Lewis Carroll, 20th century (illustration)

Maraja, Libico (1912-83)

Tragic death of Tipu Sultan, or Tipu Sahib, the Tiger of Mysore, 1799. From Schiavonetti's painting The Body of Tipu Sultan Recognized by his Family. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Tragic death of Tipu Sultan, or Tipu Sahib, the Tiger of Mysore, 1799. From Schiavonetti's painting The Body of Tipu Sultan Recognized by his Family. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4623656: Tragic death of Tipu Sultan, or Tipu Sahib, the Tiger of Mysore, 1799. From Schiavonetti's painting The Body of Tipu Sultan Recognized by his Family. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

ID: FLO4623656

Tragic death of Tipu Sultan, or Tipu Sahib, the Tiger of Mysore, 1799. From Schiavonetti's painting The Body of Tipu Sultan Recognized by his Family. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Other incarnations of the Hindu god Vishnu. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Other incarnations of the Hindu god Vishnu. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4623762: Other incarnations of the Hindu god Vishnu. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

ID: FLO4623762

Other incarnations of the Hindu god Vishnu. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Medieval hunting from a bas relief on a sarcophagus: hunter with horn and hounds, and man with sword attacking a stag at a fountain. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844
Medieval hunting from a bas relief on a sarcophagus: hunter with horn and hounds, and man with sword attacking a stag at a fountain. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844

FLO4623477: Medieval hunting from a bas relief on a sarcophagus: hunter with horn and hounds, and man with sword attacking a stag at a fountain. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844 / Bridgeman Images

ID: FLO4623477

Medieval hunting from a bas relief on a sarcophagus: hunter with horn and hounds, and man with sword attacking a stag at a fountain. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844

Combat between the Chamberlain of Tancarville and Sire of Harcourt. The duel was halted by the King of France. Handcoloured copperplate engraving by Verico after Alessandro Sanquirico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.
Combat between the Chamberlain of Tancarville and Sire of Harcourt. The duel was halted by the King of France. Handcoloured copperplate engraving by Verico after Alessandro Sanquirico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.

FLO4623535: Combat between the Chamberlain of Tancarville and Sire of Harcourt. The duel was halted by the King of France. Handcoloured copperplate engraving by Verico after Alessandro Sanquirico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844. / Bridgeman Images

ID: FLO4623535

Combat between the Chamberlain of Tancarville and Sire of Harcourt. The duel was halted by the King of France. Handcoloured copperplate engraving by Verico after Alessandro Sanquirico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.

Indian men with hookah pipe and fan relaxing under a canopy. Members of the third caste of Vaisyas, or farmers, merchants and officials. Handcoloured copperplate engraving by Zunnoni from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, Batelli, 1843.
Indian men with hookah pipe and fan relaxing under a canopy. Members of the third caste of Vaisyas, or farmers, merchants and officials. Handcoloured copperplate engraving by Zunnoni from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, Batelli, 1843.

FLO4623617: Indian men with hookah pipe and fan relaxing under a canopy. Members of the third caste of Vaisyas, or farmers, merchants and officials. Handcoloured copperplate engraving by Zunnoni from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, Batelli, 1843. / Bridgeman Images

ID: FLO4623617

Indian men with hookah pipe and fan relaxing under a canopy. Members of the third caste of Vaisyas, or farmers, merchants and officials. Handcoloured copperplate engraving by Zunnoni from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, Batelli, 1843.

Portrait of the writer Torquato Tasso (painting, end of 16th century)
Portrait of the writer Torquato Tasso (painting, end of 16th century)

LRI4623628: Portrait of the writer Torquato Tasso (painting, end of 16th century), Allori, Alessandro (1535-1607) / Bridgeman Images

ID: LRI4623628

Portrait of the writer Torquato Tasso (painting, end of 16th century)

Allori, Alessandro (1535-1607)

Mughal Muslims visiting a tomb in India. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Alessandro Sanquirico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Mughal Muslims visiting a tomb in India. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Alessandro Sanquirico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4623770: Mughal Muslims visiting a tomb in India. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Alessandro Sanquirico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

ID: FLO4623770

Mughal Muslims visiting a tomb in India. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Alessandro Sanquirico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Portrait of Marie Jeanne Baptiste of Savoy-Nemours, also called Madama Reale or Madame Royale. 17th century (painting)
Portrait of Marie Jeanne Baptiste of Savoy-Nemours, also called Madama Reale or Madame Royale. 17th century (painting)

LRI4624636: Portrait of Marie Jeanne Baptiste of Savoy-Nemours, also called Madama Reale or Madame Royale. 17th century (painting), Unknown Artist, (17th century) / Bridgeman Images

ID: LRI4624636

Portrait of Marie Jeanne Baptiste of Savoy-Nemours, also called Madama Reale or Madame Royale. 17th century (painting)

Unknown Artist, (17th century)

Indian transport: sedan chair or chair palanquin, gary ox cart on the bridge, and a rath or two-ox carriage with curtained palanquin. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Indian transport: sedan chair or chair palanquin, gary ox cart on the bridge, and a rath or two-ox carriage with curtained palanquin. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4623951: Indian transport: sedan chair or chair palanquin, gary ox cart on the bridge, and a rath or two-ox carriage with curtained palanquin. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844., Bernieri, Andrea (1792-1849) / Bridgeman Images

ID: FLO4623951

Indian transport: sedan chair or chair palanquin, gary ox cart on the bridge, and a rath or two-ox carriage with curtained palanquin. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Bernieri, Andrea (1792-1849)

