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Costume of a Singhalese woman in Sri Lanka. A man sheltering from the rain under a talipot palm leaf and a seated man drinking from a vase. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Robert Knox from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Costume of a Singhalese woman in Sri Lanka. A man sheltering from the rain under a talipot palm leaf and a seated man drinking from a vase. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Robert Knox from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624080: Costume of a Singhalese woman in Sri Lanka. A man sheltering from the rain under a talipot palm leaf and a seated man drinking from a vase. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Robert Knox from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

Funeral procession and cortege for a queen of Tonkin, Vietnam. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Funeral procession and cortege for a queen of Tonkin, Vietnam. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624129: Funeral procession and cortege for a queen of Tonkin, Vietnam. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

Opera performance in Cochinchina (southern Vietnam). Handcoloured copperplate engraving by Andrea Bernieri after Angelo Monticelli from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Opera performance in Cochinchina (southern Vietnam). Handcoloured copperplate engraving by Andrea Bernieri after Angelo Monticelli from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624201: Opera performance in Cochinchina (southern Vietnam). Handcoloured copperplate engraving by Andrea Bernieri after Angelo Monticelli from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

Tagalog people on a boat in front of Puerto de Cavite, Spanish port in Manila Bay, Philippines. Copied from a painting by Duche de Vancy and J.M. Moreau le Jeune in La Perouse. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Tagalog people on a boat in front of Puerto de Cavite, Spanish port in Manila Bay, Philippines. Copied from a painting by Duche de Vancy and J.M. Moreau le Jeune in La Perouse. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624322: Tagalog people on a boat in front of Puerto de Cavite, Spanish port in Manila Bay, Philippines. Copied from a painting by Duche de Vancy and J.M. Moreau le Jeune in La Perouse. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

Captain James Cook and natives examining the Moai statues on Easter Island or Rapa Nui. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Captain James Cook and natives examining the Moai statues on Easter Island or Rapa Nui. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624562: Captain James Cook and natives examining the Moai statues on Easter Island or Rapa Nui. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

Kings of Hungary: Holy Roman Emperor Sigismund of Luxemburg 4, Albert the Magnanimous 5, and John Hunyadi 6. Handcoloured copperplate engraving by Giarre from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Kings of Hungary: Holy Roman Emperor Sigismund of Luxemburg 4, Albert the Magnanimous 5, and John Hunyadi 6. Handcoloured copperplate engraving by Giarre from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4624635: Kings of Hungary: Holy Roman Emperor Sigismund of Luxemburg 4, Albert the Magnanimous 5, and John Hunyadi 6. Handcoloured copperplate engraving by Giarre from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

Svetovid, Slavic deity of war and sun, depicted as a four-faced god with a horn of abundance and bow in a temple. A priest predicts the future by observing the behavior of a white horse. Handcoloured copperplate engraving by Scrantoni from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Svetovid, Slavic deity of war and sun, depicted as a four-faced god with a horn of abundance and bow in a temple. A priest predicts the future by observing the behavior of a white horse. Handcoloured copperplate engraving by Scrantoni from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4624884: Svetovid, Slavic deity of war and sun, depicted as a four-faced god with a horn of abundance and bow in a temple. A priest predicts the future by observing the behavior of a white horse. Handcoloured copperplate engraving by Scrantoni from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

History of America: the Spanish exploit the gold mines (Engraving, 1595)
History of America: the Spanish exploit the gold mines (Engraving, 1595)

LRI4624992: History of America: the Spanish exploit the gold mines (Engraving, 1595), Bry, Theodor de (1528-98) / Bridgeman Images

Golden Spire apple variety. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Floriste et Pomologie, by Robert Hogg, published in London 1878 to 1884.
Golden Spire apple variety. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Floriste et Pomologie, by Robert Hogg, published in London 1878 to 1884.

FLO4625127: Golden Spire apple variety. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Floriste et Pomologie, by Robert Hogg, published in London 1878 to 1884. / Bridgeman Images

Silver coin with the effigy of Pompee the Great (Gneo Pompeo Magno or Gnaeus Pompeius Magnus, 106-48 BC), general and Roman statesman. Rome, Museo Nazionale Romano - Coin representing Pompey the Great (Gnaeus Pompeius Magnus) (106-48 BC). Museo Nazionale Romano, Rome, Italy
Silver coin with the effigy of Pompee the Great (Gneo Pompeo Magno or Gnaeus Pompeius Magnus, 106-48 BC), general and Roman statesman. Rome, Museo Nazionale Romano - Coin representing Pompey the Great (Gnaeus Pompeius Magnus) (106-48 BC). Museo Nazionale Romano, Rome, Italy

LRI4625256: Silver coin with the effigy of Pompee the Great (Gneo Pompeo Magno or Gnaeus Pompeius Magnus, 106-48 BC), general and Roman statesman. Rome, Museo Nazionale Romano - Coin representing Pompey the Great (Gnaeus Pompeius Magnus) (106-48 BC). Museo Nazionale Romano, Rome, Italy, Roman, (1st century BC) / Bridgeman Images

Variety of apple, beautiful of Hants. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Floriste et Pomologie, by Robert Hogg, published in London 1878 to 1884.
Variety of apple, beautiful of Hants. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Floriste et Pomologie, by Robert Hogg, published in London 1878 to 1884.

FLO4625296: Variety of apple, beautiful of Hants. Chromolithography drawn by Walter Hood Fitch, Miss E. Regel and J.L. Macfarlane, lithography by G.Severeyns and Stroobant, Belgium, published in Floriste et Pomologie, by Robert Hogg, published in London 1878 to 1884. / Bridgeman Images

Portraits of medieval Russian rulers: Yaroslav the Wise 6, Sviatoslav I 7, Sviatopolk I 8, Vladimir II Monomakh 9, Yuri I 10, Ivan II the Fair 11, Dmitri Donskoi 12 and Ivan III Vasilyevich 13. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Portraits of medieval Russian rulers: Yaroslav the Wise 6, Sviatoslav I 7, Sviatopolk I 8, Vladimir II Monomakh 9, Yuri I 10, Ivan II the Fair 11, Dmitri Donskoi 12 and Ivan III Vasilyevich 13. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4624722: Portraits of medieval Russian rulers: Yaroslav the Wise 6, Sviatoslav I 7, Sviatopolk I 8, Vladimir II Monomakh 9, Yuri I 10, Ivan II the Fair 11, Dmitri Donskoi 12 and Ivan III Vasilyevich 13. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

Study for a horse Drawing by Giovanni Stradano (Jan van der Straet) (1523-1605) Florence, Gabinetto Disegni e Stampe, Uffizi (Offices)
Study for a horse Drawing by Giovanni Stradano (Jan van der Straet) (1523-1605) Florence, Gabinetto Disegni e Stampe, Uffizi (Offices)

LRI4624829: Study for a horse Drawing by Giovanni Stradano (Jan van der Straet) (1523-1605) Florence, Gabinetto Disegni e Stampe, Uffizi (Offices), Straet, Jan van der (Joannes Stradanus) (1523-1605) / Bridgeman Images

Lettrines and miniatures of manuscripts from 1400 to 1440, extracted from various works of the bookstores of Paris, Heidelberg and Munich - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Lettrines and miniatures of manuscripts from 1400 to 1440, extracted from various works of the bookstores of Paris, Heidelberg and Munich - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643746: Lettrines and miniatures of manuscripts from 1400 to 1440, extracted from various works of the bookstores of Paris, Heidelberg and Munich - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

Knight in armor of the 15th century - Tombstone of Gottfried von Eppstein, died 1437 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Knight in armor of the 15th century - Tombstone of Gottfried von Eppstein, died 1437 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643762: Knight in armor of the 15th century - Tombstone of Gottfried von Eppstein, died 1437 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