Toque macaque monkeys, Macaca sinica (endangered) amid breadfruit trees, Artocarpus altilis, and talipot palm, Corypha umbraculifera, in Sri Lanka. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Toque macaque monkeys, Macaca sinica (endangered) amid breadfruit trees, Artocarpus altilis, and talipot palm, Corypha umbraculifera, in Sri Lanka. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4623992: Toque macaque monkeys, Macaca sinica (endangered) amid breadfruit trees, Artocarpus altilis, and talipot palm, Corypha umbraculifera, in Sri Lanka. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

ID: FLO4623992

Toque macaque monkeys, Macaca sinica (endangered) amid breadfruit trees, Artocarpus altilis, and talipot palm, Corypha umbraculifera, in Sri Lanka. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

View of the hill of Padang, West Sumatra, with its Dutch fortress, circa 1800. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
View of the hill of Padang, West Sumatra, with its Dutch fortress, circa 1800. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624228: View of the hill of Padang, West Sumatra, with its Dutch fortress, circa 1800. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

ID: FLO4624228

View of the hill of Padang, West Sumatra, with its Dutch fortress, circa 1800. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Costumes of the people of Java, Indonesia. Man in cap and skirt, nobleman in cotton robe with cudgel, woman in sarong, female dancer, and man in loincloth. Handcoloured copperplate engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Costumes of the people of Java, Indonesia. Man in cap and skirt, nobleman in cotton robe with cudgel, woman in sarong, female dancer, and man in loincloth. Handcoloured copperplate engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624264: Costumes of the people of Java, Indonesia. Man in cap and skirt, nobleman in cotton robe with cudgel, woman in sarong, female dancer, and man in loincloth. Handcoloured copperplate engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

ID: FLO4624264

Costumes of the people of Java, Indonesia. Man in cap and skirt, nobleman in cotton robe with cudgel, woman in sarong, female dancer, and man in loincloth. Handcoloured copperplate engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Costumes of the Tagalog women of Manila, the Philippines. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Costumes of the Tagalog women of Manila, the Philippines. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624281: Costumes of the Tagalog women of Manila, the Philippines. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

ID: FLO4624281

Costumes of the Tagalog women of Manila, the Philippines. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Naba Leba, Queen of Solor, and a Malay girl from Timor. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Naba Leba, Queen of Solor, and a Malay girl from Timor. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624303: Naba Leba, Queen of Solor, and a Malay girl from Timor. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

ID: FLO4624303

Naba Leba, Queen of Solor, and a Malay girl from Timor. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Francois Peron examining an aborginal tomb on Maria Island, Tasmania. Complete (left), half opened (right) and dismantled (centre). The grave consists of a cone of wooden fiber over long poles. Handcoloured copperplate engraved by Sasso after Charles-Alexandre Lesueur from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Francois Peron examining an aborginal tomb on Maria Island, Tasmania. Complete (left), half opened (right) and dismantled (centre). The grave consists of a cone of wooden fiber over long poles. Handcoloured copperplate engraved by Sasso after Charles-Alexandre Lesueur from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624353: Francois Peron examining an aborginal tomb on Maria Island, Tasmania. Complete (left), half opened (right) and dismantled (centre). The grave consists of a cone of wooden fiber over long poles. Handcoloured copperplate engraved by Sasso after Charles-Alexandre Lesueur from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

ID: FLO4624353

Francois Peron examining an aborginal tomb on Maria Island, Tasmania. Complete (left), half opened (right) and dismantled (centre). The grave consists of a cone of wooden fiber over long poles. Handcoloured copperplate engraved by Sasso after Charles-Alexandre Lesueur from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Aborigine huts and village in West Australia (Eendacht's land). Handcoloured copperplate engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Aborigine huts and village in West Australia (Eendacht's land). Handcoloured copperplate engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624357: Aborigine huts and village in West Australia (Eendacht's land). Handcoloured copperplate engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

ID: FLO4624357

Aborigine huts and village in West Australia (Eendacht's land). Handcoloured copperplate engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Natives of the island of Tanna, Vanuatu, and of the island of Beautemps-Beaupre, Loyalty Islands, New Caledonia. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Natives of the island of Tanna, Vanuatu, and of the island of Beautemps-Beaupre, Loyalty Islands, New Caledonia. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624412: Natives of the island of Tanna, Vanuatu, and of the island of Beautemps-Beaupre, Loyalty Islands, New Caledonia. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

ID: FLO4624412

Natives of the island of Tanna, Vanuatu, and of the island of Beautemps-Beaupre, Loyalty Islands, New Caledonia. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Portrait medal of Lorenzo de Medici, known as the Magnificent (Bronze, 15th century)
Portrait medal of Lorenzo de Medici, known as the Magnificent (Bronze, 15th century)

LRI4624015: Portrait medal of Lorenzo de Medici, known as the Magnificent (Bronze, 15th century), Spinelli, Nicolo (1430-1514) / Bridgeman Images

ID: LRI4624015

Portrait medal of Lorenzo de Medici, known as the Magnificent (Bronze, 15th century)

Spinelli, Nicolo (1430-1514)

Man and woman of the Kayan mountain tribe, Cassay elite cavalryman of the Burmese imperial guard, and Burman peasant with sword and shield. Adapted from Michael Symes' Account of an Embassy to the Kingdom of Ava. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Man and woman of the Kayan mountain tribe, Cassay elite cavalryman of the Burmese imperial guard, and Burman peasant with sword and shield. Adapted from Michael Symes' Account of an Embassy to the Kingdom of Ava. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624046: Man and woman of the Kayan mountain tribe, Cassay elite cavalryman of the Burmese imperial guard, and Burman peasant with sword and shield. Adapted from Michael Symes' Account of an Embassy to the Kingdom of Ava. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

ID: FLO4624046

Man and woman of the Kayan mountain tribe, Cassay elite cavalryman of the Burmese imperial guard, and Burman peasant with sword and shield. Adapted from Michael Symes' Account of an Embassy to the Kingdom of Ava. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.


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