Italian costumes mid-15th century: a young man with a crown of leaves wears a rich embroidered tunic, gloves and boots with long spurs, behind him a man holds a trumpet and wears coats of arms on his coat, according to a painting by the Berlin Gallery (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner- Alteneck (1811-1903), for his book “Costumes, handicrafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Italian costumes mid-15th century: a young man with a crown of leaves wears a rich embroidered tunic, gloves and boots with long spurs, behind him a man holds a trumpet and wears coats of arms on his coat, according to a painting by the Berlin Gallery (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner- Alteneck (1811-1903), for his book “Costumes, handicrafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643968: Italian costumes mid-15th century: a young man with a crown of leaves wears a rich embroidered tunic, gloves and boots with long spurs, behind him a man holds a trumpet and wears coats of arms on his coat, according to a painting by the Berlin Gallery (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner- Alteneck (1811-1903), for his book “Costumes, handicrafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

Wilhelm (William) von Ingelheim or Ockenheim (died 1465), after his tombstone in Oberingelheim (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Wilhelm (William) von Ingelheim or Ockenheim (died 1465), after his tombstone in Oberingelheim (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643991: Wilhelm (William) von Ingelheim or Ockenheim (died 1465), after his tombstone in Oberingelheim (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

Swiss burger woman from the mid 16th century, holding a chalice. From a coloured pen and ink drawing, probably for a stainless-glass coat of arms. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by A.G. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Swiss burger woman from the mid 16th century, holding a chalice. From a coloured pen and ink drawing, probably for a stainless-glass coat of arms. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by A.G. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

FLO4644196: Swiss burger woman from the mid 16th century, holding a chalice. From a coloured pen and ink drawing, probably for a stainless-glass coat of arms. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by A.G. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. / Bridgeman Images

The eruption of the Vesuve in Naples in the moonlight (Painting, 18th century)
The eruption of the Vesuve in Naples in the moonlight (Painting, 18th century)

LRI4643724: The eruption of the Vesuve in Naples in the moonlight (Painting, 18th century), Volaire, Pierre Jacques (1729-c.1802) / Bridgeman Images

Fishermen and peasant women from Barletta, Italy - Detail Painting by Jacob Philipp Hackert dit Hackert d'Italie (1737-1807) 18th century - Museo Nazionale di San Martino Naples
Fishermen and peasant women from Barletta, Italy - Detail Painting by Jacob Philipp Hackert dit Hackert d'Italie (1737-1807) 18th century - Museo Nazionale di San Martino Naples

LRI4643779: Fishermen and peasant women from Barletta, Italy - Detail Painting by Jacob Philipp Hackert dit Hackert d'Italie (1737-1807) 18th century - Museo Nazionale di San Martino Naples, Hackert, Jacob-Philippe (1737-1807) / Bridgeman Images

Ludwig, Duke of Baviere (d. 1449), on his horse for a tournament, he wears a coat of arms over his armor, a page has his dimensions - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Ludwig, Duke of Baviere (d. 1449), on his horse for a tournament, he wears a coat of arms over his armor, a page has his dimensions - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643844: Ludwig, Duke of Baviere (d. 1449), on his horse for a tournament, he wears a coat of arms over his armor, a page has his dimensions - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

Henry XVI, Duke of Baviere (1386-1450), in armor, kneels in prayer - From a stained glass window from the church of Jenkhofen (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century “”, published by Heinrich Keller, Frankfurt, 1883
Henry XVI, Duke of Baviere (1386-1450), in armor, kneels in prayer - From a stained glass window from the church of Jenkhofen (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century “”, published by Heinrich Keller, Frankfurt, 1883

FLO4643906: Henry XVI, Duke of Baviere (1386-1450), in armor, kneels in prayer - From a stained glass window from the church of Jenkhofen (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century “”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

Costumes of the bourgeois of the late 15th century, after a tombstone of the Church of St. Catherine in Fracfort (Germany), 1468 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Costumes of the bourgeois of the late 15th century, after a tombstone of the Church of St. Catherine in Fracfort (Germany), 1468 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883

FLO4643975: Costumes of the bourgeois of the late 15th century, after a tombstone of the Church of St. Catherine in Fracfort (Germany), 1468 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883 / Bridgeman Images

Piedigrotta feast in Naples on September 8th Detail of the royal procession - Painting of the beginning of the 19th century - Museo Nazionale di San Martino Naples
Piedigrotta feast in Naples on September 8th Detail of the royal procession - Painting of the beginning of the 19th century - Museo Nazionale di San Martino Naples

LRI4644167: Piedigrotta feast in Naples on September 8th Detail of the royal procession - Painting of the beginning of the 19th century - Museo Nazionale di San Martino Naples, Italian School, (19th century) / Bridgeman Images

Craftswoman from Nuremberg with purse in the form of a castle with little man looking out, and woman from Cologne in golden girdle with bouquet of flowers, late 16th century. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Craftswoman from Nuremberg with purse in the form of a castle with little man looking out, and woman from Cologne in golden girdle with bouquet of flowers, late 16th century. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

FLO4644302: Craftswoman from Nuremberg with purse in the form of a castle with little man looking out, and woman from Cologne in golden girdle with bouquet of flowers, late 16th century. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. / Bridgeman Images

Small Neapolitan metier: a saleswoman of corn grilles - (Old trade: grilled corn seller) Watercolour 19th century Museo Nazionale di San Martino Naples
Small Neapolitan metier: a saleswoman of corn grilles - (Old trade: grilled corn seller) Watercolour 19th century Museo Nazionale di San Martino Naples

LRI4644314: Small Neapolitan metier: a saleswoman of corn grilles - (Old trade: grilled corn seller) Watercolour 19th century Museo Nazionale di San Martino Naples, Italian School, (19th century) / Bridgeman Images

City burgher and ironsmith Niklas Ruhl and his wife standing beside his coat of arms. From an Aschaffenburg Guild Book, 1598. He holds a golden lily, and she a rose. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. B. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
City burgher and ironsmith Niklas Ruhl and his wife standing beside his coat of arms. From an Aschaffenburg Guild Book, 1598. He holds a golden lily, and she a rose. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. B. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

FLO4644456: City burgher and ironsmith Niklas Ruhl and his wife standing beside his coat of arms. From an Aschaffenburg Guild Book, 1598. He holds a golden lily, and she a rose. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. B. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. / Bridgeman Images

Snailfish, Cyclogastre liparis, Cyclogasterus liparis, and clingfish from side and below, Lepadogastere gouan, Lepadogaster lepadogaster. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine.
Snailfish, Cyclogastre liparis, Cyclogasterus liparis, and clingfish from side and below, Lepadogastere gouan, Lepadogaster lepadogaster. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine.

FLO4644540: Snailfish, Cyclogastre liparis, Cyclogasterus liparis, and clingfish from side and below, Lepadogastere gouan, Lepadogaster lepadogaster. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. / Bridgeman Images

Sea sturgeon, Acipenser sturio, Great Sturgeon. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Dien, directed by Turpin, and published by F. G. Levrault.
Sea sturgeon, Acipenser sturio, Great Sturgeon. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Dien, directed by Turpin, and published by F. G. Levrault.

FLO4644615: Sea sturgeon, Acipenser sturio, Great Sturgeon. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Dien, directed by Turpin, and published by F. G. Levrault. / Bridgeman Images

Frail caecilian, Caecilia gracilis lumbricoidea, typhlops lombricoide, Typhlops lumbricalis, and red worm lizard, amphisbene blanchatre, Amphisbaena alba. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Plee, directed by Turpin, and published by F. G. Levrault.
Frail caecilian, Caecilia gracilis lumbricoidea, typhlops lombricoide, Typhlops lumbricalis, and red worm lizard, amphisbene blanchatre, Amphisbaena alba. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Plee, directed by Turpin, and published by F. G. Levrault.

FLO4644707: Frail caecilian, Caecilia gracilis lumbricoidea, typhlops lombricoide, Typhlops lumbricalis, and red worm lizard, amphisbene blanchatre, Amphisbaena alba. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Plee, directed by Turpin, and published by F. G. Levrault. / Bridgeman Images

Knight (reiter) with wheel-lock pistol and harem pants A, jester with bladder and marotte (bauble), B, and girl in long petticoat and apron from Strasbourg C. 1550-1600
Knight (reiter) with wheel-lock pistol and harem pants A, jester with bladder and marotte (bauble), B, and girl in long petticoat and apron from Strasbourg C. 1550-1600

FLO4644278: Knight (reiter) with wheel-lock pistol and harem pants A, jester with bladder and marotte (bauble), B, and girl in long petticoat and apron from Strasbourg C. 1550-1600 / Bridgeman Images

Woman of Genoa with bouquet A, woman of Pisa holding a feather fan B, and details of a pair of Venetian woman's shoes in sheepskin C, D, E, F. 1560-1600 Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Woman of Genoa with bouquet A, woman of Pisa holding a feather fan B, and details of a pair of Venetian woman's shoes in sheepskin C, D, E, F. 1560-1600 Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

FLO4644303: Woman of Genoa with bouquet A, woman of Pisa holding a feather fan B, and details of a pair of Venetian woman's shoes in sheepskin C, D, E, F. 1560-1600 Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. / Bridgeman Images

Portrait of a young woman from Pietracanale in the region of Abruzzo, in traditional dress, Italy - (Young woman from Pietracanale, Abruzzo) Watercolour 19th century Museo Nazionale di San Martino Naples
Portrait of a young woman from Pietracanale in the region of Abruzzo, in traditional dress, Italy - (Young woman from Pietracanale, Abruzzo) Watercolour 19th century Museo Nazionale di San Martino Naples

LRI4644347: Portrait of a young woman from Pietracanale in the region of Abruzzo, in traditional dress, Italy - (Young woman from Pietracanale, Abruzzo) Watercolour 19th century Museo Nazionale di San Martino Naples, Italian School, (19th century) / Bridgeman Images

Variete of Oxalis (known as sensitiva), a sensitive plant that reacts by movement during contact. Description flowers, leaves, stem. Eau forte en couleurs, drawing by P.Maioli (or Majoli), engraving by Giuseppe Bianchi, published in 1786, in Decade of Curious and Elegant Trees and Plants (new edition), by John Hill.
Variete of Oxalis (known as sensitiva), a sensitive plant that reacts by movement during contact. Description flowers, leaves, stem. Eau forte en couleurs, drawing by P.Maioli (or Majoli), engraving by Giuseppe Bianchi, published in 1786, in Decade of Curious and Elegant Trees and Plants (new edition), by John Hill.

FLO4644486: Variete of Oxalis (known as sensitiva), a sensitive plant that reacts by movement during contact. Description flowers, leaves, stem. Eau forte en couleurs, drawing by P.Maioli (or Majoli), engraving by Giuseppe Bianchi, published in 1786, in Decade of Curious and Elegant Trees and Plants (new edition), by John Hill. / Bridgeman Images

Climbing plant Ceropegia candelabrum, which takes its name from the singular shape of its candle-like flowers. Its seeds (poisoned) and seve are used as medicinal components. Eau forte en couleurs, drawing by P.Maioli (or Majoli), engraving by Giuseppe Bianchi, published in 1786, in Decade of Curious and Elegant Trees and Plants (new edition), by John Hill.
Climbing plant Ceropegia candelabrum, which takes its name from the singular shape of its candle-like flowers. Its seeds (poisoned) and seve are used as medicinal components. Eau forte en couleurs, drawing by P.Maioli (or Majoli), engraving by Giuseppe Bianchi, published in 1786, in Decade of Curious and Elegant Trees and Plants (new edition), by John Hill.

FLO4644534: Climbing plant Ceropegia candelabrum, which takes its name from the singular shape of its candle-like flowers. Its seeds (poisoned) and seve are used as medicinal components. Eau forte en couleurs, drawing by P.Maioli (or Majoli), engraving by Giuseppe Bianchi, published in 1786, in Decade of Curious and Elegant Trees and Plants (new edition), by John Hill. / Bridgeman Images

Angel shark, Squatina squatina, Squatine, sea angel. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Victor, directed by Turpin, and published by F. G. Levrault.
Angel shark, Squatina squatina, Squatine, sea angel. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Victor, directed by Turpin, and published by F. G. Levrault.

FLO4644825: Angel shark, Squatina squatina, Squatine, sea angel. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Victor, directed by Turpin, and published by F. G. Levrault. / Bridgeman Images


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